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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD357 it is the complementary color #B32CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD357 shade: #51D352, #62E565, #73F778, #84FF8B and #95FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD357 shade: #4CD357, #3BC144, #2AAF31, #199D1E and #088B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD357 shade: #4AD355, #64D34A, #89D34A, #ADD34A and #D2D34A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD357 shade: #4AD355, #4AD37A, #4AD39F, #4AD3C4 and #4ABDD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD357 shade matches the following richer shades: #4AD355, #38E546 and #26F737

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD357 shade: #4AD355, #5CC164, #6EAE73, #809C83 and #928A92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD357 shade: #8AD34A, #65D34A, #4AD353, #4AD377 and #4AD39C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD357 shade: #27A331, #2FC43B, #4AD355, #6BDB74 and #8CE393

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD357 shade: #4CD357, #4AAED3 and #D34A77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD357 shade: #4CD357, #534AD3 and #D3534A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD357 shade: #4CD357, #4AAED3, #D34ACA and #D36E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD357 shade: #4CD357, #4A85D3, #D34ACA and #D3974A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

Complementary color

CMYK 0 / 75 / 6 / 30

HEX #B32CA8

RGB 179 44 168

HSL 304.89, 0.61%, 0.44%

LAB 44.54, 65.95, -36.92

 

CMYK 62 / 0 / 61 / 17

HEX #51D352

RGB 81 211 82

HSL 120.46, 0.6%, 0.57%

LAB 75.42, -60.52, 52.2

 

CMYK 57 / 0 / 56 / 10

HEX #62E565

RGB 98 229 101

HSL 121.37, 0.72%, 0.64%

LAB 81.61, -60.96, 51.03

 

CMYK 53 / 0 / 51 / 3

HEX #73F778

RGB 115 247 120

HSL 122.27, 0.89%, 0.71%

LAB 87.74, -61.18, 49.78

 

CMYK 48 / 0 / 45 / 0

HEX #84FF8B

RGB 132 255 139

HSL 123.41, 1%, 0.76%

LAB 90.91, -57.37, 44.88

 

CMYK 42 / 0 / 38 / 0

HEX #95FF9E

RGB 149 255 158

HSL 125.09, 1%, 0.79%

LAB 91.85, -49.94, 36.98

 

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

CMYK 69 / 0 / 65 / 24

HEX #3BC144

RGB 59 193 68

HSL 124.03, 0.53%, 0.49%

LAB 69.1, -60.21, 51.01

 

CMYK 76 / 0 / 72 / 31

HEX #2AAF31

RGB 42 175 49

HSL 123.16, 0.61%, 0.43%

LAB 62.82, -58.93, 51.88

 

CMYK 84 / 0 / 81 / 38

HEX #199D1E

RGB 25 157 30

HSL 122.27, 0.73%, 0.36%

LAB 56.5, -56.94, 52.11

 

CMYK 94 / 0 / 92 / 45

HEX #088B0B

RGB 8 139 11

HSL 121.37, 0.89%, 0.29%

LAB 50.15, -53.94, 51.06

 

CMYK 65 / 0 / 60 / 17

HEX #4AD355

RGB 74 211 85

HSL 124.82, 0.61%, 0.56%

LAB 75.26, -61.65, 50.66

 

CMYK 53 / 0 / 65 / 17

HEX #64D34A

RGB 100 211 74

HSL 108.61, 0.61%, 0.56%

LAB 75.94, -56.68, 56.34

 

CMYK 35 / 0 / 65 / 17

HEX #89D34A

RGB 137 211 74

HSL 92.41, 0.61%, 0.56%

LAB 77.52, -45.25, 58.51

 

CMYK 18 / 0 / 65 / 17

HEX #ADD34A

RGB 173 211 74

HSL 76.64, 0.61%, 0.56%

LAB 79.6, -31.93, 61.34

 

CMYK 0 / 0 / 65 / 17

HEX #D2D34A

RGB 210 211 74

HSL 60.44, 0.61%, 0.56%

LAB 82.26, -16.96, 64.95

 

CMYK 65 / 0 / 60 / 17

HEX #4AD355

RGB 74 211 85

HSL 124.82, 0.61%, 0.56%

LAB 75.26, -61.65, 50.66

 

CMYK 65 / 0 / 42 / 17

HEX #4AD37A

RGB 74 211 122

HSL 141.02, 0.61%, 0.56%

LAB 75.73, -56.36, 33.45

 

CMYK 65 / 0 / 25 / 17

HEX #4AD39F

RGB 74 211 159

HSL 157.23, 0.61%, 0.56%

LAB 76.4, -49.1, 15.07

 

CMYK 65 / 0 / 7 / 17

HEX #4AD3C4

RGB 74 211 196

HSL 173.43, 0.61%, 0.56%

LAB 77.3, -40.11, -3.44

 

CMYK 65 / 10 / 0 / 17

HEX #4ABDD3

RGB 74 189 211

HSL 189.64, 0.61%, 0.56%

LAB 71.25, -25.45, -20.62

 

CMYK 65 / 0 / 60 / 17

HEX #4AD355

RGB 74 211 85

HSL 124.82, 0.61%, 0.56%

LAB 75.26, -61.65, 50.66

 

CMYK 76 / 0 / 69 / 10

HEX #38E546

RGB 56 229 70

HSL 124.86, 0.77%, 0.56%

LAB 80.36, -72.08, 62.3

 

CMYK 85 / 0 / 78 / 3

HEX #26F737

RGB 38 247 55

HSL 124.88, 0.93%, 0.56%

LAB 85.61, -80.45, 72.46

 

CMYK 65 / 0 / 60 / 17

HEX #4AD355

RGB 74 211 85

HSL 124.82, 0.61%, 0.56%

LAB 75.26, -61.65, 50.66

 

CMYK 52 / 0 / 48 / 24

HEX #5CC164

RGB 92 193 100

HSL 124.75, 0.45%, 0.56%

LAB 70.41, -48.78, 37.86

 

CMYK 37 / 0 / 34 / 32

HEX #6EAE73

RGB 110 174 115

HSL 124.69, 0.28%, 0.56%

LAB 65.61, -32.87, 23.99

 

CMYK 18 / 0 / 16 / 39

HEX #809C83

RGB 128 156 131

HSL 126.43, 0.12%, 0.56%

LAB 61.66, -14.86, 9.89

 

CMYK 0 / 5 / 0 / 43

HEX #928A92

RGB 146 138 146

HSL 300, 0.04%, 0.56%

LAB 58.38, 4.51, -3.2

 

CMYK 35 / 0 / 65 / 17

HEX #8AD34A

RGB 138 211 74

HSL 91.97, 0.61%, 0.56%

LAB 77.57, -44.9, 58.58

 

CMYK 52 / 0 / 65 / 17

HEX #65D34A

RGB 101 211 74

HSL 108.18, 0.61%, 0.56%

LAB 75.98, -56.41, 56.39

 

CMYK 65 / 0 / 61 / 17

HEX #4AD353

RGB 74 211 83

HSL 123.94, 0.61%, 0.56%

LAB 75.24, -61.88, 51.52

 

CMYK 65 / 0 / 44 / 17

HEX #4AD377

RGB 74 211 119

HSL 139.71, 0.61%, 0.56%

LAB 75.68, -56.86, 34.91

 

CMYK 65 / 0 / 26 / 17

HEX #4AD39C

RGB 74 211 156

HSL 155.91, 0.61%, 0.56%

LAB 76.34, -49.76, 16.57

 

CMYK 76 / 0 / 70 / 36

HEX #27A331

RGB 39 163 49

HSL 124.84, 0.61%, 0.4%

LAB 58.83, -55.46, 47.68

 

CMYK 76 / 0 / 70 / 23

HEX #2FC43B

RGB 47 196 59

HSL 124.83, 0.61%, 0.48%

LAB 69.75, -64.03, 55.29

 

CMYK 65 / 0 / 60 / 17

HEX #4AD355

RGB 74 211 85

HSL 124.82, 0.61%, 0.56%

LAB 75.26, -61.65, 50.66

 

CMYK 51 / 0 / 47 / 14

HEX #6BDB74

RGB 107 219 116

HSL 124.82, 0.61%, 0.64%

LAB 79.07, -52.95, 40.91

 

CMYK 38 / 0 / 35 / 11

HEX #8CE393

RGB 140 227 147

HSL 124.83, 0.61%, 0.72%

LAB 83.24, -42.3, 31.05

 

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

CMYK 65 / 18 / 0 / 17

HEX #4AAED3

RGB 74 174 211

HSL 196.2, 0.61%, 0.56%

LAB 66.85, -17.74, -27.35

 

CMYK 0 / 65 / 44 / 17

HEX #D34A77

RGB 211 74 119

HSL 340.29, 0.61%, 0.56%

LAB 51.93, 57.36, 4.17

 

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

CMYK 61 / 65 / 0 / 17

HEX #534AD3

RGB 83 74 211

HSL 243.94, 0.61%, 0.56%

LAB 40.31, 43.2, -69.48

 

CMYK 0 / 61 / 65 / 17

HEX #D3534A

RGB 211 83 74

HSL 3.94, 0.61%, 0.56%

LAB 52.43, 49.93, 31.52

 

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

CMYK 65 / 18 / 0 / 17

HEX #4AAED3

RGB 74 174 211

HSL 196.2, 0.61%, 0.56%

LAB 66.85, -17.74, -27.35

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 48 / 65 / 17

HEX #D36E4A

RGB 211 110 74

HSL 15.77, 0.61%, 0.56%

LAB 57.55, 36.76, 37.73

 

CMYK 64 / 0 / 59 / 17

HEX #4CD357

RGB 76 211 87

HSL 124.89, 0.61%, 0.56%

LAB 75.33, -61.01, 49.86

 

CMYK 65 / 37 / 0 / 17

HEX #4A85D3

RGB 74 133 211

HSL 214.16, 0.61%, 0.56%

LAB 55, 5.39, -45.85

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 28 / 65 / 17

HEX #D3974A

RGB 211 151 74

HSL 33.72, 0.61%, 0.56%

LAB 66.88, 14.82, 48.49

 

Description

Color code: HEX #4CD357 | qconv.com Color code: HEX #4CD357 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 211 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 211 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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