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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #575680 it is the complementary color #A8A97F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #575680. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #575680 shade: #5C567B, #6D688E, #7E7AA1, #8F8CB4 and #A09EC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #575680. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #575680 shade: #575680, #46446D, #35325A, #242047 and #130E34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #575680 shade: #565580, #625580, #6D5580, #795580 and #80557C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #575680 shade: #565580 and #555580

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #575680 shade matches the following richer shades: #565580, #464491, #3533A3, #2521B4 and #1410C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #575680 shade: #565580, #67676F, #77785D, #88894C and #989A3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #575680 shade: #556B80, #556080, #565580, #615580 and #6D5580

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #575680 shade: #35344F, #464567, #565580, #676699 and #807FA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #575680 shade: #575680, #805577 and #668055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #575680 shade: #575680, #805655 and #558056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #575680 shade: #575680, #805577, #7F8055 and #55805E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #575680 shade: #575680, #80556A, #7F8055 and #55806B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

Complementary color

CMYK 1 / 0 / 25 / 34

HEX #A8A97F

RGB 168 169 127

HSL 61.43, 0.2%, 0.58%

LAB 68.19, -7.38, 21.63

 

CMYK 25 / 30 / 0 / 52

HEX #5C567B

RGB 92 86 123

HSL 249.73, 0.18%, 0.41%

LAB 38.48, 11.14, -20.02

 

CMYK 23 / 27 / 0 / 44

HEX #6D688E

RGB 109 104 142

HSL 247.89, 0.15%, 0.48%

LAB 45.78, 10.59, -20.15

 

CMYK 22 / 24 / 0 / 37

HEX #7E7AA1

RGB 126 122 161

HSL 246.15, 0.17%, 0.55%

LAB 52.87, 10.12, -20.32

 

CMYK 21 / 22 / 0 / 29

HEX #8F8CB4

RGB 143 140 180

HSL 244.5, 0.21%, 0.63%

LAB 59.79, 9.71, -20.52

 

CMYK 20 / 21 / 0 / 22

HEX #A09EC7

RGB 160 158 199

HSL 242.93, 0.27%, 0.7%

LAB 66.56, 9.33, -20.75

 

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

CMYK 36 / 38 / 0 / 57

HEX #46446D

RGB 70 68 109

HSL 242.93, 0.23%, 0.35%

LAB 30.74, 11.6, -23.49

 

CMYK 41 / 44 / 0 / 65

HEX #35325A

RGB 53 50 90

HSL 244.5, 0.29%, 0.27%

LAB 22.92, 12.52, -23.64

 

CMYK 49 / 55 / 0 / 72

HEX #242047

RGB 36 32 71

HSL 246.15, 0.38%, 0.2%

LAB 14.75, 13.76, -23.9

 

CMYK 63 / 73 / 0 / 80

HEX #130E34

RGB 19 14 52

HSL 247.89, 0.58%, 0.13%

LAB 6.33, 14.96, -24.04

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 23 / 34 / 0 / 50

HEX #625580

RGB 98 85 128

HSL 258.14, 0.2%, 0.42%

LAB 38.99, 15.07, -22.26

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 5 / 34 / 0 / 50

HEX #795580

RGB 121 85 128

HSL 290.23, 0.2%, 0.42%

LAB 41.41, 22.94, -18.33

 

CMYK 0 / 34 / 3 / 50

HEX #80557C

RGB 128 85 124

HSL 305.58, 0.2%, 0.42%

LAB 42.06, 24.58, -14.81

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 34 / 34 / 0 / 50

HEX #555580

RGB 85 85 128

HSL 240, 0.2%, 0.42%

LAB 37.82, 10.88, -24.17

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 52 / 53 / 0 / 43

HEX #464491

RGB 70 68 145

HSL 241.56, 0.36%, 0.42%

LAB 32.88, 23.01, -42.49

 

CMYK 67 / 69 / 0 / 36

HEX #3533A3

RGB 53 51 163

HSL 241.07, 0.52%, 0.42%

LAB 28.82, 36.9, -60.08

 

CMYK 79 / 82 / 0 / 29

HEX #2521B4

RGB 37 33 180

HSL 241.63, 0.69%, 0.42%

LAB 26.09, 50.99, -74.85

 

CMYK 90 / 92 / 0 / 23

HEX #1410C5

RGB 20 16 197

HSL 241.33, 0.85%, 0.42%

LAB 25.41, 61.8, -86.07

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 7 / 7 / 0 / 56

HEX #67676F

RGB 103 103 111

HSL 240, 0.04%, 0.42%

LAB 43.85, 1.71, -4.49

 

CMYK 1 / 0 / 23 / 53

HEX #77785D

RGB 119 120 93

HSL 62.22, 0.13%, 0.42%

LAB 49.67, -5.28, 14.75

 

CMYK 1 / 0 / 45 / 46

HEX #88894C

RGB 136 137 76

HSL 60.98, 0.29%, 0.42%

LAB 55.73, -9.81, 32.47

 

CMYK 1 / 0 / 62 / 40

HEX #989A3B

RGB 152 154 59

HSL 61.26, 0.45%, 0.42%

LAB 61.74, -13.49, 48.18

 

CMYK 34 / 16 / 0 / 50

HEX #556B80

RGB 85 107 128

HSL 209.3, 0.2%, 0.42%

LAB 44.24, -2.7, -14.28

 

CMYK 34 / 25 / 0 / 50

HEX #556080

RGB 85 96 128

HSL 224.65, 0.2%, 0.42%

LAB 40.99, 3.98, -19.26

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 24 / 34 / 0 / 50

HEX #615580

RGB 97 85 128

HSL 256.74, 0.2%, 0.42%

LAB 38.89, 14.74, -22.41

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 33 / 34 / 0 / 69

HEX #35344F

RGB 53 52 79

HSL 242.22, 0.21%, 0.26%

LAB 22.92, 7.7, -16.35

 

CMYK 32 / 33 / 0 / 60

HEX #464567

RGB 70 69 103

HSL 241.76, 0.2%, 0.34%

LAB 30.73, 9.17, -19.7

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 33 / 33 / 0 / 40

HEX #676699

RGB 103 102 153

HSL 241.18, 0.2%, 0.5%

LAB 45.2, 12.82, -27.62

 

CMYK 24 / 25 / 0 / 34

HEX #807FA9

RGB 128 127 169

HSL 241.43, 0.2%, 0.58%

LAB 54.69, 9.79, -22.14

 

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

CMYK 0 / 34 / 7 / 50

HEX #805577

RGB 128 85 119

HSL 312.56, 0.2%, 0.42%

LAB 41.87, 23.6, -12.05

 

CMYK 20 / 0 / 34 / 50

HEX #668055

RGB 102 128 85

HSL 96.28, 0.2%, 0.42%

LAB 50.59, -17.81, 20.37

 

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

CMYK 0 / 33 / 34 / 50

HEX #805655

RGB 128 86 85

HSL 1.4, 0.2%, 0.42%

LAB 41.06, 17.3, 7.66

 

CMYK 34 / 0 / 33 / 50

HEX #558056

RGB 85 128 86

HSL 121.4, 0.2%, 0.42%

LAB 49.55, -23.96, 18.22

 

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

CMYK 0 / 34 / 7 / 50

HEX #805577

RGB 128 85 119

HSL 312.56, 0.2%, 0.42%

LAB 41.87, 23.6, -12.05

 

CMYK 1 / 0 / 34 / 50

HEX #7F8055

RGB 127 128 85

HSL 61.4, 0.2%, 0.42%

LAB 52.52, -7.6, 23.27

 

CMYK 34 / 0 / 27 / 50

HEX #55805E

RGB 85 128 94

HSL 132.56, 0.2%, 0.42%

LAB 49.71, -22.45, 13.84

 

CMYK 32 / 33 / 0 / 50

HEX #575680

RGB 87 86 128

HSL 241.43, 0.2%, 0.42%

LAB 38.27, 10.87, -23.45

 

CMYK 0 / 34 / 17 / 50

HEX #80556A

RGB 128 85 106

HSL 330.7, 0.2%, 0.42%

LAB 41.42, 21.22, -4.75

 

CMYK 1 / 0 / 34 / 50

HEX #7F8055

RGB 127 128 85

HSL 61.4, 0.2%, 0.42%

LAB 52.52, -7.6, 23.27

 

CMYK 34 / 0 / 16 / 50

HEX #55806B

RGB 85 128 107

HSL 150.7, 0.2%, 0.42%

LAB 50.01, -19.74, 6.71

 

Description

Color code: HEX #575680 | qconv.com Color code: HEX #575680 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 86 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 86 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 33 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 33% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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