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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EDE2C it is the complementary color #B121D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EDE2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EDE2C shade: #53DE27, #64F03A, #75FF4D, #86FF60 and #97FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EDE2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EDE2C shade: #4EDE2C, #3DCC19, #2CBA06, #1BA800 and #0A9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EDE2C shade: #4DDD2B, #7DDD2B, #ADDD2B, #DDDD2B and #DDAD2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EDE2C shade: #4DDD2B, #2BDD39, #2BDD69, #2BDD99 and #2BDDC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EDE2C shade matches the following richer shades: #4DDD2B and #41F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EDE2C shade: #4DDD2B, #59CA3F, #65B652, #72A266 and #7E8E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EDE2C shade: #AEDD2B, #7EDD2B, #4EDD2B, #2BDD37 and #2BDD66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EDE2C shade: #329E18, #3DC11E, #4DDD2B, #6BE34E and #89E972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EDE2C shade: #4EDE2C, #2BDDDD and #DD2B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EDE2C shade: #4EDE2C, #2B4EDD and #DD2B4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EDE2C shade: #4EDE2C, #2BDDDD, #BA2BDD and #DD2B2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EDE2C shade: #4EDE2C, #2BA8DD, #BA2BDD and #DD602B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

Complementary color

CMYK 16 / 84 / 0 / 17

HEX #B121D3

RGB 177 33 211

HSL 288.54, 0.73%, 0.48%

LAB 45.82, 75.59, -60.02

 

CMYK 63 / 0 / 82 / 13

HEX #53DE27

RGB 83 222 39

HSL 105.57, 0.73%, 0.51%

LAB 78.59, -67.1, 70.51

 

CMYK 58 / 0 / 76 / 6

HEX #64F03A

RGB 100 240 58

HSL 106.15, 0.86%, 0.58%

LAB 84.66, -68.19, 71.05

 

CMYK 54 / 0 / 70 / 0

HEX #75FF4D

RGB 117 255 77

HSL 106.52, 1%, 0.65%

LAB 89.78, -67.9, 70.01

 

CMYK 47 / 0 / 62 / 0

HEX #86FF60

RGB 134 255 96

HSL 105.66, 1%, 0.69%

LAB 90.52, -61.79, 63.69

 

CMYK 41 / 0 / 55 / 0

HEX #97FF73

RGB 151 255 115

HSL 104.57, 1%, 0.73%

LAB 91.39, -54.94, 56.75

 

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

CMYK 70 / 0 / 88 / 20

HEX #3DCC19

RGB 61 204 25

HSL 107.93, 0.78%, 0.45%

LAB 72.39, -66.33, 67.9

 

CMYK 76 / 0 / 97 / 27

HEX #2CBA06

RGB 44 186 6

HSL 107.33, 0.94%, 0.38%

LAB 66.26, -64.14, 65.41

 

CMYK 84 / 0 / 100 / 34

HEX #1BA800

RGB 27 168 0

HSL 110.36, 1%, 0.33%

LAB 60.1, -61.15, 61.11

 

CMYK 93 / 0 / 100 / 41

HEX #0A9600

RGB 10 150 0

HSL 116, 1%, 0.29%

LAB 53.9, -57.38, 56.08

 

CMYK 65 / 0 / 81 / 13

HEX #4DDD2B

RGB 77 221 43

HSL 108.54, 0.72%, 0.52%

LAB 78.15, -67.85, 69.01

 

CMYK 43 / 0 / 81 / 13

HEX #7DDD2B

RGB 125 221 43

HSL 92.36, 0.72%, 0.52%

LAB 79.75, -55.21, 71.08

 

CMYK 22 / 0 / 81 / 13

HEX #ADDD2B

RGB 173 221 43

HSL 76.18, 0.72%, 0.52%

LAB 82.26, -38.12, 74.26

 

CMYK 0 / 0 / 81 / 13

HEX #DDDD2B

RGB 221 221 43

HSL 60, 0.72%, 0.52%

LAB 85.63, -18.64, 78.52

 

CMYK 0 / 22 / 81 / 13

HEX #DDAD2B

RGB 221 173 43

HSL 43.82, 0.72%, 0.52%

LAB 73.18, 5.89, 67.7

 

CMYK 65 / 0 / 81 / 13

HEX #4DDD2B

RGB 77 221 43

HSL 108.54, 0.72%, 0.52%

LAB 78.15, -67.85, 69.01

 

CMYK 81 / 0 / 74 / 13

HEX #2BDD39

RGB 43 221 57

HSL 124.72, 0.72%, 0.52%

LAB 77.59, -72.35, 64.02

 

CMYK 81 / 0 / 52 / 13

HEX #2BDD69

RGB 43 221 105

HSL 140.9, 0.72%, 0.52%

LAB 78.02, -67.1, 44.58

 

CMYK 81 / 0 / 31 / 13

HEX #2BDD99

RGB 43 221 153

HSL 157.08, 0.72%, 0.52%

LAB 78.77, -58.48, 21.43

 

CMYK 81 / 0 / 9 / 13

HEX #2BDDC9

RGB 43 221 201

HSL 173.26, 0.72%, 0.52%

LAB 79.87, -46.84, -2.41

 

CMYK 65 / 0 / 81 / 13

HEX #4DDD2B

RGB 77 221 43

HSL 108.54, 0.72%, 0.52%

LAB 78.15, -67.85, 69.01

 

CMYK 73 / 0 / 90 / 5

HEX #41F117

RGB 65 241 23

HSL 108.44, 0.89%, 0.52%

LAB 84.02, -76.9, 78.17

 

CMYK 65 / 0 / 81 / 13

HEX #4DDD2B

RGB 77 221 43

HSL 108.54, 0.72%, 0.52%

LAB 78.15, -67.85, 69.01

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 45 / 0 / 55 / 29

HEX #65B652

RGB 101 182 82

HSL 108.6, 0.41%, 0.52%

LAB 67.15, -44.07, 42.79

 

CMYK 30 / 0 / 37 / 36

HEX #72A266

RGB 114 162 102

HSL 108, 0.24%, 0.52%

LAB 61.98, -27.92, 26.2

 

CMYK 11 / 0 / 14 / 44

HEX #7E8E7A

RGB 126 142 122

HSL 108, 0.08%, 0.52%

LAB 57.26, -9.75, 8.72

 

CMYK 21 / 0 / 81 / 13

HEX #AEDD2B

RGB 174 221 43

HSL 75.84, 0.72%, 0.52%

LAB 82.32, -37.73, 74.34

 

CMYK 43 / 0 / 81 / 13

HEX #7EDD2B

RGB 126 221 43

HSL 92.02, 0.72%, 0.52%

LAB 79.8, -54.89, 71.13

 

CMYK 65 / 0 / 81 / 13

HEX #4EDD2B

RGB 78 221 43

HSL 108.2, 0.72%, 0.52%

LAB 78.17, -67.64, 69.05

 

CMYK 81 / 0 / 75 / 13

HEX #2BDD37

RGB 43 221 55

HSL 124.04, 0.72%, 0.52%

LAB 77.58, -72.49, 64.67

 

CMYK 81 / 0 / 54 / 13

HEX #2BDD66

RGB 43 221 102

HSL 139.89, 0.72%, 0.52%

LAB 77.98, -67.53, 45.95

 

CMYK 68 / 0 / 85 / 38

HEX #329E18

RGB 50 158 24

HSL 108.36, 0.74%, 0.36%

LAB 57.27, -53.6, 54.68

 

CMYK 68 / 0 / 84 / 24

HEX #3DC11E

RGB 61 193 30

HSL 108.59, 0.73%, 0.44%

LAB 68.91, -62.65, 63.77

 

CMYK 65 / 0 / 81 / 13

HEX #4DDD2B

RGB 77 221 43

HSL 108.54, 0.72%, 0.52%

LAB 78.15, -67.85, 69.01

 

CMYK 53 / 0 / 66 / 11

HEX #6BE34E

RGB 107 227 78

HSL 108.32, 0.73%, 0.6%

LAB 81.08, -60.38, 60.36

 

CMYK 41 / 0 / 51 / 9

HEX #89E972

RGB 137 233 114

HSL 108.4, 0.73%, 0.68%

LAB 84.39, -50.38, 48.7

 

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

CMYK 81 / 0 / 0 / 13

HEX #2BDDDD

RGB 43 221 221

HSL 180, 0.72%, 0.52%

LAB 80.43, -41.25, -12.23

 

CMYK 0 / 81 / 32 / 13

HEX #DD2B96

RGB 221 43 150

HSL 323.93, 0.72%, 0.52%

LAB 51.04, 73.43, -15.52

 

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

CMYK 81 / 65 / 0 / 13

HEX #2B4EDD

RGB 43 78 221

HSL 228.2, 0.72%, 0.52%

LAB 39.89, 39.56, -76

 

CMYK 0 / 81 / 65 / 13

HEX #DD2B4E

RGB 221 43 78

HSL 348.2, 0.72%, 0.52%

LAB 49.07, 67.58, 25.31

 

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

CMYK 81 / 0 / 0 / 13

HEX #2BDDDD

RGB 43 221 221

HSL 180, 0.72%, 0.52%

LAB 80.43, -41.25, -12.23

 

CMYK 16 / 81 / 0 / 13

HEX #BA2BDD

RGB 186 43 221

HSL 288.2, 0.72%, 0.52%

LAB 48.74, 76.44, -60.95

 

CMYK 0 / 81 / 81 / 13

HEX #DD2B2B

RGB 221 43 43

HSL 0, 0.72%, 0.52%

LAB 48.6, 66.15, 45.01

 

CMYK 65 / 0 / 80 / 13

HEX #4EDE2C

RGB 78 222 44

HSL 108.54, 0.73%, 0.52%

LAB 78.49, -67.91, 69.07

 

CMYK 81 / 24 / 0 / 13

HEX #2BA8DD

RGB 43 168 221

HSL 197.87, 0.72%, 0.52%

LAB 64.76, -15.19, -36.16

 

CMYK 16 / 81 / 0 / 13

HEX #BA2BDD

RGB 186 43 221

HSL 288.2, 0.72%, 0.52%

LAB 48.74, 76.44, -60.95

 

CMYK 0 / 57 / 81 / 13

HEX #DD602B

RGB 221 96 43

HSL 17.87, 0.72%, 0.52%

LAB 56, 46.11, 52.11

 

Description

Color code: HEX #4EDE2C | qconv.com Color code: HEX #4EDE2C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 222 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 222 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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