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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #59884D it is the complementary color #A677B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #59884D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #59884D shade: #5E8848, #6F9A5B, #80AC6E, #91BE81 and #A2D094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #59884D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #59884D shade: #59884D, #48763A, #376427, #265214 and #154001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #59884D shade: #59894D, #69894D, #79894D, #89884D and #89784D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #59884D shade: #59894D, #4D8951, #4D8961, #4D8971 and #4D8981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #59884D shade matches the following richer shades: #59894D, #4F9A3B, #44AB2A, #3ABD19 and #30CE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #59884D shade: #59894D, #63775E, #6D666F, #785581 and #824392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #59884D shade: #7A894D, #6A894D, #5A894D, #4D8950 and #4D8960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #59884D shade: #36542F, #486E3E, #59894D, #6AA35C and #82B276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #59884D shade: #59884D, #4D8988 and #894D72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #59884D shade: #59884D, #4D5A89 and #894D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #59884D shade: #59884D, #4D8988, #7C4D89 and #894D4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #59884D shade: #59884D, #4D7889, #7C4D89 and #895E4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

Complementary color

CMYK 7 / 33 / 0 / 30

HEX #A677B2

RGB 166 119 178

HSL 287.8, 0.28%, 0.58%

LAB 56.6, 28.85, -24.08

 

CMYK 31 / 0 / 47 / 47

HEX #5E8848

RGB 94 136 72

HSL 99.38, 0.31%, 0.41%

LAB 52.35, -26.89, 29.73

 

CMYK 28 / 0 / 41 / 40

HEX #6F9A5B

RGB 111 154 91

HSL 100.95, 0.26%, 0.48%

LAB 59.2, -26.75, 28.47

 

CMYK 26 / 0 / 36 / 33

HEX #80AC6E

RGB 128 172 110

HSL 102.58, 0.27%, 0.55%

LAB 65.92, -26.59, 27.26

 

CMYK 24 / 0 / 32 / 25

HEX #91BE81

RGB 145 190 129

HSL 104.26, 0.32%, 0.63%

LAB 72.52, -26.41, 26.12

 

CMYK 22 / 0 / 29 / 18

HEX #A2D094

RGB 162 208 148

HSL 106, 0.39%, 0.7%

LAB 79, -26.24, 25.04

 

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

CMYK 39 / 0 / 51 / 54

HEX #48763A

RGB 72 118 58

HSL 106, 0.34%, 0.35%

LAB 45.14, -28.15, 28.03

 

CMYK 45 / 0 / 61 / 61

HEX #376427

RGB 55 100 39

HSL 104.26, 0.44%, 0.27%

LAB 37.97, -28.19, 29.34

 

CMYK 54 / 0 / 76 / 68

HEX #265214

RGB 38 82 20

HSL 102.58, 0.61%, 0.2%

LAB 30.63, -27.92, 30.34

 

CMYK 67 / 0 / 98 / 75

HEX #154001

RGB 21 64 1

HSL 100.95, 0.97%, 0.13%

LAB 23.1, -27.15, 30.46

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 23 / 0 / 44 / 46

HEX #69894D

RGB 105 137 77

HSL 92, 0.28%, 0.42%

LAB 53.42, -22.5, 28.53

 

CMYK 12 / 0 / 44 / 46

HEX #79894D

RGB 121 137 77

HSL 76, 0.28%, 0.42%

LAB 54.55, -16.04, 30.19

 

CMYK 0 / 1 / 44 / 46

HEX #89884D

RGB 137 136 77

HSL 59, 0.28%, 0.42%

LAB 55.55, -8.73, 31.72

 

CMYK 0 / 12 / 44 / 46

HEX #89784D

RGB 137 120 77

HSL 43, 0.28%, 0.42%

LAB 51.02, 0.21, 26

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 44 / 0 / 41 / 46

HEX #4D8951

RGB 77 137 81

HSL 124, 0.28%, 0.42%

LAB 51.91, -31.89, 24.09

 

CMYK 44 / 0 / 29 / 46

HEX #4D8961

RGB 77 137 97

HSL 140, 0.28%, 0.42%

LAB 52.21, -28.93, 15.5

 

CMYK 44 / 0 / 18 / 46

HEX #4D8971

RGB 77 137 113

HSL 156, 0.28%, 0.42%

LAB 52.58, -25.47, 6.83

 

CMYK 44 / 0 / 6 / 46

HEX #4D8981

RGB 77 137 129

HSL 172, 0.28%, 0.42%

LAB 53.01, -21.55, -1.82

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 49 / 0 / 62 / 40

HEX #4F9A3B

RGB 79 154 59

HSL 107.37, 0.45%, 0.42%

LAB 57.16, -41.78, 41.82

 

CMYK 60 / 0 / 75 / 33

HEX #44AB2A

RGB 68 171 42

HSL 107.91, 0.61%, 0.42%

LAB 62.1, -52.93, 53.91

 

CMYK 69 / 0 / 87 / 26

HEX #3ABD19

RGB 58 189 25

HSL 107.93, 0.77%, 0.42%

LAB 67.55, -62.15, 63.66

 

CMYK 77 / 0 / 97 / 19

HEX #30CE07

RGB 48 206 7

HSL 107.64, 0.93%, 0.42%

LAB 72.75, -69.49, 70.61

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 17 / 0 / 21 / 53

HEX #63775E

RGB 99 119 94

HSL 108, 0.12%, 0.42%

LAB 47.82, -12.53, 11.36

 

CMYK 2 / 8 / 0 / 56

HEX #6D666F

RGB 109 102 111

HSL 286.67, 0.04%, 0.42%

LAB 44.09, 4.59, -4.06

 

CMYK 7 / 34 / 0 / 49

HEX #785581

RGB 120 85 129

HSL 287.73, 0.21%, 0.42%

LAB 41.34, 22.81, -19.06

 

CMYK 11 / 54 / 0 / 43

HEX #824392

RGB 130 67 146

HSL 287.85, 0.37%, 0.42%

LAB 39.3, 40, -32.47

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 23 / 0 / 44 / 46

HEX #6A894D

RGB 106 137 77

HSL 91, 0.28%, 0.42%

LAB 53.48, -22.11, 28.63

 

CMYK 34 / 0 / 44 / 46

HEX #5A894D

RGB 90 137 77

HSL 107, 0.28%, 0.42%

LAB 52.51, -28.13, 27.19

 

CMYK 44 / 0 / 42 / 46

HEX #4D8950

RGB 77 137 80

HSL 123, 0.28%, 0.42%

LAB 51.89, -32.06, 24.62

 

CMYK 44 / 0 / 30 / 46

HEX #4D8960

RGB 77 137 96

HSL 139, 0.28%, 0.42%

LAB 52.19, -29.13, 16.04

 

CMYK 36 / 0 / 44 / 67

HEX #36542F

RGB 54 84 47

HSL 108.65, 0.28%, 0.26%

LAB 32.55, -19.38, 18.17

 

CMYK 35 / 0 / 44 / 57

HEX #486E3E

RGB 72 110 62

HSL 107.5, 0.28%, 0.34%

LAB 42.58, -23.6, 22.58

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 35 / 0 / 44 / 36

HEX #6AA35C

RGB 106 163 92

HSL 108.17, 0.28%, 0.5%

LAB 61.68, -32.69, 31.06

 

CMYK 27 / 0 / 34 / 30

HEX #82B276

RGB 130 178 118

HSL 108, 0.28%, 0.58%

LAB 67.94, -27.57, 25.69

 

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

CMYK 44 / 0 / 1 / 46

HEX #4D8988

RGB 77 137 136

HSL 179, 0.28%, 0.42%

LAB 53.22, -19.71, -5.57

 

CMYK 0 / 44 / 17 / 46

HEX #894D72

RGB 137 77 114

HSL 323, 0.28%, 0.42%

LAB 40.96, 30.59, -10.24

 

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

CMYK 44 / 34 / 0 / 46

HEX #4D5A89

RGB 77 90 137

HSL 227, 0.28%, 0.42%

LAB 39.06, 8.02, -27.76

 

CMYK 0 / 44 / 34 / 46

HEX #894D5A

RGB 137 77 90

HSL 347, 0.28%, 0.42%

LAB 40.19, 26.9, 3.49

 

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

CMYK 44 / 0 / 1 / 46

HEX #4D8988

RGB 77 137 136

HSL 179, 0.28%, 0.42%

LAB 53.22, -19.71, -5.57

 

CMYK 9 / 44 / 0 / 46

HEX #7C4D89

RGB 124 77 137

HSL 287, 0.28%, 0.42%

LAB 40.24, 30.63, -25.58

 

CMYK 0 / 44 / 43 / 46

HEX #894D4E

RGB 137 77 78

HSL 359, 0.28%, 0.42%

LAB 39.88, 25.37, 10.5

 

CMYK 35 / 0 / 43 / 47

HEX #59884D

RGB 89 136 77

HSL 107.8, 0.28%, 0.42%

LAB 52.14, -28, 26.7

 

CMYK 44 / 12 / 0 / 46

HEX #4D7889

RGB 77 120 137

HSL 197, 0.28%, 0.42%

LAB 48.03, -10.1, -13.94

 

CMYK 9 / 44 / 0 / 46

HEX #7C4D89

RGB 124 77 137

HSL 287, 0.28%, 0.42%

LAB 40.24, 30.63, -25.58

 

CMYK 0 / 31 / 44 / 46

HEX #895E4D

RGB 137 94 77

HSL 17, 0.28%, 0.42%

LAB 44.03, 15.35, 16.8

 

Description

Color code: HEX #59884D | qconv.com Color code: HEX #59884D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 136 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 136 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 43 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 43% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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