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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2E8D3B it is the complementary color #D172C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2E8D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2E8D3B shade: #338D36, #449F49, #55B15C, #66C36F and #77D582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2E8D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2E8D3B shade: #2E8D3B, #1D7B28, #0C6915, #005702 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2E8D3B shade: #2E8E3B, #3B8E2E, #548E2E, #6E8E2E and #888E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2E8D3B shade: #2E8E3B, #2E8E55, #2E8E6F, #2E8E89 and #2E798E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2E8D3B shade matches the following richer shades: #2E8E3B, #1E9D30, #0FAD25 and #00BC1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2E8D3B shade: #2E8E3B, #3D7F46, #4C6F51, #5C605C and #6B5167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2E8D3B shade: #548E2E, #3B8E2E, #2E8E3B, #2E8E54 and #2E8E6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2E8D3B shade: #1A5021, #246F2E, #2E8E3B, #38AD48 and #4AC45B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2E8D3B shade: #2E8D3B, #2E6E8E and #8E2E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2E8D3B shade: #2E8D3B, #3B2E8E and #8E3B2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2E8D3B shade: #2E8D3B, #2E6E8E, #8E2E81 and #8E4E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2E8D3B shade: #2E8D3B, #2E518E, #8E2E81 and #8E6B2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

Complementary color

CMYK 0 / 45 / 6 / 18

HEX #D172C4

RGB 209 114 196

HSL 308.21, 0.51%, 0.63%

LAB 61.29, 48.54, -26.71

 

CMYK 64 / 0 / 62 / 45

HEX #338D36

RGB 51 141 54

HSL 122, 0.47%, 0.38%

LAB 51.86, -44.8, 37.86

 

CMYK 57 / 0 / 54 / 38

HEX #449F49

RGB 68 159 73

HSL 123.3, 0.4%, 0.45%

LAB 58.51, -45.19, 36.53

 

CMYK 52 / 0 / 48 / 31

HEX #55B15C

RGB 85 177 92

HSL 124.57, 0.37%, 0.51%

LAB 65.08, -45.3, 35.17

 

CMYK 48 / 0 / 43 / 24

HEX #66C36F

RGB 102 195 111

HSL 125.81, 0.44%, 0.58%

LAB 71.56, -45.25, 33.83

 

CMYK 44 / 0 / 39 / 16

HEX #77D582

RGB 119 213 130

HSL 127.02, 0.53%, 0.65%

LAB 77.95, -45.1, 32.56

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 76 / 0 / 67 / 52

HEX #1D7B28

RGB 29 123 40

HSL 127.02, 0.62%, 0.3%

LAB 45.05, -44.29, 36.63

 

CMYK 89 / 0 / 80 / 59

HEX #0C6915

RGB 12 105 21

HSL 125.81, 0.79%, 0.23%

LAB 38.26, -42.4, 37.45

 

CMYK 100 / 0 / 98 / 66

HEX #005702

RGB 0 87 2

HSL 121.38, 1%, 0.17%

LAB 31.4, -39.23, 37.29

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 58 / 0 / 68 / 44

HEX #3B8E2E

RGB 59 142 46

HSL 111.88, 0.51%, 0.37%

LAB 52.37, -44.07, 42.17

 

CMYK 41 / 0 / 68 / 44

HEX #548E2E

RGB 84 142 46

HSL 96.25, 0.51%, 0.37%

LAB 53.41, -36.27, 43.61

 

CMYK 23 / 0 / 68 / 44

HEX #6E8E2E

RGB 110 142 46

HSL 80, 0.51%, 0.37%

LAB 54.93, -26.25, 45.67

 

CMYK 4 / 0 / 68 / 44

HEX #888E2E

RGB 136 142 46

HSL 63.75, 0.51%, 0.37%

LAB 56.86, -15.07, 48.28

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 68 / 0 / 40 / 44

HEX #2E8E55

RGB 46 142 85

HSL 144.38, 0.51%, 0.37%

LAB 52.49, -41.36, 22.43

 

CMYK 68 / 0 / 22 / 44

HEX #2E8E6F

RGB 46 142 111

HSL 160.63, 0.51%, 0.37%

LAB 53.03, -35.59, 8.47

 

CMYK 68 / 0 / 4 / 44

HEX #2E8E89

RGB 46 142 137

HSL 176.88, 0.51%, 0.37%

LAB 53.74, -28.53, -5.49

 

CMYK 68 / 15 / 0 / 44

HEX #2E798E

RGB 46 121 142

HSL 193.13, 0.51%, 0.37%

LAB 47.25, -16.02, -18.2

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 81 / 0 / 69 / 38

HEX #1E9D30

RGB 30 157 48

HSL 128.5, 0.68%, 0.37%

LAB 56.69, -54.86, 45.77

 

CMYK 91 / 0 / 79 / 32

HEX #0FAD25

RGB 15 173 37

HSL 128.35, 0.84%, 0.37%

LAB 61.76, -62.15, 54.92

 

CMYK 100 / 0 / 86 / 26

HEX #00BC1A

RGB 0 188 26

HSL 128.3, 1%, 0.37%

LAB 66.55, -67.79, 62.3

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 52 / 0 / 45 / 50

HEX #3D7F46

RGB 61 127 70

HSL 128.18, 0.35%, 0.37%

LAB 47.77, -34.05, 24.67

 

CMYK 32 / 0 / 27 / 56

HEX #4C6F51

RGB 76 111 81

HSL 128.57, 0.19%, 0.37%

LAB 43.51, -19.27, 12.8

 

CMYK 4 / 0 / 4 / 62

HEX #5C605C

RGB 92 96 92

HSL 120, 0.02%, 0.37%

LAB 40.27, -2.41, 1.73

 

CMYK 0 / 24 / 4 / 58

HEX #6B5167

RGB 107 81 103

HSL 309.23, 0.14%, 0.37%

LAB 37.82, 14.97, -8.52

 

CMYK 41 / 0 / 68 / 44

HEX #548E2E

RGB 84 142 46

HSL 96.25, 0.51%, 0.37%

LAB 53.41, -36.27, 43.61

 

CMYK 58 / 0 / 68 / 44

HEX #3B8E2E

RGB 59 142 46

HSL 111.88, 0.51%, 0.37%

LAB 52.37, -44.07, 42.17

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 68 / 0 / 41 / 44

HEX #2E8E54

RGB 46 142 84

HSL 143.75, 0.51%, 0.37%

LAB 52.47, -41.55, 22.96

 

CMYK 68 / 0 / 23 / 44

HEX #2E8E6E

RGB 46 142 110

HSL 160, 0.51%, 0.37%

LAB 53.01, -35.83, 9.01

 

CMYK 68 / 0 / 59 / 69

HEX #1A5021

RGB 26 80 33

HSL 127.78, 0.51%, 0.21%

LAB 29.58, -29.03, 22.34

 

CMYK 68 / 0 / 59 / 56

HEX #246F2E

RGB 36 111 46

HSL 128, 0.51%, 0.29%

LAB 41.12, -37.59, 29.21

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

CMYK 68 / 0 / 58 / 32

HEX #38AD48

RGB 56 173 72

HSL 128.21, 0.51%, 0.45%

LAB 62.67, -53.34, 41.89

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45B

RGB 74 196 91

HSL 128.36, 0.51%, 0.53%

LAB 70.66, -55.52, 42.45

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 68 / 23 / 0 / 44

HEX #2E6E8E

RGB 46 110 142

HSL 200, 0.51%, 0.37%

LAB 43.78, -9.76, -23.54

 

CMYK 0 / 68 / 50 / 44

HEX #8E2E47

RGB 142 46 71

HSL 344.38, 0.51%, 0.37%

LAB 34.31, 42.52, 7.25

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 58 / 68 / 0 / 44

HEX #3B2E8E

RGB 59 46 142

HSL 248.13, 0.51%, 0.37%

LAB 26.26, 33.83, -51.4

 

CMYK 0 / 58 / 68 / 44

HEX #8E3B2E

RGB 142 59 46

HSL 8.13, 0.51%, 0.37%

LAB 36.13, 34.31, 25.45

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 68 / 23 / 0 / 44

HEX #2E6E8E

RGB 46 110 142

HSL 200, 0.51%, 0.37%

LAB 43.78, -9.76, -23.54

 

CMYK 0 / 68 / 9 / 44

HEX #8E2E81

RGB 142 46 129

HSL 308.13, 0.51%, 0.37%

LAB 36.54, 50.17, -26.27

 

CMYK 0 / 45 / 68 / 44

HEX #8E4E2E

RGB 142 78 46

HSL 20, 0.51%, 0.37%

LAB 40.24, 23.96, 30.33

 

CMYK 67 / 0 / 58 / 45

HEX #2E8D3B

RGB 46 141 59

HSL 128.21, 0.51%, 0.37%

LAB 51.78, -45.26, 35.29

 

CMYK 68 / 43 / 0 / 44

HEX #2E518E

RGB 46 81 142

HSL 218.13, 0.51%, 0.37%

LAB 34.84, 8.35, -37.6

 

CMYK 0 / 68 / 9 / 44

HEX #8E2E81

RGB 142 46 129

HSL 308.13, 0.51%, 0.37%

LAB 36.54, 50.17, -26.27

 

CMYK 0 / 25 / 68 / 44

HEX #8E6B2E

RGB 142 107 46

HSL 38.13, 0.51%, 0.37%

LAB 47.58, 7.16, 38.61

 

Description

Color code: HEX #2E8D3B | qconv.com Color code: HEX #2E8D3B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 141 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 141 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 58 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 58% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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