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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BBD52 it is the complementary color #B442AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BBD52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BBD52 shade: #50BD4D, #61CF60, #72E173, #83F386 and #94FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BBD52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BBD52 shade: #4BBD52, #3AAB3F, #29992C, #188719 and #077506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BBD52 shade: #4CBC53, #63BC4C, #82BC4C, #A0BC4C and #BCBA4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BBD52 shade: #4CBC53, #4CBC71, #4CBC8F, #4CBCAE and #4CADBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BBD52 shade matches the following richer shades: #4CBC53, #38D041, #24E430 and #10F81F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BBD52 shade: #4CBC53, #60A964, #739575, #878187 and #9B6D98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BBD52 shade: #82BC4C, #64BC4C, #4CBC51, #4CBC6F and #4CBC8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BBD52 shade: #318536, #3CA342, #4CBC53, #6AC870 and #88D38D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BBD52 shade: #4BBD52, #4CA0BC and #BC4C73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BBD52 shade: #4BBD52, #514CBC and #BC514C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BBD52 shade: #4BBD52, #4CA0BC, #BC4CB7 and #BC684C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BBD52 shade: #4BBD52, #4C7EBC, #BC4CB7 and #BC8A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

Complementary color

CMYK 0 / 63 / 4 / 29

HEX #B442AD

RGB 180 66 173

HSL 303.68, 0.46%, 0.48%

LAB 47.77, 59.04, -34.76

 

CMYK 58 / 0 / 59 / 26

HEX #50BD4D

RGB 80 189 77

HSL 118.39, 0.46%, 0.52%

LAB 68.49, -53.29, 46.5

 

CMYK 53 / 0 / 54 / 19

HEX #61CF60

RGB 97 207 96

HSL 119.46, 0.54%, 0.59%

LAB 74.83, -53.55, 45.27

 

CMYK 49 / 0 / 49 / 12

HEX #72E173

RGB 114 225 115

HSL 120.54, 0.65%, 0.66%

LAB 81.11, -53.62, 43.99

 

CMYK 46 / 0 / 45 / 5

HEX #83F386

RGB 131 243 134

HSL 121.61, 0.82%, 0.73%

LAB 87.31, -53.57, 42.73

 

CMYK 42 / 0 / 40 / 0

HEX #94FF99

RGB 148 255 153

HSL 122.8, 1%, 0.79%

LAB 91.74, -50.98, 39.28

 

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

CMYK 66 / 0 / 63 / 33

HEX #3AAB3F

RGB 58 171 63

HSL 122.65, 0.49%, 0.45%

LAB 61.98, -53.3, 45.25

 

CMYK 73 / 0 / 71 / 40

HEX #29992C

RGB 41 153 44

HSL 121.61, 0.58%, 0.38%

LAB 55.52, -52.25, 46.22

 

CMYK 82 / 0 / 81 / 47

HEX #188719

RGB 24 135 25

HSL 120.54, 0.7%, 0.31%

LAB 49, -50.46, 46.54

 

CMYK 94 / 0 / 95 / 54

HEX #077506

RGB 7 117 6

HSL 119.46, 0.9%, 0.24%

LAB 42.43, -47.58, 45.48

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 31 / 0 / 60 / 26

HEX #82BC4C

RGB 130 188 76

HSL 91.07, 0.46%, 0.52%

LAB 70.34, -37.52, 49.64

 

CMYK 15 / 0 / 60 / 26

HEX #A0BC4C

RGB 160 188 76

HSL 75, 0.46%, 0.52%

LAB 72.2, -26, 52.24

 

CMYK 0 / 1 / 60 / 26

HEX #BCBA4C

RGB 188 186 76

HSL 58.93, 0.46%, 0.52%

LAB 73.76, -13.45, 54.56

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 60 / 0 / 40 / 26

HEX #4CBC71

RGB 76 188 113

HSL 139.82, 0.46%, 0.52%

LAB 68.53, -48.57, 28.69

 

CMYK 60 / 0 / 24 / 26

HEX #4CBC8F

RGB 76 188 143

HSL 155.89, 0.46%, 0.52%

LAB 69.1, -42.57, 13.42

 

CMYK 60 / 0 / 7 / 26

HEX #4CBCAE

RGB 76 188 174

HSL 172.5, 0.46%, 0.52%

LAB 69.87, -35.04, -2.42

 

CMYK 60 / 8 / 0 / 26

HEX #4CADBC

RGB 76 173 188

HSL 188.04, 0.46%, 0.52%

LAB 65.79, -23.86, -16.23

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 73 / 0 / 69 / 18

HEX #38D041

RGB 56 208 65

HSL 123.55, 0.62%, 0.52%

LAB 73.76, -65.94, 57.25

 

CMYK 84 / 0 / 79 / 11

HEX #24E430

RGB 36 228 48

HSL 123.75, 0.78%, 0.52%

LAB 79.66, -75.69, 68.79

 

CMYK 94 / 0 / 88 / 3

HEX #10F81F

RGB 16 248 31

HSL 123.88, 0.94%, 0.52%

LAB 85.68, -83.23, 78.1

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 43 / 0 / 41 / 34

HEX #60A964

RGB 96 169 100

HSL 123.29, 0.3%, 0.52%

LAB 63.16, -37.46, 28.65

 

CMYK 23 / 0 / 21 / 42

HEX #739575

RGB 115 149 117

HSL 123.53, 0.14%, 0.52%

LAB 58.44, -18.44, 13.11

 

CMYK 0 / 4 / 0 / 47

HEX #878187

RGB 135 129 135

HSL 300, 0.02%, 0.52%

LAB 54.66, 3.43, -2.43

 

CMYK 0 / 30 / 2 / 39

HEX #9B6D98

RGB 155 109 152

HSL 303.91, 0.19%, 0.52%

LAB 52.03, 25.63, -16.09

 

CMYK 31 / 0 / 60 / 26

HEX #82BC4C

RGB 130 188 76

HSL 91.07, 0.46%, 0.52%

LAB 70.34, -37.52, 49.64

 

CMYK 47 / 0 / 60 / 26

HEX #64BC4C

RGB 100 188 76

HSL 107.14, 0.46%, 0.52%

LAB 68.89, -47.53, 47.61

 

CMYK 60 / 0 / 57 / 26

HEX #4CBC51

RGB 76 188 81

HSL 122.68, 0.46%, 0.52%

LAB 68.09, -53.4, 44.15

 

CMYK 60 / 0 / 41 / 26

HEX #4CBC6F

RGB 76 188 111

HSL 138.75, 0.46%, 0.52%

LAB 68.5, -48.92, 29.69

 

CMYK 60 / 0 / 25 / 26

HEX #4CBC8D

RGB 76 188 141

HSL 154.82, 0.46%, 0.52%

LAB 69.06, -43.01, 14.45

 

CMYK 63 / 0 / 59 / 48

HEX #318536

RGB 49 133 54

HSL 123.57, 0.46%, 0.36%

LAB 49.12, -42.17, 34.68

 

CMYK 63 / 0 / 60 / 36

HEX #3CA342

RGB 60 163 66

HSL 123.5, 0.46%, 0.44%

LAB 59.48, -49.58, 41.02

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 47 / 0 / 44 / 22

HEX #6AC870

RGB 106 200 112

HSL 123.83, 0.46%, 0.6%

LAB 73.25, -46.07, 35.52

 

CMYK 36 / 0 / 33 / 17

HEX #88D38D

RGB 136 211 141

HSL 124, 0.46%, 0.68%

LAB 78.31, -37.36, 27.51

 

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

CMYK 60 / 15 / 0 / 26

HEX #4CA0BC

RGB 76 160 188

HSL 195, 0.46%, 0.52%

LAB 61.92, -17.1, -22.12

 

CMYK 0 / 60 / 39 / 26

HEX #BC4C73

RGB 188 76 115

HSL 339.11, 0.46%, 0.52%

LAB 48.38, 48.79, 0.98

 

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

CMYK 57 / 60 / 0 / 26

HEX #514CBC

RGB 81 76 188

HSL 242.68, 0.46%, 0.52%

LAB 38.81, 34.28, -58.58

 

CMYK 0 / 57 / 60 / 26

HEX #BC514C

RGB 188 81 76

HSL 2.68, 0.46%, 0.52%

LAB 48.38, 42.78, 24.47

 

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

CMYK 60 / 15 / 0 / 26

HEX #4CA0BC

RGB 76 160 188

HSL 195, 0.46%, 0.52%

LAB 61.92, -17.1, -22.12

 

CMYK 0 / 60 / 3 / 26

HEX #BC4CB7

RGB 188 76 183

HSL 302.68, 0.46%, 0.52%

LAB 51.01, 58.52, -35.44

 

CMYK 0 / 45 / 60 / 26

HEX #BC684C

RGB 188 104 76

HSL 15, 0.46%, 0.52%

LAB 53.07, 30.93, 30.42

 

CMYK 60 / 0 / 57 / 26

HEX #4BBD52

RGB 75 189 82

HSL 123.68, 0.46%, 0.52%

LAB 68.39, -53.88, 44.02

 

CMYK 60 / 33 / 0 / 26

HEX #4C7EBC

RGB 76 126 188

HSL 213.21, 0.46%, 0.52%

LAB 51.94, 2.15, -37.6

 

CMYK 0 / 60 / 3 / 26

HEX #BC4CB7

RGB 188 76 183

HSL 302.68, 0.46%, 0.52%

LAB 51.01, 58.52, -35.44

 

CMYK 0 / 27 / 60 / 26

HEX #BC8A4C

RGB 188 138 76

HSL 33.21, 0.46%, 0.52%

LAB 61.12, 12.23, 40.19

 

Description

Color code: HEX #4BBD52 | qconv.com Color code: HEX #4BBD52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 189 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 189 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 57 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 57% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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