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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #25CFD4 it is the complementary color #DA302B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #25CFD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #25CFD4 shade: #2ACFCF, #3BE1E2, #4CF3F5, #5DFFFF and #6EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #25CFD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #25CFD4 shade: #25CFD4, #14BDC1, #03ABAE, #00999B and #008788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #25CFD4 shade: #25CFD4, #25A0D4, #2571D4, #2541D4 and #3825D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #25CFD4 shade: #25CFD4, #25A0D4, #2571D4, #2541D4 and #2525D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #25CFD4 shade matches the following richer shades: #25CFD4 and #11E2E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #25CFD4 shade: #25CFD4, #39BCC0, #4DA9AB, #629697 and #768383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #25CFD4 shade: #25D47A, #25D4A8, #25D1D4, #25A2D4 and #2574D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #25CFD4 shade: #198A8E, #1FADB1, #25CFD4, #44D9DE and #68E0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #25CFD4 shade: #25CFD4, #4B25D4 and #D49125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #25CFD4 shade: #25CFD4, #D425D1 and #D1D425

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #25CFD4 shade: #25CFD4, #4B25D4, #D42825 and #AED425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #25CFD4 shade: #25CFD4, #7F25D4, #D42825 and #7AD425

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

Complementary color

CMYK 0 / 78 / 80 / 15

HEX #DA302B

RGB 218 48 43

HSL 1.71, 0.7%, 0.51%

LAB 48.5, 63.93, 44.72

 

CMYK 80 / 0 / 0 / 19

HEX #2ACFCF

RGB 42 207 207

HSL 180, 0.66%, 0.49%

LAB 75.84, -39.08, -11.59

 

CMYK 74 / 0 / 0 / 11

HEX #3BE1E2

RGB 59 225 226

HSL 180.36, 0.74%, 0.56%

LAB 81.99, -40.14, -12.54

 

CMYK 69 / 1 / 0 / 4

HEX #4CF3F5

RGB 76 243 245

HSL 180.71, 0.89%, 0.63%

LAB 88.08, -40.96, -13.4

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 90 / 2 / 0 / 24

HEX #14BDC1

RGB 20 189 193

HSL 181.39, 0.81%, 0.42%

LAB 69.75, -36.47, -13.13

 

CMYK 98 / 2 / 0 / 32

HEX #03ABAE

RGB 3 171 174

HSL 181.05, 0.97%, 0.35%

LAB 63.51, -34.6, -11.99

 

CMYK 100 / 1 / 0 / 39

HEX #00999B

RGB 0 153 155

HSL 180.77, 1%, 0.3%

LAB 57.22, -32.2, -10.7

 

CMYK 100 / 1 / 0 / 47

HEX #008788

RGB 0 135 136

HSL 180.44, 1%, 0.27%

LAB 50.81, -29.65, -9.35

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 83 / 25 / 0 / 17

HEX #25A0D4

RGB 37 160 212

HSL 197.83, 0.7%, 0.49%

LAB 61.9, -14.5, -35.63

 

CMYK 83 / 47 / 0 / 17

HEX #2571D4

RGB 37 113 212

HSL 213.94, 0.7%, 0.49%

LAB 48.21, 13.29, -57.34

 

CMYK 83 / 69 / 0 / 17

HEX #2541D4

RGB 37 65 212

HSL 230.4, 0.7%, 0.49%

LAB 35.84, 43.93, -77.49

 

CMYK 74 / 83 / 0 / 17

HEX #3825D4

RGB 56 37 212

HSL 246.51, 0.7%, 0.49%

LAB 31.62, 59.91, -84.45

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 83 / 25 / 0 / 17

HEX #25A0D4

RGB 37 160 212

HSL 197.83, 0.7%, 0.49%

LAB 61.9, -14.5, -35.63

 

CMYK 83 / 47 / 0 / 17

HEX #2571D4

RGB 37 113 212

HSL 213.94, 0.7%, 0.49%

LAB 48.21, 13.29, -57.34

 

CMYK 83 / 69 / 0 / 17

HEX #2541D4

RGB 37 65 212

HSL 230.4, 0.7%, 0.49%

LAB 35.84, 43.93, -77.49

 

CMYK 83 / 83 / 0 / 17

HEX #2525D4

RGB 37 37 212

HSL 240, 0.7%, 0.49%

LAB 30.57, 58.91, -86.22

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 93 / 3 / 0 / 9

HEX #11E2E8

RGB 17 226 232

HSL 181.67, 0.86%, 0.49%

LAB 82.02, -41.69, -15.71

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 70 / 2 / 0 / 25

HEX #39BCC0

RGB 57 188 192

HSL 181.78, 0.54%, 0.49%

LAB 69.92, -33.04, -12.26

 

CMYK 55 / 1 / 0 / 33

HEX #4DA9AB

RGB 77 169 171

HSL 181.28, 0.38%, 0.49%

LAB 64.07, -26.51, -9.33

 

CMYK 35 / 1 / 0 / 41

HEX #629697

RGB 98 150 151

HSL 181.13, 0.21%, 0.49%

LAB 58.64, -16.95, -6.04

 

CMYK 10 / 0 / 0 / 49

HEX #768383

RGB 118 131 131

HSL 180, 0.05%, 0.49%

LAB 53.73, -4.75, -1.63

 

CMYK 83 / 0 / 42 / 17

HEX #25D47A

RGB 37 212 122

HSL 149.14, 0.7%, 0.49%

LAB 75.38, -61.9, 32.87

 

CMYK 83 / 0 / 21 / 17

HEX #25D4A8

RGB 37 212 168

HSL 164.91, 0.7%, 0.49%

LAB 76.26, -52.11, 9.98

 

CMYK 83 / 1 / 0 / 17

HEX #25D1D4

RGB 37 209 212

HSL 181.03, 0.7%, 0.49%

LAB 76.53, -38.92, -13.26

 

CMYK 83 / 24 / 0 / 17

HEX #25A2D4

RGB 37 162 212

HSL 197.14, 0.7%, 0.49%

LAB 62.5, -15.59, -34.71

 

CMYK 83 / 45 / 0 / 17

HEX #2574D4

RGB 37 116 212

HSL 212.91, 0.7%, 0.49%

LAB 49.05, 11.4, -55.98

 

CMYK 82 / 3 / 0 / 44

HEX #198A8E

RGB 25 138 142

HSL 182.05, 0.7%, 0.33%

LAB 52.22, -27.66, -10.71

 

CMYK 82 / 2 / 0 / 31

HEX #1FADB1

RGB 31 173 177

HSL 181.64, 0.7%, 0.41%

LAB 64.45, -33.18, -12.23

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 69 / 2 / 0 / 13

HEX #44D9DE

RGB 68 217 222

HSL 181.95, 0.7%, 0.57%

LAB 79.69, -36.56, -13.83

 

CMYK 54 / 2 / 0 / 11

HEX #68E0E4

RGB 104 224 228

HSL 181.94, 0.7%, 0.65%

LAB 82.84, -32.41, -12.21

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 65 / 83 / 0 / 17

HEX #4B25D4

RGB 75 37 212

HSL 253.03, 0.7%, 0.49%

LAB 33.08, 61.32, -81.99

 

CMYK 0 / 32 / 83 / 17

HEX #D49125

RGB 212 145 37

HSL 37.03, 0.7%, 0.49%

LAB 65.26, 16.8, 62.33

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 0 / 83 / 1 / 17

HEX #D425D1

RGB 212 37 209

HSL 301.03, 0.7%, 0.49%

LAB 51.75, 80.53, -49.04

 

CMYK 1 / 0 / 83 / 17

HEX #D1D425

RGB 209 212 37

HSL 61.03, 0.7%, 0.49%

LAB 82.26, -19.44, 76.73

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 65 / 83 / 0 / 17

HEX #4B25D4

RGB 75 37 212

HSL 253.03, 0.7%, 0.49%

LAB 33.08, 61.32, -81.99

 

CMYK 0 / 81 / 83 / 17

HEX #D42825

RGB 212 40 37

HSL 1.03, 0.7%, 0.49%

LAB 46.51, 64.22, 45.53

 

CMYK 18 / 0 / 83 / 17

HEX #AED425

RGB 174 212 37

HSL 73.03, 0.7%, 0.49%

LAB 79.74, -33.85, 73.58

 

CMYK 83 / 2 / 0 / 17

HEX #25CFD4

RGB 37 207 212

HSL 181.71, 0.7%, 0.49%

LAB 75.93, -38, -14.16

 

CMYK 40 / 83 / 0 / 17

HEX #7F25D4

RGB 127 37 212

HSL 270.86, 0.7%, 0.49%

LAB 38.88, 67.15, -72.22

 

CMYK 0 / 81 / 83 / 17

HEX #D42825

RGB 212 40 37

HSL 1.03, 0.7%, 0.49%

LAB 46.51, 64.22, 45.53

 

CMYK 42 / 0 / 83 / 17

HEX #7AD425

RGB 122 212 37

HSL 90.86, 0.7%, 0.49%

LAB 76.9, -52.93, 69.98

 

Description

Color code: HEX #25CFD4 | qconv.com Color code: HEX #25CFD4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 207 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 207 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 2 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 2% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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