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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA207A it is the complementary color #45DF85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA207A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA207A shade: #BF2075, #D03288, #E1449B, #F256AE and #FF68C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA207A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA207A shade: #BA207A, #A90E67, #980054, #870041 and #76002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA207A shade: #BB1F7A, #BB1F50, #BB1F26 and #BB1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA207A shade: #BB1F7A, #BB1FA4, #A81FBB, #7E1FBB and #541FBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA207A shade matches the following richer shades: #BB1F7A and #CD0E7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA207A shade: #BB1F7A, #A93177, #984374, #865571 and #74666E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA207A shade: #A61FBB, #BB1FA6, #BB1F7D, #BB1F53 and #BB1F2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA207A shade: #74134C, #981963, #BB1F7A, #DA2991 and #E04DA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA207A shade: #BA207A, #BB7D1F and #1FBBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA207A shade: #BA207A, #7DBB1F and #1F7DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA207A shade: #BA207A, #BB7D1F, #1FBB5E and #1F5EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA207A shade: #BA207A, #BBAB1F, #1FBB5E and #1F2FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

Complementary color

CMYK 69 / 0 / 40 / 13

HEX #45DF85

RGB 69 223 133

HSL 144.94, 0.71%, 0.57%

LAB 79.46, -59.79, 32.73

 

CMYK 0 / 83 / 39 / 25

HEX #BF2075

RGB 191 32 117

HSL 327.92, 0.71%, 0.44%

LAB 43.35, 65.45, -7.61

 

CMYK 0 / 76 / 35 / 18

HEX #D03288

RGB 208 50 136

HSL 327.34, 0.63%, 0.51%

LAB 48.85, 66.86, -10.66

 

CMYK 0 / 70 / 31 / 12

HEX #E1449B

RGB 225 68 155

HSL 326.75, 0.72%, 0.57%

LAB 54.56, 67.51, -13.09

 

CMYK 0 / 64 / 28 / 5

HEX #F256AE

RGB 242 86 174

HSL 326.15, 0.86%, 0.64%

LAB 60.42, 67.64, -15.04

 

CMYK 0 / 59 / 24 / 0

HEX #FF68C1

RGB 255 104 193

HSL 324.64, 1%, 0.7%

LAB 65.76, 66.31, -17.61

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 0 / 92 / 39 / 34

HEX #A90E67

RGB 169 14 103

HSL 325.55, 0.85%, 0.36%

LAB 37.35, 62.23, -8.26

 

CMYK 0 / 100 / 45 / 40

HEX #980054

RGB 152 0 84

HSL 326.84, 1%, 0.3%

LAB 32.51, 58.35, -3.58

 

CMYK 0 / 100 / 52 / 47

HEX #870041

RGB 135 0 65

HSL 331.11, 1%, 0.26%

LAB 28.2, 52.74, 2.31

 

CMYK 0 / 100 / 61 / 54

HEX #76002E

RGB 118 0 46

HSL 336.61, 1%, 0.23%

LAB 23.83, 47.11, 8.63

 

CMYK 0 / 83 / 35 / 27

HEX #BB1F7A

RGB 187 31 122

HSL 325, 0.72%, 0.43%

LAB 42.69, 65.23, -11.78

 

CMYK 0 / 83 / 57 / 27

HEX #BB1F50

RGB 187 31 80

HSL 341.15, 0.72%, 0.43%

LAB 41.41, 61.52, 12.69

 

CMYK 0 / 83 / 80 / 27

HEX #BB1F26

RGB 187 31 38

HSL 357.31, 0.72%, 0.43%

LAB 40.71, 59.42, 37.61

 

CMYK 0 / 83 / 83 / 27

HEX #BB1F1F

RGB 187 31 31

HSL 0, 0.72%, 0.43%

LAB 40.64, 59.22, 41.39

 

CMYK 0 / 83 / 35 / 27

HEX #BB1F7A

RGB 187 31 122

HSL 325, 0.72%, 0.43%

LAB 42.69, 65.23, -11.78

 

CMYK 0 / 83 / 12 / 27

HEX #BB1FA4

RGB 187 31 164

HSL 308.85, 0.72%, 0.43%

LAB 44.55, 70.43, -34.41

 

CMYK 10 / 83 / 0 / 27

HEX #A81FBB

RGB 168 31 187

HSL 292.69, 0.72%, 0.43%

LAB 42.6, 70.35, -51.34

 

CMYK 33 / 83 / 0 / 27

HEX #7E1FBB

RGB 126 31 187

HSL 276.54, 0.72%, 0.43%

LAB 35.99, 63.37, -62.36

 

CMYK 55 / 83 / 0 / 27

HEX #541FBB

RGB 84 31 187

HSL 260.38, 0.72%, 0.43%

LAB 30.53, 57.83, -71.54

 

CMYK 0 / 83 / 35 / 27

HEX #BB1F7A

RGB 187 31 122

HSL 325, 0.72%, 0.43%

LAB 42.69, 65.23, -11.78

 

CMYK 0 / 93 / 39 / 20

HEX #CD0E7D

RGB 205 14 125

HSL 325.13, 0.87%, 0.43%

LAB 45.32, 72.42, -9.31

 

CMYK 0 / 83 / 35 / 27

HEX #BB1F7A

RGB 187 31 122

HSL 325, 0.72%, 0.43%

LAB 42.69, 65.23, -11.78

 

CMYK 0 / 71 / 30 / 34

HEX #A93177

RGB 169 49 119

HSL 325, 0.55%, 0.43%

LAB 41.16, 54.89, -12.56

 

CMYK 0 / 56 / 24 / 40

HEX #984374

RGB 152 67 116

HSL 325.41, 0.39%, 0.43%

LAB 41.14, 41.42, -11

 

CMYK 0 / 37 / 16 / 47

HEX #865571

RGB 134 85 113

HSL 325.71, 0.22%, 0.43%

LAB 42.4, 24.72, -7.51

 

CMYK 0 / 12 / 5 / 55

HEX #74666E

RGB 116 102 110

HSL 325.71, 0.06%, 0.43%

LAB 44.72, 7.08, -2.46

 

CMYK 11 / 83 / 0 / 27

HEX #A61FBB

RGB 166 31 187

HSL 291.92, 0.72%, 0.43%

LAB 42.27, 69.99, -51.89

 

CMYK 0 / 83 / 11 / 27

HEX #BB1FA6

RGB 187 31 166

HSL 308.08, 0.72%, 0.43%

LAB 44.66, 70.71, -35.44

 

CMYK 0 / 83 / 33 / 27

HEX #BB1F7D

RGB 187 31 125

HSL 323.85, 0.72%, 0.43%

LAB 42.8, 65.55, -13.46

 

CMYK 0 / 83 / 56 / 27

HEX #BB1F53

RGB 187 31 83

HSL 340, 0.72%, 0.43%

LAB 41.48, 61.73, 10.89

 

CMYK 0 / 83 / 78 / 27

HEX #BB1F2A

RGB 187 31 42

HSL 355.77, 0.72%, 0.43%

LAB 40.75, 59.55, 35.35

 

CMYK 0 / 84 / 34 / 55

HEX #74134C

RGB 116 19 76

HSL 324.74, 0.72%, 0.26%

LAB 25.86, 45.23, -9.01

 

CMYK 0 / 84 / 35 / 40

HEX #981963

RGB 152 25 99

HSL 325.04, 0.72%, 0.35%

LAB 34.54, 55.6, -10.27

 

CMYK 0 / 83 / 35 / 27

HEX #BB1F7A

RGB 187 31 122

HSL 325, 0.72%, 0.43%

LAB 42.69, 65.23, -11.78

 

CMYK 0 / 81 / 33 / 15

HEX #DA2991

RGB 218 41 145

HSL 324.75, 0.71%, 0.51%

LAB 50.14, 72.67, -13.95

 

CMYK 0 / 66 / 27 / 12

HEX #E04DA3

RGB 224 77 163

HSL 324.9, 0.7%, 0.59%

LAB 55.89, 64.86, -15.79

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 0 / 33 / 83 / 27

HEX #BB7D1F

RGB 187 125 31

HSL 36.15, 0.72%, 0.43%

LAB 57.4, 16.62, 56.36

 

CMYK 83 / 0 / 0 / 27

HEX #1FBBBB

RGB 31 187 187

HSL 180, 0.72%, 0.43%

LAB 69.05, -36.7, -10.86

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 33 / 0 / 83 / 27

HEX #7DBB1F

RGB 125 187 31

HSL 83.85, 0.72%, 0.43%

LAB 69.47, -41.86, 64.94

 

CMYK 83 / 33 / 0 / 27

HEX #1F7DBB

RGB 31 125 187

HSL 203.85, 0.72%, 0.43%

LAB 50.15, -4.16, -39.94

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 0 / 33 / 83 / 27

HEX #BB7D1F

RGB 187 125 31

HSL 36.15, 0.72%, 0.43%

LAB 57.4, 16.62, 56.36

 

CMYK 83 / 0 / 50 / 27

HEX #1FBB5E

RGB 31 187 94

HSL 144.23, 0.72%, 0.43%

LAB 67.01, -58.64, 36.29

 

CMYK 83 / 50 / 0 / 27

HEX #1F5EBB

RGB 31 94 187

HSL 215.77, 0.72%, 0.43%

LAB 41.03, 15.29, -54.51

 

CMYK 0 / 83 / 34 / 27

HEX #BA207A

RGB 186 32 122

HSL 324.94, 0.71%, 0.43%

LAB 42.58, 64.76, -11.97

 

CMYK 0 / 9 / 83 / 27

HEX #BBAB1F

RGB 187 171 31

HSL 53.85, 0.72%, 0.43%

LAB 69.32, -8.34, 66.54

 

CMYK 83 / 0 / 50 / 27

HEX #1FBB5E

RGB 31 187 94

HSL 144.23, 0.72%, 0.43%

LAB 67.01, -58.64, 36.29

 

CMYK 83 / 75 / 0 / 27

HEX #1F2FBB

RGB 31 47 187

HSL 233.85, 0.72%, 0.43%

LAB 29.19, 45.52, -73.88

 

Description

Color code: HEX #BA207A | qconv.com Color code: HEX #BA207A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 32 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 32 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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