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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1592D4 it is the complementary color #EA6D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1592D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1592D4 shade: #1A92CF, #2BA4E2, #3CB6F5, #4DC8FF and #5EDAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1592D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1592D4 shade: #1592D4, #0480C1, #006EAE, #005C9B and #004A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1592D4 shade: #1593D5, #155FD5, #152BD5, #3215D5 and #6615D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1592D4 shade: #1593D5, #155FD5, #152BD5 and #1515D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1592D4 shade matches the following richer shades: #1593D5 and #0298E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1592D4 shade: #1593D5, #288DC2, #3B87AF, #4E819C and #617B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1592D4 shade: #15D5AF, #15C8D5, #1595D5, #1562D5 and #152ED5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1592D4 shade: #0D5F8A, #1179AF, #1593D5, #29A7E9 and #4FB6ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1592D4 shade: #1592D4, #7B15D5 and #D5C815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1592D4 shade: #1592D4, #D51595 and #95D515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1592D4 shade: #1592D4, #7B15D5, #D55515 and #6ED515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1592D4 shade: #1592D4, #B515D5, #D55515 and #35D515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

Complementary color

CMYK 0 / 53 / 82 / 8

HEX #EA6D2B

RGB 234 109 43

HSL 20.73, 0.82%, 0.54%

LAB 60.43, 44.74, 56.93

 

CMYK 87 / 29 / 0 / 19

HEX #1A92CF

RGB 26 146 207

HSL 200.22, 0.78%, 0.46%

LAB 57.35, -9.32, -39.97

 

CMYK 81 / 27 / 0 / 11

HEX #2BA4E2

RGB 43 164 226

HSL 200.33, 0.76%, 0.53%

LAB 63.8, -11.27, -40.42

 

CMYK 76 / 26 / 0 / 4

HEX #3CB6F5

RGB 60 182 245

HSL 200.43, 0.9%, 0.6%

LAB 70.18, -12.84, -40.8

 

CMYK 70 / 22 / 0 / 0

HEX #4DC8FF

RGB 77 200 255

HSL 198.54, 1%, 0.65%

LAB 76.13, -17.01, -36.89

 

CMYK 63 / 15 / 0 / 0

HEX #5EDAFF

RGB 94 218 255

HSL 193.79, 1%, 0.68%

LAB 81.7, -23.67, -28.28

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 98 / 34 / 0 / 24

HEX #0480C1

RGB 4 128 193

HSL 200.63, 0.96%, 0.39%

LAB 51.05, -5.14, -41.98

 

CMYK 100 / 37 / 0 / 32

HEX #006EAE

RGB 0 110 174

HSL 202.07, 1%, 0.34%

LAB 44.53, -1.87, -41.33

 

CMYK 100 / 41 / 0 / 39

HEX #005C9B

RGB 0 92 155

HSL 204.39, 1%, 0.3%

LAB 37.88, 1.77, -40.67

 

CMYK 100 / 46 / 0 / 47

HEX #004A88

RGB 0 74 136

HSL 207.35, 1%, 0.27%

LAB 31.06, 5.68, -40.05

 

CMYK 90 / 31 / 0 / 16

HEX #1593D5

RGB 21 147 213

HSL 200.63, 0.82%, 0.46%

LAB 57.88, -7.97, -42.52

 

CMYK 90 / 55 / 0 / 16

HEX #155FD5

RGB 21 95 213

HSL 216.88, 0.82%, 0.46%

LAB 42.99, 24.18, -66.38

 

CMYK 90 / 80 / 0 / 16

HEX #152BD5

RGB 21 43 213

HSL 233.13, 0.82%, 0.46%

LAB 31.09, 55.83, -85.94

 

CMYK 77 / 90 / 0 / 16

HEX #3215D5

RGB 50 21 213

HSL 249.06, 0.82%, 0.46%

LAB 29.46, 65.53, -88.63

 

CMYK 52 / 90 / 0 / 16

HEX #6615D5

RGB 102 21 213

HSL 265.31, 0.82%, 0.46%

LAB 34.32, 68.92, -80.41

 

CMYK 90 / 31 / 0 / 16

HEX #1593D5

RGB 21 147 213

HSL 200.63, 0.82%, 0.46%

LAB 57.88, -7.97, -42.52

 

CMYK 90 / 55 / 0 / 16

HEX #155FD5

RGB 21 95 213

HSL 216.88, 0.82%, 0.46%

LAB 42.99, 24.18, -66.38

 

CMYK 90 / 80 / 0 / 16

HEX #152BD5

RGB 21 43 213

HSL 233.13, 0.82%, 0.46%

LAB 31.09, 55.83, -85.94

 

CMYK 90 / 90 / 0 / 16

HEX #1515D5

RGB 21 21 213

HSL 240, 0.82%, 0.46%

LAB 28.11, 64.72, -90.91

 

CMYK 90 / 31 / 0 / 16

HEX #1593D5

RGB 21 147 213

HSL 200.63, 0.82%, 0.46%

LAB 57.88, -7.97, -42.52

 

CMYK 99 / 34 / 0 / 9

HEX #0298E8

RGB 2 152 232

HSL 200.87, 0.98%, 0.46%

LAB 60.15, -4.43, -49.5

 

CMYK 90 / 31 / 0 / 16

HEX #1593D5

RGB 21 147 213

HSL 200.63, 0.82%, 0.46%

LAB 57.88, -7.97, -42.52

 

CMYK 79 / 27 / 0 / 24

HEX #288DC2

RGB 40 141 194

HSL 200.65, 0.66%, 0.46%

LAB 55.48, -10.02, -35.55

 

CMYK 66 / 23 / 0 / 31

HEX #3B87AF

RGB 59 135 175

HSL 200.69, 0.5%, 0.46%

LAB 53.33, -10.63, -28.01

 

CMYK 50 / 17 / 0 / 39

HEX #4E819C

RGB 78 129 156

HSL 200.77, 0.33%, 0.46%

LAB 51.52, -9.36, -19.75

 

CMYK 29 / 10 / 0 / 46

HEX #617B89

RGB 97 123 137

HSL 201, 0.17%, 0.46%

LAB 50.11, -5.89, -10.68

 

CMYK 90 / 0 / 18 / 16

HEX #15D5AF

RGB 21 213 175

HSL 168.13, 0.82%, 0.46%

LAB 76.58, -51.81, 6.68

 

CMYK 90 / 6 / 0 / 16

HEX #15C8D5

RGB 21 200 213

HSL 184.06, 0.82%, 0.46%

LAB 73.72, -35.4, -18.04

 

CMYK 90 / 30 / 0 / 16

HEX #1595D5

RGB 21 149 213

HSL 200, 0.82%, 0.46%

LAB 58.47, -9.11, -41.58

 

CMYK 90 / 54 / 0 / 16

HEX #1562D5

RGB 21 98 213

HSL 215.94, 0.82%, 0.46%

LAB 43.8, 22.22, -65.06

 

CMYK 90 / 78 / 0 / 16

HEX #152ED5

RGB 21 46 213

HSL 232.19, 0.82%, 0.46%

LAB 31.62, 54.31, -85.07

 

CMYK 91 / 31 / 0 / 46

HEX #0D5F8A

RGB 13 95 138

HSL 200.64, 0.83%, 0.3%

LAB 38.03, -6.3, -30.17

 

CMYK 90 / 31 / 0 / 31

HEX #1179AF

RGB 17 121 175

HSL 200.51, 0.82%, 0.38%

LAB 48.12, -7.35, -36.23

 

CMYK 90 / 31 / 0 / 16

HEX #1593D5

RGB 21 147 213

HSL 200.63, 0.82%, 0.46%

LAB 57.88, -7.97, -42.52

 

CMYK 82 / 28 / 0 / 9

HEX #29A7E9

RGB 41 167 233

HSL 200.63, 0.81%, 0.54%

LAB 64.96, -10.64, -42.46

 

CMYK 67 / 23 / 0 / 7

HEX #4FB6ED

RGB 79 182 237

HSL 200.89, 0.81%, 0.62%

LAB 70.34, -12.95, -36.17

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 42 / 90 / 0 / 16

HEX #7B15D5

RGB 123 21 213

HSL 271.88, 0.82%, 0.46%

LAB 37.02, 71.04, -75.86

 

CMYK 0 / 6 / 90 / 16

HEX #D5C815

RGB 213 200 21

HSL 55.94, 0.82%, 0.46%

LAB 79.33, -12.11, 77.63

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 0 / 90 / 30 / 16

HEX #D51595

RGB 213 21 149

HSL 320, 0.82%, 0.46%

LAB 48.07, 75.72, -19.58

 

CMYK 30 / 0 / 90 / 16

HEX #95D515

RGB 149 213 21

HSL 80, 0.82%, 0.46%

LAB 78.48, -44.4, 75.06

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 42 / 90 / 0 / 16

HEX #7B15D5

RGB 123 21 213

HSL 271.88, 0.82%, 0.46%

LAB 37.02, 71.04, -75.86

 

CMYK 0 / 60 / 90 / 16

HEX #D55515

RGB 213 85 21

HSL 20, 0.82%, 0.46%

LAB 52.62, 47.76, 57.37

 

CMYK 48 / 0 / 90 / 16

HEX #6ED515

RGB 110 213 21

HSL 92.19, 0.82%, 0.46%

LAB 76.65, -57.58, 72.8

 

CMYK 90 / 31 / 0 / 17

HEX #1592D4

RGB 21 146 212

HSL 200.73, 0.82%, 0.46%

LAB 57.53, -7.77, -42.5

 

CMYK 15 / 90 / 0 / 16

HEX #B515D5

RGB 181 21 213

HSL 290, 0.82%, 0.46%

LAB 45.86, 78.78, -61.08

 

CMYK 0 / 60 / 90 / 16

HEX #D55515

RGB 213 85 21

HSL 20, 0.82%, 0.46%

LAB 52.62, 47.76, 57.37

 

CMYK 75 / 0 / 90 / 16

HEX #35D515

RGB 53 213 21

HSL 110, 0.82%, 0.46%

LAB 75.08, -70.52, 70.84

 

Description

Color code: HEX #1592D4 | qconv.com Color code: HEX #1592D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 146 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 146 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 31 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 31% 0% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - online-ecperience.jp...
Link: http://www.edubal.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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