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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465180 it is the complementary color #B9AE7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465180 shade: #4B517B, #5C638E, #6D75A1, #7E87B4 and #8F99C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465180 shade: #465180, #353F6D, #242D5A, #131B47 and #020934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465180 shade: #465180, #4B4680, #5A4680, #6A4680 and #794680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465180 shade: #465180 and #464680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465180 shade matches the following richer shades: #465180, #364790, #263DA0, #1633B0 and #0629C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465180 shade: #465180, #565B70, #666560, #766F50 and #86793F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465180 shade: #467080, #466180, #465280, #4A4680 and #594680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465180 shade: #292F4B, #374065, #465180, #55629A and #6B78AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465180 shade: #465180, #804680 and #698046

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465180 shade: #465180, #804652 and #528046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465180 shade: #465180, #804680, #807446 and #468046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465180 shade: #465180, #80466E, #807446 and #468057

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

Complementary color

CMYK 0 / 6 / 31 / 27

HEX #B9AE7F

RGB 185 174 127

HSL 48.62, 0.29%, 0.61%

LAB 70.95, -3.33, 25.59

 

CMYK 39 / 34 / 0 / 52

HEX #4B517B

RGB 75 81 123

HSL 232.5, 0.24%, 0.39%

LAB 35.62, 8.89, -24.59

 

CMYK 35 / 30 / 0 / 44

HEX #5C638E

RGB 92 99 142

HSL 231.6, 0.21%, 0.46%

LAB 42.99, 8.25, -24.57

 

CMYK 32 / 27 / 0 / 37

HEX #6D75A1

RGB 109 117 161

HSL 230.77, 0.22%, 0.53%

LAB 50.15, 7.73, -24.61

 

CMYK 30 / 25 / 0 / 29

HEX #7E87B4

RGB 126 135 180

HSL 230, 0.26%, 0.6%

LAB 57.13, 7.28, -24.71

 

CMYK 28 / 23 / 0 / 22

HEX #8F99C7

RGB 143 153 199

HSL 229.29, 0.33%, 0.67%

LAB 63.95, 6.89, -24.84

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 51 / 42 / 0 / 57

HEX #353F6D

RGB 53 63 109

HSL 229.29, 0.35%, 0.32%

LAB 27.89, 9.98, -28.07

 

CMYK 60 / 50 / 0 / 65

HEX #242D5A

RGB 36 45 90

HSL 230, 0.43%, 0.25%

LAB 20, 11.34, -28.35

 

CMYK 73 / 62 / 0 / 72

HEX #131B47

RGB 19 27 71

HSL 230.77, 0.58%, 0.18%

LAB 11.81, 13.37, -28.72

 

CMYK 96 / 83 / 0 / 80

HEX #020934

RGB 2 9 52

HSL 231.6, 0.93%, 0.11%

LAB 4.12, 12.66, -27.65

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 41 / 45 / 0 / 50

HEX #4B4680

RGB 75 70 128

HSL 245.17, 0.29%, 0.39%

LAB 32.78, 17.55, -32.15

 

CMYK 30 / 45 / 0 / 50

HEX #5A4680

RGB 90 70 128

HSL 260.69, 0.29%, 0.39%

LAB 34.22, 21.95, -29.78

 

CMYK 17 / 45 / 0 / 50

HEX #6A4680

RGB 106 70 128

HSL 277.24, 0.29%, 0.39%

LAB 35.99, 26.95, -26.87

 

CMYK 5 / 45 / 0 / 50

HEX #794680

RGB 121 70 128

HSL 292.76, 0.29%, 0.39%

LAB 37.85, 31.77, -23.83

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 45 / 45 / 0 / 50

HEX #464680

RGB 70 70 128

HSL 240, 0.29%, 0.39%

LAB 32.35, 16.17, -32.86

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 63 / 51 / 0 / 44

HEX #364790

RGB 54 71 144

HSL 228.67, 0.45%, 0.39%

LAB 32.49, 17.26, -42.56

 

CMYK 76 / 62 / 0 / 37

HEX #263DA0

RGB 38 61 160

HSL 228.69, 0.62%, 0.39%

LAB 30.13, 27.49, -56.17

 

CMYK 88 / 71 / 0 / 31

HEX #1633B0

RGB 22 51 176

HSL 228.7, 0.78%, 0.39%

LAB 28.57, 38.7, -68.37

 

CMYK 97 / 79 / 0 / 25

HEX #0629C0

RGB 6 41 192

HSL 228.71, 0.94%, 0.39%

LAB 27.93, 49.67, -78.94

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 23 / 19 / 0 / 56

HEX #565B70

RGB 86 91 112

HSL 228.46, 0.13%, 0.39%

LAB 38.95, 3.08, -12.59

 

CMYK 0 / 1 / 6 / 60

HEX #666560

RGB 102 101 96

HSL 50, 0.03%, 0.39%

LAB 42.73, -0.61, 2.96

 

CMYK 0 / 6 / 32 / 54

HEX #766F50

RGB 118 111 80

HSL 48.95, 0.19%, 0.39%

LAB 46.71, -2.5, 18.28

 

CMYK 0 / 10 / 53 / 47

HEX #86793F

RGB 134 121 63

HSL 49.01, 0.36%, 0.39%

LAB 50.81, -3.15, 33.33

 

CMYK 45 / 13 / 0 / 50

HEX #467080

RGB 70 112 128

HSL 196.55, 0.29%, 0.39%

LAB 44.87, -10.04, -13.41

 

CMYK 45 / 24 / 0 / 50

HEX #466180

RGB 70 97 128

HSL 212.07, 0.29%, 0.39%

LAB 40.26, -1.11, -20.46

 

CMYK 45 / 36 / 0 / 50

HEX #465280

RGB 70 82 128

HSL 227.59, 0.29%, 0.39%

LAB 35.78, 8.35, -27.44

 

CMYK 42 / 45 / 0 / 50

HEX #4A4680

RGB 74 70 128

HSL 244.14, 0.29%, 0.39%

LAB 32.69, 17.27, -32.3

 

CMYK 30 / 45 / 0 / 50

HEX #594680

RGB 89 70 128

HSL 259.66, 0.29%, 0.39%

LAB 34.11, 21.65, -29.95

 

CMYK 45 / 37 / 0 / 71

HEX #292F4B

RGB 41 47 75

HSL 229.41, 0.29%, 0.23%

LAB 20.09, 5.89, -18.15

 

CMYK 46 / 37 / 0 / 60

HEX #374065

RGB 55 64 101

HSL 228.26, 0.29%, 0.31%

LAB 27.9, 7.17, -22.94

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 45 / 36 / 0 / 40

HEX #55629A

RGB 85 98 154

HSL 228.7, 0.29%, 0.47%

LAB 42.76, 10.43, -32.13

 

CMYK 38 / 31 / 0 / 32

HEX #6B78AD

RGB 107 120 173

HSL 228.18, 0.29%, 0.55%

LAB 51.35, 8.67, -29.74

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 0 / 45 / 0 / 50

HEX #804680

RGB 128 70 128

HSL 300, 0.29%, 0.39%

LAB 38.77, 34.04, -22.32

 

CMYK 18 / 0 / 45 / 50

HEX #698046

RGB 105 128 70

HSL 83.79, 0.29%, 0.39%

LAB 50.55, -18.77, 28.71

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 0 / 45 / 36 / 50

HEX #804652

RGB 128 70 82

HSL 347.59, 0.29%, 0.39%

LAB 37.08, 26.27, 3.85

 

CMYK 36 / 0 / 45 / 50

HEX #528046

RGB 82 128 70

HSL 107.59, 0.29%, 0.39%

LAB 49.1, -27.66, 26.57

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 0 / 45 / 0 / 50

HEX #804680

RGB 128 70 128

HSL 300, 0.29%, 0.39%

LAB 38.77, 34.04, -22.32

 

CMYK 0 / 9 / 45 / 50

HEX #807446

RGB 128 116 70

HSL 47.59, 0.29%, 0.39%

LAB 48.91, -2.27, 27.05

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 37 / 0 / 50

HEX #465180

RGB 70 81 128

HSL 228.62, 0.29%, 0.39%

LAB 35.49, 9, -27.9

 

CMYK 0 / 45 / 14 / 50

HEX #80466E

RGB 128 70 110

HSL 318.62, 0.29%, 0.39%

LAB 38.01, 30.66, -12.34

 

CMYK 0 / 9 / 45 / 50

HEX #807446

RGB 128 116 70

HSL 47.59, 0.29%, 0.39%

LAB 48.91, -2.27, 27.05

 

CMYK 45 / 0 / 32 / 50

HEX #468057

RGB 70 128 87

HSL 137.59, 0.29%, 0.39%

LAB 48.8, -28.7, 16.5

 

Description

Color code: HEX #465180 | qconv.com Color code: HEX #465180 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 81 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 81 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 37 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 37% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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