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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D34ACA it is the complementary color #2CB535. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D34ACA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D34ACA shade: #D84AC5, #E95CD8, #FA6EEB, #FF80FE and #FF92FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D34ACA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D34ACA shade: #D34ACA, #C238B7, #B126A4, #A01491 and #8F027E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D34ACA shade: #D34ACA, #D34AA5, #D34A80, #D34A5B and #D34A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D34ACA shade: #D34ACA, #B74AD3, #924AD3, #6D4AD3 and #4A4AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D34ACA shade matches the following richer shades: #D34ACA, #E538DA and #F726E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D34ACA shade: #D34ACA, #C15CBA, #AE6EAA, #9C809A and #8A928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D34ACA shade: #914AD3, #B54AD3, #D34ACC, #D34AA7 and #D34A83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D34ACA shade: #A3279B, #C42FBA, #D34ACA, #DB6BD3 and #E38CDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D34ACA shade: #D34ACA, #D36C4A and #4AD3A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D34ACA shade: #D34ACA, #CCD34A and #4ACCD3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D34ACA shade: #D34ACA, #D36C4A, #4AD351 and #4AB1D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D34ACA shade: #D34ACA, #D3954A, #4AD351 and #4A87D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

Complementary color

CMYK 76 / 0 / 71 / 29

HEX #2CB535

RGB 44 181 53

HSL 123.94, 0.61%, 0.44%

LAB 64.84, -60.21, 52.44

 

CMYK 0 / 66 / 9 / 15

HEX #D84AC5

RGB 216 74 197

HSL 308.03, 0.65%, 0.57%

LAB 55.61, 68.65, -36.02

 

CMYK 0 / 61 / 7 / 9

HEX #E95CD8

RGB 233 92 216

HSL 307.23, 0.76%, 0.64%

LAB 61.6, 68.68, -37.26

 

CMYK 0 / 56 / 6 / 2

HEX #FA6EEB

RGB 250 110 235

HSL 306.43, 0.93%, 0.71%

LAB 67.63, 68.43, -38.26

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FE

RGB 255 128 254

HSL 300.47, 1%, 0.75%

LAB 72.13, 64.78, -41.62

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 71 / 6 / 24

HEX #C238B7

RGB 194 56 183

HSL 304.78, 0.55%, 0.49%

LAB 49.15, 67.77, -38.31

 

CMYK 0 / 79 / 7 / 31

HEX #B126A4

RGB 177 38 164

HSL 305.61, 0.65%, 0.42%

LAB 43.38, 66.64, -36.38

 

CMYK 0 / 88 / 9 / 37

HEX #A01491

RGB 160 20 145

HSL 306.43, 0.78%, 0.35%

LAB 37.88, 64.47, -33.8

 

CMYK 0 / 99 / 12 / 44

HEX #8F027E

RGB 143 2 126

HSL 307.23, 0.97%, 0.28%

LAB 32.68, 61.08, -30.46

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 65 / 22 / 17

HEX #D34AA5

RGB 211 74 165

HSL 320.15, 0.61%, 0.56%

LAB 53.45, 62.75, -20.86

 

CMYK 0 / 65 / 39 / 17

HEX #D34A80

RGB 211 74 128

HSL 336.35, 0.61%, 0.56%

LAB 52.18, 58.28, -0.85

 

CMYK 0 / 65 / 57 / 17

HEX #D34A5B

RGB 211 74 91

HSL 352.55, 0.61%, 0.56%

LAB 51.27, 54.96, 20.05

 

CMYK 0 / 65 / 65 / 17

HEX #D34A4A

RGB 211 74 74

HSL 0, 0.61%, 0.56%

LAB 50.97, 53.84, 29.71

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 13 / 65 / 0 / 17

HEX #B74AD3

RGB 183 74 211

HSL 287.74, 0.61%, 0.56%

LAB 51.46, 63.24, -50.92

 

CMYK 31 / 65 / 0 / 17

HEX #924AD3

RGB 146 74 211

HSL 271.53, 0.61%, 0.56%

LAB 46.59, 55.03, -58.99

 

CMYK 48 / 65 / 0 / 17

HEX #6D4AD3

RGB 109 74 211

HSL 255.33, 0.61%, 0.56%

LAB 42.54, 47.59, -65.75

 

CMYK 65 / 65 / 0 / 17

HEX #4A4AD3

RGB 74 74 211

HSL 240, 0.61%, 0.56%

LAB 39.68, 41.9, -70.55

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 76 / 5 / 10

HEX #E538DA

RGB 229 56 218

HSL 303.82, 0.77%, 0.56%

LAB 56.63, 80.58, -46.25

 

CMYK 0 / 85 / 6 / 3

HEX #F726E9

RGB 247 38 233

HSL 304.02, 0.93%, 0.56%

LAB 59.01, 90.16, -50.74

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 52 / 4 / 24

HEX #C15CBA

RGB 193 92 186

HSL 304.16, 0.45%, 0.56%

LAB 54.59, 53.02, -31.53

 

CMYK 0 / 37 / 2 / 32

HEX #AE6EAA

RGB 174 110 170

HSL 303.75, 0.28%, 0.56%

LAB 55.13, 34.93, -21.65

 

CMYK 0 / 18 / 1 / 39

HEX #9C809A

RGB 156 128 154

HSL 304.29, 0.12%, 0.56%

LAB 56.92, 15.44, -9.87

 

CMYK 5 / 0 / 5 / 43

HEX #8A928B

RGB 138 146 139

HSL 127.5, 0.04%, 0.56%

LAB 59.73, -4.28, 2.7

 

CMYK 31 / 65 / 0 / 17

HEX #914AD3

RGB 145 74 211

HSL 271.09, 0.61%, 0.56%

LAB 46.47, 54.81, -59.19

 

CMYK 14 / 65 / 0 / 17

HEX #B54AD3

RGB 181 74 211

HSL 286.86, 0.61%, 0.56%

LAB 51.18, 62.78, -51.38

 

CMYK 0 / 65 / 3 / 17

HEX #D34ACC

RGB 211 74 204

HSL 303.07, 0.61%, 0.56%

LAB 55.18, 68.54, -40.76

 

CMYK 0 / 65 / 21 / 17

HEX #D34AA7

RGB 211 74 167

HSL 319.27, 0.61%, 0.56%

LAB 53.53, 63.02, -21.91

 

CMYK 0 / 65 / 38 / 17

HEX #D34A83

RGB 211 74 131

HSL 335.04, 0.61%, 0.56%

LAB 52.27, 58.6, -2.51

 

CMYK 0 / 76 / 5 / 36

HEX #A3279B

RGB 163 39 155

HSL 303.87, 0.61%, 0.4%

LAB 40.58, 61.93, -35.56

 

CMYK 0 / 76 / 5 / 23

HEX #C42FBA

RGB 196 47 186

HSL 304.03, 0.61%, 0.48%

LAB 48.65, 71.48, -40.82

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 51 / 4 / 14

HEX #DB6BD3

RGB 219 107 211

HSL 304.29, 0.61%, 0.64%

LAB 61.89, 57.46, -34.13

 

CMYK 0 / 38 / 3 / 11

HEX #E38CDD

RGB 227 140 221

HSL 304.14, 0.61%, 0.72%

LAB 69.69, 45.05, -27.57

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 49 / 65 / 17

HEX #D36C4A

RGB 211 108 74

HSL 14.89, 0.61%, 0.56%

LAB 57.14, 37.79, 37.23

 

CMYK 65 / 0 / 23 / 17

HEX #4AD3A3

RGB 74 211 163

HSL 158.98, 0.61%, 0.56%

LAB 76.49, -48.21, 13.06

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 3 / 0 / 65 / 17

HEX #CCD34A

RGB 204 211 74

HSL 63.07, 0.61%, 0.56%

LAB 81.79, -19.44, 64.32

 

CMYK 65 / 3 / 0 / 17

HEX #4ACCD3

RGB 74 204 211

HSL 183.07, 0.61%, 0.56%

LAB 75.67, -32.76, -13.95

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 49 / 65 / 17

HEX #D36C4A

RGB 211 108 74

HSL 14.89, 0.61%, 0.56%

LAB 57.14, 37.79, 37.23

 

CMYK 65 / 0 / 62 / 17

HEX #4AD351

RGB 74 211 81

HSL 123.07, 0.61%, 0.56%

LAB 75.23, -62.1, 52.37

 

CMYK 65 / 16 / 0 / 17

HEX #4AB1D3

RGB 74 177 211

HSL 194.89, 0.61%, 0.56%

LAB 67.73, -19.31, -26

 

CMYK 0 / 65 / 4 / 17

HEX #D34ACA

RGB 211 74 202

HSL 303.94, 0.61%, 0.56%

LAB 55.08, 68.22, -39.77

 

CMYK 0 / 29 / 65 / 17

HEX #D3954A

RGB 211 149 74

HSL 32.85, 0.61%, 0.56%

LAB 66.4, 15.9, 47.94

 

CMYK 65 / 0 / 62 / 17

HEX #4AD351

RGB 74 211 81

HSL 123.07, 0.61%, 0.56%

LAB 75.23, -62.1, 52.37

 

CMYK 65 / 36 / 0 / 17

HEX #4A87D3

RGB 74 135 211

HSL 213.28, 0.61%, 0.56%

LAB 55.57, 4.19, -44.95

 

Description

Color code: HEX #D34ACA | qconv.com Color code: HEX #D34ACA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 74 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 74 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 4 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 4% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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