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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58DE2F it is the complementary color #A721D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58DE2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58DE2F shade: #5DDE2A, #6EF03D, #7FFF50, #90FF63 and #A1FF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58DE2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58DE2F shade: #58DE2F, #47CC1C, #36BA09, #25A800 and #149600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58DE2F shade: #58DE2F, #87DE2F, #B7DE2F, #DED72F and #DEA72F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58DE2F shade: #58DE2F, #2FDE35, #2FDE65, #2FDE94 and #2FDEC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58DE2F shade matches the following richer shades: #58DE2F and #4EF21C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58DE2F shade: #58DE2F, #62CB43, #6DB756, #77A469 and #81917D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58DE2F shade: #B8DE2F, #8ADE2F, #5BDE2F, #2FDE32 and #2FDE61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58DE2F shade: #39A219, #46C61E, #58DE2F, #75E453 and #91E977

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58DE2F shade: #58DE2F, #2FDED5 and #DE2FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58DE2F shade: #58DE2F, #2F5BDE and #DE2F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58DE2F shade: #58DE2F, #2FDED5, #B22FDE and #DE2F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58DE2F shade: #58DE2F, #2FB2DE, #B22FDE and #DE5B2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

Complementary color

CMYK 20 / 84 / 0 / 18

HEX #A721D0

RGB 167 33 208

HSL 285.94, 0.73%, 0.47%

LAB 44.03, 73.42, -61.27

 

CMYK 58 / 0 / 81 / 13

HEX #5DDE2A

RGB 93 222 42

HSL 103, 0.73%, 0.52%

LAB 78.89, -64.64, 70.12

 

CMYK 54 / 0 / 75 / 6

HEX #6EF03D

RGB 110 240 61

HSL 103.58, 0.86%, 0.59%

LAB 84.98, -65.53, 70.53

 

CMYK 50 / 0 / 69 / 0

HEX #7FFF50

RGB 127 255 80

HSL 103.89, 1%, 0.66%

LAB 90.14, -65.06, 69.4

 

CMYK 44 / 0 / 61 / 0

HEX #90FF63

RGB 144 255 99

HSL 102.69, 1%, 0.69%

LAB 90.94, -58.63, 63.03

 

CMYK 37 / 0 / 54 / 0

HEX #A1FF76

RGB 161 255 118

HSL 101.17, 1%, 0.73%

LAB 91.87, -51.52, 56.08

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 65 / 0 / 86 / 20

HEX #47CC1C

RGB 71 204 28

HSL 105.34, 0.76%, 0.45%

LAB 72.63, -64.26, 67.6

 

CMYK 71 / 0 / 95 / 27

HEX #36BA09

RGB 54 186 9

HSL 104.75, 0.91%, 0.38%

LAB 66.46, -62.42, 65.3

 

CMYK 78 / 0 / 100 / 34

HEX #25A800

RGB 37 168 0

HSL 106.79, 1%, 0.33%

LAB 60.25, -59.86, 61.29

 

CMYK 87 / 0 / 100 / 41

HEX #149600

RGB 20 150 0

HSL 112, 1%, 0.29%

LAB 53.99, -56.57, 56.18

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 39 / 0 / 79 / 13

HEX #87DE2F

RGB 135 222 47

HSL 89.83, 0.73%, 0.53%

LAB 80.52, -52.17, 70.85

 

CMYK 18 / 0 / 79 / 13

HEX #B7DE2F

RGB 183 222 47

HSL 73.37, 0.73%, 0.53%

LAB 83.19, -34.5, 74.27

 

CMYK 0 / 3 / 79 / 13

HEX #DED72F

RGB 222 215 47

HSL 57.6, 0.73%, 0.53%

LAB 84.14, -15.14, 76.21

 

CMYK 0 / 25 / 79 / 13

HEX #DEA72F

RGB 222 167 47

HSL 41.14, 0.73%, 0.53%

LAB 71.81, 9.64, 65.19

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 0 / 76 / 13

HEX #2FDE35

RGB 47 222 53

HSL 122.06, 0.73%, 0.53%

LAB 77.94, -72.46, 65.68

 

CMYK 79 / 0 / 55 / 13

HEX #2FDE65

RGB 47 222 101

HSL 138.51, 0.73%, 0.53%

LAB 78.34, -67.55, 46.86

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE94

RGB 47 222 148

HSL 154.63, 0.73%, 0.53%

LAB 79.03, -59.49, 24.4

 

CMYK 79 / 0 / 12 / 13

HEX #2FDEC3

RGB 47 222 195

HSL 170.74, 0.73%, 0.53%

LAB 80.06, -48.49, 1.08

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 68 / 0 / 88 / 5

HEX #4EF21C

RGB 78 242 28

HSL 105.98, 0.89%, 0.53%

LAB 84.59, -74.85, 77.98

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 52 / 0 / 67 / 20

HEX #62CB43

RGB 98 203 67

HSL 106.32, 0.57%, 0.53%

LAB 73.36, -54.85, 56.38

 

CMYK 40 / 0 / 53 / 28

HEX #6DB756

RGB 109 183 86

HSL 105.77, 0.4%, 0.53%

LAB 67.87, -41.47, 41.8

 

CMYK 27 / 0 / 36 / 36

HEX #77A469

RGB 119 164 105

HSL 105.76, 0.24%, 0.53%

LAB 62.92, -26.66, 25.88

 

CMYK 11 / 0 / 14 / 43

HEX #81917D

RGB 129 145 125

HSL 108, 0.08%, 0.53%

LAB 58.41, -9.71, 8.69

 

CMYK 17 / 0 / 79 / 13

HEX #B8DE2F

RGB 184 222 47

HSL 73.03, 0.73%, 0.53%

LAB 83.25, -34.11, 74.35

 

CMYK 38 / 0 / 79 / 13

HEX #8ADE2F

RGB 138 222 47

HSL 88.8, 0.73%, 0.53%

LAB 80.66, -51.16, 71.03

 

CMYK 59 / 0 / 79 / 13

HEX #5BDE2F

RGB 91 222 47

HSL 104.91, 0.73%, 0.53%

LAB 78.85, -64.86, 68.7

 

CMYK 79 / 0 / 77 / 13

HEX #2FDE32

RGB 47 222 50

HSL 121.03, 0.73%, 0.53%

LAB 77.92, -72.66, 66.6

 

CMYK 79 / 0 / 56 / 13

HEX #2FDE61

RGB 47 222 97

HSL 137.14, 0.73%, 0.53%

LAB 78.29, -68.09, 48.65

 

CMYK 65 / 0 / 85 / 36

HEX #39A219

RGB 57 162 25

HSL 105.99, 0.73%, 0.37%

LAB 58.77, -53.39, 55.85

 

CMYK 65 / 0 / 85 / 22

HEX #46C61E

RGB 70 198 30

HSL 105.71, 0.74%, 0.45%

LAB 70.72, -62.43, 65.46

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 49 / 0 / 64 / 11

HEX #75E453

RGB 117 228 83

HSL 105.93, 0.73%, 0.61%

LAB 81.78, -57.57, 59.2

 

CMYK 38 / 0 / 49 / 9

HEX #91E977

RGB 145 233 119

HSL 106.32, 0.72%, 0.69%

LAB 84.81, -47.3, 46.94

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 0 / 4 / 13

HEX #2FDED5

RGB 47 222 213

HSL 176.91, 0.73%, 0.53%

LAB 80.54, -43.63, -7.79

 

CMYK 0 / 79 / 27 / 13

HEX #DE2FA1

RGB 222 47 161

HSL 320.91, 0.73%, 0.53%

LAB 51.99, 73.9, -20.59

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 59 / 0 / 13

HEX #2F5BDE

RGB 47 91 222

HSL 224.91, 0.73%, 0.53%

LAB 43.3, 32.04, -70.97

 

CMYK 0 / 79 / 59 / 13

HEX #DE2F5B

RGB 222 47 91

HSL 344.91, 0.73%, 0.53%

LAB 49.88, 67.56, 18.52

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 0 / 4 / 13

HEX #2FDED5

RGB 47 222 213

HSL 176.91, 0.73%, 0.53%

LAB 80.54, -43.63, -7.79

 

CMYK 20 / 79 / 0 / 13

HEX #B22FDE

RGB 178 47 222

HSL 284.91, 0.73%, 0.53%

LAB 47.97, 74.12, -62.83

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 60 / 0 / 79 / 13

HEX #58DE2F

RGB 88 222 47

HSL 105.94, 0.73%, 0.53%

LAB 78.77, -65.56, 68.58

 

CMYK 79 / 20 / 0 / 13

HEX #2FB2DE

RGB 47 178 222

HSL 195.09, 0.73%, 0.53%

LAB 67.81, -19.78, -31.96

 

CMYK 20 / 79 / 0 / 13

HEX #B22FDE

RGB 178 47 222

HSL 284.91, 0.73%, 0.53%

LAB 47.97, 74.12, -62.83

 

CMYK 0 / 59 / 79 / 13

HEX #DE5B2F

RGB 222 91 47

HSL 15.09, 0.73%, 0.53%

LAB 55.3, 48.94, 49.63

 

Description

Color code: HEX #58DE2F | qconv.com Color code: HEX #58DE2F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 222 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 222 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 79 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 79% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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