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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EC976 it is the complementary color #B13689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EC976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EC976 shade: #53C971, #64DB84, #75ED97, #86FFAA and #97FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EC976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EC976 shade: #4EC976, #3DB763, #2CA550, #1B933D and #0A812A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EC976 shade: #4FC976, #4FC956, #69C94F, #8AC94F and #ABC94F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EC976 shade: #4FC976, #4FC997, #4FC9B8, #4FB8C9 and #4F97C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EC976 shade matches the following richer shades: #4FC976, #3CDB70 and #2AEE69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EC976 shade: #4FC976, #61B67D, #74A383, #87918A and #997E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EC976 shade: #69C94F, #4FC955, #4FC975, #4FC996 and #4FC9B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EC976 shade: #2E9750, #38B761, #4FC976, #6ED28F and #8EDCA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EC976 shade: #4EC976, #4F8AC9 and #C94F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EC976 shade: #4EC976, #754FC9 and #C9754F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EC976 shade: #4EC976, #4F8AC9, #C94FA2 and #C98E4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EC976 shade: #4EC976, #4F65C9, #C94FA2 and #C9B24F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

Complementary color

CMYK 0 / 69 / 23 / 31

HEX #B13689

RGB 177 54 137

HSL 319.51, 0.53%, 0.45%

LAB 43.93, 57.55, -19.24

 

CMYK 59 / 0 / 44 / 21

HEX #53C971

RGB 83 201 113

HSL 135.25, 0.52%, 0.56%

LAB 72.76, -52.16, 34.23

 

CMYK 54 / 0 / 40 / 14

HEX #64DB84

RGB 100 219 132

HSL 136.13, 0.62%, 0.63%

LAB 79.06, -52.22, 32.87

 

CMYK 51 / 0 / 36 / 7

HEX #75ED97

RGB 117 237 151

HSL 137, 0.77%, 0.69%

LAB 85.29, -52.16, 31.58

 

CMYK 47 / 0 / 33 / 0

HEX #86FFAA

RGB 134 255 170

HSL 137.85, 1%, 0.76%

LAB 91.46, -52.02, 30.37

 

CMYK 41 / 0 / 26 / 0

HEX #97FFBD

RGB 151 255 189

HSL 141.92, 1%, 0.8%

LAB 92.47, -44.18, 22.25

 

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

CMYK 67 / 0 / 46 / 28

HEX #3DB763

RGB 61 183 99

HSL 138.69, 0.5%, 0.48%

LAB 66.34, -52.1, 33.02

 

CMYK 73 / 0 / 52 / 35

HEX #2CA550

RGB 44 165 80

HSL 137.85, 0.58%, 0.41%

LAB 59.91, -51.46, 34.57

 

CMYK 82 / 0 / 59 / 42

HEX #1B933D

RGB 27 147 61

HSL 137, 0.69%, 0.34%

LAB 53.42, -50.32, 36.16

 

CMYK 92 / 0 / 67 / 49

HEX #0A812A

RGB 10 129 42

HSL 136.13, 0.86%, 0.27%

LAB 46.89, -48.4, 37.66

 

CMYK 61 / 0 / 41 / 21

HEX #4FC976

RGB 79 201 118

HSL 139.18, 0.53%, 0.55%

LAB 72.72, -52.2, 31.6

 

CMYK 61 / 0 / 57 / 21

HEX #4FC956

RGB 79 201 86

HSL 123.44, 0.53%, 0.55%

LAB 72.3, -56.9, 46.79

 

CMYK 48 / 0 / 61 / 21

HEX #69C94F

RGB 105 201 79

HSL 107.21, 0.53%, 0.55%

LAB 73.12, -50.94, 51.13

 

CMYK 31 / 0 / 61 / 21

HEX #8AC94F

RGB 138 201 79

HSL 90.98, 0.53%, 0.55%

LAB 74.66, -40.15, 53.28

 

CMYK 15 / 0 / 61 / 21

HEX #ABC94F

RGB 171 201 79

HSL 74.75, 0.53%, 0.55%

LAB 76.68, -27.63, 56.08

 

CMYK 61 / 0 / 41 / 21

HEX #4FC976

RGB 79 201 118

HSL 139.18, 0.53%, 0.55%

LAB 72.72, -52.2, 31.6

 

CMYK 61 / 0 / 25 / 21

HEX #4FC997

RGB 79 201 151

HSL 155.41, 0.53%, 0.55%

LAB 73.33, -45.76, 15.05

 

CMYK 61 / 0 / 8 / 21

HEX #4FC9B8

RGB 79 201 184

HSL 171.64, 0.53%, 0.55%

LAB 74.12, -37.89, -1.62

 

CMYK 61 / 8 / 0 / 21

HEX #4FB8C9

RGB 79 184 201

HSL 188.36, 0.53%, 0.55%

LAB 69.58, -25.06, -17.66

 

CMYK 61 / 25 / 0 / 21

HEX #4F97C9

RGB 79 151 201

HSL 204.59, 0.53%, 0.55%

LAB 59.9, -7.51, -32.52

 

CMYK 61 / 0 / 41 / 21

HEX #4FC976

RGB 79 201 118

HSL 139.18, 0.53%, 0.55%

LAB 72.72, -52.2, 31.6

 

CMYK 73 / 0 / 49 / 14

HEX #3CDB70

RGB 60 219 112

HSL 139.62, 0.69%, 0.55%

LAB 77.75, -63.22, 40.94

 

CMYK 82 / 0 / 56 / 7

HEX #2AEE69

RGB 42 238 105

HSL 139.29, 0.85%, 0.55%

LAB 83.26, -72.65, 50.9

 

CMYK 61 / 0 / 41 / 21

HEX #4FC976

RGB 79 201 118

HSL 139.18, 0.53%, 0.55%

LAB 72.72, -52.2, 31.6

 

CMYK 47 / 0 / 31 / 29

HEX #61B67D

RGB 97 182 125

HSL 139.76, 0.37%, 0.55%

LAB 67.63, -38.6, 21.24

 

CMYK 29 / 0 / 20 / 36

HEX #74A383

RGB 116 163 131

HSL 139.15, 0.2%, 0.55%

LAB 62.97, -22.61, 11.63

 

CMYK 7 / 0 / 5 / 43

HEX #87918A

RGB 135 145 138

HSL 138, 0.04%, 0.55%

LAB 59.19, -5.01, 2.46

 

CMYK 0 / 18 / 6 / 40

HEX #997E90

RGB 153 126 144

HSL 320, 0.12%, 0.55%

LAB 55.79, 13.58, -5.79

 

CMYK 48 / 0 / 61 / 21

HEX #69C94F

RGB 105 201 79

HSL 107.21, 0.53%, 0.55%

LAB 73.12, -50.94, 51.13

 

CMYK 61 / 0 / 58 / 21

HEX #4FC955

RGB 79 201 85

HSL 122.95, 0.53%, 0.55%

LAB 72.29, -57.02, 47.24

 

CMYK 61 / 0 / 42 / 21

HEX #4FC975

RGB 79 201 117

HSL 138.69, 0.53%, 0.55%

LAB 72.71, -52.37, 32.09

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 61 / 0 / 9 / 21

HEX #4FC9B6

RGB 79 201 182

HSL 170.66, 0.53%, 0.55%

LAB 74.07, -38.4, -0.61

 

CMYK 70 / 0 / 47 / 41

HEX #2E9750

RGB 46 151 80

HSL 139.43, 0.53%, 0.39%

LAB 55.37, -45.86, 28.89

 

CMYK 69 / 0 / 47 / 28

HEX #38B761

RGB 56 183 97

HSL 139.37, 0.53%, 0.47%

LAB 66.19, -53.34, 33.84

 

CMYK 61 / 0 / 41 / 21

HEX #4FC976

RGB 79 201 118

HSL 139.18, 0.53%, 0.55%

LAB 72.72, -52.2, 31.6

 

CMYK 48 / 0 / 32 / 18

HEX #6ED28F

RGB 110 210 143

HSL 139.8, 0.53%, 0.63%

LAB 76.92, -44.05, 24.39

 

CMYK 35 / 0 / 24 / 14

HEX #8EDCA7

RGB 142 220 167

HSL 139.23, 0.53%, 0.71%

LAB 81.69, -35.1, 18.6

 

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

CMYK 61 / 31 / 0 / 21

HEX #4F8AC9

RGB 79 138 201

HSL 210.98, 0.53%, 0.55%

LAB 56.14, -0.04, -38.39

 

CMYK 0 / 61 / 56 / 21

HEX #C94F59

RGB 201 79 89

HSL 355.08, 0.53%, 0.55%

LAB 50.37, 49.31, 19.74

 

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

CMYK 42 / 61 / 0 / 21

HEX #754FC9

RGB 117 79 201

HSL 258.69, 0.53%, 0.55%

LAB 43.64, 43.63, -58.16

 

CMYK 0 / 42 / 61 / 21

HEX #C9754F

RGB 201 117 79

HSL 18.69, 0.53%, 0.55%

LAB 57.76, 29.42, 34.93

 

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

CMYK 61 / 31 / 0 / 21

HEX #4F8AC9

RGB 79 138 201

HSL 210.98, 0.53%, 0.55%

LAB 56.14, -0.04, -38.39

 

CMYK 0 / 61 / 19 / 21

HEX #C94FA2

RGB 201 79 162

HSL 319.18, 0.53%, 0.55%

LAB 52.53, 57.47, -20.66

 

CMYK 0 / 29 / 61 / 21

HEX #C98E4F

RGB 201 142 79

HSL 30.98, 0.53%, 0.55%

LAB 63.61, 15.81, 41.96

 

CMYK 61 / 0 / 41 / 21

HEX #4EC976

RGB 78 201 118

HSL 139.51, 0.53%, 0.55%

LAB 72.69, -52.41, 31.56

 

CMYK 61 / 50 / 0 / 21

HEX #4F65C9

RGB 79 101 201

HSL 229.18, 0.53%, 0.55%

LAB 45.89, 22.59, -54.69

 

CMYK 0 / 61 / 19 / 21

HEX #C94FA2

RGB 201 79 162

HSL 319.18, 0.53%, 0.55%

LAB 52.53, 57.47, -20.66

 

CMYK 0 / 11 / 61 / 21

HEX #C9B24F

RGB 201 178 79

HSL 48.69, 0.53%, 0.55%

LAB 72.78, -3.58, 52.44

 

Description

Color code: HEX #4EC976 | qconv.com Color code: HEX #4EC976 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 201 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 201 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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