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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #304495 it is the complementary color #CFBB6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #304495. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #304495 shade: #354490, #4656A3, #5768B6, #687AC9 and #798CDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #304495. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #304495 shade: #304495, #1F3282, #0E206F, #000E5C and #000049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #304495 shade: #304496, #383096, #533096, #6E3096 and #8A3096

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #304495 shade: #304496 and #303096

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #304495 shade matches the following richer shades: #304496, #203BA6, #1031B6 and #0027C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #304495 shade: #304496, #404E86, #505875, #616165 and #716B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #304495 shade: #307B96, #306096, #304596, #373096 and #523096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #304495 shade: #1C2857, #263677, #304496, #3A53B5 and #5269C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #304495 shade: #304495, #963096 and #6D9630

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #304495 shade: #304495, #963045 and #459630

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #304495 shade: #304495, #963096, #968130 and #309630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #304495 shade: #304495, #963077, #968130 and #30964F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

Complementary color

CMYK 0 / 10 / 49 / 19

HEX #CFBB6A

RGB 207 187 106

HSL 48.12, 0.51%, 0.61%

LAB 75.98, -3.59, 43.34

 

CMYK 63 / 53 / 0 / 44

HEX #354490

RGB 53 68 144

HSL 230.11, 0.46%, 0.39%

LAB 31.59, 19.08, -44.01

 

CMYK 57 / 47 / 0 / 36

HEX #4656A3

RGB 70 86 163

HSL 229.68, 0.4%, 0.46%

LAB 38.9, 17.38, -43.69

 

CMYK 52 / 43 / 0 / 29

HEX #5768B6

RGB 87 104 182

HSL 229.26, 0.39%, 0.53%

LAB 46.05, 16.04, -43.41

 

CMYK 48 / 39 / 0 / 21

HEX #687AC9

RGB 104 122 201

HSL 228.87, 0.47%, 0.6%

LAB 53.04, 14.96, -43.19

 

CMYK 45 / 36 / 0 / 14

HEX #798CDC

RGB 121 140 220

HSL 228.48, 0.59%, 0.67%

LAB 59.88, 14.06, -43.03

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 76 / 62 / 0 / 49

HEX #1F3282

RGB 31 50 130

HSL 228.48, 0.61%, 0.32%

LAB 24.27, 22.53, -47.25

 

CMYK 87 / 71 / 0 / 56

HEX #0E206F

RGB 14 32 111

HSL 228.87, 0.78%, 0.25%

LAB 16.86, 25.74, -47.29

 

CMYK 100 / 85 / 0 / 64

HEX #000E5C

RGB 0 14 92

HSL 230.87, 1%, 0.18%

LAB 9.69, 29.3, -46.61

 

CMYK 100 / 100 / 0 / 71

HEX #000049

RGB 0 0 73

HSL 240, 1%, 0.14%

LAB 4.35, 28.82, -42.41

 

CMYK 68 / 55 / 0 / 41

HEX #304496

RGB 48 68 150

HSL 228.24, 0.52%, 0.39%

LAB 31.73, 20.4, -47.47

 

CMYK 63 / 68 / 0 / 41

HEX #383096

RGB 56 48 150

HSL 244.71, 0.52%, 0.39%

LAB 27.18, 34.76, -54.85

 

CMYK 45 / 68 / 0 / 41

HEX #533096

RGB 83 48 150

HSL 260.59, 0.52%, 0.39%

LAB 29.8, 39.64, -50.46

 

CMYK 27 / 68 / 0 / 41

HEX #6E3096

RGB 110 48 150

HSL 276.47, 0.52%, 0.39%

LAB 33.2, 45.49, -44.79

 

CMYK 8 / 68 / 0 / 41

HEX #8A3096

RGB 138 48 150

HSL 292.94, 0.52%, 0.39%

LAB 37.33, 52.07, -37.94

 

CMYK 68 / 55 / 0 / 41

HEX #304496

RGB 48 68 150

HSL 228.24, 0.52%, 0.39%

LAB 31.73, 20.4, -47.47

 

CMYK 68 / 68 / 0 / 41

HEX #303096

RGB 48 48 150

HSL 240, 0.52%, 0.39%

LAB 26.58, 33.59, -55.86

 

CMYK 68 / 55 / 0 / 41

HEX #304496

RGB 48 68 150

HSL 228.24, 0.52%, 0.39%

LAB 31.73, 20.4, -47.47

 

CMYK 81 / 64 / 0 / 35

HEX #203BA6

RGB 32 59 166

HSL 227.91, 0.68%, 0.39%

LAB 29.88, 30.49, -60.2

 

CMYK 91 / 73 / 0 / 29

HEX #1031B6

RGB 16 49 182

HSL 228.07, 0.84%, 0.39%

LAB 28.6, 41.86, -71.9

 

CMYK 100 / 80 / 0 / 22

HEX #0027C6

RGB 0 39 198

HSL 228.18, 1%, 0.39%

LAB 28.19, 52.59, -82.04

 

CMYK 68 / 55 / 0 / 41

HEX #304496

RGB 48 68 150

HSL 228.24, 0.52%, 0.39%

LAB 31.73, 20.4, -47.47

 

CMYK 52 / 42 / 0 / 47

HEX #404E86

RGB 64 78 134

HSL 228, 0.35%, 0.39%

LAB 34.52, 11.33, -33.15

 

CMYK 32 / 25 / 0 / 54

HEX #505875

RGB 80 88 117

HSL 227.03, 0.19%, 0.39%

LAB 37.79, 4.27, -17.49

 

CMYK 4 / 4 / 0 / 60

HEX #616165

RGB 97 97 101

HSL 240, 0.02%, 0.39%

LAB 41.26, 0.85, -2.27

 

CMYK 0 / 5 / 25 / 56

HEX #716B55

RGB 113 107 85

HSL 47.14, 0.14%, 0.39%

LAB 45.2, -1.57, 13.2

 

CMYK 68 / 18 / 0 / 41

HEX #307B96

RGB 48 123 150

HSL 195.88, 0.52%, 0.39%

LAB 48.26, -14.12, -21.36

 

CMYK 68 / 36 / 0 / 41

HEX #306096

RGB 48 96 150

HSL 211.76, 0.52%, 0.39%

LAB 39.91, 1.99, -34.38

 

CMYK 68 / 54 / 0 / 41

HEX #304596

RGB 48 69 150

HSL 227.65, 0.52%, 0.39%

LAB 32, 19.73, -47.02

 

CMYK 63 / 68 / 0 / 41

HEX #373096

RGB 55 48 150

HSL 244.12, 0.52%, 0.39%

LAB 27.1, 34.61, -54.99

 

CMYK 45 / 68 / 0 / 41

HEX #523096

RGB 82 48 150

HSL 260, 0.52%, 0.39%

LAB 29.69, 39.44, -50.65

 

CMYK 68 / 54 / 0 / 66

HEX #1C2857

RGB 28 40 87

HSL 227.8, 0.51%, 0.23%

LAB 17.7, 12, -30.08

 

CMYK 68 / 55 / 0 / 53

HEX #263677

RGB 38 54 119

HSL 228.15, 0.52%, 0.31%

LAB 24.9, 16.51, -39.28

 

CMYK 68 / 55 / 0 / 41

HEX #304496

RGB 48 68 150

HSL 228.24, 0.52%, 0.39%

LAB 31.73, 20.4, -47.47

 

CMYK 68 / 54 / 0 / 29

HEX #3A53B5

RGB 58 83 181

HSL 227.8, 0.51%, 0.47%

LAB 38.59, 23.49, -54.89

 

CMYK 59 / 47 / 0 / 22

HEX #5269C6

RGB 82 105 198

HSL 228.1, 0.5%, 0.55%

LAB 46.94, 19.64, -51.27

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 0 / 68 / 0 / 41

HEX #963096

RGB 150 48 150

HSL 300, 0.52%, 0.39%

LAB 39.24, 54.96, -34.8

 

CMYK 27 / 0 / 68 / 41

HEX #6D9630

RGB 109 150 48

HSL 84.12, 0.52%, 0.39%

LAB 57.34, -30.36, 47.34

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 0 / 68 / 54 / 41

HEX #963045

RGB 150 48 69

HSL 347.65, 0.52%, 0.39%

LAB 36.04, 44.14, 11.17

 

CMYK 54 / 0 / 68 / 41

HEX #459630

RGB 69 150 48

HSL 107.65, 0.52%, 0.39%

LAB 55.37, -44.24, 44.65

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 0 / 68 / 0 / 41

HEX #963096

RGB 150 48 150

HSL 300, 0.52%, 0.39%

LAB 39.24, 54.96, -34.8

 

CMYK 0 / 14 / 68 / 41

HEX #968130

RGB 150 129 48

HSL 47.65, 0.52%, 0.39%

LAB 54.45, -1.56, 45.29

 

CMYK 68 / 0 / 68 / 41

HEX #309630

RGB 48 150 48

HSL 120, 0.52%, 0.39%

LAB 54.71, -49.46, 43.75

 

CMYK 68 / 54 / 0 / 42

HEX #304495

RGB 48 68 149

HSL 228.12, 0.51%, 0.39%

LAB 31.65, 20.03, -46.98

 

CMYK 0 / 68 / 21 / 41

HEX #963077

RGB 150 48 119

HSL 318.24, 0.52%, 0.39%

LAB 37.72, 49.98, -18.11

 

CMYK 0 / 14 / 68 / 41

HEX #968130

RGB 150 129 48

HSL 47.65, 0.52%, 0.39%

LAB 54.45, -1.56, 45.29

 

CMYK 68 / 0 / 47 / 41

HEX #30964F

RGB 48 150 79

HSL 138.24, 0.52%, 0.39%

LAB 55.08, -45.26, 29.05

 

Description

Color code: HEX #304495 | qconv.com Color code: HEX #304495 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 68 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 68 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 54 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 54% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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