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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5291B3 it is the complementary color #AD6E4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5291B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5291B3 shade: #5791AE, #68A3C1, #79B5D4, #8AC7E7 and #9BD9FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5291B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5291B3 shade: #5291B3, #417FA0, #306D8D, #1F5B7A and #0E4967

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5291B3 shade: #5190B2, #5176B2, #515CB2, #6051B2 and #7B51B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5291B3 shade: #5190B2, #5176B2, #515CB2 and #5151B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5291B3 shade matches the following richer shades: #5190B2, #3D96C6, #289CDB and #14A2EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5291B3 shade: #5190B2, #658A9E, #79848A, #8D7E76 and #A27861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5291B3 shade: #51B2A0, #51AAB2, #5190B2, #5176B2 and #515CB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5291B3 shade: #36637B, #427A98, #5190B2, #6DA2BF and #8AB5CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5291B3 shade: #5291B3, #8651B2 and #B2AD51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5291B3 shade: #5291B3, #B25190 and #90B251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5291B3 shade: #5291B3, #8651B2, #B27351 and #7DB251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5291B3 shade: #5291B3, #A451B2, #B27351 and #5FB251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

Complementary color

CMYK 0 / 36 / 56 / 32

HEX #AD6E4C

RGB 173 110 76

HSL 21.03, 0.39%, 0.49%

LAB 52.46, 21.43, 29.23

 

CMYK 50 / 17 / 0 / 32

HEX #5791AE

RGB 87 145 174

HSL 200, 0.35%, 0.51%

LAB 57.4, -10.8, -21.08

 

CMYK 46 / 16 / 0 / 24

HEX #68A3C1

RGB 104 163 193

HSL 200.22, 0.42%, 0.58%

LAB 64.15, -11.08, -21.4

 

CMYK 43 / 15 / 0 / 17

HEX #79B5D4

RGB 121 181 212

HSL 200.44, 0.51%, 0.65%

LAB 70.78, -11.3, -21.72

 

CMYK 40 / 14 / 0 / 9

HEX #8AC7E7

RGB 138 199 231

HSL 200.65, 0.66%, 0.72%

LAB 77.29, -11.48, -22.04

 

CMYK 38 / 13 / 0 / 2

HEX #9BD9FA

RGB 155 217 250

HSL 200.84, 0.9%, 0.79%

LAB 83.7, -11.62, -22.35

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 59 / 21 / 0 / 37

HEX #417FA0

RGB 65 127 160

HSL 200.84, 0.42%, 0.44%

LAB 50.5, -9.9, -23.7

 

CMYK 66 / 23 / 0 / 45

HEX #306D8D

RGB 48 109 141

HSL 200.65, 0.49%, 0.37%

LAB 43.49, -9.16, -23.39

 

CMYK 75 / 25 / 0 / 52

HEX #1F5B7A

RGB 31 91 122

HSL 200.44, 0.59%, 0.3%

LAB 36.33, -8.09, -23.04

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 54 / 34 / 0 / 30

HEX #5176B2

RGB 81 118 178

HSL 217.11, 0.39%, 0.51%

LAB 49.4, 4.75, -35.81

 

CMYK 54 / 48 / 0 / 30

HEX #515CB2

RGB 81 92 178

HSL 233.2, 0.39%, 0.51%

LAB 42.18, 20.95, -47.27

 

CMYK 46 / 54 / 0 / 30

HEX #6051B2

RGB 96 81 178

HSL 249.28, 0.39%, 0.51%

LAB 40.55, 31.18, -49.83

 

CMYK 31 / 54 / 0 / 30

HEX #7B51B2

RGB 123 81 178

HSL 265.98, 0.39%, 0.51%

LAB 43.23, 37.82, -45.39

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 54 / 34 / 0 / 30

HEX #5176B2

RGB 81 118 178

HSL 217.11, 0.39%, 0.51%

LAB 49.4, 4.75, -35.81

 

CMYK 54 / 48 / 0 / 30

HEX #515CB2

RGB 81 92 178

HSL 233.2, 0.39%, 0.51%

LAB 42.18, 20.95, -47.27

 

CMYK 54 / 54 / 0 / 30

HEX #5151B2

RGB 81 81 178

HSL 240, 0.39%, 0.51%

LAB 39.32, 27.91, -51.86

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 69 / 24 / 0 / 22

HEX #3D96C6

RGB 61 150 198

HSL 201.02, 0.55%, 0.51%

LAB 58.86, -11.01, -32.49

 

CMYK 82 / 29 / 0 / 14

HEX #289CDB

RGB 40 156 219

HSL 201.12, 0.71%, 0.51%

LAB 61.08, -9.56, -40.8

 

CMYK 92 / 32 / 0 / 6

HEX #14A2EF

RGB 20 162 239

HSL 201.1, 0.87%, 0.51%

LAB 63.53, -6.99, -48.02

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 36 / 13 / 0 / 38

HEX #658A9E

RGB 101 138 158

HSL 201.05, 0.23%, 0.51%

LAB 55.49, -7.7, -14.75

 

CMYK 12 / 4 / 0 / 46

HEX #79848A

RGB 121 132 138

HSL 201.18, 0.07%, 0.51%

LAB 54.45, -2.73, -4.61

 

CMYK 0 / 11 / 16 / 45

HEX #8D7E76

RGB 141 126 118

HSL 20.87, 0.09%, 0.51%

LAB 53.91, 4.32, 6.43

 

CMYK 0 / 26 / 40 / 36

HEX #A27861

RGB 162 120 97

HSL 21.23, 0.26%, 0.51%

LAB 54, 13.3, 19.04

 

CMYK 54 / 0 / 10 / 30

HEX #51B2A0

RGB 81 178 160

HSL 168.87, 0.39%, 0.51%

LAB 66.62, -32.96, 0.56

 

CMYK 54 / 4 / 0 / 30

HEX #51AAB2

RGB 81 170 178

HSL 184.95, 0.39%, 0.51%

LAB 64.73, -24.24, -12.24

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 54 / 34 / 0 / 30

HEX #5176B2

RGB 81 118 178

HSL 217.11, 0.39%, 0.51%

LAB 49.4, 4.75, -35.81

 

CMYK 54 / 48 / 0 / 30

HEX #515CB2

RGB 81 92 178

HSL 233.2, 0.39%, 0.51%

LAB 42.18, 20.95, -47.27

 

CMYK 56 / 20 / 0 / 52

HEX #36637B

RGB 54 99 123

HSL 200.87, 0.39%, 0.35%

LAB 39.81, -8.05, -18.19

 

CMYK 57 / 20 / 0 / 40

HEX #427A98

RGB 66 122 152

HSL 200.93, 0.39%, 0.43%

LAB 48.69, -9.4, -21.81

 

CMYK 54 / 19 / 0 / 30

HEX #5190B2

RGB 81 144 178

HSL 201.03, 0.39%, 0.51%

LAB 56.99, -10.41, -24.01

 

CMYK 43 / 15 / 0 / 25

HEX #6DA2BF

RGB 109 162 191

HSL 201.22, 0.39%, 0.59%

LAB 64.04, -9.84, -20.43

 

CMYK 32 / 11 / 0 / 20

HEX #8AB5CB

RGB 138 181 203

HSL 200.31, 0.38%, 0.67%

LAB 71.39, -9.05, -15.77

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 25 / 54 / 0 / 30

HEX #8651B2

RGB 134 81 178

HSL 272.78, 0.39%, 0.51%

LAB 44.47, 40.7, -43.33

 

CMYK 0 / 3 / 54 / 30

HEX #B2AD51

RGB 178 173 81

HSL 56.91, 0.39%, 0.51%

LAB 69.43, -10.58, 47.17

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 0 / 54 / 19 / 30

HEX #B25190

RGB 178 81 144

HSL 321.03, 0.39%, 0.51%

LAB 48.71, 47.03, -16.13

 

CMYK 19 / 0 / 54 / 30

HEX #90B251

RGB 144 178 81

HSL 81.03, 0.39%, 0.51%

LAB 68.29, -27.06, 45.19

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 25 / 54 / 0 / 30

HEX #8651B2

RGB 134 81 178

HSL 272.78, 0.39%, 0.51%

LAB 44.47, 40.7, -43.33

 

CMYK 0 / 35 / 54 / 30

HEX #B27351

RGB 178 115 81

HSL 21.03, 0.39%, 0.51%

LAB 54.37, 21.18, 28.96

 

CMYK 30 / 0 / 54 / 30

HEX #7DB251

RGB 125 178 81

HSL 92.78, 0.39%, 0.51%

LAB 67.12, -34.28, 43.53

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 8 / 54 / 0 / 30

HEX #A451B2

RGB 164 81 178

HSL 291.34, 0.39%, 0.51%

LAB 48.25, 48.83, -37.1

 

CMYK 0 / 35 / 54 / 30

HEX #B27351

RGB 178 115 81

HSL 21.03, 0.39%, 0.51%

LAB 54.37, 21.18, 28.96

 

CMYK 47 / 0 / 54 / 30

HEX #5FB251

RGB 95 178 81

HSL 111.34, 0.39%, 0.51%

LAB 65.65, -44.35, 41.41

 

Description

Color code: HEX #5291B3 | qconv.com Color code: HEX #5291B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 145 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 145 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 19 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 19% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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