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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #58B46C it is the complementary color #A74B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #58B46C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #58B46C shade: #5DB467, #6EC67A, #7FD88D, #90EAA0 and #A1FCB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #58B46C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #58B46C shade: #58B46C, #47A259, #369046, #257E33 and #146C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #58B46C shade: #59B46D, #5EB459, #76B459, #8FB459 and #A8B459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #58B46C shade: #59B46D, #59B485, #59B49E, #59B2B4 and #5999B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #58B46C shade matches the following richer shades: #59B46D, #46C862, #32DB57 and #1FEE4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #58B46C shade: #59B46D, #6CA178, #808D83, #937A8E and #A76799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #58B46C shade: #76B459, #5EB459, #59B46D, #59B485 and #59B49D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #58B46C shade: #3A8149, #479E59, #59B46D, #76C186 and #92CE9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #58B46C shade: #58B46C, #598EB4 and #B4596A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #58B46C shade: #58B46C, #6D59B4 and #B46D59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #58B46C shade: #58B46C, #598EB4, #B459A0 and #B47F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #58B46C shade: #58B46C, #5973B4, #B459A0 and #B49A59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

Complementary color

CMYK 0 / 55 / 12 / 35

HEX #A74B93

RGB 167 75 147

HSL 313.04, 0.38%, 0.47%

LAB 46.12, 47.05, -22.05

 

CMYK 48 / 0 / 43 / 29

HEX #5DB467

RGB 93 180 103

HSL 126.9, 0.37%, 0.54%

LAB 66.48, -42.67, 31.35

 

CMYK 44 / 0 / 38 / 22

HEX #6EC67A

RGB 110 198 122

HSL 128.18, 0.44%, 0.6%

LAB 72.96, -42.51, 30.06

 

CMYK 41 / 0 / 35 / 15

HEX #7FD88D

RGB 127 216 141

HSL 129.44, 0.53%, 0.67%

LAB 79.36, -42.3, 28.84

 

CMYK 38 / 0 / 32 / 8

HEX #90EAA0

RGB 144 234 160

HSL 130.67, 0.68%, 0.74%

LAB 85.66, -42.06, 27.69

 

CMYK 36 / 0 / 29 / 1

HEX #A1FCB3

RGB 161 252 179

HSL 131.87, 0.94%, 0.81%

LAB 91.89, -41.8, 26.6

 

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

CMYK 56 / 0 / 45 / 36

HEX #47A259

RGB 71 162 89

HSL 131.87, 0.39%, 0.46%

LAB 59.8, -43.24, 29.93

 

CMYK 63 / 0 / 51 / 44

HEX #369046

RGB 54 144 70

HSL 130.67, 0.45%, 0.39%

LAB 53.14, -43.06, 31.39

 

CMYK 71 / 0 / 60 / 51

HEX #257E33

RGB 37 126 51

HSL 129.44, 0.55%, 0.32%

LAB 46.38, -42.52, 32.88

 

CMYK 81 / 0 / 70 / 58

HEX #146C20

RGB 20 108 32

HSL 128.18, 0.69%, 0.25%

LAB 39.54, -41.31, 34.21

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 48 / 0 / 51 / 29

HEX #5EB459

RGB 94 180 89

HSL 116.7, 0.38%, 0.53%

LAB 66.32, -44.44, 38.3

 

CMYK 34 / 0 / 51 / 29

HEX #76B459

RGB 118 180 89

HSL 100.88, 0.38%, 0.53%

LAB 67.44, -36.76, 39.91

 

CMYK 21 / 0 / 51 / 29

HEX #8FB459

RGB 143 180 89

HSL 84.4, 0.38%, 0.53%

LAB 68.9, -27.59, 42.02

 

CMYK 7 / 0 / 51 / 29

HEX #A8B459

RGB 168 180 89

HSL 67.91, 0.38%, 0.53%

LAB 70.66, -17.63, 44.55

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 51 / 0 / 26 / 29

HEX #59B485

RGB 89 180 133

HSL 149.01, 0.38%, 0.53%

LAB 66.87, -38.23, 15.81

 

CMYK 51 / 0 / 12 / 29

HEX #59B49E

RGB 89 180 158

HSL 165.49, 0.38%, 0.53%

LAB 67.45, -32.61, 2.91

 

CMYK 51 / 1 / 0 / 29

HEX #59B2B4

RGB 89 178 180

HSL 181.32, 0.38%, 0.53%

LAB 67.47, -26, -9.22

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 65 / 0 / 51 / 22

HEX #46C862

RGB 70 200 98

HSL 132.92, 0.54%, 0.53%

LAB 71.89, -56.83, 40.53

 

CMYK 77 / 0 / 60 / 14

HEX #32DB57

RGB 50 219 87

HSL 133.14, 0.7%, 0.53%

LAB 77.3, -68.01, 51.99

 

CMYK 87 / 0 / 68 / 7

HEX #1FEE4C

RGB 31 238 76

HSL 133.04, 0.86%, 0.53%

LAB 82.89, -76.83, 62.63

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 33 / 0 / 25 / 37

HEX #6CA178

RGB 108 161 120

HSL 133.58, 0.22%, 0.53%

LAB 61.68, -26.37, 15.89

 

CMYK 9 / 0 / 7 / 45

HEX #808D83

RGB 128 141 131

HSL 133.85, 0.05%, 0.53%

LAB 57.34, -6.73, 3.72

 

CMYK 0 / 17 / 3 / 42

HEX #937A8E

RGB 147 122 142

HSL 312, 0.1%, 0.53%

LAB 54.11, 13.29, -7.2

 

CMYK 0 / 38 / 8 / 35

HEX #A76799

RGB 167 103 153

HSL 313.13, 0.27%, 0.53%

LAB 52.08, 33.34, -16.47

 

CMYK 34 / 0 / 51 / 29

HEX #76B459

RGB 118 180 89

HSL 100.88, 0.38%, 0.53%

LAB 67.44, -36.76, 39.91

 

CMYK 48 / 0 / 51 / 29

HEX #5EB459

RGB 94 180 89

HSL 116.7, 0.38%, 0.53%

LAB 66.32, -44.44, 38.3

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 51 / 0 / 26 / 29

HEX #59B485

RGB 89 180 133

HSL 149.01, 0.38%, 0.53%

LAB 66.87, -38.23, 15.81

 

CMYK 51 / 0 / 13 / 29

HEX #59B49D

RGB 89 180 157

HSL 164.84, 0.38%, 0.53%

LAB 67.43, -32.85, 3.42

 

CMYK 55 / 0 / 43 / 49

HEX #3A8149

RGB 58 129 73

HSL 132.68, 0.38%, 0.37%

LAB 48.36, -35.26, 23.75

 

CMYK 55 / 0 / 44 / 38

HEX #479E59

RGB 71 158 89

HSL 132.41, 0.38%, 0.45%

LAB 58.52, -41.57, 28.29

 

CMYK 51 / 0 / 39 / 29

HEX #59B46D

RGB 89 180 109

HSL 133.19, 0.38%, 0.53%

LAB 66.42, -42.78, 28.1

 

CMYK 39 / 0 / 31 / 24

HEX #76C186

RGB 118 193 134

HSL 132.8, 0.38%, 0.61%

LAB 72.04, -35.87, 22.57

 

CMYK 29 / 0 / 23 / 19

HEX #92CE9F

RGB 146 206 159

HSL 133, 0.38%, 0.69%

LAB 77.73, -28.75, 17.34

 

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

CMYK 51 / 21 / 0 / 29

HEX #598EB4

RGB 89 142 180

HSL 205.05, 0.38%, 0.53%

LAB 56.85, -6.85, -25.34

 

CMYK 0 / 51 / 41 / 29

HEX #B4596A

RGB 180 89 106

HSL 348.79, 0.38%, 0.53%

LAB 49.36, 38.62, 7.66

 

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

CMYK 39 / 51 / 0 / 29

HEX #6D59B4

RGB 109 89 180

HSL 253.19, 0.38%, 0.53%

LAB 43.79, 30.05, -45.75

 

CMYK 0 / 39 / 51 / 29

HEX #B46D59

RGB 180 109 89

HSL 13.19, 0.38%, 0.53%

LAB 53.34, 26.07, 23.14

 

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

CMYK 51 / 21 / 0 / 29

HEX #598EB4

RGB 89 142 180

HSL 205.05, 0.38%, 0.53%

LAB 56.85, -6.85, -25.34

 

CMYK 0 / 51 / 11 / 29

HEX #B459A0

RGB 180 89 160

HSL 313.19, 0.38%, 0.53%

LAB 51.14, 46.22, -21.88

 

CMYK 0 / 29 / 51 / 29

HEX #B47F59

RGB 180 127 89

HSL 25.05, 0.38%, 0.53%

LAB 57.66, 16.05, 28.75

 

CMYK 51 / 0 / 40 / 29

HEX #58B46C

RGB 88 180 108

HSL 133.04, 0.38%, 0.53%

LAB 66.37, -43.21, 28.55

 

CMYK 51 / 36 / 0 / 29

HEX #5973B4

RGB 89 115 180

HSL 222.86, 0.38%, 0.53%

LAB 49.11, 9.08, -37.4

 

CMYK 0 / 51 / 11 / 29

HEX #B459A0

RGB 180 89 160

HSL 313.19, 0.38%, 0.53%

LAB 51.14, 46.22, -21.88

 

CMYK 0 / 14 / 51 / 29

HEX #B49A59

RGB 180 154 89

HSL 42.86, 0.38%, 0.53%

LAB 64.59, 1.11, 37.46

 

Description

Color code: HEX #58B46C | qconv.com Color code: HEX #58B46C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 180 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 180 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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