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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA8AB it is the complementary color #B25754. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA8AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA8AB shade: #52A8A6, #63BAB9, #74CCCC, #85DEDF and #96F0F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA8AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA8AB shade: #4DA8AB, #3C9698, #2B8485, #1A7272 and #09605F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA8AB shade: #4DA9AC, #4D8FAC, #4D76AC, #4D5CAC and #574DAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA8AB shade: #4DA9AC, #4D8FAC, #4D76AC, #4D5CAC and #4D4DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA8AB shade matches the following richer shades: #4DA9AC, #39BCC0, #25CFD4 and #10E2E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA8AB shade: #4DA9AC, #619698, #758383, #8A706F and #9E5D5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA8AB shade: #4DAC7B, #4DAC94, #4DAAAC, #4D91AC and #4D78AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA8AB shade: #337173, #408D8F, #4DA9AC, #67B8BB and #84C5C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA8AB shade: #4DA8AB, #624DAC and #AC884D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA8AB shade: #4DA8AB, #AC4DAA and #AAAC4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA8AB shade: #4DA8AB, #624DAC, #AC4F4D and #97AC4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA8AB shade: #4DA8AB, #7E4DAC, #AC4F4D and #7BAC4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

Complementary color

CMYK 0 / 51 / 53 / 30

HEX #B25754

RGB 178 87 84

HSL 1.91, 0.38%, 0.51%

LAB 48.16, 36.68, 19.14

 

CMYK 51 / 0 / 1 / 34

HEX #52A8A6

RGB 82 168 166

HSL 178.6, 0.34%, 0.49%

LAB 63.8, -26.33, -6.93

 

CMYK 47 / 0 / 1 / 27

HEX #63BAB9

RGB 99 186 185

HSL 179.31, 0.39%, 0.56%

LAB 70.37, -26.4, -7.63

 

CMYK 43 / 0 / 0 / 20

HEX #74CCCC

RGB 116 204 204

HSL 180, 0.46%, 0.63%

LAB 76.84, -26.41, -8.28

 

CMYK 40 / 0 / 0 / 13

HEX #85DEDF

RGB 133 222 223

HSL 180.67, 0.58%, 0.7%

LAB 83.21, -26.4, -8.89

 

CMYK 38 / 1 / 0 / 5

HEX #96F0F2

RGB 150 240 242

HSL 181.3, 0.78%, 0.77%

LAB 89.49, -26.36, -9.47

 

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 61 / 1 / 0 / 40

HEX #3C9698

RGB 60 150 152

HSL 181.3, 0.43%, 0.42%

LAB 57.11, -25.71, -9.05

 

CMYK 68 / 1 / 0 / 48

HEX #2B8485

RGB 43 132 133

HSL 180.67, 0.51%, 0.35%

LAB 50.35, -25.22, -8.23

 

CMYK 77 / 0 / 0 / 55

HEX #1A7272

RGB 26 114 114

HSL 180, 0.63%, 0.27%

LAB 43.46, -24.42, -7.29

 

CMYK 91 / 0 / 1 / 62

HEX #09605F

RGB 9 96 95

HSL 179.31, 0.83%, 0.21%

LAB 36.46, -23.12, -6.17

 

CMYK 55 / 2 / 0 / 33

HEX #4DA9AC

RGB 77 169 172

HSL 181.89, 0.38%, 0.49%

LAB 64.11, -26.23, -9.84

 

CMYK 55 / 17 / 0 / 33

HEX #4D8FAC

RGB 77 143 172

HSL 198.32, 0.38%, 0.49%

LAB 56.29, -12.57, -21.68

 

CMYK 55 / 31 / 0 / 33

HEX #4D76AC

RGB 77 118 172

HSL 214.11, 0.38%, 0.49%

LAB 48.9, 1.89, -33.13

 

CMYK 55 / 47 / 0 / 33

HEX #4D5CAC

RGB 77 92 172

HSL 230.53, 0.38%, 0.49%

LAB 41.55, 18.09, -44.77

 

CMYK 49 / 55 / 0 / 33

HEX #574DAC

RGB 87 77 172

HSL 246.32, 0.38%, 0.49%

LAB 38.4, 29.78, -49.78

 

CMYK 55 / 2 / 0 / 33

HEX #4DA9AC

RGB 77 169 172

HSL 181.89, 0.38%, 0.49%

LAB 64.11, -26.23, -9.84

 

CMYK 55 / 17 / 0 / 33

HEX #4D8FAC

RGB 77 143 172

HSL 198.32, 0.38%, 0.49%

LAB 56.29, -12.57, -21.68

 

CMYK 55 / 31 / 0 / 33

HEX #4D76AC

RGB 77 118 172

HSL 214.11, 0.38%, 0.49%

LAB 48.9, 1.89, -33.13

 

CMYK 55 / 47 / 0 / 33

HEX #4D5CAC

RGB 77 92 172

HSL 230.53, 0.38%, 0.49%

LAB 41.55, 18.09, -44.77

 

CMYK 55 / 55 / 0 / 33

HEX #4D4DAC

RGB 77 77 172

HSL 240, 0.38%, 0.49%

LAB 37.6, 27.65, -51.12

 

CMYK 55 / 2 / 0 / 33

HEX #4DA9AC

RGB 77 169 172

HSL 181.89, 0.38%, 0.49%

LAB 64.11, -26.23, -9.84

 

CMYK 70 / 2 / 0 / 25

HEX #39BCC0

RGB 57 188 192

HSL 181.78, 0.54%, 0.49%

LAB 69.92, -33.04, -12.26

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 93 / 3 / 0 / 9

HEX #10E2E9

RGB 16 226 233

HSL 181.94, 0.87%, 0.49%

LAB 82.05, -41.42, -16.2

 

CMYK 55 / 2 / 0 / 33

HEX #4DA9AC

RGB 77 169 172

HSL 181.89, 0.38%, 0.49%

LAB 64.11, -26.23, -9.84

 

CMYK 36 / 1 / 0 / 40

HEX #619698

RGB 97 150 152

HSL 182.18, 0.22%, 0.49%

LAB 58.62, -16.98, -6.64

 

CMYK 11 / 0 / 0 / 49

HEX #758383

RGB 117 131 131

HSL 180, 0.06%, 0.49%

LAB 53.66, -5.1, -1.75

 

CMYK 0 / 19 / 20 / 46

HEX #8A706F

RGB 138 112 111

HSL 2.22, 0.11%, 0.49%

LAB 49.66, 10.06, 4.41

 

CMYK 0 / 41 / 42 / 38

HEX #9E5D5B

RGB 158 93 91

HSL 1.79, 0.27%, 0.49%

LAB 46.78, 26.31, 12.6

 

CMYK 55 / 0 / 28 / 33

HEX #4DAC7B

RGB 77 172 123

HSL 149.05, 0.38%, 0.49%

LAB 63.76, -39.69, 16.9

 

CMYK 55 / 0 / 14 / 33

HEX #4DAC94

RGB 77 172 148

HSL 164.84, 0.38%, 0.49%

LAB 64.34, -34, 3.89

 

CMYK 55 / 1 / 0 / 33

HEX #4DAAAC

RGB 77 170 172

HSL 181.26, 0.38%, 0.49%

LAB 64.41, -26.73, -9.39

 

CMYK 55 / 16 / 0 / 33

HEX #4D91AC

RGB 77 145 172

HSL 197.05, 0.38%, 0.49%

LAB 56.89, -13.67, -20.76

 

CMYK 55 / 30 / 0 / 33

HEX #4D78AC

RGB 77 120 172

HSL 212.84, 0.38%, 0.49%

LAB 49.48, 0.69, -32.22

HEX #4D78AC

CMYK 56 / 2 / 0 / 55

HEX #337173

RGB 51 113 115

HSL 181.88, 0.39%, 0.33%

LAB 43.87, -19.2, -7.2

 

CMYK 55 / 1 / 0 / 44

HEX #408D8F

RGB 64 141 143

HSL 181.52, 0.38%, 0.41%

LAB 54.16, -22.93, -8.28

 

CMYK 55 / 2 / 0 / 33

HEX #4DA9AC

RGB 77 169 172

HSL 181.89, 0.38%, 0.49%

LAB 64.11, -26.23, -9.84

 

CMYK 45 / 2 / 0 / 27

HEX #67B8BB

RGB 103 184 187

HSL 182.14, 0.38%, 0.57%

LAB 70, -23.94, -9.25

 

CMYK 34 / 1 / 0 / 22

HEX #84C5C7

RGB 132 197 199

HSL 181.79, 0.37%, 0.65%

LAB 75.43, -20.04, -7.59

 

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 43 / 55 / 0 / 33

HEX #624DAC

RGB 98 77 172

HSL 253.26, 0.38%, 0.49%

LAB 39.38, 32.3, -48.15

 

CMYK 0 / 21 / 55 / 33

HEX #AC884D

RGB 172 136 77

HSL 37.26, 0.38%, 0.49%

LAB 58.9, 6.49, 36.59

 

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 0 / 55 / 1 / 33

HEX #AC4DAA

RGB 172 77 170

HSL 301.26, 0.38%, 0.49%

LAB 48.24, 51.49, -32.36

 

CMYK 1 / 0 / 55 / 33

HEX #AAAC4D

RGB 170 172 77

HSL 61.26, 0.38%, 0.49%

LAB 68.45, -13.77, 47.77

 

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 43 / 55 / 0 / 33

HEX #624DAC

RGB 98 77 172

HSL 253.26, 0.38%, 0.49%

LAB 39.38, 32.3, -48.15

 

CMYK 0 / 54 / 55 / 33

HEX #AC4F4D

RGB 172 79 77

HSL 1.26, 0.38%, 0.49%

LAB 45.49, 37.92, 19.61

 

CMYK 12 / 0 / 55 / 33

HEX #97AC4D

RGB 151 172 77

HSL 73.26, 0.38%, 0.49%

LAB 66.99, -21.68, 45.71

 

CMYK 55 / 2 / 0 / 33

HEX #4DA8AB

RGB 77 168 171

HSL 181.91, 0.38%, 0.49%

LAB 63.77, -26.01, -9.78

 

CMYK 27 / 55 / 0 / 33

HEX #7E4DAC

RGB 126 77 172

HSL 270.95, 0.38%, 0.49%

LAB 42.34, 39.36, -43.25

 

CMYK 0 / 54 / 55 / 33

HEX #AC4F4D

RGB 172 79 77

HSL 1.26, 0.38%, 0.49%

LAB 45.49, 37.92, 19.61

 

CMYK 28 / 0 / 55 / 33

HEX #7BAC4D

RGB 123 172 77

HSL 90.95, 0.38%, 0.49%

LAB 65.16, -32.67, 43.11

 

Description

Color code: HEX #4DA8AB | qconv.com Color code: HEX #4DA8AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 168 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 168 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 2 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 2% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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