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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 123 243 77 it is the complementary color RGB 132 12 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 123 243 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 123 243 77 shade: RGB 128 243 72, RGB 145 255 91, RGB 162 255 110, RGB 179 255 129 and RGB 196 255 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 123 243 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 123 243 77 shade: RGB 123 243 77, RGB 106 225 58, RGB 89 207 39, RGB 72 189 20 and RGB 55 171 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 123 243 77 shade: RGB 124 242 78, RGB 168 242 78, RGB 212 242 78, RGB 242 228 78 and RGB 242 184 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 123 243 77 shade: RGB 124 242 78, RGB 79 242 78, RGB 78 242 121, RGB 78 242 165 and RGB 78 242 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 123 243 77 shade matches the following richer shades: RGB 124 242 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 123 243 77 shade: RGB 124 242 78, RGB 130 227 93, RGB 137 212 109, RGB 144 196 124 and RGB 151 181 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 123 243 77 shade: RGB 212 242 78, RGB 168 242 78, RGB 125 242 78, RGB 81 242 78 and RGB 78 242 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 123 243 77 shade: RGB 73 223 15, RGB 95 240 39, RGB 124 242 78, RGB 152 245 117 and RGB 181 248 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 123 243 77 shade: RGB 123 243 77, RGB 78 242 229 and RGB 242 78 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 123 243 77 shade: RGB 123 243 77, RGB 78 125 242 and RGB 242 78 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 123 243 77 shade: RGB 123 243 77, RGB 78 242 229, RGB 196 78 242 and RGB 242 78 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 123 243 77 shade: RGB 123 243 77, RGB 78 207 242, RGB 196 78 242 and RGB 242 114 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

Complementary color

CMYK 26 / 93 / 0 / 30

HEX #840CB2

RGB 132 12 178

HSL 283.37, 0.87%, 0.37%

LAB 34.77, 66.61, -58.98

 

CMYK 47 / 0 / 70 / 5

HEX #80F348

RGB 128 243 72

HSL 100.35, 0.88%, 0.62%

LAB 86.58, -60.96, 68.63

 

CMYK 43 / 0 / 64 / 0

HEX #91FF5B

RGB 145 255 91

HSL 100.24, 1%, 0.68%

LAB 90.91, -59.03, 66.25

 

CMYK 36 / 0 / 57 / 0

HEX #A2FF6E

RGB 162 255 110

HSL 98.48, 1%, 0.72%

LAB 91.83, -52.02, 59.59

 

CMYK 30 / 0 / 49 / 0

HEX #B3FF81

RGB 179 255 129

HSL 96.19, 1%, 0.75%

LAB 92.88, -44.44, 52.49

 

CMYK 23 / 0 / 42 / 0

HEX #C4FF94

RGB 196 255 148

HSL 93.08, 1%, 0.79%

LAB 94.05, -36.42, 45.17

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 53 / 0 / 74 / 12

HEX #6AE13A

RGB 106 225 58

HSL 102.75, 0.74%, 0.55%

LAB 80.3, -61.45, 66.87

 

CMYK 57 / 0 / 81 / 19

HEX #59CF27

RGB 89 207 39

HSL 102.14, 0.68%, 0.48%

LAB 74.12, -60.6, 66.5

 

CMYK 62 / 0 / 89 / 26

HEX #48BD14

RGB 72 189 20

HSL 101.54, 0.81%, 0.41%

LAB 67.89, -59.34, 65.07

 

CMYK 68 / 0 / 99 / 33

HEX #37AB01

RGB 55 171 1

HSL 100.94, 0.99%, 0.34%

LAB 61.6, -57.59, 62.38

 

CMYK 49 / 0 / 68 / 5

HEX #7CF24E

RGB 124 242 78

HSL 103.17, 0.86%, 0.63%

LAB 86.18, -61.28, 65.97

 

CMYK 31 / 0 / 68 / 5

HEX #A8F24E

RGB 168 242 78

HSL 87.07, 0.86%, 0.63%

LAB 88.15, -47.26, 68.64

 

CMYK 12 / 0 / 68 / 5

HEX #D4F24E

RGB 212 242 78

HSL 70.98, 0.86%, 0.63%

LAB 90.8, -30.78, 72.19

 

CMYK 0 / 6 / 68 / 5

HEX #F2E44E

RGB 242 228 78

HSL 54.88, 0.86%, 0.63%

LAB 89.35, -11.93, 71.47

 

CMYK 0 / 24 / 68 / 5

HEX #F2B84E

RGB 242 184 78

HSL 38.78, 0.86%, 0.63%

LAB 78.29, 10.57, 60.04

 

CMYK 49 / 0 / 68 / 5

HEX #7CF24E

RGB 124 242 78

HSL 103.17, 0.86%, 0.63%

LAB 86.18, -61.28, 65.97

 

CMYK 67 / 0 / 68 / 5

HEX #4FF24E

RGB 79 242 78

HSL 119.63, 0.86%, 0.63%

LAB 84.85, -71.77, 64.16

 

CMYK 68 / 0 / 50 / 5

HEX #4EF279

RGB 78 242 121

HSL 135.73, 0.86%, 0.63%

LAB 85.25, -66.98, 46.04

 

CMYK 68 / 0 / 32 / 5

HEX #4EF2A5

RGB 78 242 165

HSL 151.83, 0.86%, 0.63%

LAB 85.93, -59.45, 25.13

 

CMYK 68 / 0 / 13 / 5

HEX #4EF2D2

RGB 78 242 210

HSL 168.29, 0.86%, 0.63%

LAB 86.89, -49.42, 3.16

 

CMYK 49 / 0 / 68 / 5

HEX #7CF24E

RGB 124 242 78

HSL 103.17, 0.86%, 0.63%

LAB 86.18, -61.28, 65.97

 

CMYK 49 / 0 / 68 / 5

HEX #7CF24E

RGB 124 242 78

HSL 103.17, 0.86%, 0.63%

LAB 86.18, -61.28, 65.97

 

CMYK 43 / 0 / 59 / 11

HEX #82E35D

RGB 130 227 93

HSL 103.43, 0.71%, 0.63%

LAB 82.1, -52.39, 55.46

 

CMYK 35 / 0 / 49 / 17

HEX #89D46D

RGB 137 212 109

HSL 103.69, 0.54%, 0.63%

LAB 78.17, -42.1, 43.49

 

CMYK 27 / 0 / 37 / 23

HEX #90C47C

RGB 144 196 124

HSL 103.33, 0.38%, 0.63%

LAB 74.1, -30.4, 30.83

 

CMYK 17 / 0 / 23 / 29

HEX #97B58B

RGB 151 181 139

HSL 102.86, 0.22%, 0.63%

LAB 70.52, -18.18, 18.1

 

CMYK 12 / 0 / 68 / 5

HEX #D4F24E

RGB 212 242 78

HSL 70.98, 0.86%, 0.63%

LAB 90.8, -30.78, 72.19

 

CMYK 31 / 0 / 68 / 5

HEX #A8F24E

RGB 168 242 78

HSL 87.07, 0.86%, 0.63%

LAB 88.15, -47.26, 68.64

 

CMYK 48 / 0 / 68 / 5

HEX #7DF24E

RGB 125 242 78

HSL 102.8, 0.86%, 0.63%

LAB 86.21, -61, 66.02

 

CMYK 67 / 0 / 68 / 5

HEX #51F24E

RGB 81 242 78

HSL 118.9, 0.86%, 0.63%

LAB 84.9, -71.4, 64.22

 

CMYK 68 / 0 / 51 / 5

HEX #4EF277

RGB 78 242 119

HSL 135, 0.86%, 0.63%

LAB 85.23, -67.27, 46.95

 

CMYK 67 / 0 / 93 / 13

HEX #49DF0F

RGB 73 223 15

HSL 103.27, 0.87%, 0.47%

LAB 78.59, -70.27, 74.77

 

CMYK 60 / 0 / 84 / 6

HEX #5FF027

RGB 95 240 39

HSL 103.28, 0.87%, 0.55%

LAB 84.43, -70.31, 75.86

 

CMYK 49 / 0 / 68 / 5

HEX #7CF24E

RGB 124 242 78

HSL 103.17, 0.86%, 0.63%

LAB 86.18, -61.28, 65.97

 

CMYK 38 / 0 / 52 / 4

HEX #98F575

RGB 152 245 117

HSL 103.59, 0.86%, 0.71%

LAB 88.57, -50.34, 52.52

 

CMYK 27 / 0 / 38 / 3

HEX #B5F89B

RGB 181 248 155

HSL 103.23, 0.87%, 0.79%

LAB 91.38, -37.44, 38.14

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 68 / 0 / 5 / 5

HEX #4EF2E5

RGB 78 242 229

HSL 175.24, 0.86%, 0.63%

LAB 87.38, -44.58, -6.06

 

CMYK 0 / 68 / 21 / 5

HEX #F24EBE

RGB 242 78 190

HSL 319.02, 0.86%, 0.63%

LAB 59.93, 72.65, -24.98

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 68 / 48 / 0 / 5

HEX #4E7DF2

RGB 78 125 242

HSL 222.8, 0.86%, 0.63%

LAB 54.76, 21.65, -63.58

 

CMYK 0 / 68 / 48 / 5

HEX #F24E7D

RGB 242 78 125

HSL 342.8, 0.86%, 0.63%

LAB 57.85, 65.64, 9.77

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 68 / 0 / 5 / 5

HEX #4EF2E5

RGB 78 242 229

HSL 175.24, 0.86%, 0.63%

LAB 87.38, -44.58, -6.06

 

CMYK 19 / 68 / 0 / 5

HEX #C44EF2

RGB 196 78 242

HSL 283.17, 0.86%, 0.63%

LAB 55.68, 70.4, -61.55

 

CMYK 0 / 68 / 62 / 5

HEX #F24E5C

RGB 242 78 92

HSL 354.88, 0.86%, 0.63%

LAB 57.17, 63.24, 28.2

 

CMYK 49 / 0 / 68 / 5

HEX #7BF34D

RGB 123 243 77

HSL 103.37, 0.87%, 0.63%

LAB 86.43, -62, 66.59

 

CMYK 68 / 14 / 0 / 5

HEX #4ECFF2

RGB 78 207 242

HSL 192.8, 0.86%, 0.63%

LAB 77.67, -24.49, -27.56

 

CMYK 19 / 68 / 0 / 5

HEX #C44EF2

RGB 196 78 242

HSL 283.17, 0.86%, 0.63%

LAB 55.68, 70.4, -61.55

 

CMYK 0 / 53 / 68 / 5

HEX #F2724E

RGB 242 114 78

HSL 13.17, 0.86%, 0.63%

LAB 62.9, 46.75, 42.99

 

Description

Color code: RGB 123 243 77 | qconv.com Color code: RGB 123 243 77 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 243 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 243 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 68 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 68% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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