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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #335015 it is the complementary color #CCAFEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #335015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #335015 shade: #385010, #496223, #5A7436, #6B8649 and #7C985C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #335015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #335015 shade: #335015, #223E02, #112C00, #001A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #335015 shade: #335015, #435015, #504D15, #503D15 and #502D15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #335015 shade: #335015, #235015, #155017, #155027 and #155037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #335015 shade matches the following richer shades: #335015, #33580D and #336104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #335015 shade: #335015, #33481D, #334025, #33372E and #322F36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #335015 shade: #504D15, #435015, #335015, #245015 and #155016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #335015 shade: #090F04, #1E2F0C, #335015, #48711E and #5D9126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #335015 shade: #335015, #15503D and #50154B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #335015 shade: #335015, #153350 and #501533

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #335015 shade: #335015, #15503D, #321550 and #501528

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #335015 shade: #335015, #15504F, #321550 and #501516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

Complementary color

CMYK 13 / 25 / 0 / 8

HEX #CCAFEA

RGB 204 175 234

HSL 269.49, 0.58%, 0.8%

LAB 75.72, 21.51, -25.64

 

CMYK 30 / 0 / 80 / 69

HEX #385010

RGB 56 80 16

HSL 82.5, 0.67%, 0.19%

LAB 30.92, -20.1, 32.68

 

CMYK 26 / 0 / 64 / 62

HEX #496223

RGB 73 98 35

HSL 83.81, 0.47%, 0.26%

LAB 38.33, -20.49, 32.07

 

CMYK 22 / 0 / 53 / 55

HEX #5A7436

RGB 90 116 54

HSL 85.16, 0.36%, 0.33%

LAB 45.54, -20.65, 30.91

 

CMYK 20 / 0 / 46 / 47

HEX #6B8649

RGB 107 134 73

HSL 86.56, 0.29%, 0.41%

LAB 52.57, -20.7, 29.65

 

CMYK 18 / 0 / 39 / 40

HEX #7C985C

RGB 124 152 92

HSL 88, 0.25%, 0.48%

LAB 59.45, -20.68, 28.41

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 45 / 0 / 97 / 76

HEX #223E02

RGB 34 62 2

HSL 88, 0.94%, 0.13%

LAB 22.96, -21.4, 30.11

 

CMYK 61 / 0 / 100 / 83

HEX #112C00

RGB 17 44 0

HSL 96.82, 1%, 0.09%

LAB 15.06, -19.72, 21.52

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 16 / 0 / 74 / 69

HEX #435015

RGB 67 80 21

HSL 73.22, 0.58%, 0.2%

LAB 31.77, -14.67, 31.63

 

CMYK 0 / 4 / 74 / 69

HEX #504D15

RGB 80 77 21

HSL 56.95, 0.58%, 0.2%

LAB 31.96, -6.56, 32.2

 

CMYK 0 / 24 / 74 / 69

HEX #503D15

RGB 80 61 21

HSL 40.68, 0.58%, 0.2%

LAB 27.01, 3.35, 27.04

 

CMYK 0 / 44 / 74 / 69

HEX #502D15

RGB 80 45 21

HSL 24.41, 0.58%, 0.2%

LAB 22.43, 13.64, 22

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 56 / 0 / 74 / 69

HEX #235015

RGB 35 80 21

HSL 105.76, 0.58%, 0.2%

LAB 29.78, -27.94, 28.94

 

CMYK 74 / 0 / 71 / 69

HEX #155017

RGB 21 80 23

HSL 122.03, 0.58%, 0.2%

LAB 29.31, -31.64, 27.31

 

CMYK 74 / 0 / 51 / 69

HEX #155027

RGB 21 80 39

HSL 138.31, 0.58%, 0.2%

LAB 29.52, -29.17, 18.76

 

CMYK 74 / 0 / 31 / 69

HEX #155037

RGB 21 80 55

HSL 154.58, 0.58%, 0.2%

LAB 29.84, -25.63, 9.37

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 42 / 0 / 85 / 65

HEX #33580D

RGB 51 88 13

HSL 89.6, 0.74%, 0.2%

LAB 33.38, -26.39, 36.05

 

CMYK 47 / 0 / 96 / 62

HEX #336104

RGB 51 97 4

HSL 89.68, 0.92%, 0.2%

LAB 36.48, -30.95, 41.46

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 29 / 0 / 60 / 72

HEX #33481D

RGB 51 72 29

HSL 89.3, 0.43%, 0.2%

LAB 27.92, -16.78, 22.92

 

CMYK 20 / 0 / 42 / 75

HEX #334025

RGB 51 64 37

HSL 88.89, 0.27%, 0.2%

LAB 25.27, -11.04, 14.82

 

CMYK 7 / 0 / 16 / 78

HEX #33372E

RGB 51 55 46

HSL 86.67, 0.09%, 0.2%

LAB 22.42, -3.74, 5.07

 

CMYK 7 / 13 / 0 / 79

HEX #322F36

RGB 50 47 54

HSL 265.71, 0.07%, 0.2%

LAB 19.95, 3, -3.98

 

CMYK 0 / 4 / 74 / 69

HEX #504D15

RGB 80 77 21

HSL 56.95, 0.58%, 0.2%

LAB 31.96, -6.56, 32.2

 

CMYK 16 / 0 / 74 / 69

HEX #435015

RGB 67 80 21

HSL 73.22, 0.58%, 0.2%

LAB 31.77, -14.67, 31.63

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 55 / 0 / 74 / 69

HEX #245015

RGB 36 80 21

HSL 104.75, 0.58%, 0.2%

LAB 29.83, -27.6, 29

 

CMYK 74 / 0 / 73 / 69

HEX #155016

RGB 21 80 22

HSL 121.02, 0.58%, 0.2%

LAB 29.3, -31.76, 27.79

 

CMYK 40 / 0 / 73 / 94

HEX #090F04

RGB 9 15 4

HSL 92.73, 0.58%, 0.04%

LAB 3.69, -3.39, 3.82

 

CMYK 36 / 0 / 74 / 82

HEX #1E2F0C

RGB 30 47 12

HSL 89.14, 0.59%, 0.12%

LAB 17.16, -14.29, 19.38

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 36 / 0 / 73 / 56

HEX #48711E

RGB 72 113 30

HSL 89.64, 0.58%, 0.28%

LAB 43.18, -28.81, 39.51

 

CMYK 36 / 0 / 74 / 43

HEX #5D9126

RGB 93 145 38

HSL 89.16, 0.58%, 0.36%

LAB 54.78, -34.95, 48.42

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 74 / 0 / 24 / 69

HEX #15503D

RGB 21 80 61

HSL 160.68, 0.58%, 0.2%

LAB 29.99, -24.04, 5.79

 

CMYK 0 / 74 / 6 / 69

HEX #50154B

RGB 80 21 75

HSL 305.08, 0.58%, 0.2%

LAB 19.01, 34.49, -19.49

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 74 / 36 / 0 / 69

HEX #153350

RGB 21 51 80

HSL 209.49, 0.58%, 0.2%

LAB 20.46, -0.2, -21.02

 

CMYK 0 / 74 / 36 / 69

HEX #501533

RGB 80 21 51

HSL 329.49, 0.58%, 0.2%

LAB 17.83, 30.58, -4.59

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 74 / 0 / 24 / 69

HEX #15503D

RGB 21 80 61

HSL 160.68, 0.58%, 0.2%

LAB 29.99, -24.04, 5.79

 

CMYK 38 / 74 / 0 / 69

HEX #321550

RGB 50 21 80

HSL 269.49, 0.58%, 0.2%

LAB 14.36, 27.68, -30.62

 

CMYK 0 / 74 / 50 / 69

HEX #501528

RGB 80 21 40

HSL 340.68, 0.58%, 0.2%

LAB 17.44, 29.2, 2.68

 

CMYK 36 / 0 / 74 / 69

HEX #335015

RGB 51 80 21

HSL 89.49, 0.58%, 0.2%

LAB 30.63, -21.87, 30.09

 

CMYK 74 / 0 / 1 / 69

HEX #15504F

RGB 21 80 79

HSL 178.98, 0.58%, 0.2%

LAB 30.55, -18.57, -4.89

 

CMYK 38 / 74 / 0 / 69

HEX #321550

RGB 50 21 80

HSL 269.49, 0.58%, 0.2%

LAB 14.36, 27.68, -30.62

 

CMYK 0 / 74 / 73 / 69

HEX #501516

RGB 80 21 22

HSL 358.98, 0.58%, 0.2%

LAB 16.99, 27.59, 14.9

 

Description

Color code: HEX #335015 | qconv.com Color code: HEX #335015 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 80 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 80 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 74 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 74% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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