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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5268BB it is the complementary color #AD9744. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5268BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5268BB shade: #5768B6, #687AC9, #798CDC, #8A9EEF and #9BB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5268BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5268BB shade: #5268BB, #4156A8, #304495, #1F3282 and #0E206F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5268BB shade: #5268BB, #5852BB, #7552BB, #9152BB and #AE52BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5268BB shade: #5268BB and #5252BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5268BB shade matches the following richer shades: #5268BB, #3F5DCF, #2B51E2 and #1846F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5268BB shade: #5268BB, #6573A8, #797F95, #8C8A81 and #9F956E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5268BB shade: #52A1BB, #5285BB, #5269BB, #5752BB and #7352BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5268BB shade: #344587, #4055A4, #5268BB, #7082C7 and #8D9CD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5268BB shade: #5268BB, #BA52BB and #93BB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5268BB shade: #5268BB, #BB5269 and #69BB52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5268BB shade: #5268BB, #BA52BB, #BBA552 and #54BB52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5268BB shade: #5268BB, #BB529E, #BBA552 and #52BB70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

Complementary color

CMYK 0 / 13 / 61 / 32

HEX #AD9744

RGB 173 151 68

HSL 47.43, 0.44%, 0.47%

LAB 62.87, -2.04, 45.78

 

CMYK 52 / 43 / 0 / 29

HEX #5768B6

RGB 87 104 182

HSL 229.26, 0.39%, 0.53%

LAB 46.05, 16.04, -43.41

 

CMYK 48 / 39 / 0 / 21

HEX #687AC9

RGB 104 122 201

HSL 228.87, 0.47%, 0.6%

LAB 53.04, 14.96, -43.19

 

CMYK 45 / 36 / 0 / 14

HEX #798CDC

RGB 121 140 220

HSL 228.48, 0.59%, 0.67%

LAB 59.88, 14.06, -43.03

 

CMYK 42 / 34 / 0 / 6

HEX #8A9EEF

RGB 138 158 239

HSL 228.12, 0.76%, 0.74%

LAB 66.59, 13.29, -42.92

 

CMYK 39 / 31 / 0 / 0

HEX #9BB0FF

RGB 155 176 255

HSL 227.4, 1%, 0.8%

LAB 73.05, 11.82, -41.43

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 61 / 49 / 0 / 34

HEX #4156A8

RGB 65 86 168

HSL 227.77, 0.44%, 0.46%

LAB 38.91, 18.1, -46.67

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 76 / 62 / 0 / 49

HEX #1F3282

RGB 31 50 130

HSL 228.48, 0.61%, 0.32%

LAB 24.27, 22.53, -47.25

 

CMYK 87 / 71 / 0 / 56

HEX #0E206F

RGB 14 32 111

HSL 228.87, 0.78%, 0.25%

LAB 16.86, 25.74, -47.29

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 53 / 56 / 0 / 27

HEX #5852BB

RGB 88 82 187

HSL 243.43, 0.44%, 0.53%

LAB 40.73, 31.61, -54.85

 

CMYK 37 / 56 / 0 / 27

HEX #7552BB

RGB 117 82 187

HSL 260, 0.44%, 0.53%

LAB 43.37, 38.11, -50.47

 

CMYK 22 / 56 / 0 / 27

HEX #9152BB

RGB 145 82 187

HSL 276, 0.44%, 0.53%

LAB 46.5, 45.14, -45.28

 

CMYK 7 / 56 / 0 / 27

HEX #AE52BB

RGB 174 82 187

HSL 292.57, 0.44%, 0.53%

LAB 50.24, 52.79, -39.11

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 56 / 56 / 0 / 27

HEX #5252BB

RGB 82 82 187

HSL 240, 0.44%, 0.53%

LAB 40.27, 30.42, -55.62

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 70 / 55 / 0 / 19

HEX #3F5DCF

RGB 63 93 207

HSL 227.5, 0.6%, 0.53%

LAB 43.35, 27.16, -62.29

 

CMYK 81 / 64 / 0 / 11

HEX #2B51E2

RGB 43 81 226

HSL 227.54, 0.76%, 0.53%

LAB 41.04, 39.48, -76.95

 

CMYK 90 / 72 / 0 / 4

HEX #1846F6

RGB 24 70 246

HSL 227.57, 0.93%, 0.53%

LAB 39.96, 52.17, -90.05

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 40 / 32 / 0 / 34

HEX #6573A8

RGB 101 115 168

HSL 227.46, 0.28%, 0.53%

LAB 49.32, 8.56, -30.04

 

CMYK 19 / 15 / 0 / 42

HEX #797F95

RGB 121 127 149

HSL 227.14, 0.12%, 0.53%

LAB 53.4, 2.65, -12.57

 

CMYK 0 / 1 / 8 / 45

HEX #8C8A81

RGB 140 138 129

HSL 49.09, 0.05%, 0.53%

LAB 57.4, -0.95, 5.07

 

CMYK 0 / 6 / 31 / 38

HEX #9F956E

RGB 159 149 110

HSL 47.76, 0.2%, 0.53%

LAB 61.65, -2.55, 21.97

 

CMYK 56 / 14 / 0 / 27

HEX #52A1BB

RGB 82 161 187

HSL 194.86, 0.44%, 0.53%

LAB 62.4, -16.74, -20.8

 

CMYK 56 / 29 / 0 / 27

HEX #5285BB

RGB 82 133 187

HSL 210.86, 0.44%, 0.53%

LAB 54.19, -1.07, -33.48

 

CMYK 56 / 44 / 0 / 27

HEX #5269BB

RGB 82 105 187

HSL 226.86, 0.44%, 0.53%

LAB 46.29, 15.96, -45.95

 

CMYK 53 / 56 / 0 / 27

HEX #5752BB

RGB 87 82 187

HSL 242.86, 0.44%, 0.53%

LAB 40.65, 31.41, -54.98

 

CMYK 39 / 56 / 0 / 27

HEX #7352BB

RGB 115 82 187

HSL 258.86, 0.44%, 0.53%

LAB 43.16, 37.63, -50.81

 

CMYK 61 / 49 / 0 / 47

HEX #344587

RGB 52 69 135

HSL 227.71, 0.44%, 0.37%

LAB 31.2, 14.93, -39.11

 

CMYK 61 / 48 / 0 / 36

HEX #4055A4

RGB 64 85 164

HSL 227.4, 0.44%, 0.45%

LAB 38.32, 17.15, -45.24

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 44 / 35 / 0 / 22

HEX #7082C7

RGB 112 130 199

HSL 227.59, 0.44%, 0.61%

LAB 55.62, 11.55, -37.95

 

CMYK 33 / 26 / 0 / 18

HEX #8D9CD2

RGB 141 156 210

HSL 226.96, 0.43%, 0.69%

LAB 65.04, 7.39, -29.32

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 1 / 56 / 0 / 27

HEX #BA52BB

RGB 186 82 187

HSL 299.43, 0.44%, 0.53%

LAB 51.91, 55.99, -36.38

 

CMYK 21 / 0 / 56 / 27

HEX #93BB52

RGB 147 187 82

HSL 82.86, 0.44%, 0.53%

LAB 71.11, -30.11, 48.05

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 0 / 56 / 44 / 27

HEX #BB5269

RGB 187 82 105

HSL 346.86, 0.44%, 0.53%

LAB 49.03, 44.52, 7.94

 

CMYK 44 / 0 / 56 / 27

HEX #69BB52

RGB 105 187 82

HSL 106.86, 0.44%, 0.53%

LAB 68.86, -44.92, 44.85

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 1 / 56 / 0 / 27

HEX #BA52BB

RGB 186 82 187

HSL 299.43, 0.44%, 0.53%

LAB 51.91, 55.99, -36.38

 

CMYK 0 / 12 / 56 / 27

HEX #BBA552

RGB 187 165 82

HSL 47.43, 0.44%, 0.53%

LAB 68.08, -2.44, 45.33

 

CMYK 55 / 0 / 56 / 27

HEX #54BB52

RGB 84 187 82

HSL 118.86, 0.44%, 0.53%

LAB 68.05, -50.92, 43.69

 

CMYK 56 / 44 / 0 / 27

HEX #5268BB

RGB 82 104 187

HSL 227.43, 0.44%, 0.53%

LAB 46.02, 16.58, -46.38

 

CMYK 0 / 56 / 16 / 27

HEX #BB529E

RGB 187 82 158

HSL 316.57, 0.44%, 0.53%

LAB 50.77, 51.44, -21.19

 

CMYK 0 / 12 / 56 / 27

HEX #BBA552

RGB 187 165 82

HSL 47.43, 0.44%, 0.53%

LAB 68.08, -2.44, 45.33

 

CMYK 56 / 0 / 40 / 27

HEX #52BB70

RGB 82 187 112

HSL 137.14, 0.44%, 0.53%

LAB 68.39, -46.96, 29.06

 

Description

Color code: HEX #5268BB | qconv.com Color code: HEX #5268BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 104 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 104 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 44 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 44% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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