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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49C45A it is the complementary color #B63BA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49C45A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49C45A shade: #4EC455, #5FD668, #70E87B, #81FA8E and #92FFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49C45A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49C45A shade: #49C45A, #38B247, #27A034, #168E21 and #057C0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49C45A shade: #4AC45A, #5AC44A, #7BC44A, #9CC44A and #BCC44A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49C45A shade: #4AC45A, #4AC47B, #4AC49C, #4AC4BD and #4AA9C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49C45A shade matches the following richer shades: #4AC45A, #36D74C, #23EB3E and #0FFE30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49C45A shade: #4AC45A, #5DB068, #709D76, #848A85 and #977693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49C45A shade: #7AC44A, #5AC44A, #4AC45A, #4AC47A and #4AC49B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49C45A shade: #2E8D3B, #38AC48, #4AC45A, #69CE77 and #88D893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49C45A shade: #49C45A, #4A9BC4 and #C44A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49C45A shade: #49C45A, #5A4AC4 and #C45A4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49C45A shade: #49C45A, #4A9BC4, #C44AB3 and #C4724A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49C45A shade: #49C45A, #4A76C4, #C44AB3 and #C4974A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

Complementary color

CMYK 0 / 68 / 9 / 29

HEX #B63BA5

RGB 182 59 165

HSL 308.29, 0.51%, 0.47%

LAB 46.7, 61.04, -31.7

 

CMYK 60 / 0 / 57 / 23

HEX #4EC455

RGB 78 196 85

HSL 123.56, 0.5%, 0.54%

LAB 70.7, -55.41, 45.37

 

CMYK 56 / 0 / 51 / 16

HEX #5FD668

RGB 95 214 104

HSL 124.54, 0.59%, 0.61%

LAB 77, -55.7, 44.07

 

CMYK 52 / 0 / 47 / 9

HEX #70E87B

RGB 112 232 123

HSL 125.5, 0.72%, 0.67%

LAB 83.23, -55.79, 42.76

 

CMYK 48 / 0 / 43 / 2

HEX #81FA8E

RGB 129 250 142

HSL 126.45, 0.92%, 0.74%

LAB 89.39, -55.76, 41.48

 

CMYK 43 / 0 / 37 / 0

HEX #92FFA1

RGB 146 255 161

HSL 128.26, 1%, 0.79%

LAB 91.78, -50.32, 35.37

 

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

CMYK 69 / 0 / 60 / 30

HEX #38B247

RGB 56 178 71

HSL 127.38, 0.52%, 0.46%

LAB 64.27, -55.25, 44.21

 

CMYK 76 / 0 / 68 / 37

HEX #27A034

RGB 39 160 52

HSL 126.45, 0.61%, 0.39%

LAB 57.87, -54.16, 45.4

 

CMYK 85 / 0 / 77 / 44

HEX #168E21

RGB 22 142 33

HSL 125.5, 0.73%, 0.32%

LAB 51.41, -52.36, 46.14

 

CMYK 96 / 0 / 89 / 51

HEX #057C0E

RGB 5 124 14

HSL 124.54, 0.92%, 0.25%

LAB 44.91, -49.54, 45.83

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 54 / 0 / 62 / 23

HEX #5AC44A

RGB 90 196 74

HSL 112.13, 0.51%, 0.53%

LAB 70.97, -53.7, 50.75

 

CMYK 37 / 0 / 62 / 23

HEX #7BC44A

RGB 123 196 74

HSL 95.9, 0.51%, 0.53%

LAB 72.35, -43.66, 52.67

 

CMYK 20 / 0 / 62 / 23

HEX #9CC44A

RGB 156 196 74

HSL 79.67, 0.51%, 0.53%

LAB 74.22, -31.56, 55.25

 

CMYK 4 / 0 / 62 / 23

HEX #BCC44A

RGB 188 196 74

HSL 63.93, 0.51%, 0.53%

LAB 76.48, -18.63, 58.35

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 62 / 0 / 37 / 23

HEX #4AC47B

RGB 74 196 123

HSL 144.1, 0.51%, 0.53%

LAB 71.12, -50.37, 26.87

 

CMYK 62 / 0 / 20 / 23

HEX #4AC49C

RGB 74 196 156

HSL 160.33, 0.51%, 0.53%

LAB 71.78, -43.46, 10.15

 

CMYK 62 / 0 / 4 / 23

HEX #4AC4BD

RGB 74 196 189

HSL 176.56, 0.51%, 0.53%

LAB 72.63, -35.12, -6.54

 

CMYK 62 / 14 / 0 / 23

HEX #4AA9C4

RGB 74 169 196

HSL 193.28, 0.51%, 0.53%

LAB 64.82, -19.76, -22.16

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 75 / 0 / 65 / 16

HEX #36D74C

RGB 54 215 76

HSL 128.2, 0.67%, 0.53%

LAB 76.01, -67.41, 55.25

 

CMYK 85 / 0 / 74 / 8

HEX #23EB3E

RGB 35 235 62

HSL 128.1, 0.83%, 0.53%

LAB 81.9, -76.83, 66.63

 

CMYK 94 / 0 / 81 / 0

HEX #0FFE30

RGB 15 254 48

HSL 128.28, 0.99%, 0.53%

LAB 87.58, -84.13, 76.15

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 47 / 0 / 41 / 31

HEX #5DB068

RGB 93 176 104

HSL 127.95, 0.34%, 0.53%

LAB 65.26, -40.78, 29.24

 

CMYK 29 / 0 / 25 / 38

HEX #709D76

RGB 112 157 118

HSL 128, 0.19%, 0.53%

LAB 60.66, -23.41, 15.62

 

CMYK 4 / 0 / 4 / 46

HEX #848A85

RGB 132 138 133

HSL 130, 0.02%, 0.53%

LAB 56.86, -3.19, 1.9

 

CMYK 0 / 22 / 3 / 41

HEX #977693

RGB 151 118 147

HSL 307.27, 0.14%, 0.53%

LAB 53.65, 18.04, -10.77

 

CMYK 38 / 0 / 62 / 23

HEX #7AC44A

RGB 122 196 74

HSL 96.39, 0.51%, 0.53%

LAB 72.3, -44, 52.61

 

CMYK 54 / 0 / 62 / 23

HEX #5AC44A

RGB 90 196 74

HSL 112.13, 0.51%, 0.53%

LAB 70.97, -53.7, 50.75

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 62 / 0 / 38 / 23

HEX #4AC47A

RGB 74 196 122

HSL 143.61, 0.51%, 0.53%

LAB 71.11, -50.56, 27.37

 

CMYK 62 / 0 / 21 / 23

HEX #4AC49B

RGB 74 196 155

HSL 159.84, 0.51%, 0.53%

LAB 71.76, -43.69, 10.66

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 67 / 0 / 58 / 33

HEX #38AC48

RGB 56 172 72

HSL 128.28, 0.51%, 0.45%

LAB 62.35, -52.98, 41.51

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45A

RGB 74 196 90

HSL 127.87, 0.51%, 0.53%

LAB 70.65, -55.66, 42.91

 

CMYK 49 / 0 / 42 / 19

HEX #69CE77

RGB 105 206 119

HSL 128.32, 0.51%, 0.61%

LAB 75.13, -47.77, 34.38

 

CMYK 37 / 0 / 32 / 15

HEX #88D893

RGB 136 216 147

HSL 128.25, 0.51%, 0.69%

LAB 79.87, -38.62, 26.5

 

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

CMYK 62 / 21 / 0 / 23

HEX #4A9BC4

RGB 74 155 196

HSL 200.16, 0.51%, 0.53%

LAB 60.68, -12.26, -28.52

 

CMYK 0 / 62 / 46 / 23

HEX #C44A6A

RGB 196 74 106

HSL 344.26, 0.51%, 0.53%

LAB 49.1, 51.36, 7.63

 

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

CMYK 54 / 62 / 0 / 23

HEX #5A4AC4

RGB 90 74 196

HSL 247.87, 0.51%, 0.53%

LAB 39.68, 39.67, -61.81

 

CMYK 0 / 54 / 62 / 23

HEX #C45A4A

RGB 196 90 74

HSL 7.87, 0.51%, 0.53%

LAB 51.32, 41.17, 29.61

 

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

CMYK 62 / 21 / 0 / 23

HEX #4A9BC4

RGB 74 155 196

HSL 200.16, 0.51%, 0.53%

LAB 60.68, -12.26, -28.52

 

CMYK 0 / 62 / 9 / 23

HEX #C44AB3

RGB 196 74 179

HSL 308.36, 0.51%, 0.53%

LAB 51.71, 60.81, -31.93

 

CMYK 0 / 42 / 62 / 23

HEX #C4724A

RGB 196 114 74

HSL 19.67, 0.51%, 0.53%

LAB 56.35, 28.64, 35.79

 

CMYK 63 / 0 / 54 / 23

HEX #49C45A

RGB 73 196 90

HSL 128.29, 0.51%, 0.53%

LAB 70.62, -55.87, 42.87

 

CMYK 62 / 40 / 0 / 23

HEX #4A76C4

RGB 74 118 196

HSL 218.36, 0.51%, 0.53%

LAB 49.98, 9.34, -45.3

 

CMYK 0 / 62 / 9 / 23

HEX #C44AB3

RGB 196 74 179

HSL 308.36, 0.51%, 0.53%

LAB 51.71, 60.81, -31.93

 

CMYK 0 / 23 / 62 / 23

HEX #C4974A

RGB 196 151 74

HSL 37.87, 0.51%, 0.53%

LAB 65.25, 8.4, 46.2

 

Description

Color code: HEX #49C45A | qconv.com Color code: HEX #49C45A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 196 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 196 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 54 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 54% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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