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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 85 128 it is the complementary color RGB 146 170 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 85 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 85 128 shade: RGB 114 85 123, RGB 131 103 142, RGB 148 121 161, RGB 165 139 180 and RGB 182 157 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 85 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 92 67 109, RGB 75 49 90, RGB 58 31 71 and RGB 41 13 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 121 85 128, RGB 128 85 124, RGB 128 85 112 and RGB 128 85 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 98 85 128, RGB 86 85 128 and RGB 85 85 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 85 128 shade matches the following richer shades: RGB 109 85 128, RGB 111 68 145, RGB 113 51 163, RGB 115 33 180 and RGB 117 16 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 107 103 111, RGB 105 120 93, RGB 103 137 76 and RGB 101 154 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 85 128 shade: RGB 86 85 128, RGB 97 85 128, RGB 109 85 128, RGB 120 85 128 and RGB 128 85 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 85 128 shade: RGB 67 52 79, RGB 88 69 103, RGB 109 85 128, RGB 130 102 153 and RGB 150 127 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 128 85 96 and RGB 85 128 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 128 109 85 and RGB 85 128 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 128 85 96, RGB 104 128 85 and RGB 85 128 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 85 128 shade: RGB 109 85 128, RGB 128 87 85, RGB 104 128 85 and RGB 85 126 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

Complementary color

CMYK 14 / 0 / 25 / 33

HEX #92AA7F

RGB 146 170 127

HSL 93.49, 0.2%, 0.58%

LAB 66.82, -16.32, 19.48

 

CMYK 7 / 31 / 0 / 52

HEX #72557B

RGB 114 85 123

HSL 285.79, 0.18%, 0.41%

LAB 40.42, 19.38, -16.86

 

CMYK 8 / 27 / 0 / 44

HEX #83678E

RGB 131 103 142

HSL 283.08, 0.16%, 0.48%

LAB 47.6, 18.71, -17.18

 

CMYK 8 / 25 / 0 / 37

HEX #9479A1

RGB 148 121 161

HSL 280.5, 0.18%, 0.55%

LAB 54.6, 18.1, -17.5

 

CMYK 8 / 23 / 0 / 29

HEX #A58BB4

RGB 165 139 180

HSL 278.05, 0.21%, 0.63%

LAB 61.45, 17.56, -17.82

 

CMYK 9 / 21 / 0 / 22

HEX #B69DC7

RGB 182 157 199

HSL 275.71, 0.27%, 0.7%

LAB 68.15, 17.06, -18.15

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 16 / 39 / 0 / 57

HEX #5C436D

RGB 92 67 109

HSL 275.71, 0.24%, 0.35%

LAB 32.69, 19.56, -20.29

 

CMYK 17 / 46 / 0 / 65

HEX #4B315A

RGB 75 49 90

HSL 278.05, 0.29%, 0.27%

LAB 25.05, 20.44, -20.12

 

CMYK 18 / 56 / 0 / 72

HEX #3A1F47

RGB 58 31 71

HSL 280.5, 0.39%, 0.2%

LAB 17.15, 21.4, -19.92

 

CMYK 21 / 75 / 0 / 80

HEX #290D34

RGB 41 13 52

HSL 283.08, 0.6%, 0.13%

LAB 9.05, 22.22, -19.51

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 5 / 34 / 0 / 50

HEX #795580

RGB 121 85 128

HSL 290.23, 0.2%, 0.42%

LAB 41.41, 22.94, -18.33

 

CMYK 0 / 34 / 3 / 50

HEX #80557C

RGB 128 85 124

HSL 305.58, 0.2%, 0.42%

LAB 42.06, 24.58, -14.81

 

CMYK 0 / 34 / 13 / 50

HEX #805570

RGB 128 85 112

HSL 322.33, 0.2%, 0.42%

LAB 41.62, 22.29, -8.14

 

CMYK 0 / 34 / 21 / 50

HEX #805565

RGB 128 85 101

HSL 337.67, 0.2%, 0.42%

LAB 41.26, 20.36, -1.91

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 23 / 34 / 0 / 50

HEX #625580

RGB 98 85 128

HSL 258.14, 0.2%, 0.42%

LAB 38.99, 15.07, -22.26

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 34 / 34 / 0 / 50

HEX #555580

RGB 85 85 128

HSL 240, 0.2%, 0.42%

LAB 37.82, 10.88, -24.17

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 23 / 53 / 0 / 43

HEX #6F4491

RGB 111 68 145

HSL 273.51, 0.36%, 0.42%

LAB 37.04, 33.76, -35.6

 

CMYK 31 / 69 / 0 / 36

HEX #7133A3

RGB 113 51 163

HSL 273.21, 0.52%, 0.42%

LAB 35.05, 47.77, -49.67

 

CMYK 36 / 82 / 0 / 29

HEX #7321B4

RGB 115 33 180

HSL 273.47, 0.69%, 0.42%

LAB 34.04, 59.53, -61.47

 

CMYK 41 / 92 / 0 / 23

HEX #7510C5

RGB 117 16 197

HSL 273.48, 0.85%, 0.42%

LAB 34.36, 67.91, -70.96

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 4 / 7 / 0 / 56

HEX #6B676F

RGB 107 103 111

HSL 270, 0.04%, 0.42%

LAB 44.2, 3.22, -3.93

 

CMYK 13 / 0 / 23 / 53

HEX #69785D

RGB 105 120 93

HSL 93.33, 0.13%, 0.42%

LAB 48.54, -10.93, 13.01

 

CMYK 25 / 0 / 45 / 46

HEX #67894C

RGB 103 137 76

HSL 93.44, 0.29%, 0.42%

LAB 53.27, -23.41, 28.86

 

CMYK 34 / 0 / 62 / 40

HEX #659A3B

RGB 101 154 59

HSL 93.47, 0.45%, 0.42%

LAB 58.22, -34.32, 43.3

 

CMYK 33 / 34 / 0 / 50

HEX #565580

RGB 86 85 128

HSL 241.4, 0.2%, 0.42%

LAB 37.9, 11.19, -24.03

 

CMYK 24 / 34 / 0 / 50

HEX #615580

RGB 97 85 128

HSL 256.74, 0.2%, 0.42%

LAB 38.89, 14.74, -22.41

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 6 / 34 / 0 / 50

HEX #785580

RGB 120 85 128

HSL 288.84, 0.2%, 0.42%

LAB 41.29, 22.59, -18.51

 

CMYK 0 / 34 / 3 / 50

HEX #80557C

RGB 128 85 124

HSL 305.58, 0.2%, 0.42%

LAB 42.06, 24.58, -14.81

 

CMYK 15 / 34 / 0 / 69

HEX #43344F

RGB 67 52 79

HSL 273.33, 0.21%, 0.26%

LAB 24.37, 12.78, -13.99

 

CMYK 15 / 33 / 0 / 60

HEX #584567

RGB 88 69 103

HSL 273.53, 0.2%, 0.34%

LAB 32.5, 15.41, -16.81

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 15 / 33 / 0 / 40

HEX #826699

RGB 130 102 153

HSL 272.94, 0.2%, 0.5%

LAB 47.69, 21.43, -23.57

 

CMYK 11 / 25 / 0 / 34

HEX #967FA9

RGB 150 127 169

HSL 272.86, 0.2%, 0.58%

LAB 56.61, 17.03, -19.03

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 0 / 34 / 25 / 50

HEX #805560

RGB 128 85 96

HSL 344.65, 0.2%, 0.42%

LAB 41.11, 19.55, 0.95

 

CMYK 34 / 0 / 28 / 50

HEX #55805C

RGB 85 128 92

HSL 129.77, 0.2%, 0.42%

LAB 49.67, -22.84, 14.94

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 0 / 15 / 34 / 50

HEX #806D55

RGB 128 109 85

HSL 33.49, 0.2%, 0.42%

LAB 47.21, 3.67, 16.2

 

CMYK 34 / 0 / 15 / 50

HEX #55806D

RGB 85 128 109

HSL 153.49, 0.2%, 0.42%

LAB 50.07, -19.3, 5.62

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 0 / 34 / 25 / 50

HEX #805560

RGB 128 85 96

HSL 344.65, 0.2%, 0.42%

LAB 41.11, 19.55, 0.95

 

CMYK 19 / 0 / 34 / 50

HEX #688055

RGB 104 128 85

HSL 93.49, 0.2%, 0.42%

LAB 50.73, -17.02, 20.58

 

CMYK 34 / 0 / 9 / 50

HEX #558075

RGB 85 128 117

HSL 164.65, 0.2%, 0.42%

LAB 50.28, -17.45, 1.24

 

CMYK 15 / 34 / 0 / 50

HEX #6D5580

RGB 109 85 128

HSL 273.49, 0.2%, 0.42%

LAB 40.09, 18.79, -20.46

 

CMYK 0 / 32 / 34 / 50

HEX #805755

RGB 128 87 85

HSL 2.79, 0.2%, 0.42%

LAB 41.31, 16.7, 8.02

 

CMYK 19 / 0 / 34 / 50

HEX #688055

RGB 104 128 85

HSL 93.49, 0.2%, 0.42%

LAB 50.73, -17.02, 20.58

 

CMYK 34 / 2 / 0 / 50

HEX #557E80

RGB 85 126 128

HSL 182.79, 0.2%, 0.42%

LAB 49.99, -13.62, -5.64

 

Description

Color code: RGB 109 85 128 | qconv.com Color code: RGB 109 85 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 85 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 85 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 34 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 34% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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