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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54ED88 it is the complementary color #AB1277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54ED88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54ED88 shade: #59ED83, #6AFF96, #7BFFA9, #8CFFBC and #9DFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54ED88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54ED88 shade: #54ED88, #43DB75, #32C962, #21B74F and #10A53C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54ED88 shade: #54ED88, #54ED5E, #72ED54, #9BED54 and #C5ED54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54ED88 shade: #54ED88, #54EDB1, #54EDDA, #54D6ED and #54ADED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54ED88 shade matches the following richer shades: #54ED88 and #44FC83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54ED88 shade: #54ED88, #63DD8D, #72CE91, #82BF96 and #91B09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54ED88 shade: #72ED54, #54ED5E, #54ED87, #54EDAF and #54EDD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54ED88 shade: #16D858, #2EE96E, #54ED88, #79F0A2 and #9EF4BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54ED88 shade: #54ED88, #549BED and #ED545E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54ED88 shade: #54ED88, #8754ED and #ED8754

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54ED88 shade: #54ED88, #549BED, #ED54BA and #EDA554

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54ED88 shade: #54ED88, #546DED, #ED54BA and #EDD354

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

Complementary color

CMYK 0 / 89 / 30 / 33

HEX #AB1277

RGB 171 18 119

HSL 320.39, 0.81%, 0.37%

LAB 38.59, 63.77, -16.44

 

CMYK 62 / 0 / 45 / 7

HEX #59ED83

RGB 89 237 131

HSL 137.03, 0.8%, 0.64%

LAB 84.14, -61.67, 39.87

 

CMYK 58 / 0 / 41 / 0

HEX #6AFF96

RGB 106 255 150

HSL 137.72, 1%, 0.71%

LAB 90.22, -61.89, 38.5

 

CMYK 52 / 0 / 34 / 0

HEX #7BFFA9

RGB 123 255 169

HSL 140.91, 1%, 0.74%

LAB 91.05, -54.89, 30.26

 

CMYK 45 / 0 / 26 / 0

HEX #8CFFBC

RGB 140 255 188

HSL 145.04, 1%, 0.77%

LAB 92.01, -47.26, 22.05

 

CMYK 38 / 0 / 19 / 0

HEX #9DFFCF

RGB 157 255 207

HSL 150.61, 1%, 0.81%

LAB 93.1, -39.14, 13.96

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 69 / 0 / 47 / 14

HEX #43DB75

RGB 67 219 117

HSL 139.74, 0.68%, 0.56%

LAB 77.96, -61.35, 38.78

 

CMYK 75 / 0 / 51 / 21

HEX #32C962

RGB 50 201 98

HSL 139.07, 0.6%, 0.49%

LAB 71.78, -60.56, 40.31

 

CMYK 82 / 0 / 57 / 28

HEX #21B74F

RGB 33 183 79

HSL 138.4, 0.69%, 0.42%

LAB 65.56, -59.33, 41.87

 

CMYK 90 / 0 / 64 / 35

HEX #10A53C

RGB 16 165 60

HSL 137.72, 0.82%, 0.35%

LAB 59.29, -57.47, 43.38

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 65 / 0 / 60 / 7

HEX #54ED5E

RGB 84 237 94

HSL 123.92, 0.81%, 0.63%

LAB 83.58, -67.59, 56.31

 

CMYK 52 / 0 / 65 / 7

HEX #72ED54

RGB 114 237 84

HSL 108.24, 0.81%, 0.63%

LAB 84.37, -61.66, 61.6

 

CMYK 35 / 0 / 65 / 7

HEX #9BED54

RGB 155 237 84

HSL 92.16, 0.81%, 0.63%

LAB 86.09, -49.21, 63.96

 

CMYK 17 / 0 / 65 / 7

HEX #C5ED54

RGB 197 237 84

HSL 75.69, 0.81%, 0.63%

LAB 88.49, -33.94, 67.22

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 65 / 0 / 25 / 7

HEX #54EDB1

RGB 84 237 177

HSL 156.47, 0.81%, 0.63%

LAB 84.81, -54.05, 17.42

 

CMYK 65 / 0 / 8 / 7

HEX #54EDDA

RGB 84 237 218

HSL 172.55, 0.81%, 0.63%

LAB 85.76, -44.39, -2.66

 

CMYK 65 / 10 / 0 / 7

HEX #54D6ED

RGB 84 214 237

HSL 189.02, 0.81%, 0.63%

LAB 79.67, -28.55, -21.83

 

CMYK 65 / 27 / 0 / 7

HEX #54ADED

RGB 84 173 237

HSL 205.1, 0.81%, 0.63%

LAB 67.94, -7.26, -39.9

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 73 / 0 / 48 / 1

HEX #44FC83

RGB 68 252 131

HSL 140.54, 0.97%, 0.63%

LAB 88.2, -70.47, 44.93

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 55 / 0 / 36 / 13

HEX #63DD8D

RGB 99 221 141

HSL 140.66, 0.64%, 0.63%

LAB 79.78, -51.71, 29.21

 

CMYK 45 / 0 / 30 / 19

HEX #72CE91

RGB 114 206 145

HSL 140.22, 0.48%, 0.63%

LAB 75.92, -40.87, 22.02

 

CMYK 32 / 0 / 21 / 25

HEX #82BF96

RGB 130 191 150

HSL 139.67, 0.32%, 0.63%

LAB 72.37, -28.27, 14.54

 

CMYK 18 / 0 / 12 / 31

HEX #91B09B

RGB 145 176 155

HSL 139.35, 0.16%, 0.63%

LAB 69.07, -14.82, 7.26

 

CMYK 52 / 0 / 65 / 7

HEX #72ED54

RGB 114 237 84

HSL 108.24, 0.81%, 0.63%

LAB 84.37, -61.66, 61.6

 

CMYK 65 / 0 / 60 / 7

HEX #54ED5E

RGB 84 237 94

HSL 123.92, 0.81%, 0.63%

LAB 83.58, -67.59, 56.31

 

CMYK 65 / 0 / 43 / 7

HEX #54ED87

RGB 84 237 135

HSL 140, 0.81%, 0.63%

LAB 84.07, -61.99, 37.79

 

CMYK 65 / 0 / 26 / 7

HEX #54EDAF

RGB 84 237 175

HSL 155.69, 0.81%, 0.63%

LAB 84.77, -54.47, 18.4

 

CMYK 65 / 0 / 9 / 7

HEX #54EDD8

RGB 84 237 216

HSL 171.76, 0.81%, 0.63%

LAB 85.71, -44.9, -1.68

 

CMYK 90 / 0 / 59 / 15

HEX #16D858

RGB 22 216 88

HSL 140.41, 0.82%, 0.47%

LAB 76.06, -69.57, 50.04

 

CMYK 80 / 0 / 53 / 9

HEX #2EE96E

RGB 46 233 110

HSL 140.53, 0.81%, 0.55%

LAB 81.83, -69.97, 46.88

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 50 / 0 / 33 / 6

HEX #79F0A2

RGB 121 240 162

HSL 140.67, 0.8%, 0.71%

LAB 86.5, -50.49, 27.64

 

CMYK 35 / 0 / 23 / 4

HEX #9EF4BC

RGB 158 244 188

HSL 140.93, 0.8%, 0.79%

LAB 89.67, -37.5, 18.92

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 65 / 35 / 0 / 7

HEX #549BED

RGB 84 155 237

HSL 212.16, 0.81%, 0.63%

LAB 62.88, 2.93, -47.85

 

CMYK 0 / 65 / 60 / 7

HEX #ED545E

RGB 237 84 94

HSL 356.08, 0.81%, 0.63%

LAB 57.22, 59.43, 26.94

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 43 / 65 / 0 / 7

HEX #8754ED

RGB 135 84 237

HSL 260, 0.81%, 0.63%

LAB 49.01, 54.22, -69.88

 

CMYK 0 / 43 / 65 / 7

HEX #ED8754

RGB 237 135 84

HSL 20, 0.81%, 0.63%

LAB 66.5, 34.64, 43.89

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 65 / 35 / 0 / 7

HEX #549BED

RGB 84 155 237

HSL 212.16, 0.81%, 0.63%

LAB 62.88, 2.93, -47.85

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 30 / 65 / 7

HEX #EDA554

RGB 237 165 84

HSL 31.76, 0.81%, 0.63%

LAB 73.26, 18.85, 51.65

 

CMYK 65 / 0 / 43 / 7

HEX #54ED88

RGB 84 237 136

HSL 140.39, 0.81%, 0.63%

LAB 84.09, -61.82, 37.32

 

CMYK 65 / 54 / 0 / 7

HEX #546DED

RGB 84 109 237

HSL 230.2, 0.81%, 0.63%

LAB 50.61, 30.7, -67.47

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 11 / 65 / 7

HEX #EDD354

RGB 237 211 84

HSL 49.8, 0.81%, 0.63%

LAB 84.6, -5.15, 64.04

 

Description

Color code: HEX #54ED88 | qconv.com Color code: HEX #54ED88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 237 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 237 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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