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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CBEDB it is the complementary color #B34124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CBEDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CBEDB shade: #51BED6, #62D0E9, #73E2FC, #84F4FF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CBEDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CBEDB shade: #4CBEDB, #3BACC8, #2A9AB5, #1988A2 and #08768F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CBEDB shade: #4CBEDB, #4C97DB, #4C71DB, #4D4CDB and #744CDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CBEDB shade: #4CBEDB, #4C97DB, #4C71DB and #4C4CDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CBEDB shade matches the following richer shades: #4CBEDB, #3AC8EC and #29D3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CBEDB shade: #4CBEDB, #5DB4CA, #6EA9B8, #809FA7 and #919596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CBEDB shade: #4CDBAB, #4CDBD2, #4CBEDB, #4C98DB and #4C72DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CBEDB shade: #2395B2, #29B1D4, #4CBEDB, #6ECAE2 and #91D7E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CBEDB shade: #4CBEDB, #854CDB and #DBBE4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CBEDB shade: #4CBEDB, #DB4CBE and #BEDB4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CBEDB shade: #4CBEDB, #854CDB, #DB684C and #A2DB4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CBEDB shade: #4CBEDB, #B04CDB, #DB684C and #77DB4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

Complementary color

CMYK 0 / 64 / 80 / 30

HEX #B34124

RGB 179 65 36

HSL 12.17, 0.67%, 0.42%

LAB 43.49, 44.86, 41.01

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 58 / 11 / 0 / 9

HEX #62D0E9

RGB 98 208 233

HSL 191.11, 0.75%, 0.65%

LAB 78.22, -24.39, -21.85

 

CMYK 54 / 10 / 0 / 1

HEX #73E2FC

RGB 115 226 252

HSL 191.39, 0.96%, 0.72%

LAB 84.52, -24.75, -22.34

 

CMYK 48 / 4 / 0 / 0

HEX #84F4FF

RGB 132 244 255

HSL 185.37, 1%, 0.76%

LAB 90.24, -29.22, -15.22

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 71 / 14 / 0 / 22

HEX #3BACC8

RGB 59 172 200

HSL 191.91, 0.56%, 0.51%

LAB 65.44, -22.43, -23.46

 

CMYK 77 / 15 / 0 / 29

HEX #2A9AB5

RGB 42 154 181

HSL 191.65, 0.62%, 0.44%

LAB 58.92, -21.37, -22.85

 

CMYK 85 / 16 / 0 / 36

HEX #1988A2

RGB 25 136 162

HSL 191.39, 0.73%, 0.37%

LAB 52.31, -19.96, -22.16

 

CMYK 94 / 17 / 0 / 44

HEX #08768F

RGB 8 118 143

HSL 191.11, 0.89%, 0.3%

LAB 45.62, -18.05, -21.35

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 65 / 31 / 0 / 14

HEX #4C97DB

RGB 76 151 219

HSL 208.53, 0.67%, 0.58%

LAB 60.59, -2.13, -41.51

 

CMYK 65 / 48 / 0 / 14

HEX #4C71DB

RGB 76 113 219

HSL 224.48, 0.67%, 0.58%

LAB 50.05, 20.76, -58.27

 

CMYK 65 / 65 / 0 / 14

HEX #4D4CDB

RGB 77 76 219

HSL 240.42, 0.67%, 0.58%

LAB 40.99, 43.74, -72.97

 

CMYK 47 / 65 / 0 / 14

HEX #744CDB

RGB 116 76 219

HSL 256.78, 0.67%, 0.58%

LAB 44.23, 50.04, -67.56

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 65 / 31 / 0 / 14

HEX #4C97DB

RGB 76 151 219

HSL 208.53, 0.67%, 0.58%

LAB 60.59, -2.13, -41.51

 

CMYK 65 / 48 / 0 / 14

HEX #4C71DB

RGB 76 113 219

HSL 224.48, 0.67%, 0.58%

LAB 50.05, 20.76, -58.27

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDB

RGB 76 76 219

HSL 240, 0.67%, 0.58%

LAB 40.93, 43.61, -73.08

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 75 / 15 / 0 / 7

HEX #3AC8EC

RGB 58 200 236

HSL 192.13, 0.82%, 0.58%

LAB 74.99, -25.36, -28.49

 

CMYK 84 / 17 / 0 / 0

HEX #29D3FE

RGB 41 211 254

HSL 192.11, 0.99%, 0.58%

LAB 78.59, -26.57, -32.62

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 54 / 11 / 0 / 21

HEX #5DB4CA

RGB 93 180 202

HSL 192.11, 0.51%, 0.58%

LAB 68.92, -20.04, -19.17

 

CMYK 40 / 8 / 0 / 28

HEX #6EA9B8

RGB 110 169 184

HSL 192.16, 0.34%, 0.58%

LAB 65.87, -15.22, -13.76

 

CMYK 23 / 5 / 0 / 35

HEX #809FA7

RGB 128 159 167

HSL 192.31, 0.18%, 0.58%

LAB 63.49, -8.84, -7.7

 

CMYK 3 / 1 / 0 / 41

HEX #919596

RGB 145 149 150

HSL 192, 0.02%, 0.58%

LAB 61.41, -1.25, -1.04

 

CMYK 65 / 0 / 22 / 14

HEX #4CDBAB

RGB 76 219 171

HSL 159.86, 0.67%, 0.58%

LAB 79.12, -49.38, 12.54

 

CMYK 65 / 0 / 4 / 14

HEX #4CDBD2

RGB 76 219 210

HSL 176.22, 0.67%, 0.58%

LAB 80.1, -39.69, -6.8

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 65 / 31 / 0 / 14

HEX #4C98DB

RGB 76 152 219

HSL 208.11, 0.67%, 0.58%

LAB 60.88, -2.7, -41.06

 

CMYK 65 / 48 / 0 / 14

HEX #4C72DB

RGB 76 114 219

HSL 224.06, 0.67%, 0.58%

LAB 50.32, 20.14, -57.84

 

CMYK 80 / 16 / 0 / 30

HEX #2395B2

RGB 35 149 178

HSL 192.17, 0.67%, 0.42%

LAB 57.14, -20.48, -23.89

 

CMYK 81 / 17 / 0 / 17

HEX #29B1D4

RGB 41 177 212

HSL 192.28, 0.68%, 0.5%

LAB 67.03, -23.14, -27.69

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 51 / 11 / 0 / 11

HEX #6ECAE2

RGB 110 202 226

HSL 192.41, 0.67%, 0.66%

LAB 76.71, -20.96, -20.35

 

CMYK 38 / 8 / 0 / 9

HEX #91D7E9

RGB 145 215 233

HSL 192.27, 0.67%, 0.74%

LAB 82.11, -17.43, -15.79

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 39 / 65 / 0 / 14

HEX #854CDB

RGB 133 76 219

HSL 263.92, 0.67%, 0.58%

LAB 46, 53.3, -64.59

 

CMYK 0 / 13 / 65 / 14

HEX #DBBE4C

RGB 219 190 76

HSL 47.83, 0.67%, 0.58%

LAB 77.52, -2.39, 59.41

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 0 / 65 / 13 / 14

HEX #DB4CBE

RGB 219 76 190

HSL 312.17, 0.67%, 0.58%

LAB 56.03, 67.58, -31.3

 

CMYK 13 / 0 / 65 / 14

HEX #BEDB4C

RGB 190 219 76

HSL 72.17, 0.67%, 0.58%

LAB 82.98, -28.84, 64.45

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 39 / 65 / 0 / 14

HEX #854CDB

RGB 133 76 219

HSL 263.92, 0.67%, 0.58%

LAB 46, 53.3, -64.59

 

CMYK 0 / 53 / 65 / 14

HEX #DB684C

RGB 219 104 76

HSL 11.75, 0.67%, 0.58%

LAB 57.54, 42.98, 36.9

 

CMYK 26 / 0 / 65 / 14

HEX #A2DB4C

RGB 162 219 76

HSL 83.92, 0.67%, 0.58%

LAB 81.22, -39.61, 62.05

 

CMYK 65 / 13 / 0 / 14

HEX #4CBEDB

RGB 76 190 219

HSL 192.17, 0.67%, 0.58%

LAB 71.88, -23.22, -24.02

 

CMYK 20 / 65 / 0 / 14

HEX #B04CDB

RGB 176 76 219

HSL 281.96, 0.67%, 0.58%

LAB 51.28, 62.38, -55.81

 

CMYK 0 / 53 / 65 / 14

HEX #DB684C

RGB 219 104 76

HSL 11.75, 0.67%, 0.58%

LAB 57.54, 42.98, 36.9

 

CMYK 46 / 0 / 65 / 14

HEX #77DB4C

RGB 119 219 76

HSL 101.96, 0.67%, 0.58%

LAB 79.1, -54.14, 59.16

 

Description

Color code: HEX #4CBEDB | qconv.com Color code: HEX #4CBEDB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 190 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 190 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 13 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 13% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

85% - Home - Homburger
Link: http://www.homburger.ch

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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