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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0E4967 it is the complementary color #F1B698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0E4967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0E4967 shade: #134962, #245B75, #356D88, #467F9B and #5791AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0E4967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0E4967 shade: #0E4967, #003754, #002541, #00132E and #00011B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0E4967 shade: #0E4967, #0E3167, #0E1967, #1B0E67 and #330E67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0E4967 shade: #0E4967, #0E3167, #0E1967 and #0E0E67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0E4967 shade matches the following richer shades: #0E4967 and #044C70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0E4967 shade: #0E4967, #17465D, #214254, #2A3F4A and #343C41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0E4967 shade: #0E6755, #0E6167, #0E4967, #0E3167 and #0E1967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0E4967 shade: #04151E, #092F42, #0E4967, #13628B and #177CAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0E4967 shade: #0E4967, #3D0E67 and #67610E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0E4967 shade: #0E4967, #670E49 and #49670E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0E4967 shade: #0E4967, #3D0E67, #672B0E and #37670E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0E4967 shade: #0E4967, #580E67, #672B0E and #1C670E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

Complementary color

CMYK 0 / 24 / 37 / 5

HEX #F1B698

RGB 241 182 152

HSL 20.22, 0.76%, 0.77%

LAB 78.71, 17.5, 23.58

 

CMYK 81 / 26 / 0 / 62

HEX #134962

RGB 19 73 98

HSL 198.99, 0.68%, 0.23%

LAB 28.86, -7.85, -19.63

 

CMYK 69 / 22 / 0 / 54

HEX #245B75

RGB 36 91 117

HSL 199.26, 0.53%, 0.3%

LAB 36.26, -9.08, -20.05

 

CMYK 61 / 20 / 0 / 47

HEX #356D88

RGB 53 109 136

HSL 199.52, 0.44%, 0.37%

LAB 43.47, -9.88, -20.42

 

CMYK 55 / 18 / 0 / 39

HEX #467F9B

RGB 70 127 155

HSL 199.76, 0.38%, 0.44%

LAB 50.51, -10.41, -20.75

 

CMYK 50 / 17 / 0 / 32

HEX #5791AE

RGB 87 145 174

HSL 200, 0.35%, 0.51%

LAB 57.4, -10.8, -21.08

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 100 / 35 / 0 / 67

HEX #003754

RGB 0 55 84

HSL 200.71, 1%, 0.16%

LAB 21.48, -4.12, -22.12

 

CMYK 100 / 43 / 0 / 75

HEX #002541

RGB 0 37 65

HSL 205.85, 1%, 0.13%

LAB 13.85, -0.12, -21.3

 

CMYK 100 / 59 / 0 / 82

HEX #00132E

RGB 0 19 46

HSL 215.22, 1%, 0.09%

LAB 5.99, 3.93, -20.23

 

CMYK 100 / 96 / 0 / 89

HEX #00011B

RGB 0 1 27

HSL 237.78, 1%, 0.05%

LAB 0.91, 4.62, -13.35

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 86 / 52 / 0 / 60

HEX #0E3167

RGB 14 49 103

HSL 216.4, 0.76%, 0.23%

LAB 21.09, 10, -35.2

 

CMYK 86 / 76 / 0 / 60

HEX #0E1967

RGB 14 25 103

HSL 232.58, 0.76%, 0.23%

LAB 14.22, 27.36, -46.42

 

CMYK 74 / 86 / 0 / 60

HEX #1B0E67

RGB 27 14 103

HSL 248.76, 0.76%, 0.23%

LAB 12.77, 34.98, -48.78

 

CMYK 50 / 86 / 0 / 60

HEX #330E67

RGB 51 14 103

HSL 264.94, 0.76%, 0.23%

LAB 15.47, 37.83, -44.24

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 86 / 52 / 0 / 60

HEX #0E3167

RGB 14 49 103

HSL 216.4, 0.76%, 0.23%

LAB 21.09, 10, -35.2

 

CMYK 86 / 76 / 0 / 60

HEX #0E1967

RGB 14 25 103

HSL 232.58, 0.76%, 0.23%

LAB 14.22, 27.36, -46.42

 

CMYK 86 / 86 / 0 / 60

HEX #0E0E67

RGB 14 14 103

HSL 240, 0.76%, 0.23%

LAB 11.87, 34.05, -50.31

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 96 / 32 / 0 / 56

HEX #044C70

RGB 4 76 112

HSL 200, 0.93%, 0.23%

LAB 30.31, -5.54, -26.27

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 75 / 25 / 0 / 64

HEX #17465D

RGB 23 70 93

HSL 199.71, 0.6%, 0.23%

LAB 27.72, -7.3, -18.2

 

CMYK 61 / 21 / 0 / 67

HEX #214254

RGB 33 66 84

HSL 201.18, 0.44%, 0.23%

LAB 26.33, -6.04, -14.47

 

CMYK 43 / 15 / 0 / 71

HEX #2A3F4A

RGB 42 63 74

HSL 200.63, 0.28%, 0.23%

LAB 25.39, -4.93, -9.32

 

CMYK 20 / 8 / 0 / 75

HEX #343C41

RGB 52 60 65

HSL 203.08, 0.11%, 0.23%

LAB 24.78, -2.04, -4.2

 

CMYK 86 / 0 / 17 / 60

HEX #0E6755

RGB 14 103 85

HSL 167.87, 0.76%, 0.23%

LAB 38.64, -29.26, 3.19

 

CMYK 86 / 6 / 0 / 60

HEX #0E6167

RGB 14 97 103

HSL 184.04, 0.76%, 0.23%

LAB 37.16, -20.5, -10.07

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 86 / 52 / 0 / 60

HEX #0E3167

RGB 14 49 103

HSL 216.4, 0.76%, 0.23%

LAB 21.09, 10, -35.2

 

CMYK 86 / 76 / 0 / 60

HEX #0E1967

RGB 14 25 103

HSL 232.58, 0.76%, 0.23%

LAB 14.22, 27.36, -46.42

 

CMYK 87 / 30 / 0 / 88

HEX #04151E

RGB 4 21 30

HSL 200.77, 0.76%, 0.07%

LAB 5.92, -2.9, -8.21

 

CMYK 86 / 29 / 0 / 74

HEX #092F42

RGB 9 47 66

HSL 200, 0.76%, 0.15%

LAB 17.85, -5.32, -15.67

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 86 / 29 / 0 / 45

HEX #13628B

RGB 19 98 139

HSL 200.5, 0.76%, 0.31%

LAB 39.14, -7.28, -29.03

 

CMYK 87 / 29 / 0 / 31

HEX #177CAF

RGB 23 124 175

HSL 200.13, 0.77%, 0.39%

LAB 49.12, -8.71, -34.65

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 41 / 86 / 0 / 60

HEX #3D0E67

RGB 61 14 103

HSL 271.69, 0.76%, 0.23%

LAB 16.92, 39.39, -41.81

 

CMYK 0 / 6 / 86 / 60

HEX #67610E

RGB 103 97 14

HSL 55.96, 0.76%, 0.23%

LAB 40.35, -7.27, 43.49

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 0 / 86 / 29 / 60

HEX #670E49

RGB 103 14 73

HSL 320.22, 0.76%, 0.23%

LAB 22.58, 42.82, -12.23

 

CMYK 29 / 0 / 86 / 60

HEX #49670E

RGB 73 103 14

HSL 80.22, 0.76%, 0.23%

LAB 39.83, -24.51, 42.09

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 41 / 86 / 0 / 60

HEX #3D0E67

RGB 61 14 103

HSL 271.69, 0.76%, 0.23%

LAB 16.92, 39.39, -41.81

 

CMYK 0 / 58 / 86 / 60

HEX #672B0E

RGB 103 43 14

HSL 19.55, 0.76%, 0.23%

LAB 25.69, 25.14, 30.46

 

CMYK 47 / 0 / 86 / 60

HEX #37670E

RGB 55 103 14

HSL 92.36, 0.76%, 0.23%

LAB 38.8, -31.69, 40.78

 

CMYK 86 / 29 / 0 / 60

HEX #0E4967

RGB 14 73 103

HSL 200.22, 0.76%, 0.23%

LAB 29, -6.47, -22.62

 

CMYK 15 / 86 / 0 / 60

HEX #580E67

RGB 88 14 103

HSL 289.89, 0.76%, 0.23%

LAB 21.46, 44.35, -34.23

 

CMYK 0 / 58 / 86 / 60

HEX #672B0E

RGB 103 43 14

HSL 19.55, 0.76%, 0.23%

LAB 25.69, 25.14, 30.46

 

CMYK 73 / 0 / 86 / 60

HEX #1C670E

RGB 28 103 14

HSL 110.56, 0.76%, 0.23%

LAB 37.8, -39.6, 39.5

 

Description

Color code: HEX #0E4967 | qconv.com Color code: HEX #0E4967 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 73 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 73 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 29 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 29% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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