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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC996 it is the complementary color #B03669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC996 shade: #54C991, #65DBA4, #76EDB7, #87FFCA and #98FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC996 shade: #4FC996, #3EB783, #2DA570, #1C935D and #0B814A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC996 shade: #4FC996, #4FC975, #4FC954, #6BC94F and #8BC94F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC996 shade: #4FC996, #4FC9B7, #4FBAC9, #4F99C9 and #4F78C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC996 shade matches the following richer shades: #4FC996, #3CDB99 and #2AEE9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC996 shade: #4FC996, #61B693, #74A390, #87918D and #997E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC996 shade: #4FC953, #4FC973, #4FC994, #4FC9B4 and #4FBCC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC996 shade: #2E976B, #38B782, #4FC996, #6ED2A9 and #8EDCBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC996 shade: #4FC996, #4F6BC9 and #C9634F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC996 shade: #4FC996, #944FC9 and #C9944F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC996 shade: #4FC996, #4F6BC9, #C94F84 and #C9AC4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC996 shade: #4FC996, #574FC9, #C94F84 and #C0C94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

Complementary color

CMYK 0 / 69 / 40 / 31

HEX #B03669

RGB 176 54 105

HSL 334.92, 0.53%, 0.45%

LAB 42.59, 53.38, -1.59

 

CMYK 58 / 0 / 28 / 21

HEX #54C991

RGB 84 201 145

HSL 151.28, 0.52%, 0.56%

LAB 73.35, -46.02, 18.31

 

CMYK 54 / 0 / 25 / 14

HEX #65DBA4

RGB 101 219 164

HSL 152.03, 0.62%, 0.63%

LAB 79.68, -46.01, 17.12

 

CMYK 50 / 0 / 23 / 7

HEX #76EDB7

RGB 118 237 183

HSL 152.77, 0.77%, 0.7%

LAB 85.93, -45.91, 16.02

 

CMYK 47 / 0 / 21 / 0

HEX #87FFCA

RGB 135 255 202

HSL 153.5, 1%, 0.76%

LAB 92.1, -45.77, 14.99

 

CMYK 40 / 0 / 13 / 0

HEX #98FFDD

RGB 152 255 221

HSL 160.19, 1%, 0.8%

LAB 93.2, -37.6, 6.86

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 66 / 0 / 28 / 28

HEX #3EB783

RGB 62 183 131

HSL 154.21, 0.49%, 0.48%

LAB 66.92, -45.77, 16.84

 

CMYK 73 / 0 / 32 / 35

HEX #2DA570

RGB 45 165 112

HSL 153.5, 0.57%, 0.41%

LAB 60.46, -45.33, 18.26

 

CMYK 81 / 0 / 37 / 42

HEX #1C935D

RGB 28 147 93

HSL 152.77, 0.68%, 0.34%

LAB 53.93, -44.53, 19.85

 

CMYK 91 / 0 / 43 / 49

HEX #0B814A

RGB 11 129 74

HSL 152.03, 0.84%, 0.27%

LAB 47.32, -43.16, 21.63

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 61 / 0 / 42 / 21

HEX #4FC975

RGB 79 201 117

HSL 138.69, 0.53%, 0.55%

LAB 72.71, -52.37, 32.09

 

CMYK 61 / 0 / 58 / 21

HEX #4FC954

RGB 79 201 84

HSL 122.46, 0.53%, 0.55%

LAB 72.28, -57.14, 47.69

 

CMYK 47 / 0 / 61 / 21

HEX #6BC94F

RGB 107 201 79

HSL 106.23, 0.53%, 0.55%

LAB 73.2, -50.35, 51.24

 

CMYK 31 / 0 / 61 / 21

HEX #8BC94F

RGB 139 201 79

HSL 90.49, 0.53%, 0.55%

LAB 74.72, -39.79, 53.36

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 61 / 0 / 9 / 21

HEX #4FC9B7

RGB 79 201 183

HSL 171.15, 0.53%, 0.55%

LAB 74.1, -38.14, -1.11

 

CMYK 61 / 7 / 0 / 21

HEX #4FBAC9

RGB 79 186 201

HSL 187.38, 0.53%, 0.55%

LAB 70.17, -26.06, -16.77

 

CMYK 61 / 24 / 0 / 21

HEX #4F99C9

RGB 79 153 201

HSL 203.61, 0.53%, 0.55%

LAB 60.48, -8.63, -31.61

 

CMYK 61 / 40 / 0 / 21

HEX #4F78C9

RGB 79 120 201

HSL 219.84, 0.53%, 0.55%

LAB 51.05, 10.76, -46.43

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 73 / 0 / 30 / 14

HEX #3CDB99

RGB 60 219 153

HSL 155.09, 0.69%, 0.55%

LAB 78.42, -55.75, 20.98

 

CMYK 82 / 0 / 34 / 7

HEX #2AEE9C

RGB 42 238 156

HSL 154.9, 0.85%, 0.55%

LAB 83.99, -64.16, 26.99

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 47 / 0 / 19 / 29

HEX #61B693

RGB 97 182 147

HSL 155.29, 0.37%, 0.55%

LAB 68.1, -34.11, 9.92

 

CMYK 29 / 0 / 12 / 36

HEX #74A390

RGB 116 163 144

HSL 155.74, 0.2%, 0.55%

LAB 63.28, -19.94, 4.81

 

CMYK 7 / 0 / 3 / 43

HEX #87918D

RGB 135 145 141

HSL 156, 0.04%, 0.55%

LAB 59.27, -4.42, 0.87

 

CMYK 0 / 18 / 10 / 40

HEX #997E8A

RGB 153 126 138

HSL 333.33, 0.12%, 0.55%

LAB 55.61, 12.47, -2.58

 

CMYK 61 / 0 / 59 / 21

HEX #4FC953

RGB 79 201 83

HSL 121.97, 0.53%, 0.55%

LAB 72.27, -57.26, 48.13

 

CMYK 61 / 0 / 43 / 21

HEX #4FC973

RGB 79 201 115

HSL 137.7, 0.53%, 0.55%

LAB 72.68, -52.71, 33.08

 

CMYK 61 / 0 / 26 / 21

HEX #4FC994

RGB 79 201 148

HSL 153.93, 0.53%, 0.55%

LAB 73.27, -46.41, 16.57

 

CMYK 61 / 0 / 10 / 21

HEX #4FC9B4

RGB 79 201 180

HSL 169.67, 0.53%, 0.55%

LAB 74.02, -38.91, 0.39

 

CMYK 61 / 6 / 0 / 21

HEX #4FBCC9

RGB 79 188 201

HSL 186.39, 0.53%, 0.55%

LAB 70.76, -27.06, -15.87

 

CMYK 70 / 0 / 29 / 41

HEX #2E976B

RGB 46 151 107

HSL 154.86, 0.53%, 0.39%

LAB 55.86, -40.47, 14.71

 

CMYK 69 / 0 / 29 / 28

HEX #38B782

RGB 56 183 130

HSL 154.96, 0.53%, 0.47%

LAB 66.76, -47.01, 17.14

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 48 / 0 / 20 / 18

HEX #6ED2A9

RGB 110 210 169

HSL 155.4, 0.53%, 0.63%

LAB 77.44, -38.88, 11.37

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBB

RGB 142 220 187

HSL 154.62, 0.53%, 0.71%

LAB 82.12, -31.18, 8.66

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 61 / 47 / 0 / 21

HEX #4F6BC9

RGB 79 107 201

HSL 226.23, 0.53%, 0.55%

LAB 47.49, 18.82, -52.12

 

CMYK 0 / 51 / 61 / 21

HEX #C9634F

RGB 201 99 79

HSL 9.84, 0.53%, 0.55%

LAB 53.93, 38.87, 30.19

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 26 / 61 / 0 / 21

HEX #944FC9

RGB 148 79 201

HSL 273.93, 0.53%, 0.55%

LAB 47.11, 50.66, -52.39

 

CMYK 0 / 26 / 61 / 21

HEX #C9944F

RGB 201 148 79

HSL 33.93, 0.53%, 0.55%

LAB 65.09, 12.53, 43.69

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 61 / 47 / 0 / 21

HEX #4F6BC9

RGB 79 107 201

HSL 226.23, 0.53%, 0.55%

LAB 47.49, 18.82, -52.12

 

CMYK 0 / 61 / 34 / 21

HEX #C94F84

RGB 201 79 132

HSL 333.93, 0.53%, 0.55%

LAB 51.47, 53.54, -4.47

 

CMYK 0 / 14 / 61 / 21

HEX #C9AC4F

RGB 201 172 79

HSL 45.74, 0.53%, 0.55%

LAB 71.21, -0.41, 50.68

 

CMYK 61 / 0 / 25 / 21

HEX #4FC996

RGB 79 201 150

HSL 154.92, 0.53%, 0.55%

LAB 73.31, -45.98, 15.56

 

CMYK 57 / 61 / 0 / 21

HEX #574FC9

RGB 87 79 201

HSL 243.93, 0.53%, 0.55%

LAB 40.95, 37.7, -62.65

 

CMYK 0 / 61 / 34 / 21

HEX #C94F84

RGB 201 79 132

HSL 333.93, 0.53%, 0.55%

LAB 51.47, 53.54, -4.47

 

CMYK 4 / 0 / 61 / 21

HEX #C0C94F

RGB 192 201 79

HSL 64.43, 0.53%, 0.55%

LAB 78.2, -19.12, 58.18

 

Description

Color code: HEX #4FC996 | qconv.com Color code: HEX #4FC996 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 201 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 201 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 25 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 25% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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