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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #54CBED it is the complementary color #AB3412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #54CBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #54CBED shade: #59CBE8, #6ADDFB, #7BEFFF, #8CFFFF and #9DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #54CBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #54CBED shade: #54CBED, #43B9DA, #32A7C7, #2195B4 and #1083A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #54CBED shade: #54CBED, #54A1ED, #5478ED, #5854ED and #8254ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #54CBED shade: #54CBED, #54A1ED, #5478ED and #5454ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #54CBED shade matches the following richer shades: #54CBED and #44D3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #54CBED shade: #54CBED, #63C2DD, #72BACE, #82B1BF and #91A9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #54CBED shade: #54EDBC, #54EDE5, #54CBED, #54A3ED and #547AED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #54CBED shade: #16ADD8, #2EBFE9, #54CBED, #79D6F0 and #9EE1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #54CBED shade: #54CBED, #9354ED and #EDD154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #54CBED shade: #54CBED, #ED54CB and #CBED54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #54CBED shade: #54CBED, #9354ED, #ED7554 and #ADED54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #54CBED shade: #54CBED, #C154ED, #ED7554 and #7FED54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

Complementary color

CMYK 0 / 70 / 89 / 33

HEX #AB3412

RGB 171 52 18

HSL 13.33, 0.81%, 0.37%

LAB 39.84, 47.12, 45.62

 

CMYK 62 / 13 / 0 / 9

HEX #59CBE8

RGB 89 203 232

HSL 192.17, 0.76%, 0.63%

LAB 76.47, -23.77, -24

HEX #59CBE8

CMYK 58 / 12 / 0 / 2

HEX #6ADDFB

RGB 106 221 251

HSL 192.41, 0.95%, 0.7%

LAB 82.78, -24.26, -24.48

HEX #6ADDFB

CMYK 52 / 6 / 0 / 0

HEX #7BEFFF

RGB 123 239 255

HSL 187.27, 1%, 0.74%

LAB 88.53, -28.69, -17.83

HEX #7BEFFF

CMYK 45 / 0 / 0 / 0

HEX #8CFFFF

RGB 140 255 255

HSL 180, 1%, 0.77%

LAB 93.59, -32.69, -10.19

HEX #8CFFFF

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

HEX #9DFFFF

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 69 / 15 / 0 / 15

HEX #43B9DA

RGB 67 185 218

HSL 193.11, 0.67%, 0.56%

LAB 70.14, -22.32, -26.15

 

CMYK 75 / 16 / 0 / 22

HEX #32A7C7

RGB 50 167 199

HSL 192.89, 0.6%, 0.49%

LAB 63.7, -21.31, -25.59

 

CMYK 82 / 17 / 0 / 29

HEX #2195B4

RGB 33 149 180

HSL 192.65, 0.69%, 0.42%

LAB 57.19, -19.99, -24.96

 

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 65 / 32 / 0 / 7

HEX #54A1ED

RGB 84 161 237

HSL 209.8, 0.81%, 0.63%

LAB 64.55, -0.52, -45.21

 

CMYK 65 / 49 / 0 / 7

HEX #5478ED

RGB 84 120 237

HSL 225.88, 0.81%, 0.63%

LAB 53.42, 23.93, -62.94

 

CMYK 63 / 65 / 0 / 7

HEX #5854ED

RGB 88 84 237

HSL 241.57, 0.81%, 0.63%

LAB 44.98, 46.36, -76.63

 

CMYK 45 / 65 / 0 / 7

HEX #8254ED

RGB 130 84 237

HSL 258.04, 0.81%, 0.63%

LAB 48.51, 53.28, -70.72

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 65 / 32 / 0 / 7

HEX #54A1ED

RGB 84 161 237

HSL 209.8, 0.81%, 0.63%

LAB 64.55, -0.52, -45.21

 

CMYK 65 / 49 / 0 / 7

HEX #5478ED

RGB 84 120 237

HSL 225.88, 0.81%, 0.63%

LAB 53.42, 23.93, -62.94

 

CMYK 65 / 65 / 0 / 7

HEX #5454ED

RGB 84 84 237

HSL 240, 0.81%, 0.63%

LAB 44.72, 45.81, -77.07

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 73 / 16 / 0 / 1

HEX #44D3FC

RGB 68 211 252

HSL 193.37, 0.97%, 0.63%

LAB 78.95, -24.7, -30.96

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 55 / 12 / 0 / 13

HEX #63C2DD

RGB 99 194 221

HSL 193.28, 0.64%, 0.63%

LAB 73.84, -20.56, -22.04

 

CMYK 45 / 10 / 0 / 19

HEX #72BACE

RGB 114 186 206

HSL 193.04, 0.48%, 0.63%

LAB 71.66, -17.28, -17.13

 

CMYK 32 / 7 / 0 / 25

HEX #82B1BF

RGB 130 177 191

HSL 193.77, 0.32%, 0.63%

LAB 69.44, -12.17, -12.16

 

CMYK 18 / 4 / 0 / 31

HEX #91A9B0

RGB 145 169 176

HSL 193.55, 0.16%, 0.63%

LAB 67.67, -6.77, -6.39

 

CMYK 65 / 0 / 21 / 7

HEX #54EDBC

RGB 84 237 188

HSL 160.78, 0.81%, 0.63%

LAB 85.04, -51.63, 12.02

 

CMYK 65 / 0 / 3 / 7

HEX #54EDE5

RGB 84 237 229

HSL 176.86, 0.81%, 0.63%

LAB 86.06, -41.52, -8

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 65 / 31 / 0 / 7

HEX #54A3ED

RGB 84 163 237

HSL 209.02, 0.81%, 0.63%

LAB 65.12, -1.66, -44.32

 

CMYK 65 / 49 / 0 / 7

HEX #547AED

RGB 84 122 237

HSL 225.1, 0.81%, 0.63%

LAB 53.94, 22.7, -62.1

 

CMYK 90 / 20 / 0 / 15

HEX #16ADD8

RGB 22 173 216

HSL 193.3, 0.82%, 0.47%

LAB 65.76, -21.04, -31.87

 

CMYK 80 / 18 / 0 / 9

HEX #2EBFE9

RGB 46 191 233

HSL 193.48, 0.81%, 0.55%

LAB 72.04, -22.95, -31.42

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 50 / 11 / 0 / 6

HEX #79D6F0

RGB 121 214 240

HSL 193.11, 0.8%, 0.71%

LAB 80.99, -20.82, -21.31

 

CMYK 35 / 8 / 0 / 4

HEX #9EE1F4

RGB 158 225 244

HSL 193.26, 0.8%, 0.79%

LAB 85.83, -16.41, -15.96

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 38 / 65 / 0 / 7

HEX #9354ED

RGB 147 84 237

HSL 264.71, 0.81%, 0.63%

LAB 50.28, 56.56, -67.76

 

CMYK 0 / 12 / 65 / 7

HEX #EDD154

RGB 237 209 84

HSL 49.02, 0.81%, 0.63%

LAB 84.09, -4.13, 63.5

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 0 / 65 / 14 / 7

HEX #ED54CB

RGB 237 84 203

HSL 313.33, 0.81%, 0.63%

LAB 60.48, 70.93, -31.61

 

CMYK 14 / 0 / 65 / 7

HEX #CBED54

RGB 203 237 84

HSL 73.33, 0.81%, 0.63%

LAB 88.88, -31.62, 67.75

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 38 / 65 / 0 / 7

HEX #9354ED

RGB 147 84 237

HSL 264.71, 0.81%, 0.63%

LAB 50.28, 56.56, -67.76

 

CMYK 0 / 51 / 65 / 7

HEX #ED7554

RGB 237 117 84

HSL 12.94, 0.81%, 0.63%

LAB 62.82, 43.77, 39.52

 

CMYK 27 / 0 / 65 / 7

HEX #ADED54

RGB 173 237 84

HSL 85.1, 0.81%, 0.63%

LAB 87.04, -42.91, 65.26

 

CMYK 65 / 14 / 0 / 7

HEX #54CBED

RGB 84 203 237

HSL 193.33, 0.81%, 0.63%

LAB 76.5, -23.1, -26.66

 

CMYK 19 / 65 / 0 / 7

HEX #C154ED

RGB 193 84 237

HSL 282.75, 0.81%, 0.63%

LAB 55.88, 66.26, -58.46

 

CMYK 0 / 51 / 65 / 7

HEX #ED7554

RGB 237 117 84

HSL 12.94, 0.81%, 0.63%

LAB 62.82, 43.77, 39.52

 

CMYK 46 / 0 / 65 / 7

HEX #7FED54

RGB 127 237 84

HSL 103.14, 0.81%, 0.63%

LAB 84.85, -58.04, 62.26

 

Description

Color code: HEX #54CBED | qconv.com Color code: HEX #54CBED | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 203 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 203 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 14% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

96% - Site is under constr...
Link: http://www.autorizadored.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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