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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63BC4C it is the complementary color #9C43B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63BC4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63BC4C shade: #68BC47, #79CE5A, #8AE06D, #9BF280 and #ACFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63BC4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63BC4C shade: #63BC4C, #52AA39, #419826, #308613 and #1F7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63BC4C shade: #63BC4C, #81BC4C, #A0BC4C, #BCBB4C and #BC9C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63BC4C shade: #63BC4C, #4CBC53, #4CBC71, #4CBC90 and #4CBCAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63BC4C shade matches the following richer shades: #63BC4C, #57D038, #4CE424 and #40F810

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63BC4C shade: #63BC4C, #6FA960, #7A9573, #868187 and #926D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63BC4C shade: #A0BC4C, #82BC4C, #64BC4C, #4CBC51 and #4CBC6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63BC4C shade: #428531, #51A33C, #63BC4C, #7DC86A and #97D388

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63BC4C shade: #63BC4C, #4CBCBB and #BC4C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63BC4C shade: #63BC4C, #4C64BC and #BC4C64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63BC4C shade: #63BC4C, #4CBCBB, #A44CBC and #BC4C4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63BC4C shade: #63BC4C, #4C9CBC, #A44CBC and #BC6C4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

Complementary color

CMYK 13 / 63 / 0 / 30

HEX #9C43B3

RGB 156 67 179

HSL 287.68, 0.46%, 0.48%

LAB 44.71, 53.7, -43.36

 

CMYK 45 / 0 / 62 / 26

HEX #68BC47

RGB 104 188 71

HSL 103.08, 0.47%, 0.51%

LAB 69.01, -46.81, 50.02

 

CMYK 41 / 0 / 56 / 19

HEX #79CE5A

RGB 121 206 90

HSL 103.97, 0.54%, 0.58%

LAB 75.42, -46.92, 48.99

 

CMYK 38 / 0 / 51 / 12

HEX #8AE06D

RGB 138 224 109

HSL 104.87, 0.65%, 0.65%

LAB 81.74, -46.92, 47.85

 

CMYK 36 / 0 / 47 / 5

HEX #9BF280

RGB 155 242 128

HSL 105.79, 0.81%, 0.73%

LAB 87.98, -46.83, 46.68

 

CMYK 33 / 0 / 42 / 0

HEX #ACFF93

RGB 172 255 147

HSL 106.11, 1%, 0.79%

LAB 92.75, -44.55, 43.73

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 52 / 0 / 66 / 33

HEX #52AA39

RGB 82 170 57

HSL 106.73, 0.5%, 0.45%

LAB 62.37, -47.56, 48.51

 

CMYK 57 / 0 / 75 / 40

HEX #419826

RGB 65 152 38

HSL 105.79, 0.6%, 0.37%

LAB 55.81, -46.98, 49.04

 

CMYK 64 / 0 / 86 / 47

HEX #308613

RGB 48 134 19

HSL 104.87, 0.75%, 0.3%

LAB 49.16, -45.92, 48.65

 

CMYK 73 / 0 / 100 / 55

HEX #1F7400

RGB 31 116 0

HSL 103.97, 1%, 0.23%

LAB 42.43, -44.19, 47.04

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 31 / 0 / 60 / 26

HEX #81BC4C

RGB 129 188 76

HSL 91.61, 0.46%, 0.52%

LAB 70.28, -37.88, 49.56

 

CMYK 15 / 0 / 60 / 26

HEX #A0BC4C

RGB 160 188 76

HSL 75, 0.46%, 0.52%

LAB 72.2, -26, 52.24

 

CMYK 0 / 1 / 60 / 26

HEX #BCBB4C

RGB 188 187 76

HSL 59.46, 0.46%, 0.52%

LAB 74.03, -13.96, 54.85

 

CMYK 0 / 17 / 60 / 26

HEX #BC9C4C

RGB 188 156 76

HSL 42.86, 0.46%, 0.52%

LAB 65.74, 2.37, 45.57

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 60 / 0 / 56 / 26

HEX #4CBC53

RGB 76 188 83

HSL 123.75, 0.46%, 0.52%

LAB 68.11, -53.14, 43.23

 

CMYK 60 / 0 / 40 / 26

HEX #4CBC71

RGB 76 188 113

HSL 139.82, 0.46%, 0.52%

LAB 68.53, -48.57, 28.69

 

CMYK 60 / 0 / 23 / 26

HEX #4CBC90

RGB 76 188 144

HSL 156.43, 0.46%, 0.52%

LAB 69.12, -42.35, 12.91

 

CMYK 60 / 0 / 7 / 26

HEX #4CBCAE

RGB 76 188 174

HSL 172.5, 0.46%, 0.52%

LAB 69.87, -35.04, -2.42

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 58 / 0 / 73 / 18

HEX #57D038

RGB 87 208 56

HSL 107.76, 0.62%, 0.52%

LAB 74.46, -60.42, 61.53

 

CMYK 67 / 0 / 84 / 11

HEX #4CE424

RGB 76 228 36

HSL 107.5, 0.78%, 0.52%

LAB 80.26, -70.6, 72.64

 

CMYK 74 / 0 / 94 / 3

HEX #40F810

RGB 64 248 16

HSL 107.59, 0.94%, 0.52%

LAB 86.14, -79.24, 80.8

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 34 / 0 / 43 / 34

HEX #6FA960

RGB 111 169 96

HSL 107.67, 0.3%, 0.52%

LAB 63.84, -33.2, 31.77

 

CMYK 18 / 0 / 23 / 42

HEX #7A9573

RGB 122 149 115

HSL 107.65, 0.14%, 0.52%

LAB 58.85, -16.27, 14.89

 

CMYK 1 / 4 / 0 / 47

HEX #868187

RGB 134 129 135

HSL 290, 0.02%, 0.52%

LAB 54.57, 3.06, -2.57

 

CMYK 6 / 30 / 0 / 39

HEX #926D9B

RGB 146 109 155

HSL 288.26, 0.19%, 0.52%

LAB 51.17, 23.13, -19.25

 

CMYK 15 / 0 / 60 / 26

HEX #A0BC4C

RGB 160 188 76

HSL 75, 0.46%, 0.52%

LAB 72.2, -26, 52.24

 

CMYK 31 / 0 / 60 / 26

HEX #82BC4C

RGB 130 188 76

HSL 91.07, 0.46%, 0.52%

LAB 70.34, -37.52, 49.64

 

CMYK 47 / 0 / 60 / 26

HEX #64BC4C

RGB 100 188 76

HSL 107.14, 0.46%, 0.52%

LAB 68.89, -47.53, 47.61

 

CMYK 60 / 0 / 57 / 26

HEX #4CBC51

RGB 76 188 81

HSL 122.68, 0.46%, 0.52%

LAB 68.09, -53.4, 44.15

 

CMYK 60 / 0 / 41 / 26

HEX #4CBC6F

RGB 76 188 111

HSL 138.75, 0.46%, 0.52%

LAB 68.5, -48.92, 29.69

 

CMYK 50 / 0 / 63 / 48

HEX #428531

RGB 66 133 49

HSL 107.86, 0.46%, 0.36%

LAB 49.68, -38.07, 37.91

 

CMYK 50 / 0 / 63 / 36

HEX #51A33C

RGB 81 163 60

HSL 107.77, 0.46%, 0.44%

LAB 60.13, -44.76, 44.73

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 38 / 0 / 47 / 22

HEX #7DC86A

RGB 125 200 106

HSL 107.87, 0.46%, 0.6%

LAB 74, -41.15, 39.66

 

CMYK 28 / 0 / 36 / 17

HEX #97D388

RGB 151 211 136

HSL 108, 0.46%, 0.68%

LAB 79.01, -33.27, 31.17

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 60 / 0 / 1 / 26

HEX #4CBCBB

RGB 76 188 187

HSL 179.46, 0.46%, 0.52%

LAB 70.24, -31.54, -9

 

CMYK 0 / 60 / 23 / 26

HEX #BC4C91

RGB 188 76 145

HSL 323.04, 0.46%, 0.52%

LAB 49.38, 52.59, -15.58

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 60 / 47 / 0 / 26

HEX #4C64BC

RGB 76 100 188

HSL 227.14, 0.46%, 0.52%

LAB 44.63, 18.21, -49.2

 

CMYK 0 / 60 / 47 / 26

HEX #BC4C64

RGB 188 76 100

HSL 347.14, 0.46%, 0.52%

LAB 47.98, 47.22, 9.5

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 60 / 0 / 1 / 26

HEX #4CBCBB

RGB 76 188 187

HSL 179.46, 0.46%, 0.52%

LAB 70.24, -31.54, -9

 

CMYK 13 / 60 / 0 / 26

HEX #A44CBC

RGB 164 76 188

HSL 287.14, 0.46%, 0.52%

LAB 47.87, 53.27, -43.54

 

CMYK 0 / 60 / 59 / 26

HEX #BC4C4E

RGB 188 76 78

HSL 358.93, 0.46%, 0.52%

LAB 47.51, 45.32, 22.14

 

CMYK 47 / 0 / 60 / 26

HEX #63BC4C

RGB 99 188 76

HSL 107.68, 0.46%, 0.52%

LAB 68.85, -47.83, 47.55

 

CMYK 60 / 17 / 0 / 26

HEX #4C9CBC

RGB 76 156 188

HSL 197.14, 0.46%, 0.52%

LAB 60.73, -14.95, -23.93

 

CMYK 13 / 60 / 0 / 26

HEX #A44CBC

RGB 164 76 188

HSL 287.14, 0.46%, 0.52%

LAB 47.87, 53.27, -43.54

 

CMYK 0 / 43 / 60 / 26

HEX #BC6C4C

RGB 188 108 76

HSL 17.14, 0.46%, 0.52%

LAB 53.96, 28.77, 31.52

 

Description

Color code: HEX #63BC4C | qconv.com Color code: HEX #63BC4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 188 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 188 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 60 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 60% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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