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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EB7EE it is the complementary color #B14811. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EB7EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EB7EE shade: #53B7E9, #64C9FC, #75DBFF, #86EDFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EB7EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EB7EE shade: #4EB7EE, #3DA5DB, #2C93C8, #1B81B5 and #0A6FA2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EB7EE shade: #4EB6ED, #4E8CED, #4E61ED, #664EED and #914EED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EB7EE shade: #4EB6ED, #4E8CED, #4E61ED and #4E4EED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EB7EE shade matches the following richer shades: #4EB6ED and #3EBBFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EB7EE shade: #4EB6ED, #5EB2DD, #6DADCE, #7DA8BE and #8DA3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EB7EE shade: #4EEDCD, #4EE2ED, #4EB8ED, #4E8EED and #4E63ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EB7EE shade: #1592D4, #29A7E9, #4EB6ED, #74C6F1 and #99D5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EB7EE shade: #4EB7EE, #A34EED and #EDE24E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EB7EE shade: #4EB7EE, #ED4EB8 and #B8ED4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EB7EE shade: #4EB7EE, #A34EED, #ED834E and #98ED4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EB7EE shade: #4EB7EE, #D34EED, #ED834E and #69ED4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

Complementary color

CMYK 0 / 59 / 90 / 31

HEX #B14811

RGB 177 72 17

HSL 20.63, 0.82%, 0.38%

LAB 44.26, 40.33, 49.82

 

CMYK 64 / 21 / 0 / 9

HEX #53B7E9

RGB 83 183 233

HSL 200, 0.77%, 0.62%

LAB 70.59, -14.13, -33.6

 

CMYK 60 / 20 / 0 / 1

HEX #64C9FC

RGB 100 201 252

HSL 200.13, 0.96%, 0.69%

LAB 76.99, -14.86, -33.91

 

CMYK 54 / 14 / 0 / 0

HEX #75DBFF

RGB 117 219 255

HSL 195.65, 1%, 0.73%

LAB 82.73, -20.03, -26.63

 

CMYK 47 / 7 / 0 / 0

HEX #86EDFF

RGB 134 237 255

HSL 188.93, 1%, 0.76%

LAB 88.38, -25.41, -18.01

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

CMYK 72 / 25 / 0 / 14

HEX #3DA5DB

RGB 61 165 219

HSL 200.51, 0.69%, 0.55%

LAB 64.17, -12.23, -35.93

 

CMYK 78 / 27 / 0 / 22

HEX #2C93C8

RGB 44 147 200

HSL 200.38, 0.64%, 0.48%

LAB 57.63, -10.85, -35.57

 

CMYK 85 / 29 / 0 / 29

HEX #1B81B5

RGB 27 129 181

HSL 200.26, 0.74%, 0.41%

LAB 51, -9.07, -35.16

 

CMYK 94 / 31 / 0 / 36

HEX #0A6FA2

RGB 10 111 162

HSL 200.13, 0.88%, 0.34%

LAB 44.29, -6.76, -34.65

 

CMYK 67 / 23 / 0 / 7

HEX #4EB6ED

RGB 78 182 237

HSL 200.75, 0.82%, 0.62%

LAB 70.31, -13.11, -36.22

 

CMYK 67 / 41 / 0 / 7

HEX #4E8CED

RGB 78 140 237

HSL 216.6, 0.82%, 0.62%

LAB 58.5, 10.8, -54.81

 

CMYK 67 / 59 / 0 / 7

HEX #4E61ED

RGB 78 97 237

HSL 232.83, 0.82%, 0.62%

LAB 47.34, 37.19, -72.8

 

CMYK 57 / 67 / 0 / 7

HEX #664EED

RGB 102 78 237

HSL 249.06, 0.82%, 0.62%

LAB 44.78, 51.77, -76.91

 

CMYK 39 / 67 / 0 / 7

HEX #914EED

RGB 145 78 237

HSL 265.28, 0.82%, 0.62%

LAB 48.99, 59.13, -69.88

 

CMYK 67 / 23 / 0 / 7

HEX #4EB6ED

RGB 78 182 237

HSL 200.75, 0.82%, 0.62%

LAB 70.31, -13.11, -36.22

 

CMYK 67 / 41 / 0 / 7

HEX #4E8CED

RGB 78 140 237

HSL 216.6, 0.82%, 0.62%

LAB 58.5, 10.8, -54.81

 

CMYK 67 / 59 / 0 / 7

HEX #4E61ED

RGB 78 97 237

HSL 232.83, 0.82%, 0.62%

LAB 47.34, 37.19, -72.8

 

CMYK 67 / 67 / 0 / 7

HEX #4E4EED

RGB 78 78 237

HSL 240, 0.82%, 0.62%

LAB 43.04, 48.53, -79.84

 

CMYK 67 / 23 / 0 / 7

HEX #4EB6ED

RGB 78 182 237

HSL 200.75, 0.82%, 0.62%

LAB 70.31, -13.11, -36.22

 

CMYK 75 / 26 / 0 / 1

HEX #3EBBFD

RGB 62 187 253

HSL 200.73, 0.98%, 0.62%

LAB 72, -12.63, -42.28

 

CMYK 67 / 23 / 0 / 7

HEX #4EB6ED

RGB 78 182 237

HSL 200.75, 0.82%, 0.62%

LAB 70.31, -13.11, -36.22

 

CMYK 57 / 19 / 0 / 13

HEX #5EB2DD

RGB 94 178 221

HSL 200.31, 0.65%, 0.62%

LAB 69.07, -13.18, -29.37

 

CMYK 47 / 16 / 0 / 19

HEX #6DADCE

RGB 109 173 206

HSL 200.41, 0.5%, 0.62%

LAB 67.72, -11.62, -23.14

 

CMYK 34 / 12 / 0 / 25

HEX #7DA8BE

RGB 125 168 190

HSL 200.31, 0.33%, 0.62%

LAB 66.58, -9.02, -15.93

 

CMYK 19 / 6 / 0 / 32

HEX #8DA3AE

RGB 141 163 174

HSL 200, 0.17%, 0.62%

LAB 65.68, -5.25, -8.27

 

CMYK 67 / 0 / 14 / 7

HEX #4EEDCD

RGB 78 237 205

HSL 167.92, 0.82%, 0.62%

LAB 85.3, -48.54, 3.47

 

CMYK 67 / 5 / 0 / 7

HEX #4EE2ED

RGB 78 226 237

HSL 184.15, 0.82%, 0.62%

LAB 82.98, -35.15, -16.84

 

CMYK 67 / 22 / 0 / 7

HEX #4EB8ED

RGB 78 184 237

HSL 200, 0.82%, 0.62%

LAB 70.88, -14.18, -35.33

 

CMYK 67 / 40 / 0 / 7

HEX #4E8EED

RGB 78 142 237

HSL 215.85, 0.82%, 0.62%

LAB 59.05, 9.61, -53.94

 

CMYK 67 / 58 / 0 / 7

HEX #4E63ED

RGB 78 99 237

HSL 232.08, 0.82%, 0.62%

LAB 47.83, 35.97, -72.01

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 82 / 28 / 0 / 9

HEX #29A7E9

RGB 41 167 233

HSL 200.63, 0.81%, 0.54%

LAB 64.96, -10.64, -42.46

 

CMYK 67 / 23 / 0 / 7

HEX #4EB6ED

RGB 78 182 237

HSL 200.75, 0.82%, 0.62%

LAB 70.31, -13.11, -36.22

 

CMYK 52 / 18 / 0 / 5

HEX #74C6F1

RGB 116 198 241

HSL 200.64, 0.82%, 0.7%

LAB 76.35, -13.39, -28.95

 

CMYK 37 / 13 / 0 / 4

HEX #99D5F4

RGB 153 213 244

HSL 200.44, 0.81%, 0.78%

LAB 82.32, -11.58, -21.28

 

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

CMYK 31 / 67 / 0 / 7

HEX #A34EED

RGB 163 78 237

HSL 272.08, 0.82%, 0.62%

LAB 51.09, 62.63, -66.36

 

CMYK 0 / 5 / 67 / 7

HEX #EDE24E

RGB 237 226 78

HSL 55.85, 0.82%, 0.62%

LAB 88.42, -13, 70.39

 

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

CMYK 0 / 67 / 22 / 7

HEX #ED4EB8

RGB 237 78 184

HSL 320, 0.82%, 0.62%

LAB 58.89, 70.6, -23.19

 

CMYK 22 / 0 / 67 / 7

HEX #B8ED4E

RGB 184 237 78

HSL 80, 0.82%, 0.62%

LAB 87.63, -39.27, 68.39

 

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

CMYK 31 / 67 / 0 / 7

HEX #A34EED

RGB 163 78 237

HSL 272.08, 0.82%, 0.62%

LAB 51.09, 62.63, -66.36

 

CMYK 0 / 45 / 67 / 7

HEX #ED834E

RGB 237 131 78

HSL 20, 0.82%, 0.62%

LAB 65.58, 36.36, 45.9

 

CMYK 36 / 0 / 67 / 7

HEX #98ED4E

RGB 152 237 78

HSL 92.08, 0.82%, 0.62%

LAB 85.9, -50.67, 66.05

 

CMYK 67 / 23 / 0 / 7

HEX #4EB7EE

RGB 78 183 238

HSL 200.63, 0.82%, 0.62%

LAB 70.64, -13.32, -36.26

 

CMYK 11 / 67 / 0 / 7

HEX #D34EED

RGB 211 78 237

HSL 290.19, 0.82%, 0.62%

LAB 57.47, 72.63, -55.77

 

CMYK 0 / 45 / 67 / 7

HEX #ED834E

RGB 237 131 78

HSL 20, 0.82%, 0.62%

LAB 65.58, 36.36, 45.9

 

CMYK 56 / 0 / 67 / 7

HEX #69ED4E

RGB 105 237 78

HSL 109.81, 0.82%, 0.62%

LAB 84.03, -64.49, 63.5

 

Description

Color code: HEX #4EB7EE | qconv.com Color code: HEX #4EB7EE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 183 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 183 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 23 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 23% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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