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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 128 70 it is the complementary color RGB 185 127 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 128 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 70 128 70 shade: RGB 75 128 65, RGB 92 146 84, RGB 109 164 103, RGB 126 182 122 and RGB 143 200 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 128 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 53 110 51, RGB 36 92 32, RGB 19 74 13 and RGB 2 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 86 128 70, RGB 101 128 70, RGB 117 128 70 and RGB 128 123 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 70 128 86, RGB 70 128 101, RGB 70 128 117 and RGB 70 123 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 70 128 70 shade matches the following richer shades: RGB 70 128 70, RGB 54 144 54, RGB 38 160 38, RGB 22 176 22 and RGB 6 192 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 86 112 86, RGB 102 96 102, RGB 118 80 118 and RGB 134 63 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 70 128 70 shade: RGB 101 128 70, RGB 85 128 70, RGB 70 128 70, RGB 70 128 85 and RGB 70 128 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 70 128 70 shade: RGB 41 75 41, RGB 55 101 55, RGB 70 128 70, RGB 85 154 85 and RGB 107 173 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 70 116 128 and RGB 128 70 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 70 70 128 and RGB 128 70 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 70 116 128, RGB 128 70 128 and RGB 128 82 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 70 128 70 shade: RGB 70 128 70, RGB 70 99 128, RGB 128 70 128 and RGB 128 99 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

Complementary color

CMYK 0 / 31 / 0 / 27

HEX #B97FB9

RGB 185 127 185

HSL 300, 0.29%, 0.61%

LAB 60.78, 32.01, -21.49

 

CMYK 41 / 0 / 49 / 50

HEX #4B8041

RGB 75 128 65

HSL 110.48, 0.33%, 0.38%

LAB 48.66, -30.85, 28.65

 

CMYK 37 / 0 / 42 / 43

HEX #5C9254

RGB 92 146 84

HSL 112.26, 0.27%, 0.45%

LAB 55.56, -30.68, 27.33

 

CMYK 34 / 0 / 37 / 36

HEX #6DA467

RGB 109 164 103

HSL 114.1, 0.25%, 0.52%

LAB 62.32, -30.46, 26.07

 

CMYK 31 / 0 / 33 / 29

HEX #7EB67A

RGB 126 182 122

HSL 116, 0.29%, 0.6%

LAB 68.97, -30.22, 24.88

 

CMYK 29 / 0 / 30 / 22

HEX #8FC88D

RGB 143 200 141

HSL 117.97, 0.35%, 0.67%

LAB 75.5, -29.99, 23.77

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 52 / 0 / 54 / 57

HEX #356E33

RGB 53 110 51

HSL 117.97, 0.37%, 0.32%

LAB 41.45, -31.83, 27.08

 

CMYK 61 / 0 / 65 / 64

HEX #245C20

RGB 36 92 32

HSL 116, 0.48%, 0.24%

LAB 34.26, -31.62, 28.46

 

CMYK 74 / 0 / 82 / 71

HEX #134A0D

RGB 19 74 13

HSL 114.1, 0.7%, 0.17%

LAB 26.92, -30.76, 29.35

 

CMYK 96 / 0 / 100 / 78

HEX #023800

RGB 2 56 0

HSL 117.86, 1%, 0.11%

LAB 19.4, -28.87, 26.68

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 33 / 0 / 45 / 50

HEX #568046

RGB 86 128 70

HSL 103.45, 0.29%, 0.39%

LAB 49.32, -26.21, 26.9

 

CMYK 21 / 0 / 45 / 50

HEX #658046

RGB 101 128 70

HSL 87.93, 0.29%, 0.39%

LAB 50.27, -20.4, 28.3

 

CMYK 9 / 0 / 45 / 50

HEX #758046

RGB 117 128 70

HSL 71.38, 0.29%, 0.39%

LAB 51.45, -13.75, 30.03

 

CMYK 0 / 4 / 45 / 50

HEX #807B46

RGB 128 123 70

HSL 54.83, 0.29%, 0.39%

LAB 50.92, -6.22, 29.57

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 0 / 33 / 50

HEX #468056

RGB 70 128 86

HSL 136.55, 0.29%, 0.39%

LAB 48.78, -28.9, 17.04

 

CMYK 45 / 0 / 21 / 50

HEX #468065

RGB 70 128 101

HSL 152.07, 0.29%, 0.39%

LAB 49.11, -25.72, 8.82

 

CMYK 45 / 0 / 9 / 50

HEX #468075

RGB 70 128 117

HSL 168.62, 0.29%, 0.39%

LAB 49.53, -21.85, 0.05

 

CMYK 45 / 4 / 0 / 50

HEX #467B80

RGB 70 123 128

HSL 185.17, 0.29%, 0.39%

LAB 48.29, -16.22, -8.25

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 63 / 0 / 63 / 44

HEX #369036

RGB 54 144 54

HSL 120, 0.45%, 0.39%

LAB 52.95, -45.24, 39.13

 

CMYK 76 / 0 / 76 / 37

HEX #26A026

RGB 38 160 38

HSL 120, 0.62%, 0.39%

LAB 57.75, -55.58, 50.74

 

CMYK 88 / 0 / 88 / 31

HEX #16B016

RGB 22 176 22

HSL 120, 0.78%, 0.39%

LAB 62.74, -63.32, 59.85

 

CMYK 97 / 0 / 97 / 25

HEX #06C006

RGB 6 192 6

HSL 120, 0.94%, 0.39%

LAB 67.84, -69.23, 66.54

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 23 / 0 / 23 / 56

HEX #567056

RGB 86 112 86

HSL 120, 0.13%, 0.39%

LAB 44.57, -15.15, 11.41

 

CMYK 0 / 6 / 0 / 60

HEX #666066

RGB 102 96 102

HSL 300, 0.03%, 0.39%

LAB 41.45, 3.61, -2.56

 

CMYK 0 / 32 / 0 / 54

HEX #765076

RGB 118 80 118

HSL 300, 0.19%, 0.39%

LAB 39.41, 22.76, -15.3

 

CMYK 0 / 53 / 0 / 47

HEX #863F86

RGB 134 63 134

HSL 300, 0.36%, 0.39%

LAB 38.45, 40.86, -26.44

 

CMYK 21 / 0 / 45 / 50

HEX #658046

RGB 101 128 70

HSL 87.93, 0.29%, 0.39%

LAB 50.27, -20.4, 28.3

 

CMYK 34 / 0 / 45 / 50

HEX #558046

RGB 85 128 70

HSL 104.48, 0.29%, 0.39%

LAB 49.27, -26.57, 26.82

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 0 / 34 / 50

HEX #468055

RGB 70 128 85

HSL 135.52, 0.29%, 0.39%

LAB 48.76, -29.09, 17.59

 

CMYK 45 / 0 / 21 / 50

HEX #468065

RGB 70 128 101

HSL 152.07, 0.29%, 0.39%

LAB 49.11, -25.72, 8.82

 

CMYK 45 / 0 / 45 / 71

HEX #294B29

RGB 41 75 41

HSL 120, 0.29%, 0.23%

LAB 28.55, -20.59, 16.47

 

CMYK 46 / 0 / 46 / 60

HEX #376537

RGB 55 101 55

HSL 120, 0.29%, 0.31%

LAB 38.54, -26.33, 21.22

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 0 / 45 / 40

HEX #559A55

RGB 85 154 85

HSL 120, 0.29%, 0.47%

LAB 57.75, -36.5, 29.53

 

CMYK 38 / 0 / 38 / 32

HEX #6BAD6B

RGB 107 173 107

HSL 120, 0.29%, 0.55%

LAB 65.02, -34.7, 27.46

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 9 / 0 / 50

HEX #467480

RGB 70 116 128

HSL 192.41, 0.29%, 0.39%

LAB 46.11, -12.32, -11.53

 

CMYK 0 / 45 / 27 / 50

HEX #80465D

RGB 128 70 93

HSL 336.21, 0.29%, 0.39%

LAB 37.41, 27.86, -2.6

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 45 / 0 / 50

HEX #464680

RGB 70 70 128

HSL 240, 0.29%, 0.39%

LAB 32.35, 16.17, -32.86

 

CMYK 0 / 45 / 45 / 50

HEX #804646

RGB 128 70 70

HSL 0, 0.29%, 0.39%

LAB 36.77, 24.77, 10.98

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 9 / 0 / 50

HEX #467480

RGB 70 116 128

HSL 192.41, 0.29%, 0.39%

LAB 46.11, -12.32, -11.53

 

CMYK 0 / 45 / 0 / 50

HEX #804680

RGB 128 70 128

HSL 300, 0.29%, 0.39%

LAB 38.77, 34.04, -22.32

 

CMYK 0 / 36 / 45 / 50

HEX #805246

RGB 128 82 70

HSL 12.41, 0.29%, 0.39%

LAB 39.69, 17.73, 14.98

 

CMYK 45 / 0 / 45 / 50

HEX #468046

RGB 70 128 70

HSL 120, 0.29%, 0.39%

LAB 48.49, -31.75, 25.67

 

CMYK 45 / 23 / 0 / 50

HEX #466380

RGB 70 99 128

HSL 210, 0.29%, 0.39%

LAB 40.87, -2.33, -19.52

 

CMYK 0 / 45 / 0 / 50

HEX #804680

RGB 128 70 128

HSL 300, 0.29%, 0.39%

LAB 38.77, 34.04, -22.32

 

CMYK 0 / 23 / 45 / 50

HEX #806346

RGB 128 99 70

HSL 30, 0.29%, 0.39%

LAB 44.17, 7.63, 20.94

 

Description

Color code: RGB 70 128 70 | qconv.com Color code: RGB 70 128 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 128 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 128 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 45 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 45% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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