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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A894D it is the complementary color #8576B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A894D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A894D shade: #7F8948, #909B5B, #A1AD6E, #B2BF81 and #C3D194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A894D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A894D shade: #7A894D, #69773A, #586527, #475314 and #364101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A894D shade: #7A894D, #89874D, #89774D, #89674D and #89574D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A894D shade: #7A894D, #69894D, #59894D, #4D8950 and #4D8960

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A894D shade matches the following richer shades: #7A894D, #829A3B, #8BAB2A, #94BD19 and #9CCE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A894D shade: #7A894D, #71775E, #68666F, #605581 and #574392

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A894D shade: #89784D, #89884D, #7A894D, #6A894D and #5A894D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A894D shade: #4B542F, #626E3E, #7A894D, #91A35C and #A3B276

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A894D shade: #7A894D, #4D8968 and #804D89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A894D shade: #7A894D, #4D7A89 and #894D7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A894D shade: #7A894D, #4D8968, #5C4D89 and #894D6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A894D shade: #7A894D, #4D897A, #5C4D89 and #894D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

Complementary color

CMYK 25 / 34 / 0 / 30

HEX #8576B2

RGB 133 118 178

HSL 255, 0.28%, 0.58%

LAB 53.12, 18.91, -29.72

 

CMYK 7 / 0 / 47 / 46

HEX #7F8948

RGB 127 137 72

HSL 69.23, 0.31%, 0.41%

LAB 54.94, -14.1, 33.45

 

CMYK 7 / 0 / 41 / 39

HEX #909B5B

RGB 144 155 91

HSL 70.31, 0.26%, 0.48%

LAB 61.76, -14.36, 32.2

 

CMYK 7 / 0 / 36 / 32

HEX #A1AD6E

RGB 161 173 110

HSL 71.43, 0.28%, 0.55%

LAB 68.45, -14.54, 31

 

CMYK 7 / 0 / 32 / 25

HEX #B2BF81

RGB 178 191 129

HSL 72.58, 0.33%, 0.63%

LAB 75.02, -14.68, 29.85

 

CMYK 7 / 0 / 29 / 18

HEX #C3D194

RGB 195 209 148

HSL 73.77, 0.4%, 0.7%

LAB 81.48, -14.79, 28.75

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 12 / 0 / 51 / 53

HEX #69773A

RGB 105 119 58

HSL 73.77, 0.34%, 0.35%

LAB 47.63, -15.41, 31.56

 

CMYK 13 / 0 / 61 / 60

HEX #586527

RGB 88 101 39

HSL 72.58, 0.44%, 0.27%

LAB 40.46, -15.08, 32.75

 

CMYK 14 / 0 / 76 / 67

HEX #475314

RGB 71 83 20

HSL 71.43, 0.61%, 0.2%

LAB 33.09, -14.52, 33.52

 

CMYK 17 / 0 / 98 / 75

HEX #364101

RGB 54 65 1

HSL 70.31, 0.97%, 0.13%

LAB 25.46, -13.7, 33.46

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 0 / 1 / 44 / 46

HEX #89874D

RGB 137 135 77

HSL 58, 0.28%, 0.42%

LAB 55.26, -8.18, 31.37

 

CMYK 0 / 13 / 44 / 46

HEX #89774D

RGB 137 119 77

HSL 42, 0.28%, 0.42%

LAB 50.74, 0.78, 25.64

 

CMYK 0 / 25 / 44 / 46

HEX #89674D

RGB 137 103 77

HSL 26, 0.28%, 0.42%

LAB 46.38, 10.06, 19.95

 

CMYK 0 / 36 / 44 / 46

HEX #89574D

RGB 137 87 77

HSL 10, 0.28%, 0.42%

LAB 42.26, 19.45, 14.4

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 23 / 0 / 44 / 46

HEX #69894D

RGB 105 137 77

HSL 92, 0.28%, 0.42%

LAB 53.42, -22.5, 28.53

 

CMYK 35 / 0 / 44 / 46

HEX #59894D

RGB 89 137 77

HSL 108, 0.28%, 0.42%

LAB 52.45, -28.48, 27.11

 

CMYK 44 / 0 / 42 / 46

HEX #4D8950

RGB 77 137 80

HSL 123, 0.28%, 0.42%

LAB 51.89, -32.06, 24.62

 

CMYK 44 / 0 / 30 / 46

HEX #4D8960

RGB 77 137 96

HSL 139, 0.28%, 0.42%

LAB 52.19, -29.13, 16.04

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 16 / 0 / 62 / 40

HEX #829A3B

RGB 130 154 59

HSL 75.16, 0.45%, 0.42%

LAB 60.04, -22.89, 45.84

 

CMYK 19 / 0 / 75 / 33

HEX #8BAB2A

RGB 139 171 42

HSL 74.88, 0.61%, 0.42%

LAB 65.58, -28.61, 58.47

 

CMYK 22 / 0 / 87 / 26

HEX #94BD19

RGB 148 189 25

HSL 75, 0.77%, 0.42%

LAB 71.39, -34.06, 68.47

 

CMYK 24 / 0 / 97 / 19

HEX #9CCE07

RGB 156 206 7

HSL 75.08, 0.93%, 0.42%

LAB 76.82, -38.91, 75.57

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 5 / 0 / 21 / 53

HEX #71775E

RGB 113 119 94

HSL 74.4, 0.12%, 0.42%

LAB 48.9, -7, 13.02

 

CMYK 6 / 8 / 0 / 56

HEX #68666F

RGB 104 102 111

HSL 253.33, 0.04%, 0.42%

LAB 43.64, 2.69, -4.78

 

CMYK 26 / 34 / 0 / 49

HEX #605581

RGB 96 85 129

HSL 255, 0.21%, 0.42%

LAB 38.84, 14.68, -23.11

 

CMYK 40 / 54 / 0 / 43

HEX #574392

RGB 87 67 146

HSL 255.19, 0.37%, 0.42%

LAB 34.22, 28.11, -40.85

 

CMYK 0 / 12 / 44 / 46

HEX #89784D

RGB 137 120 77

HSL 43, 0.28%, 0.42%

LAB 51.02, 0.21, 26

 

CMYK 0 / 1 / 44 / 46

HEX #89884D

RGB 137 136 77

HSL 59, 0.28%, 0.42%

LAB 55.55, -8.73, 31.72

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 23 / 0 / 44 / 46

HEX #6A894D

RGB 106 137 77

HSL 91, 0.28%, 0.42%

LAB 53.48, -22.11, 28.63

 

CMYK 34 / 0 / 44 / 46

HEX #5A894D

RGB 90 137 77

HSL 107, 0.28%, 0.42%

LAB 52.51, -28.13, 27.19

 

CMYK 11 / 0 / 44 / 67

HEX #4B542F

RGB 75 84 47

HSL 74.59, 0.28%, 0.26%

LAB 34.07, -10.46, 20.43

 

CMYK 11 / 0 / 44 / 57

HEX #626E3E

RGB 98 110 62

HSL 75, 0.28%, 0.34%

LAB 44.37, -13.05, 25.23

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 11 / 0 / 44 / 36

HEX #91A35C

RGB 145 163 92

HSL 75.21, 0.28%, 0.5%

LAB 64.15, -17.99, 34.7

 

CMYK 8 / 0 / 34 / 30

HEX #A3B276

RGB 163 178 118

HSL 75, 0.28%, 0.58%

LAB 70.13, -15.29, 28.99

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 44 / 0 / 24 / 46

HEX #4D8968

RGB 77 137 104

HSL 147, 0.28%, 0.42%

LAB 52.36, -27.47, 11.71

 

CMYK 7 / 44 / 0 / 46

HEX #804D89

RGB 128 77 137

HSL 291, 0.28%, 0.42%

LAB 40.74, 31.92, -24.77

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 44 / 11 / 0 / 46

HEX #4D7A89

RGB 77 122 137

HSL 195, 0.28%, 0.42%

LAB 48.64, -11.24, -13.01

 

CMYK 0 / 44 / 11 / 46

HEX #894D7A

RGB 137 77 122

HSL 315, 0.28%, 0.42%

LAB 41.27, 31.99, -14.7

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 44 / 0 / 24 / 46

HEX #4D8968

RGB 77 137 104

HSL 147, 0.28%, 0.42%

LAB 52.36, -27.47, 11.71

 

CMYK 33 / 44 / 0 / 46

HEX #5C4D89

RGB 92 77 137

HSL 255, 0.28%, 0.42%

LAB 36.72, 20.64, -31.35

 

CMYK 0 / 44 / 20 / 46

HEX #894D6E

RGB 137 77 110

HSL 327, 0.28%, 0.42%

LAB 40.82, 29.92, -7.99

 

CMYK 11 / 0 / 44 / 46

HEX #7A894D

RGB 122 137 77

HSL 75, 0.28%, 0.42%

LAB 54.62, -15.62, 30.3

 

CMYK 44 / 0 / 11 / 46

HEX #4D897A

RGB 77 137 122

HSL 165, 0.28%, 0.42%

LAB 52.81, -23.32, 1.95

 

CMYK 33 / 44 / 0 / 46

HEX #5C4D89

RGB 92 77 137

HSL 255, 0.28%, 0.42%

LAB 36.72, 20.64, -31.35

 

CMYK 0 / 44 / 33 / 46

HEX #894D5C

RGB 137 77 92

HSL 345, 0.28%, 0.42%

LAB 40.24, 27.18, 2.32

 

Description

Color code: HEX #7A894D | qconv.com Color code: HEX #7A894D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 137 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 137 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 44 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 44% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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