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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE2F38 it is the complementary color #21D0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE2F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DE2F38 shade: #E32F33, #F44146, #FF5359, #FF656C and #FF777F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE2F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DE2F38 shade: #DE2F38, #CD1D25, #BC0B12, #AB0000 and #9A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DE2F38 shade: #DE2F38 and #DE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DE2F38 shade: #DE2F38, #DE2F67, #DE2F97, #DE2FC6 and #C72FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DE2F38 shade matches the following richer shades: #DE2F38 and #F21C27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DE2F38 shade: #DE2F38, #CB434A, #B7565B, #A4696C and #917D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DE2F38 shade: #DE2F98, #DE2F69, #DE2F3B, #DE522F and #DE812F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DE2F38 shade: #A21920, #C61E27, #DE2F38, #E4535A and #E9777C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DE2F38 shade: #DE2F38, #C7DE2F and #2F81DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DE2F38 shade: #DE2F38, #3BDE2F and #2F3BDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DE2F38 shade: #DE2F38, #C7DE2F, #2FDED2 and #462FDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DE2F38 shade: #DE2F38, #92DE2F, #2FDED2 and #7B2FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

Complementary color

CMYK 84 / 0 / 4 / 18

HEX #21D0C7

RGB 33 208 199

HSL 176.91, 0.73%, 0.47%

LAB 75.8, -42.52, -7.35

 

CMYK 0 / 79 / 78 / 11

HEX #E32F33

RGB 227 47 51

HSL 358.67, 0.76%, 0.54%

LAB 50.22, 67.03, 42.7

 

CMYK 0 / 73 / 71 / 4

HEX #F44146

RGB 244 65 70

HSL 358.32, 0.89%, 0.61%

LAB 55.54, 67.28, 38.89

 

CMYK 0 / 67 / 65 / 0

HEX #FF5359

RGB 255 83 89

HSL 357.91, 1%, 0.66%

LAB 60.04, 65.19, 34.01

 

CMYK 0 / 60 / 58 / 0

HEX #FF656C

RGB 255 101 108

HSL 357.27, 1%, 0.7%

LAB 63.05, 59.08, 27.07

 

CMYK 0 / 53 / 50 / 0

HEX #FF777F

RGB 255 119 127

HSL 356.47, 1%, 0.73%

LAB 66.51, 52.42, 20.94

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 86 / 82 / 20

HEX #CD1D25

RGB 205 29 37

HSL 357.27, 0.75%, 0.46%

LAB 44.22, 64.8, 42.87

 

CMYK 0 / 94 / 90 / 26

HEX #BC0B12

RGB 188 11 18

HSL 357.63, 0.89%, 0.39%

LAB 39.54, 62.73, 46.92

 

CMYK 0 / 100 / 100 / 33

HEX #AB0000

RGB 171 0 0

HSL 0, 1%, 0.34%

LAB 35.32, 59.38, 49.65

 

CMYK 0 / 100 / 100 / 40

HEX #9A0000

RGB 154 0 0

HSL 0, 1%, 0.3%

LAB 31.51, 54.97, 45.41

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 79 / 79 / 13

HEX #DE2F2F

RGB 222 47 47

HSL 0, 0.73%, 0.53%

LAB 49.21, 65.48, 43.54

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 79 / 54 / 13

HEX #DE2F67

RGB 222 47 103

HSL 340.8, 0.73%, 0.53%

LAB 50.15, 68.38, 11.58

 

CMYK 0 / 79 / 32 / 13

HEX #DE2F97

RGB 222 47 151

HSL 324.34, 0.73%, 0.53%

LAB 51.61, 72.77, -15.24

 

CMYK 0 / 79 / 11 / 13

HEX #DE2FC6

RGB 222 47 198

HSL 308.23, 0.73%, 0.53%

LAB 53.64, 78.63, -39.62

 

CMYK 10 / 79 / 0 / 13

HEX #C72FDE

RGB 199 47 222

HSL 292.11, 0.73%, 0.53%

LAB 51.21, 77.86, -57.45

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 88 / 84 / 5

HEX #F21C27

RGB 242 28 39

HSL 356.92, 0.89%, 0.53%

LAB 51.67, 74.7, 51.43

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 67 / 64 / 20

HEX #CB434A

RGB 203 67 74

HSL 356.91, 0.57%, 0.53%

LAB 48.52, 54.09, 26.33

 

CMYK 0 / 53 / 50 / 28

HEX #B7565B

RGB 183 86 91

HSL 356.91, 0.4%, 0.53%

LAB 48.86, 39.71, 16.02

 

CMYK 0 / 36 / 34 / 36

HEX #A4696C

RGB 164 105 108

HSL 356.95, 0.24%, 0.53%

LAB 50.78, 24.05, 8.18

 

CMYK 0 / 14 / 13 / 43

HEX #917D7E

RGB 145 125 126

HSL 357, 0.08%, 0.53%

LAB 54.23, 7.84, 2.29

 

CMYK 0 / 79 / 32 / 13

HEX #DE2F98

RGB 222 47 152

HSL 324, 0.73%, 0.53%

LAB 51.64, 72.88, -15.78

 

CMYK 0 / 79 / 53 / 13

HEX #DE2F69

RGB 222 47 105

HSL 340.11, 0.73%, 0.53%

LAB 50.2, 68.53, 10.43

 

CMYK 0 / 79 / 73 / 13

HEX #DE2F3B

RGB 222 47 59

HSL 355.89, 0.73%, 0.53%

LAB 49.35, 65.91, 36.96

 

CMYK 0 / 63 / 79 / 13

HEX #DE522F

RGB 222 82 47

HSL 12, 0.73%, 0.53%

LAB 53.78, 52.95, 48.14

 

CMYK 0 / 42 / 79 / 13

HEX #DE812F

RGB 222 129 47

HSL 28.11, 0.73%, 0.53%

LAB 62.87, 29.94, 56.92

 

CMYK 0 / 85 / 80 / 36

HEX #A21920

RGB 162 25 32

HSL 356.93, 0.73%, 0.37%

LAB 34.97, 53.54, 33.51

 

CMYK 0 / 85 / 80 / 22

HEX #C61E27

RGB 198 30 39

HSL 356.79, 0.74%, 0.45%

LAB 42.88, 62.74, 39.98

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 0 / 64 / 61 / 11

HEX #E4535A

RGB 228 83 90

HSL 357.1, 0.73%, 0.61%

LAB 55.5, 56.67, 26.74

 

CMYK 0 / 49 / 47 / 9

HEX #E9777C

RGB 233 119 124

HSL 357.37, 0.72%, 0.69%

LAB 63.32, 44.42, 17.77

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 10 / 0 / 79 / 13

HEX #C7DE2F

RGB 199 222 47

HSL 67.89, 0.73%, 0.53%

LAB 84.27, -28.08, 75.65

 

CMYK 79 / 42 / 0 / 13

HEX #2F81DE

RGB 47 129 222

HSL 211.89, 0.73%, 0.53%

LAB 53.58, 8.05, -54.36

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 73 / 0 / 79 / 13

HEX #3BDE2F

RGB 59 222 47

HSL 115.89, 0.73%, 0.53%

LAB 78.1, -71.17, 67.72

 

CMYK 79 / 73 / 0 / 13

HEX #2F3BDE

RGB 47 59 222

HSL 235.89, 0.73%, 0.53%

LAB 36, 51.5, -82.97

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 10 / 0 / 79 / 13

HEX #C7DE2F

RGB 199 222 47

HSL 67.89, 0.73%, 0.53%

LAB 84.27, -28.08, 75.65

 

CMYK 79 / 0 / 5 / 13

HEX #2FDED2

RGB 47 222 210

HSL 175.89, 0.73%, 0.53%

LAB 80.46, -44.46, -6.32

 

CMYK 68 / 79 / 0 / 13

HEX #462FDE

RGB 70 47 222

HSL 247.89, 0.73%, 0.53%

LAB 35.22, 59.42, -84.21

 

CMYK 0 / 79 / 75 / 13

HEX #DE2F38

RGB 222 47 56

HSL 356.91, 0.73%, 0.53%

LAB 49.31, 65.79, 38.64

 

CMYK 34 / 0 / 79 / 13

HEX #92DE2F

RGB 146 222 47

HSL 86.06, 0.73%, 0.53%

LAB 81.05, -48.4, 71.53

 

CMYK 79 / 0 / 5 / 13

HEX #2FDED2

RGB 47 222 210

HSL 175.89, 0.73%, 0.53%

LAB 80.46, -44.46, -6.32

 

CMYK 45 / 79 / 0 / 13

HEX #7B2FDE

RGB 123 47 222

HSL 266.06, 0.73%, 0.53%

LAB 40.44, 65.43, -75.43

 

Description

Color code: HEX #DE2F38 | qconv.com Color code: HEX #DE2F38 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 47 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 47 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 75 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 75% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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