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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 89 153 180 it is the complementary color RGB 166 102 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 89 153 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 89 153 180 shade: RGB 94 153 175, RGB 111 171 194, RGB 128 189 213, RGB 145 207 232 and RGB 162 225 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 89 153 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 72 135 161, RGB 55 117 142, RGB 38 99 123 and RGB 21 81 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 89 129 180, RGB 89 104 180, RGB 99 89 180 and RGB 123 89 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 89 129 180, RGB 89 104 180 and RGB 89 89 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 89 153 180 shade matches the following richer shades: RGB 89 153 180, RGB 70 161 200, RGB 50 169 219 and RGB 31 177 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 108 145 161, RGB 128 137 141, RGB 147 130 122 and RGB 167 122 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 89 153 180 shade: RGB 89 180 157, RGB 89 179 180, RGB 89 154 180, RGB 89 130 180 and RGB 89 106 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 89 153 180 shade: RGB 58 108 129, RGB 71 132 158, RGB 89 153 180, RGB 118 171 193 and RGB 146 188 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 133 89 180 and RGB 180 170 89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 180 89 154 and RGB 154 180 89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 133 89 180, RGB 180 115 89 and RGB 136 180 89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 89 153 180 shade: RGB 89 153 180, RGB 160 89 180, RGB 180 115 89 and RGB 109 180 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

Complementary color

CMYK 0 / 39 / 55 / 35

HEX #A6664B

RGB 166 102 75

HSL 17.8, 0.38%, 0.47%

LAB 49.64, 22.89, 26.02

 

CMYK 46 / 13 / 0 / 31

HEX #5E99AF

RGB 94 153 175

HSL 196.3, 0.34%, 0.53%

LAB 60.12, -13.2, -17.47

 

CMYK 43 / 12 / 0 / 24

HEX #6FABC2

RGB 111 171 194

HSL 196.63, 0.4%, 0.6%

LAB 66.82, -13.36, -17.86

 

CMYK 40 / 11 / 0 / 16

HEX #80BDD5

RGB 128 189 213

HSL 196.94, 0.5%, 0.67%

LAB 73.41, -13.49, -18.24

 

CMYK 38 / 11 / 0 / 9

HEX #91CFE8

RGB 145 207 232

HSL 197.24, 0.65%, 0.74%

LAB 79.88, -13.58, -18.61

 

CMYK 35 / 10 / 0 / 2

HEX #A2E1FB

RGB 162 225 251

HSL 197.53, 0.92%, 0.81%

LAB 86.25, -13.66, -18.99

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 55 / 16 / 0 / 37

HEX #4887A1

RGB 72 135 161

HSL 197.53, 0.38%, 0.46%

LAB 53.25, -12.61, -20.02

 

CMYK 61 / 18 / 0 / 44

HEX #37758E

RGB 55 117 142

HSL 197.24, 0.44%, 0.39%

LAB 46.3, -12.1, -19.63

 

CMYK 69 / 20 / 0 / 52

HEX #26637B

RGB 38 99 123

HSL 196.94, 0.53%, 0.32%

LAB 39.18, -11.35, -19.21

 

CMYK 80 / 22 / 0 / 59

HEX #155168

RGB 21 81 104

HSL 196.63, 0.66%, 0.25%

LAB 31.91, -10.21, -18.72

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 51 / 28 / 0 / 29

HEX #5981B4

RGB 89 129 180

HSL 213.63, 0.38%, 0.53%

LAB 53.08, 0.66, -31.17

 

CMYK 51 / 42 / 0 / 29

HEX #5968B4

RGB 89 104 180

HSL 230.11, 0.38%, 0.53%

LAB 46.07, 15.87, -42.21

 

CMYK 45 / 51 / 0 / 29

HEX #6359B4

RGB 99 89 180

HSL 246.59, 0.38%, 0.53%

LAB 42.9, 27.58, -47.21

 

CMYK 32 / 51 / 0 / 29

HEX #7B59B4

RGB 123 89 180

HSL 262.42, 0.38%, 0.53%

LAB 45.15, 33.7, -43.49

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 51 / 28 / 0 / 29

HEX #5981B4

RGB 89 129 180

HSL 213.63, 0.38%, 0.53%

LAB 53.08, 0.66, -31.17

 

CMYK 51 / 42 / 0 / 29

HEX #5968B4

RGB 89 104 180

HSL 230.11, 0.38%, 0.53%

LAB 46.07, 15.87, -42.21

 

CMYK 51 / 51 / 0 / 29

HEX #5959B4

RGB 89 89 180

HSL 240, 0.38%, 0.53%

LAB 42.1, 25.25, -48.55

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 65 / 20 / 0 / 22

HEX #46A1C8

RGB 70 161 200

HSL 198, 0.54%, 0.53%

LAB 62.48, -14.95, -27.99

 

CMYK 77 / 23 / 0 / 14

HEX #32A9DB

RGB 50 169 219

HSL 197.75, 0.7%, 0.53%

LAB 65.1, -15.72, -34.52

 

CMYK 87 / 26 / 0 / 7

HEX #1FB1EE

RGB 31 177 238

HSL 197.68, 0.86%, 0.53%

LAB 67.95, -15.05, -40.51

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 33 / 10 / 0 / 37

HEX #6C91A1

RGB 108 145 161

HSL 198.11, 0.22%, 0.53%

LAB 58.05, -8.76, -12.57

 

CMYK 9 / 3 / 0 / 45

HEX #80898D

RGB 128 137 141

HSL 198.46, 0.05%, 0.53%

LAB 56.49, -2.44, -3.28

 

CMYK 0 / 12 / 17 / 42

HEX #93827A

RGB 147 130 122

HSL 19.2, 0.1%, 0.53%

LAB 55.66, 5.07, 6.68

 

CMYK 0 / 27 / 38 / 35

HEX #A77A67

RGB 167 122 103

HSL 17.81, 0.27%, 0.53%

LAB 55.19, 14.97, 17.29

 

CMYK 51 / 0 / 13 / 29

HEX #59B49D

RGB 89 180 157

HSL 164.84, 0.38%, 0.53%

LAB 67.43, -32.85, 3.42

 

CMYK 51 / 1 / 0 / 29

HEX #59B3B4

RGB 89 179 180

HSL 180.66, 0.38%, 0.53%

LAB 67.77, -26.5, -8.78

 

CMYK 51 / 14 / 0 / 29

HEX #599AB4

RGB 89 154 180

HSL 197.14, 0.38%, 0.53%

LAB 60.36, -13.51, -19.94

 

CMYK 51 / 28 / 0 / 29

HEX #5982B4

RGB 89 130 180

HSL 212.97, 0.38%, 0.53%

LAB 53.37, 0.08, -30.73

 

CMYK 51 / 41 / 0 / 29

HEX #596AB4

RGB 89 106 180

HSL 228.79, 0.38%, 0.53%

LAB 46.61, 14.62, -41.34

 

CMYK 55 / 16 / 0 / 49

HEX #3A6C81

RGB 58 108 129

HSL 197.75, 0.38%, 0.37%

LAB 43.08, -10.47, -16.79

 

CMYK 55 / 16 / 0 / 38

HEX #47849E

RGB 71 132 158

HSL 197.93, 0.38%, 0.45%

LAB 52.19, -12.08, -19.92

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 39 / 11 / 0 / 24

HEX #76ABC1

RGB 118 171 193

HSL 197.6, 0.38%, 0.61%

LAB 67.15, -11.8, -16.78

 

CMYK 29 / 9 / 0 / 19

HEX #92BCCE

RGB 146 188 206

HSL 198, 0.38%, 0.69%

LAB 73.89, -9.74, -13.6

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 26 / 51 / 0 / 29

HEX #8559B4

RGB 133 89 180

HSL 269.01, 0.38%, 0.53%

LAB 46.21, 36.41, -41.74

 

CMYK 0 / 6 / 51 / 29

HEX #B4AA59

RGB 180 170 89

HSL 53.41, 0.38%, 0.53%

LAB 68.88, -7.47, 42.66

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 0 / 51 / 14 / 29

HEX #B4599A

RGB 180 89 154

HSL 317.14, 0.38%, 0.53%

LAB 50.9, 45.24, -18.71

 

CMYK 14 / 0 / 51 / 29

HEX #9AB459

RGB 154 180 89

HSL 77.14, 0.38%, 0.53%

LAB 69.64, -23.29, 43.09

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 26 / 51 / 0 / 29

HEX #8559B4

RGB 133 89 180

HSL 269.01, 0.38%, 0.53%

LAB 46.21, 36.41, -41.74

 

CMYK 0 / 36 / 51 / 29

HEX #B47359

RGB 180 115 89

HSL 17.14, 0.38%, 0.53%

LAB 54.75, 22.75, 24.98

 

CMYK 24 / 0 / 51 / 29

HEX #88B459

RGB 136 180 89

HSL 89.01, 0.38%, 0.53%

LAB 68.46, -30.26, 41.39

 

CMYK 51 / 15 / 0 / 29

HEX #5999B4

RGB 89 153 180

HSL 197.8, 0.38%, 0.53%

LAB 60.07, -12.96, -20.39

 

CMYK 11 / 51 / 0 / 29

HEX #A059B4

RGB 160 89 180

HSL 286.81, 0.38%, 0.53%

LAB 49.39, 43.99, -36.51

 

CMYK 0 / 36 / 51 / 29

HEX #B47359

RGB 180 115 89

HSL 17.14, 0.38%, 0.53%

LAB 54.75, 22.75, 24.98

 

CMYK 39 / 0 / 51 / 29

HEX #6DB459

RGB 109 180 89

HSL 106.81, 0.38%, 0.53%

LAB 66.99, -39.79, 39.26

 

Description

Color code: RGB 89 153 180 | qconv.com Color code: RGB 89 153 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 153 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 153 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 15 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 15% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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