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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED54BA it is the complementary color #12AB45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED54BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED54BA shade: #F254B5, #FF66C8, #FF78DB, #FF8AEE and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED54BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED54BA shade: #ED54BA, #DC42A7, #CB3094, #BA1E81 and #A90C6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED54BA shade: #ED54BA, #ED5490, #ED5467 and #ED5454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED54BA shade: #ED54BA, #ED54E3, #CD54ED, #A454ED and #7B54ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED54BA shade matches the following richer shades: #ED54BA and #FC44BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED54BA shade: #ED54BA, #DD63B5, #CE72AF, #BF82AA and #B091A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED54BA shade: #CE54ED, #ED54E2, #ED54BA, #ED5491 and #ED5468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED54BA shade: #D81697, #E92EAB, #ED54BA, #F079C9 and #F49ED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED54BA shade: #ED54BA, #EDA554 and #54EDE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED54BA shade: #ED54BA, #BAED54 and #54BAED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED54BA shade: #ED54BA, #EDA554, #54ED87 and #549BED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED54BA shade: #ED54BA, #EDD354, #54ED87 and #546DED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

Complementary color

CMYK 89 / 0 / 60 / 33

HEX #12AB45

RGB 18 171 69

HSL 140, 0.81%, 0.37%

LAB 61.38, -58.11, 41.63

 

CMYK 0 / 65 / 25 / 5

HEX #F254B5

RGB 242 84 181

HSL 323.16, 0.86%, 0.64%

LAB 60.39, 69.28, -19.12

 

CMYK 0 / 60 / 22 / 0

HEX #FF66C8

RGB 255 102 200

HSL 321.57, 1%, 0.7%

LAB 65.7, 68.06, -21.65

 

CMYK 0 / 53 / 14 / 0

HEX #FF78DB

RGB 255 120 219

HSL 316, 1%, 0.74%

LAB 69.33, 62.87, -26.71

 

CMYK 0 / 46 / 7 / 0

HEX #FF8AEE

RGB 255 138 238

HSL 308.72, 1%, 0.77%

LAB 73.29, 57.35, -31.09

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 70 / 24 / 14

HEX #DC42A7

RGB 220 66 167

HSL 320.65, 0.69%, 0.56%

LAB 53.92, 68.36, -21.19

 

CMYK 0 / 76 / 27 / 20

HEX #CB3094

RGB 203 48 148

HSL 321.29, 0.62%, 0.49%

LAB 48.2, 67.58, -18.96

 

CMYK 0 / 84 / 31 / 27

HEX #BA1E81

RGB 186 30 129

HSL 321.92, 0.72%, 0.42%

LAB 42.69, 65.99, -16.11

 

CMYK 0 / 93 / 35 / 34

HEX #A90C6E

RGB 169 12 110

HSL 322.55, 0.87%, 0.35%

LAB 37.52, 63.22, -12.44

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 65 / 39 / 7

HEX #ED5490

RGB 237 84 144

HSL 336.47, 0.81%, 0.63%

LAB 58.38, 63.64, -0.74

 

CMYK 0 / 65 / 57 / 7

HEX #ED5467

RGB 237 84 103

HSL 352.55, 0.81%, 0.63%

LAB 57.39, 60.05, 21.92

 

CMYK 0 / 65 / 65 / 7

HEX #ED5454

RGB 237 84 84

HSL 0, 0.81%, 0.63%

LAB 57.06, 58.82, 32.49

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 65 / 4 / 7

HEX #ED54E3

RGB 237 84 227

HSL 303.92, 0.81%, 0.63%

LAB 61.56, 74.52, -43.46

 

CMYK 14 / 65 / 0 / 7

HEX #CD54ED

RGB 205 84 237

HSL 287.45, 0.81%, 0.63%

LAB 57.5, 68.92, -55.78

 

CMYK 31 / 65 / 0 / 7

HEX #A454ED

RGB 164 84 237

HSL 271.37, 0.81%, 0.63%

LAB 52.23, 60.03, -64.53

 

CMYK 48 / 65 / 0 / 7

HEX #7B54ED

RGB 123 84 237

HSL 255.29, 0.81%, 0.63%

LAB 47.84, 52, -71.85

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 73 / 24 / 1

HEX #FC44BF

RGB 252 68 191

HSL 319.89, 0.97%, 0.63%

LAB 60.42, 78.54, -24.66

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 55 / 18 / 13

HEX #DD63B5

RGB 221 99 181

HSL 319.67, 0.64%, 0.63%

LAB 59.55, 57.04, -20.67

 

CMYK 0 / 45 / 15 / 19

HEX #CE72AF

RGB 206 114 175

HSL 320.22, 0.48%, 0.63%

LAB 60.12, 44.12, -16.57

 

CMYK 0 / 32 / 11 / 25

HEX #BF82AA

RGB 191 130 170

HSL 320.66, 0.32%, 0.63%

LAB 61.61, 29.67, -11.64

 

CMYK 0 / 18 / 6 / 31

HEX #B091A5

RGB 176 145 165

HSL 321.29, 0.16%, 0.63%

LAB 63.51, 15.07, -6.13

 

CMYK 13 / 65 / 0 / 7

HEX #CE54ED

RGB 206 84 237

HSL 287.84, 0.81%, 0.63%

LAB 57.63, 69.14, -55.56

 

CMYK 0 / 65 / 5 / 7

HEX #ED54E2

RGB 237 84 226

HSL 304.31, 0.81%, 0.63%

LAB 61.51, 74.37, -42.97

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 65 / 39 / 7

HEX #ED5491

RGB 237 84 145

HSL 336.08, 0.81%, 0.63%

LAB 58.4, 63.74, -1.28

 

CMYK 0 / 65 / 56 / 7

HEX #ED5468

RGB 237 84 104

HSL 352.16, 0.81%, 0.63%

LAB 57.41, 60.12, 21.36

 

CMYK 0 / 90 / 30 / 15

HEX #D81697

RGB 216 22 151

HSL 320.1, 0.82%, 0.47%

LAB 48.77, 76.43, -19.67

 

CMYK 0 / 80 / 27 / 9

HEX #E92EAB

RGB 233 46 171

HSL 319.89, 0.81%, 0.55%

LAB 54.26, 77.8, -22.83

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 50 / 16 / 6

HEX #F079C9

RGB 240 121 201

HSL 319.66, 0.8%, 0.71%

LAB 66.84, 55.3, -20.67

 

CMYK 0 / 35 / 11 / 4

HEX #F49ED8

RGB 244 158 216

HSL 319.53, 0.8%, 0.79%

LAB 75.23, 40.24, -16.21

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 30 / 65 / 7

HEX #EDA554

RGB 237 165 84

HSL 31.76, 0.81%, 0.63%

LAB 73.26, 18.85, 51.65

 

CMYK 65 / 0 / 5 / 7

HEX #54EDE2

RGB 84 237 226

HSL 175.69, 0.81%, 0.63%

LAB 85.98, -42.31, -6.55

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 22 / 0 / 65 / 7

HEX #BAED54

RGB 186 237 84

HSL 80, 0.81%, 0.63%

LAB 87.8, -38.12, 66.29

 

CMYK 65 / 22 / 0 / 7

HEX #54BAED

RGB 84 186 237

HSL 200, 0.81%, 0.63%

LAB 71.63, -14.3, -34.15

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 30 / 65 / 7

HEX #EDA554

RGB 237 165 84

HSL 31.76, 0.81%, 0.63%

LAB 73.26, 18.85, 51.65

 

CMYK 65 / 0 / 43 / 7

HEX #54ED87

RGB 84 237 135

HSL 140, 0.81%, 0.63%

LAB 84.07, -61.99, 37.79

 

CMYK 65 / 35 / 0 / 7

HEX #549BED

RGB 84 155 237

HSL 212.16, 0.81%, 0.63%

LAB 62.88, 2.93, -47.85

 

CMYK 0 / 65 / 22 / 7

HEX #ED54BA

RGB 237 84 186

HSL 320, 0.81%, 0.63%

LAB 59.79, 68.59, -22.97

 

CMYK 0 / 11 / 65 / 7

HEX #EDD354

RGB 237 211 84

HSL 49.8, 0.81%, 0.63%

LAB 84.6, -5.15, 64.04

 

CMYK 65 / 0 / 43 / 7

HEX #54ED87

RGB 84 237 135

HSL 140, 0.81%, 0.63%

LAB 84.07, -61.99, 37.79

 

CMYK 65 / 54 / 0 / 7

HEX #546DED

RGB 84 109 237

HSL 230.2, 0.81%, 0.63%

LAB 50.61, 30.7, -67.47

 

Description

Color code: HEX #ED54BA | qconv.com Color code: HEX #ED54BA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 84 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 84 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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