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Color name
HEX #1083A1

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1083A1 it is the complementary color #EF7C5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1083A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1083A1 shade: #15839C, #2695AF, #37A7C2, #48B9D5 and #59CBE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1083A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1083A1 shade: #1083A1, #00718E, #005F7B, #004D68 and #003B55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1083A1 shade: #1084A2, #105CA2, #1035A2, #1210A2 and #3910A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1083A1 shade: #1084A2, #105CA2, #1035A2 and #1010A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1083A1 shade matches the following richer shades: #1084A2 and #018CB0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1083A1 shade: #1084A2, #1E7B93, #2C7385, #3B6A77 and #496268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1083A1 shade: #10A271, #10A298, #1085A2, #105EA2 and #1037A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1083A1 shade: #084757, #0C657C, #1084A2, #13A2C7 and #1CBEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1083A1 shade: #1083A1, #4A10A2 and #A28510

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1083A1 shade: #1083A1, #A21085 and #85A210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1083A1 shade: #1083A1, #4A10A2, #A22D10 and #67A210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1083A1 shade: #1083A1, #7610A2, #A22D10 and #3BA210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

Complementary color

CMYK 0 / 48 / 61 / 6

HEX #EF7C5E

RGB 239 124 94

HSL 12.41, 0.82%, 0.65%

LAB 64.62, 41.68, 36.39

 

CMYK 87 / 16 / 0 / 39

HEX #15839C

RGB 21 131 156

HSL 191.11, 0.76%, 0.35%

LAB 50.44, -19.68, -21.55

 

CMYK 78 / 15 / 0 / 31

HEX #2695AF

RGB 38 149 175

HSL 191.39, 0.64%, 0.42%

LAB 57.08, -21.18, -22.28

 

CMYK 72 / 14 / 0 / 24

HEX #37A7C2

RGB 55 167 194

HSL 191.65, 0.56%, 0.49%

LAB 63.63, -22.3, -22.91

 

CMYK 66 / 13 / 0 / 16

HEX #48B9D5

RGB 72 185 213

HSL 191.91, 0.63%, 0.56%

LAB 70.09, -23.13, -23.48

 

CMYK 62 / 13 / 0 / 9

HEX #59CBE8

RGB 89 203 232

HSL 192.17, 0.76%, 0.63%

LAB 76.47, -23.77, -24

HEX #59CBE8

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 100 / 20 / 0 / 44

HEX #00718E

RGB 0 113 142

HSL 192.25, 1%, 0.28%

LAB 43.89, -16.07, -23.43

 

CMYK 100 / 23 / 0 / 52

HEX #005F7B

RGB 0 95 123

HSL 193.66, 1%, 0.24%

LAB 37.14, -13.02, -22.43

 

CMYK 100 / 26 / 0 / 59

HEX #004D68

RGB 0 77 104

HSL 195.58, 1%, 0.2%

LAB 30.17, -9.8, -21.44

 

CMYK 100 / 31 / 0 / 67

HEX #003B55

RGB 0 59 85

HSL 198.35, 1%, 0.17%

LAB 22.94, -6.35, -20.48

 

CMYK 90 / 19 / 0 / 36

HEX #1084A2

RGB 16 132 162

HSL 192.33, 0.82%, 0.35%

LAB 50.95, -18.44, -24.27

 

CMYK 90 / 43 / 0 / 36

HEX #105CA2

RGB 16 92 162

HSL 208.77, 0.82%, 0.35%

LAB 38.5, 5.46, -43.85

 

CMYK 90 / 67 / 0 / 36

HEX #1035A2

RGB 16 53 162

HSL 224.79, 0.82%, 0.35%

LAB 27.48, 31.8, -61.75

 

CMYK 89 / 90 / 0 / 36

HEX #1210A2

RGB 18 16 162

HSL 240.82, 0.82%, 0.35%

LAB 20.47, 51.95, -73.36

 

CMYK 65 / 90 / 0 / 36

HEX #3910A2

RGB 57 16 162

HSL 256.85, 0.82%, 0.35%

LAB 23.17, 53.85, -68.8

 

CMYK 90 / 19 / 0 / 36

HEX #1084A2

RGB 16 132 162

HSL 192.33, 0.82%, 0.35%

LAB 50.95, -18.44, -24.27

 

CMYK 90 / 43 / 0 / 36

HEX #105CA2

RGB 16 92 162

HSL 208.77, 0.82%, 0.35%

LAB 38.5, 5.46, -43.85

 

CMYK 90 / 67 / 0 / 36

HEX #1035A2

RGB 16 53 162

HSL 224.79, 0.82%, 0.35%

LAB 27.48, 31.8, -61.75

 

CMYK 90 / 90 / 0 / 36

HEX #1010A2

RGB 16 16 162

HSL 240, 0.82%, 0.35%

LAB 20.4, 51.9, -73.48

 

CMYK 90 / 19 / 0 / 36

HEX #1084A2

RGB 16 132 162

HSL 192.33, 0.82%, 0.35%

LAB 50.95, -18.44, -24.27

 

CMYK 99 / 20 / 0 / 31

HEX #018CB0

RGB 1 140 176

HSL 192.34, 0.99%, 0.35%

LAB 53.92, -18.41, -27.75

 

CMYK 90 / 19 / 0 / 36

HEX #1084A2

RGB 16 132 162

HSL 192.33, 0.82%, 0.35%

LAB 50.95, -18.44, -24.27

 

CMYK 80 / 16 / 0 / 42

HEX #1E7B93

RGB 30 123 147

HSL 192.31, 0.66%, 0.35%

LAB 47.69, -17.66, -20.51

 

CMYK 67 / 14 / 0 / 48

HEX #2C7385

RGB 44 115 133

HSL 192.13, 0.5%, 0.35%

LAB 44.93, -16.02, -16.41

 

CMYK 50 / 11 / 0 / 53

HEX #3B6A77

RGB 59 106 119

HSL 193, 0.34%, 0.35%

LAB 42.11, -12.18, -12.23

 

CMYK 30 / 6 / 0 / 59

HEX #496268

RGB 73 98 104

HSL 191.61, 0.18%, 0.35%

LAB 39.83, -7.7, -6.43

 

CMYK 90 / 0 / 30 / 36

HEX #10A271

RGB 16 162 113

HSL 159.86, 0.82%, 0.35%

LAB 59.11, -47, 15.78

 

CMYK 90 / 0 / 6 / 36

HEX #10A298

RGB 16 162 152

HSL 175.89, 0.82%, 0.35%

LAB 60.09, -36.62, -4.72

 

CMYK 90 / 18 / 0 / 36

HEX #1085A2

RGB 16 133 162

HSL 191.92, 0.82%, 0.35%

LAB 51.26, -18.98, -23.79

 

CMYK 90 / 42 / 0 / 36

HEX #105EA2

RGB 16 94 162

HSL 207.95, 0.82%, 0.35%

LAB 39.11, 4.16, -42.87

 

CMYK 90 / 66 / 0 / 36

HEX #1037A2

RGB 16 55 162

HSL 223.97, 0.82%, 0.35%

LAB 27.98, 30.46, -60.92

 

CMYK 91 / 18 / 0 / 66

HEX #084757

RGB 8 71 87

HSL 192.15, 0.83%, 0.19%

LAB 27.43, -12.2, -14.8

 

CMYK 90 / 19 / 0 / 51

HEX #0C657C

RGB 12 101 124

HSL 192.32, 0.82%, 0.27%

LAB 39.31, -15.31, -19.67

 

CMYK 90 / 19 / 0 / 36

HEX #1084A2

RGB 16 132 162

HSL 192.33, 0.82%, 0.35%

LAB 50.95, -18.44, -24.27

 

CMYK 90 / 19 / 0 / 22

HEX #13A2C7

RGB 19 162 199

HSL 192.33, 0.83%, 0.43%

LAB 61.74, -21.29, -28.65

 

CMYK 88 / 18 / 0 / 9

HEX #1CBEE8

RGB 28 190 232

HSL 192.35, 0.82%, 0.51%

LAB 71.49, -24.06, -31.76

 

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 54 / 90 / 0 / 36

HEX #4A10A2

RGB 74 16 162

HSL 263.84, 0.82%, 0.35%

LAB 25.06, 55.31, -65.6

 

CMYK 0 / 18 / 90 / 36

HEX #A28510

RGB 162 133 16

HSL 48.08, 0.82%, 0.35%

LAB 56.58, 0.45, 58.73

 

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 0 / 90 / 18 / 36

HEX #A21085

RGB 162 16 133

HSL 311.92, 0.82%, 0.35%

LAB 37.38, 63.89, -27.17

 

CMYK 18 / 0 / 90 / 36

HEX #85A210

RGB 133 162 16

HSL 71.92, 0.82%, 0.35%

LAB 62.39, -27.74, 62.36

 

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 54 / 90 / 0 / 36

HEX #4A10A2

RGB 74 16 162

HSL 263.84, 0.82%, 0.35%

LAB 25.06, 55.31, -65.6

 

CMYK 0 / 72 / 90 / 36

HEX #A22D10

RGB 162 45 16

HSL 11.92, 0.82%, 0.35%

LAB 37.11, 46.78, 43.59

 

CMYK 36 / 0 / 90 / 36

HEX #67A210

RGB 103 162 16

HSL 84.25, 0.82%, 0.35%

LAB 60.57, -39.72, 60.11

 

CMYK 90 / 19 / 0 / 37

HEX #1083A1

RGB 16 131 161

HSL 192.41, 0.82%, 0.35%

LAB 50.59, -18.25, -24.24

 

CMYK 27 / 90 / 0 / 36

HEX #7610A2

RGB 118 16 162

HSL 281.92, 0.82%, 0.35%

LAB 31.42, 60.78, -54.93

 

CMYK 0 / 72 / 90 / 36

HEX #A22D10

RGB 162 45 16

HSL 11.92, 0.82%, 0.35%

LAB 37.11, 46.78, 43.59

 

CMYK 64 / 0 / 90 / 36

HEX #3BA210

RGB 59 162 16

HSL 102.33, 0.82%, 0.35%

LAB 58.8, -53.3, 57.9

 

Description

Color code: HEX #1083A1 | qconv.com Color code: HEX #1083A1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 131 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 131 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 19 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 19% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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