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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48701E it is the complementary color #B78FE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48701E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48701E shade: #4D7019, #5E822C, #6F943F, #80A652 and #91B865

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48701E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48701E shade: #48701E, #375E0B, #264C00, #153A00 and #042800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48701E shade: #48701D, #5E701D, #706C1D, #70561D and #703F1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48701E shade: #48701D, #32701D, #1D7020, #1D7036 and #1D704C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48701E shade matches the following richer shades: #48701D, #487C12 and #488706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48701E shade: #48701D, #486529, #475935, #474E40 and #47424C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48701E shade: #706C1D, #5E701D, #48701D, #32701D and #1D701F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48701E shade: #1E2F0C, #335015, #48701D, #5D9126 and #72B22F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48701E shade: #48701E, #1D7056 and #701D69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48701E shade: #48701E, #1D4870 and #701D48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48701E shade: #48701E, #1D7056, #461D70 and #701D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48701E shade: #48701E, #1D706F, #461D70 and #701D1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

Complementary color

CMYK 19 / 36 / 0 / 12

HEX #B78FE1

RGB 183 143 225

HSL 269.27, 0.58%, 0.72%

LAB 65.86, 30.8, -36.08

 

CMYK 31 / 0 / 78 / 56

HEX #4D7019

RGB 77 112 25

HSL 84.14, 0.64%, 0.27%

LAB 43.12, -26.66, 41.53

 

CMYK 28 / 0 / 66 / 49

HEX #5E822C

RGB 94 130 44

HSL 85.12, 0.49%, 0.34%

LAB 50.13, -27.07, 41.12

 

CMYK 25 / 0 / 57 / 42

HEX #6F943F

RGB 111 148 63

HSL 86.12, 0.4%, 0.41%

LAB 57, -27.28, 40.17

 

CMYK 23 / 0 / 51 / 35

HEX #80A652

RGB 128 166 82

HSL 87.14, 0.34%, 0.49%

LAB 63.73, -27.37, 39.03

 

CMYK 21 / 0 / 45 / 28

HEX #91B865

RGB 145 184 101

HSL 88.19, 0.37%, 0.56%

LAB 70.34, -27.38, 37.84

 

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

CMYK 41 / 0 / 88 / 63

HEX #375E0B

RGB 55 94 11

HSL 88.19, 0.79%, 0.21%

LAB 35.68, -27.74, 38.86

 

CMYK 50 / 0 / 100 / 70

HEX #264C00

RGB 38 76 0

HSL 90, 1%, 0.15%

LAB 28.33, -26.59, 35.99

 

CMYK 64 / 0 / 100 / 77

HEX #153A00

RGB 21 58 0

HSL 98.28, 1%, 0.11%

LAB 20.77, -24.68, 28.39

 

CMYK 90 / 0 / 100 / 84

HEX #042800

RGB 4 40 0

HSL 114, 1%, 0.08%

LAB 12.88, -22.39, 18.56

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 16 / 0 / 74 / 56

HEX #5E701D

RGB 94 112 29

HSL 73.01, 0.59%, 0.28%

LAB 44.31, -19.06, 41.54

 

CMYK 0 / 4 / 74 / 56

HEX #706C1D

RGB 112 108 29

HSL 57.11, 0.59%, 0.28%

LAB 44.6, -8.54, 42.33

 

CMYK 0 / 23 / 74 / 56

HEX #70561D

RGB 112 86 29

HSL 41.2, 0.59%, 0.28%

LAB 38.18, 4.32, 35.9

 

CMYK 0 / 44 / 74 / 56

HEX #703F1D

RGB 112 63 29

HSL 24.58, 0.59%, 0.28%

LAB 32.01, 18.25, 29.37

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 74 / 0 / 71 / 56

HEX #1D7020

RGB 29 112 32

HSL 122.17, 0.59%, 0.28%

LAB 41.14, -41.19, 35.99

 

CMYK 74 / 0 / 52 / 56

HEX #1D7036

RGB 29 112 54

HSL 138.07, 0.59%, 0.28%

LAB 41.4, -38.16, 25.21

 

CMYK 74 / 0 / 32 / 56

HEX #1D704C

RGB 29 112 76

HSL 153.98, 0.59%, 0.28%

LAB 41.8, -33.68, 13.1

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 42 / 0 / 85 / 51

HEX #487C12

RGB 72 124 18

HSL 89.43, 0.75%, 0.28%

LAB 46.76, -34.56, 47.12

 

CMYK 47 / 0 / 96 / 47

HEX #488706

RGB 72 135 6

HSL 89.3, 0.91%, 0.28%

LAB 50.36, -39.66, 52.78

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 29 / 0 / 59 / 60

HEX #486529

RGB 72 101 41

HSL 89, 0.42%, 0.28%

LAB 39.32, -21.85, 30.11

 

CMYK 20 / 0 / 40 / 65

HEX #475935

RGB 71 89 53

HSL 90, 0.25%, 0.28%

LAB 35.48, -14.2, 18.62

 

CMYK 9 / 0 / 18 / 69

HEX #474E40

RGB 71 78 64

HSL 90, 0.1%, 0.28%

LAB 32.17, -5.81, 7.35

 

CMYK 7 / 13 / 0 / 70

HEX #47424C

RGB 71 66 76

HSL 270, 0.07%, 0.28%

LAB 28.79, 4.35, -5.26

 

CMYK 0 / 4 / 74 / 56

HEX #706C1D

RGB 112 108 29

HSL 57.11, 0.59%, 0.28%

LAB 44.6, -8.54, 42.33

 

CMYK 16 / 0 / 74 / 56

HEX #5E701D

RGB 94 112 29

HSL 73.01, 0.59%, 0.28%

LAB 44.31, -19.06, 41.54

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 55 / 0 / 74 / 56

HEX #32701D

RGB 50 112 29

HSL 104.82, 0.59%, 0.28%

LAB 41.78, -36.19, 38.15

 

CMYK 74 / 0 / 72 / 56

HEX #1D701F

RGB 29 112 31

HSL 121.45, 0.59%, 0.28%

LAB 41.13, -41.29, 36.42

 

CMYK 36 / 0 / 74 / 82

HEX #1E2F0C

RGB 30 47 12

HSL 89.14, 0.59%, 0.12%

LAB 17.16, -14.29, 19.38

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 36 / 0 / 74 / 56

HEX #48701D

RGB 72 112 29

HSL 88.92, 0.59%, 0.28%

LAB 42.85, -28.41, 39.58

 

CMYK 36 / 0 / 74 / 43

HEX #5D9126

RGB 93 145 38

HSL 89.16, 0.58%, 0.36%

LAB 54.78, -34.95, 48.42

 

CMYK 36 / 0 / 74 / 30

HEX #72B22F

RGB 114 178 47

HSL 89.31, 0.58%, 0.44%

LAB 66.23, -41.19, 56.86

 

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

CMYK 74 / 0 / 23 / 56

HEX #1D7056

RGB 29 112 86

HSL 161.2, 0.59%, 0.28%

LAB 42.03, -31.2, 7.48

 

CMYK 0 / 74 / 6 / 56

HEX #701D69

RGB 112 29 105

HSL 305.06, 0.59%, 0.28%

LAB 27.69, 45.1, -25.34

 

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

CMYK 74 / 36 / 0 / 56

HEX #1D4870

RGB 29 72 112

HSL 208.92, 0.59%, 0.28%

LAB 29.58, -0.19, -27.39

 

CMYK 0 / 74 / 36 / 56

HEX #701D48

RGB 112 29 72

HSL 328.92, 0.59%, 0.28%

LAB 26.13, 40.15, -6

 

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

CMYK 74 / 0 / 23 / 56

HEX #1D7056

RGB 29 112 86

HSL 161.2, 0.59%, 0.28%

LAB 42.03, -31.2, 7.48

 

CMYK 38 / 74 / 0 / 56

HEX #461D70

RGB 70 29 112

HSL 269.64, 0.59%, 0.28%

LAB 21.4, 36.67, -40.32

 

CMYK 0 / 74 / 50 / 56

HEX #701D38

RGB 112 29 56

HSL 340.48, 0.59%, 0.28%

LAB 25.59, 38.34, 4.03

 

CMYK 36 / 0 / 73 / 56

HEX #48701E

RGB 72 112 30

HSL 89.27, 0.58%, 0.28%

LAB 42.85, -28.33, 39.17

 

CMYK 74 / 0 / 1 / 56

HEX #1D706F

RGB 29 112 111

HSL 179.28, 0.59%, 0.28%

LAB 42.76, -23.95, -6.52

 

CMYK 38 / 74 / 0 / 56

HEX #461D70

RGB 70 29 112

HSL 269.64, 0.59%, 0.28%

LAB 21.4, 36.67, -40.32

 

CMYK 0 / 74 / 72 / 56

HEX #701D1F

RGB 112 29 31

HSL 358.55, 0.59%, 0.28%

LAB 25.02, 36.38, 20.14

 

Description

Color code: HEX #48701E | qconv.com Color code: HEX #48701E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 112 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 112 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 73 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 73% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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