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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD55D it is the complementary color #B32AA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD55D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD55D shade: #51D558, #62E76B, #73F97E, #84FF91 and #95FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD55D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD55D shade: #4CD55D, #3BC34A, #2AB137, #199F24 and #088D11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD55D shade: #4DD55E, #61D54D, #85D54D, #AAD54D and #CFD54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD55D shade: #4DD55E, #4DD582, #4DD5A7, #4DD5CC and #4DB9D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD55D shade matches the following richer shades: #4DD55E, #3BE750 and #29F843

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD55D shade: #4DD55E, #5FC36B, #70B178, #82A086 and #948E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD55D shade: #86D54D, #61D54D, #4DD55D, #4DD581 and #4DD5A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD55D shade: #27A837, #2FCA42, #4DD55E, #6EDD7C and #90E59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD55D shade: #4CD55D, #4DAAD5 and #D54D73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD55D shade: #4CD55D, #5D4DD5 and #D55D4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD55D shade: #4CD55D, #4DAAD5, #D54DC5 and #D5784D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD55D shade: #4CD55D, #4D81D5, #D54DC5 and #D5A14D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

Complementary color

CMYK 0 / 77 / 9 / 30

HEX #B32AA2

RGB 179 42 162

HSL 307.45, 0.62%, 0.43%

LAB 44.01, 65.64, -34.16

 

CMYK 62 / 0 / 59 / 16

HEX #51D558

RGB 81 213 88

HSL 123.18, 0.61%, 0.58%

LAB 76.1, -60.55, 50.32

 

CMYK 58 / 0 / 54 / 9

HEX #62E76B

RGB 98 231 107

HSL 124.06, 0.73%, 0.65%

LAB 82.28, -60.95, 49.07

 

CMYK 54 / 0 / 49 / 2

HEX #73F97E

RGB 115 249 126

HSL 124.93, 0.92%, 0.71%

LAB 88.4, -61.14, 47.79

 

CMYK 48 / 0 / 43 / 0

HEX #84FF91

RGB 132 255 145

HSL 126.34, 1%, 0.76%

LAB 90.99, -56.52, 42.1

 

CMYK 42 / 0 / 36 / 0

HEX #95FFA4

RGB 149 255 164

HSL 128.49, 1%, 0.79%

LAB 91.95, -49.01, 34.13

 

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

CMYK 70 / 0 / 62 / 24

HEX #3BC34A

RGB 59 195 74

HSL 126.62, 0.54%, 0.5%

LAB 69.79, -60.24, 49.19

 

CMYK 76 / 0 / 69 / 31

HEX #2AB137

RGB 42 177 55

HSL 125.78, 0.62%, 0.43%

LAB 63.52, -59.03, 50.25

 

CMYK 84 / 0 / 77 / 38

HEX #199F24

RGB 25 159 36

HSL 124.93, 0.73%, 0.36%

LAB 57.2, -57.14, 50.84

 

CMYK 94 / 0 / 88 / 45

HEX #088D11

RGB 8 141 17

HSL 124.06, 0.89%, 0.29%

LAB 50.85, -54.29, 50.41

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55E

RGB 77 213 94

HSL 127.5, 0.62%, 0.57%

LAB 76.05, -60.66, 47.51

 

CMYK 54 / 0 / 64 / 16

HEX #61D54D

RGB 97 213 77

HSL 111.18, 0.62%, 0.57%

LAB 76.48, -57.93, 55.65

 

CMYK 38 / 0 / 64 / 16

HEX #85D54D

RGB 133 213 77

HSL 95.29, 0.62%, 0.57%

LAB 77.94, -47.19, 57.68

 

CMYK 20 / 0 / 64 / 16

HEX #AAD54D

RGB 170 213 77

HSL 78.97, 0.62%, 0.57%

LAB 79.99, -33.8, 60.49

 

CMYK 3 / 0 / 64 / 16

HEX #CFD54D

RGB 207 213 77

HSL 62.65, 0.62%, 0.57%

LAB 82.59, -19, 64.02

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55E

RGB 77 213 94

HSL 127.5, 0.62%, 0.57%

LAB 76.05, -60.66, 47.51

 

CMYK 64 / 0 / 39 / 16

HEX #4DD582

RGB 77 213 130

HSL 143.38, 0.62%, 0.57%

LAB 76.54, -55.15, 30.45

 

CMYK 64 / 0 / 22 / 16

HEX #4DD5A7

RGB 77 213 167

HSL 159.71, 0.62%, 0.57%

LAB 77.25, -47.62, 12.02

 

CMYK 64 / 0 / 4 / 16

HEX #4DD5CC

RGB 77 213 204

HSL 176.03, 0.62%, 0.57%

LAB 78.18, -38.42, -6.42

 

CMYK 64 / 13 / 0 / 16

HEX #4DB9D5

RGB 77 185 213

HSL 192.35, 0.62%, 0.57%

LAB 70.23, -22.34, -23.25

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55E

RGB 77 213 94

HSL 127.5, 0.62%, 0.57%

LAB 76.05, -60.66, 47.51

 

CMYK 74 / 0 / 65 / 9

HEX #3BE750

RGB 59 231 80

HSL 127.33, 0.78%, 0.57%

LAB 81.1, -71.35, 59.23

 

CMYK 83 / 0 / 73 / 3

HEX #29F843

RGB 41 248 67

HSL 127.54, 0.94%, 0.57%

LAB 86.01, -79.64, 69.11

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55E

RGB 77 213 94

HSL 127.5, 0.62%, 0.57%

LAB 76.05, -60.66, 47.51

 

CMYK 51 / 0 / 45 / 24

HEX #5FC36B

RGB 95 195 107

HSL 127.2, 0.45%, 0.57%

LAB 71.23, -47.77, 35.4

 

CMYK 37 / 0 / 32 / 31

HEX #70B178

RGB 112 177 120

HSL 127.38, 0.29%, 0.57%

LAB 66.71, -32.78, 22.79

 

CMYK 19 / 0 / 16 / 37

HEX #82A086

RGB 130 160 134

HSL 128, 0.14%, 0.57%

LAB 63.02, -15.69, 10.15

 

CMYK 0 / 4 / 1 / 42

HEX #948E93

RGB 148 142 147

HSL 310, 0.03%, 0.57%

LAB 59.66, 3.18, -1.87

 

CMYK 37 / 0 / 64 / 16

HEX #86D54D

RGB 134 213 77

HSL 94.85, 0.62%, 0.57%

LAB 77.99, -46.86, 57.74

 

CMYK 54 / 0 / 64 / 16

HEX #61D54D

RGB 97 213 77

HSL 111.18, 0.62%, 0.57%

LAB 76.48, -57.93, 55.65

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55D

RGB 77 213 93

HSL 127.06, 0.62%, 0.57%

LAB 76.04, -60.79, 47.96

 

CMYK 64 / 0 / 39 / 16

HEX #4DD581

RGB 77 213 129

HSL 142.94, 0.62%, 0.57%

LAB 76.53, -55.33, 30.94

 

CMYK 64 / 0 / 23 / 16

HEX #4DD5A5

RGB 77 213 165

HSL 158.82, 0.62%, 0.57%

LAB 77.21, -48.07, 13.03

 

CMYK 77 / 0 / 67 / 34

HEX #27A837

RGB 39 168 55

HSL 127.44, 0.62%, 0.41%

LAB 60.53, -56.52, 47.01

 

CMYK 77 / 0 / 67 / 21

HEX #2FCA42

RGB 47 202 66

HSL 127.35, 0.62%, 0.49%

LAB 71.72, -65.27, 54.62

 

CMYK 64 / 0 / 56 / 16

HEX #4DD55E

RGB 77 213 94

HSL 127.5, 0.62%, 0.57%

LAB 76.05, -60.66, 47.51

 

CMYK 50 / 0 / 44 / 13

HEX #6EDD7C

RGB 110 221 124

HSL 127.57, 0.62%, 0.65%

LAB 79.89, -51.8, 38.02

 

CMYK 37 / 0 / 33 / 10

HEX #90E59A

RGB 144 229 154

HSL 127.06, 0.62%, 0.73%

LAB 84.12, -40.85, 28.68

 

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

CMYK 64 / 20 / 0 / 16

HEX #4DAAD5

RGB 77 170 213

HSL 198.97, 0.62%, 0.57%

LAB 65.85, -14.48, -29.98

 

CMYK 0 / 64 / 46 / 16

HEX #D54D73

RGB 213 77 115

HSL 343.24, 0.62%, 0.57%

LAB 52.61, 56.36, 7.59

 

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

CMYK 56 / 64 / 0 / 16

HEX #5D4DD5

RGB 93 77 213

HSL 247.06, 0.62%, 0.57%

LAB 41.91, 43.67, -67.99

 

CMYK 0 / 56 / 64 / 16

HEX #D55D4D

RGB 213 93 77

HSL 7.06, 0.62%, 0.57%

LAB 54.56, 46.18, 32.51

 

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

CMYK 64 / 20 / 0 / 16

HEX #4DAAD5

RGB 77 170 213

HSL 198.97, 0.62%, 0.57%

LAB 65.85, -14.48, -29.98

 

CMYK 0 / 64 / 8 / 16

HEX #D54DC5

RGB 213 77 197

HSL 307.06, 0.62%, 0.57%

LAB 55.57, 66.75, -36.12

 

CMYK 0 / 44 / 64 / 16

HEX #D5784D

RGB 213 120 77

HSL 18.97, 0.62%, 0.57%

LAB 59.99, 32.52, 39.08

 

CMYK 64 / 0 / 56 / 16

HEX #4CD55D

RGB 76 213 93

HSL 127.45, 0.62%, 0.57%

LAB 76.02, -60.99, 47.93

 

CMYK 64 / 39 / 0 / 16

HEX #4D81D5

RGB 77 129 213

HSL 217.06, 0.62%, 0.57%

LAB 54.11, 9, -48.38

 

CMYK 0 / 64 / 8 / 16

HEX #D54DC5

RGB 213 77 197

HSL 307.06, 0.62%, 0.57%

LAB 55.57, 66.75, -36.12

 

CMYK 0 / 24 / 64 / 16

HEX #D5A14D

RGB 213 161 77

HSL 37.06, 0.62%, 0.57%

LAB 69.59, 10.47, 50.15

 

Description

Color code: HEX #4CD55D | qconv.com Color code: HEX #4CD55D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 213 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 213 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 56 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 56% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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