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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CF4A6 it is the complementary color #B30B59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CF4A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CF4A6 shade: #51F4A1, #62FFB4, #73FFC7, #84FFDA and #95FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CF4A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CF4A6 shade: #4CF4A6, #3BE293, #2AD080, #19BE6D and #08AC5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CF4A6 shade: #4DF3A6, #4DF379, #4EF34D, #7BF34D and #A7F34D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CF4A6 shade: #4DF3A6, #4DF3D3, #4DE7F3, #4DBAF3 and #4D8DF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CF4A6 shade matches the following richer shades: #4DF3A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CF4A6 shade: #4DF3A6, #5CE4A5, #6CD5A4, #7BC5A3 and #8AB6A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CF4A6 shade: #4DF34D, #4DF379, #4DF3A6, #4DF3D2 and #4DE8F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CF4A6 shade: #0EE07E, #26F193, #4DF3A6, #74F6B9 and #9BF8CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CF4A6 shade: #4CF4A6, #4D79F3 and #F3634D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CF4A6 shade: #4CF4A6, #A64DF3 and #F3A64D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CF4A6 shade: #4CF4A6, #4D79F3, #F34D9B and #F3C74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CF4A6 shade: #4CF4A6, #534DF3, #F34D9B and #EEF34D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

Complementary color

CMYK 0 / 94 / 50 / 30

HEX #B30B59

RGB 179 11 89

HSL 332.14, 0.88%, 0.37%

LAB 38.8, 63.7, 3.05

 

CMYK 67 / 0 / 34 / 4

HEX #51F4A1

RGB 81 244 161

HSL 149.45, 0.88%, 0.64%

LAB 86.52, -60.51, 27.98

 

CMYK 62 / 0 / 29 / 0

HEX #62FFB4

RGB 98 255 180

HSL 151.34, 1%, 0.69%

LAB 90.51, -58.08, 23.84

 

CMYK 55 / 0 / 22 / 0

HEX #73FFC7

RGB 115 255 199

HSL 156, 1%, 0.73%

LAB 91.36, -50.88, 15.39

 

CMYK 48 / 0 / 15 / 0

HEX #84FFDA

RGB 132 255 218

HSL 161.95, 1%, 0.76%

LAB 92.35, -43.09, 7.09

 

CMYK 42 / 0 / 7 / 0

HEX #95FFED

RGB 149 255 237

HSL 169.81, 1%, 0.79%

LAB 93.46, -34.85, -1.03

 

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

CMYK 74 / 0 / 35 / 11

HEX #3BE293

RGB 59 226 147

HSL 151.62, 0.74%, 0.56%

LAB 80.42, -59.74, 26.82

 

CMYK 80 / 0 / 38 / 18

HEX #2AD080

RGB 42 208 128

HSL 151.08, 0.66%, 0.49%

LAB 74.29, -58.87, 28.37

 

CMYK 87 / 0 / 43 / 25

HEX #19BE6D

RGB 25 190 109

HSL 150.55, 0.77%, 0.42%

LAB 68.12, -57.59, 30.05

 

CMYK 95 / 0 / 48 / 33

HEX #08AC5A

RGB 8 172 90

HSL 150, 0.91%, 0.35%

LAB 61.91, -55.77, 31.86

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 68 / 0 / 50 / 5

HEX #4DF379

RGB 77 243 121

HSL 135.9, 0.87%, 0.63%

LAB 85.53, -67.5, 46.38

 

CMYK 68 / 0 / 68 / 5

HEX #4EF34D

RGB 78 243 77

HSL 119.64, 0.87%, 0.63%

LAB 85.13, -72.36, 64.83

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 31 / 0 / 68 / 5

HEX #A7F34D

RGB 167 243 77

HSL 87.47, 0.87%, 0.63%

LAB 88.38, -48.1, 69.22

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 68 / 0 / 13 / 5

HEX #4DF3D3

RGB 77 243 211

HSL 168.43, 0.87%, 0.63%

LAB 87.18, -49.74, 3.06

 

CMYK 68 / 5 / 0 / 5

HEX #4DE7F3

RGB 77 231 243

HSL 184.34, 0.87%, 0.63%

LAB 84.59, -35.91, -17.59

 

CMYK 68 / 23 / 0 / 5

HEX #4DBAF3

RGB 77 186 243

HSL 200.6, 0.87%, 0.63%

LAB 71.67, -13.46, -37.37

 

CMYK 68 / 42 / 0 / 5

HEX #4D8DF3

RGB 77 141 243

HSL 216.87, 0.87%, 0.63%

LAB 59.07, 12.13, -57.23

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 60 / 0 / 28 / 11

HEX #5CE4A5

RGB 92 228 165

HSL 152.21, 0.72%, 0.63%

LAB 82.1, -51.45, 19.92

 

CMYK 49 / 0 / 23 / 16

HEX #6CD5A4

RGB 108 213 164

HSL 152, 0.56%, 0.63%

LAB 78.14, -41.77, 15.01

 

CMYK 38 / 0 / 17 / 23

HEX #7BC5A3

RGB 123 197 163

HSL 152.43, 0.39%, 0.63%

LAB 74.05, -30.65, 9.85

 

CMYK 24 / 0 / 11 / 29

HEX #8AB6A2

RGB 138 182 162

HSL 152.73, 0.23%, 0.63%

LAB 70.5, -18.86, 5.42

 

CMYK 68 / 0 / 68 / 5

HEX #4DF34D

RGB 77 243 77

HSL 120, 0.87%, 0.63%

LAB 85.11, -72.53, 64.8

 

CMYK 68 / 0 / 50 / 5

HEX #4DF379

RGB 77 243 121

HSL 135.9, 0.87%, 0.63%

LAB 85.53, -67.5, 46.38

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 68 / 0 / 14 / 5

HEX #4DF3D2

RGB 77 243 210

HSL 168.07, 0.87%, 0.63%

LAB 87.16, -49.98, 3.55

 

CMYK 68 / 5 / 0 / 5

HEX #4DE8F3

RGB 77 232 243

HSL 183.98, 0.87%, 0.63%

LAB 84.87, -36.37, -17.16

 

CMYK 94 / 0 / 44 / 12

HEX #0EE07E

RGB 14 224 126

HSL 152, 0.88%, 0.47%

LAB 78.99, -66.74, 35.5

 

CMYK 84 / 0 / 39 / 5

HEX #26F193

RGB 38 241 147

HSL 152.22, 0.88%, 0.55%

LAB 84.7, -67.28, 32.5

 

CMYK 68 / 0 / 32 / 5

HEX #4DF3A6

RGB 77 243 166

HSL 152.17, 0.87%, 0.63%

LAB 86.22, -59.79, 25.02

 

CMYK 53 / 0 / 25 / 4

HEX #74F6B9

RGB 116 246 185

HSL 151.85, 0.88%, 0.71%

LAB 88.51, -49.78, 18.59

 

CMYK 38 / 0 / 17 / 3

HEX #9BF8CD

RGB 155 248 205

HSL 152.26, 0.87%, 0.79%

LAB 91.01, -36.91, 12.01

 

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

CMYK 68 / 50 / 0 / 5

HEX #4D79F3

RGB 77 121 243

HSL 224.1, 0.87%, 0.63%

LAB 53.73, 24.32, -65.79

 

CMYK 0 / 59 / 68 / 5

HEX #F3634D

RGB 243 99 77

HSL 7.95, 0.87%, 0.63%

LAB 60.35, 54.04, 40.6

 

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

CMYK 32 / 68 / 0 / 5

HEX #A64DF3

RGB 166 77 243

HSL 272.17, 0.87%, 0.63%

LAB 51.71, 65.02, -68.72

 

CMYK 0 / 32 / 68 / 5

HEX #F3A64D

RGB 243 166 77

HSL 32.17, 0.87%, 0.63%

LAB 74.1, 20.41, 56.04

 

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

CMYK 68 / 50 / 0 / 5

HEX #4D79F3

RGB 77 121 243

HSL 224.1, 0.87%, 0.63%

LAB 53.73, 24.32, -65.79

 

CMYK 0 / 68 / 36 / 5

HEX #F34D9B

RGB 243 77 155

HSL 331.81, 0.87%, 0.63%

LAB 58.72, 69.15, -6.55

 

CMYK 0 / 18 / 68 / 5

HEX #F3C74D

RGB 243 199 77

HSL 44.1, 0.87%, 0.63%

LAB 82.08, 3.12, 64.46

 

CMYK 69 / 0 / 32 / 4

HEX #4CF4A6

RGB 76 244 166

HSL 152.14, 0.88%, 0.63%

LAB 86.5, -60.32, 25.39

 

CMYK 66 / 68 / 0 / 5

HEX #534DF3

RGB 83 77 243

HSL 242.17, 0.87%, 0.63%

LAB 43.68, 51.6, -82.15

 

CMYK 0 / 68 / 36 / 5

HEX #F34D9B

RGB 243 77 155

HSL 331.81, 0.87%, 0.63%

LAB 58.72, 69.15, -6.55

 

CMYK 2 / 0 / 68 / 5

HEX #EEF34D

RGB 238 243 77

HSL 61.81, 0.87%, 0.63%

LAB 92.93, -20.93, 75.3

 

Description

Color code: HEX #4CF4A6 | qconv.com Color code: HEX #4CF4A6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 244 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 244 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 32 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 32% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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