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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 190 214 it is the complementary color RGB 174 65 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 190 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 190 214 shade: RGB 86 190 209, RGB 103 208 228, RGB 120 226 247, RGB 137 244 255 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 190 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 64 172 195, RGB 47 154 176, RGB 30 136 157 and RGB 13 118 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 81 154 214, RGB 81 118 214, RGB 81 82 214 and RGB 115 81 214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 81 154 214, RGB 81 118 214, RGB 81 82 214 and RGB 81 81 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 190 214 shade matches the following richer shades: RGB 81 190 214, RGB 64 201 231 and RGB 46 212 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 98 179 196, RGB 116 168 179, RGB 133 157 162 and RGB 150 146 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 190 214 shade: RGB 81 214 165, RGB 81 214 201, RGB 81 192 214, RGB 81 156 214 and RGB 81 121 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 190 214 shade: RGB 40 148 172, RGB 48 177 206, RGB 81 190 214, RGB 114 202 222 and RGB 148 215 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 130 81 214 and RGB 214 183 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 214 81 192 and RGB 192 214 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 130 81 214, RGB 214 103 81 and RGB 165 214 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 190 214 shade: RGB 81 190 214, RGB 170 81 214, RGB 214 103 81 and RGB 125 214 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

Complementary color

CMYK 0 / 63 / 76 / 32

HEX #AE4129

RGB 174 65 41

HSL 10.83, 0.62%, 0.42%

LAB 42.67, 43.24, 37.24

 

CMYK 59 / 9 / 0 / 18

HEX #56BED1

RGB 86 190 209

HSL 189.27, 0.57%, 0.58%

LAB 71.83, -24.49, -18.61

 

CMYK 55 / 9 / 0 / 11

HEX #67D0E4

RGB 103 208 228

HSL 189.6, 0.7%, 0.65%

LAB 78.23, -24.85, -19.15

 

CMYK 51 / 9 / 0 / 3

HEX #78E2F7

RGB 120 226 247

HSL 189.92, 0.89%, 0.72%

LAB 84.54, -25.11, -19.66

 

CMYK 46 / 4 / 0 / 0

HEX #89F4FF

RGB 137 244 255

HSL 185.59, 1%, 0.77%

LAB 90.43, -28.14, -14.91

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 67 / 12 / 0 / 24

HEX #40ACC3

RGB 64 172 195

HSL 190.53, 0.52%, 0.51%

LAB 65.39, -23.27, -20.76

 

CMYK 73 / 13 / 0 / 31

HEX #2F9AB0

RGB 47 154 176

HSL 190.23, 0.58%, 0.44%

LAB 58.84, -22.4, -20.14

 

CMYK 81 / 13 / 0 / 38

HEX #1E889D

RGB 30 136 157

HSL 189.92, 0.68%, 0.37%

LAB 52.2, -21.21, -19.43

 

CMYK 91 / 14 / 0 / 46

HEX #0D768A

RGB 13 118 138

HSL 189.6, 0.83%, 0.3%

LAB 45.47, -19.58, -18.62

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 62 / 28 / 0 / 16

HEX #519AD6

RGB 81 154 214

HSL 207.07, 0.62%, 0.58%

LAB 61.41, -4.62, -37.43

 

CMYK 62 / 45 / 0 / 16

HEX #5176D6

RGB 81 118 214

HSL 223.31, 0.62%, 0.58%

LAB 51.34, 16.79, -53.36

 

CMYK 62 / 62 / 0 / 16

HEX #5152D6

RGB 81 82 214

HSL 239.55, 0.62%, 0.58%

LAB 42.21, 39.09, -68.1

 

CMYK 46 / 62 / 0 / 16

HEX #7351D6

RGB 115 81 214

HSL 255.34, 0.62%, 0.58%

LAB 44.78, 45.71, -63.81

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 62 / 28 / 0 / 16

HEX #519AD6

RGB 81 154 214

HSL 207.07, 0.62%, 0.58%

LAB 61.41, -4.62, -37.43

 

CMYK 62 / 45 / 0 / 16

HEX #5176D6

RGB 81 118 214

HSL 223.31, 0.62%, 0.58%

LAB 51.34, 16.79, -53.36

 

CMYK 62 / 62 / 0 / 16

HEX #5152D6

RGB 81 82 214

HSL 239.55, 0.62%, 0.58%

LAB 42.21, 39.09, -68.1

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 72 / 13 / 0 / 9

HEX #40C9E7

RGB 64 201 231

HSL 190.78, 0.78%, 0.58%

LAB 75.22, -26.73, -25.43

 

CMYK 81 / 15 / 0 / 3

HEX #2ED4F8

RGB 46 212 248

HSL 190.69, 0.94%, 0.58%

LAB 78.72, -28.61, -29.21

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 50 / 9 / 0 / 23

HEX #62B3C4

RGB 98 179 196

HSL 190.41, 0.45%, 0.58%

LAB 68.62, -20.13, -16.3

 

CMYK 35 / 6 / 0 / 30

HEX #74A8B3

RGB 116 168 179

HSL 190.48, 0.29%, 0.58%

LAB 65.73, -14.35, -11.15

 

CMYK 18 / 3 / 0 / 36

HEX #859DA2

RGB 133 157 162

HSL 190.34, 0.13%, 0.58%

LAB 63.1, -7.27, -5.43

 

CMYK 0 / 3 / 4 / 41

HEX #969290

RGB 150 146 144

HSL 20, 0.03%, 0.58%

LAB 60.83, 1.09, 1.57

 

CMYK 62 / 0 / 23 / 16

HEX #51D6A5

RGB 81 214 165

HSL 157.89, 0.62%, 0.58%

LAB 77.61, -47.77, 13.61

 

CMYK 62 / 0 / 6 / 16

HEX #51D6C9

RGB 81 214 201

HSL 174.14, 0.62%, 0.58%

LAB 78.5, -39.03, -4.34

 

CMYK 62 / 10 / 0 / 16

HEX #51C0D6

RGB 81 192 214

HSL 189.92, 0.62%, 0.58%

LAB 72.43, -24.91, -20.44

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 62 / 43 / 0 / 16

HEX #5179D6

RGB 81 121 214

HSL 221.95, 0.62%, 0.58%

LAB 52.15, 14.94, -52.06

 

CMYK 77 / 14 / 0 / 33

HEX #2894AC

RGB 40 148 172

HSL 190.91, 0.62%, 0.42%

LAB 56.69, -21.43, -21.15

 

CMYK 77 / 14 / 0 / 19

HEX #30B1CE

RGB 48 177 206

HSL 191.01, 0.62%, 0.5%

LAB 66.92, -24.41, -24.53

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 49 / 9 / 0 / 13

HEX #72CADE

RGB 114 202 222

HSL 191.11, 0.62%, 0.66%

LAB 76.73, -21.18, -18.14

 

CMYK 35 / 6 / 0 / 10

HEX #94D7E5

RGB 148 215 229

HSL 190.37, 0.61%, 0.74%

LAB 82.14, -17.63, -13.6

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 39 / 62 / 0 / 16

HEX #8251D6

RGB 130 81 214

HSL 262.11, 0.62%, 0.58%

LAB 46.29, 48.78, -61.28

 

CMYK 0 / 14 / 62 / 16

HEX #D6B751

RGB 214 183 81

HSL 46.02, 0.62%, 0.58%

LAB 75.3, -0.54, 54.67

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 0 / 62 / 10 / 16

HEX #D651C0

RGB 214 81 192

HSL 309.92, 0.62%, 0.58%

LAB 56.07, 64.62, -32.45

 

CMYK 10 / 0 / 62 / 16

HEX #C0D651

RGB 192 214 81

HSL 69.92, 0.62%, 0.58%

LAB 81.78, -25.32, 61.2

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 39 / 62 / 0 / 16

HEX #8251D6

RGB 130 81 214

HSL 262.11, 0.62%, 0.58%

LAB 46.29, 48.78, -61.28

 

CMYK 0 / 52 / 62 / 16

HEX #D66751

RGB 214 103 81

HSL 9.92, 0.62%, 0.58%

LAB 56.67, 41.92, 32.91

 

CMYK 23 / 0 / 62 / 16

HEX #A5D651

RGB 165 214 81

HSL 82.11, 0.62%, 0.58%

LAB 80, -35.86, 58.76

 

CMYK 62 / 11 / 0 / 16

HEX #51BED6

RGB 81 190 214

HSL 190.83, 0.62%, 0.58%

LAB 71.85, -23.91, -21.33

 

CMYK 21 / 62 / 0 / 16

HEX #AA51D6

RGB 170 81 214

HSL 280.15, 0.62%, 0.58%

LAB 51.02, 57.71, -53.43

 

CMYK 0 / 52 / 62 / 16

HEX #D66751

RGB 214 103 81

HSL 9.92, 0.62%, 0.58%

LAB 56.67, 41.92, 32.91

 

CMYK 42 / 0 / 62 / 16

HEX #7DD651

RGB 125 214 81

HSL 100.15, 0.62%, 0.58%

LAB 77.9, -49.86, 55.85

 

Description

Color code: RGB 81 190 214 | qconv.com Color code: RGB 81 190 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 190 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 190 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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