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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4321B9 it is the complementary color #BCDE46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4321B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4321B9 shade: #4821B4, #5933C7, #6A45DA, #7B57ED and #8C69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4321B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4321B9 shade: #4321B9, #320FA6, #210093, #100080 and #00006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4321B9 shade: #4320BA, #6C20BA, #9620BA, #BA20B5 and #BA208B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4321B9 shade: #4320BA and #2020BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4321B9 shade matches the following richer shades: #4320BA and #390FCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4321B9 shade: #4320BA, #4D32A8, #564496, #605685 and #6A6773

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4321B9 shade: #2051BA, #2028BA, #4220BA, #6B20BA and #9420BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4321B9 shade: #291474, #361A97, #4320BA, #522AD9 and #6E4EDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4321B9 shade: #4321B9, #BA207A and #3DBA20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4321B9 shade: #4321B9, #BA4220 and #20BA42

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4321B9 shade: #4321B9, #BA207A, #99BA20 and #20BA60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4321B9 shade: #4321B9, #BA204C, #99BA20 and #20BA8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

Complementary color

CMYK 15 / 0 / 68 / 13

HEX #BCDE46

RGB 188 222 70

HSL 73.42, 0.7%, 0.57%

LAB 83.64, -31.4, 67.37

 

CMYK 60 / 82 / 0 / 29

HEX #4821B4

RGB 72 33 180

HSL 255.92, 0.69%, 0.42%

LAB 28.8, 53.87, -70.27

 

CMYK 55 / 74 / 0 / 22

HEX #5933C7

RGB 89 51 199

HSL 255.41, 0.59%, 0.49%

LAB 35.23, 53, -70.83

 

CMYK 51 / 68 / 0 / 15

HEX #6A45DA

RGB 106 69 218

HSL 254.9, 0.67%, 0.56%

LAB 41.82, 51.74, -70.96

 

CMYK 48 / 63 / 0 / 7

HEX #7B57ED

RGB 123 87 237

HSL 254.4, 0.81%, 0.64%

LAB 48.44, 50.37, -70.87

 

CMYK 45 / 59 / 0 / 0

HEX #8C69FF

RGB 140 105 255

HSL 254, 1%, 0.71%

LAB 54.97, 48.75, -70.24

 

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

CMYK 70 / 91 / 0 / 35

HEX #320FA6

RGB 50 15 166

HSL 253.91, 0.83%, 0.35%

LAB 22.91, 54.74, -71.68

 

CMYK 78 / 100 / 0 / 42

HEX #210093

RGB 33 0 147

HSL 253.47, 1%, 0.29%

LAB 17.6, 53.08, -68.89

 

CMYK 88 / 100 / 0 / 50

HEX #100080

RGB 16 0 128

HSL 247.5, 1%, 0.25%

LAB 13.64, 47.73, -63.57

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 64 / 83 / 0 / 27

HEX #4320BA

RGB 67 32 186

HSL 253.64, 0.71%, 0.43%

LAB 28.83, 55.46, -73.81

 

CMYK 42 / 83 / 0 / 27

HEX #6C20BA

RGB 108 32 186

HSL 269.61, 0.71%, 0.43%

LAB 33.49, 60.22, -65.96

 

CMYK 19 / 83 / 0 / 27

HEX #9620BA

RGB 150 32 186

HSL 285.97, 0.71%, 0.43%

LAB 39.69, 66.77, -55.6

 

CMYK 0 / 83 / 3 / 27

HEX #BA20B5

RGB 186 32 181

HSL 301.95, 0.71%, 0.43%

LAB 45.37, 72.49, -43.21

 

CMYK 0 / 83 / 25 / 27

HEX #BA208B

RGB 186 32 139

HSL 318.31, 0.71%, 0.43%

LAB 43.27, 66.72, -21.35

 

CMYK 64 / 83 / 0 / 27

HEX #4320BA

RGB 67 32 186

HSL 253.64, 0.71%, 0.43%

LAB 28.83, 55.46, -73.81

 

CMYK 83 / 83 / 0 / 27

HEX #2020BA

RGB 32 32 186

HSL 240, 0.71%, 0.43%

LAB 26.41, 53.06, -77.9

 

CMYK 64 / 83 / 0 / 27

HEX #4320BA

RGB 67 32 186

HSL 253.64, 0.71%, 0.43%

LAB 28.83, 55.46, -73.81

 

CMYK 72 / 93 / 0 / 20

HEX #390FCC

RGB 57 15 204

HSL 253.33, 0.86%, 0.43%

LAB 28.3, 65.04, -85.3

 

CMYK 64 / 83 / 0 / 27

HEX #4320BA

RGB 67 32 186

HSL 253.64, 0.71%, 0.43%

LAB 28.83, 55.46, -73.81

 

CMYK 54 / 70 / 0 / 34

HEX #4D32A8

RGB 77 50 168

HSL 253.73, 0.54%, 0.43%

LAB 31.08, 42.7, -59.32

 

CMYK 43 / 55 / 0 / 41

HEX #564496

RGB 86 68 150

HSL 253.17, 0.38%, 0.43%

LAB 34.63, 28.42, -42.64

 

CMYK 28 / 35 / 0 / 48

HEX #605685

RGB 96 86 133

HSL 252.77, 0.21%, 0.43%

LAB 39.3, 15.12, -24.84

 

CMYK 8 / 10 / 0 / 55

HEX #6A6773

RGB 106 103 115

HSL 255, 0.06%, 0.43%

LAB 44.24, 3.72, -6.3

 

CMYK 83 / 56 / 0 / 27

HEX #2051BA

RGB 32 81 186

HSL 220.91, 0.71%, 0.43%

LAB 37.37, 23.57, -59.87

 

CMYK 83 / 78 / 0 / 27

HEX #2028BA

RGB 32 40 186

HSL 236.88, 0.71%, 0.43%

LAB 27.76, 49.11, -75.65

 

CMYK 65 / 83 / 0 / 27

HEX #4220BA

RGB 66 32 186

HSL 253.25, 0.71%, 0.43%

LAB 28.74, 55.37, -73.96

 

CMYK 42 / 83 / 0 / 27

HEX #6B20BA

RGB 107 32 186

HSL 269.22, 0.71%, 0.43%

LAB 33.36, 60.08, -66.19

 

CMYK 20 / 83 / 0 / 27

HEX #9420BA

RGB 148 32 186

HSL 285.19, 0.71%, 0.43%

LAB 39.37, 66.43, -56.13

 

CMYK 65 / 83 / 0 / 55

HEX #291474

RGB 41 20 116

HSL 253.13, 0.71%, 0.27%

LAB 16.66, 37.6, -50.8

 

CMYK 64 / 83 / 0 / 41

HEX #361A97

RGB 54 26 151

HSL 253.44, 0.71%, 0.35%

LAB 22.85, 46.77, -62.59

 

CMYK 64 / 83 / 0 / 27

HEX #4320BA

RGB 67 32 186

HSL 253.64, 0.71%, 0.43%

LAB 28.83, 55.46, -73.81

 

CMYK 62 / 81 / 0 / 15

HEX #522AD9

RGB 82 42 217

HSL 253.71, 0.7%, 0.51%

LAB 34.92, 61.29, -81.8

 

CMYK 51 / 65 / 0 / 13

HEX #6E4EDF

RGB 110 78 223

HSL 253.24, 0.69%, 0.59%

LAB 44.36, 49, -69.64

 

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 67 / 0 / 83 / 27

HEX #3DBA20

RGB 61 186 32

HSL 108.7, 0.71%, 0.43%

LAB 66.68, -60.27, 61.25

 

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

CMYK 0 / 65 / 83 / 27

HEX #BA4220

RGB 186 66 32

HSL 13.25, 0.71%, 0.43%

LAB 44.86, 46.8, 44.72

 

CMYK 83 / 0 / 65 / 27

HEX #20BA42

RGB 32 186 66

HSL 133.25, 0.71%, 0.43%

LAB 66.38, -62.03, 48.72

 

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 18 / 0 / 83 / 27

HEX #99BA20

RGB 153 186 32

HSL 72.86, 0.71%, 0.43%

LAB 70.87, -30.41, 66.56

 

CMYK 83 / 0 / 48 / 27

HEX #20BA60

RGB 32 186 96

HSL 144.94, 0.71%, 0.43%

LAB 66.73, -57.87, 34.94

 

CMYK 64 / 82 / 0 / 27

HEX #4321B9

RGB 67 33 185

HSL 253.42, 0.7%, 0.43%

LAB 28.86, 54.76, -73.16

 

CMYK 0 / 83 / 59 / 27

HEX #BA204C

RGB 186 32 76

HSL 342.86, 0.71%, 0.43%

LAB 41.21, 60.74, 14.9

 

CMYK 18 / 0 / 83 / 27

HEX #99BA20

RGB 153 186 32

HSL 72.86, 0.71%, 0.43%

LAB 70.87, -30.41, 66.56

 

CMYK 83 / 0 / 24 / 27

HEX #20BA8E

RGB 32 186 142

HSL 162.86, 0.71%, 0.43%

LAB 67.56, -48.43, 11.66

 

Description

Color code: HEX #4321B9 | qconv.com Color code: HEX #4321B9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 33 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 33 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 82 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 82% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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