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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #42DE80 it is the complementary color #BD217F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #42DE80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #42DE80 shade: #47DE7B, #58F08E, #69FFA1, #7AFFB4 and #8BFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #42DE80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #42DE80 shade: #42DE80, #31CC6D, #20BA5A, #0FA847 and #009634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #42DE80 shade: #40DD7E, #40DD54, #56DD40, #80DD40 and #ABDD40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #42DE80 shade: #40DD7E, #40DDA9, #40DDD3, #40BCDD and #4092DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #42DE80 shade matches the following richer shades: #40DD7E and #2EEF7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #42DE80 shade: #40DD7E, #52CB82, #64B986, #76A689 and #88948D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #42DE80 shade: #57DD40, #40DD52, #40DD7C, #40DDA6 and #40DDD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #42DE80 shade: #1EAC56, #24CF68, #40DD7E, #63E396 and #86E9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #42DE80 shade: #42DE80, #4081DD and #DD4042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #42DE80 shade: #42DE80, #7C40DD and #DD7C40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #42DE80 shade: #42DE80, #4081DD, #DD40A1 and #DD9B40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #42DE80 shade: #42DE80, #4052DD, #DD40A1 and #DDCB40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

Complementary color

CMYK 0 / 83 / 33 / 26

HEX #BD217F

RGB 189 33 127

HSL 323.85, 0.7%, 0.44%

LAB 43.42, 65.78, -13.72

 

CMYK 68 / 0 / 45 / 13

HEX #47DE7B

RGB 71 222 123

HSL 140.66, 0.7%, 0.57%

LAB 79.05, -60.79, 37.22

 

CMYK 63 / 0 / 41 / 6

HEX #58F08E

RGB 88 240 142

HSL 141.32, 0.84%, 0.64%

LAB 85.17, -61.19, 35.78

 

CMYK 59 / 0 / 37 / 0

HEX #69FFA1

RGB 105 255 161

HSL 142.4, 1%, 0.71%

LAB 90.37, -60.25, 33.24

 

CMYK 52 / 0 / 29 / 0

HEX #7AFFB4

RGB 122 255 180

HSL 146.17, 1%, 0.74%

LAB 91.21, -53.12, 24.92

 

CMYK 45 / 0 / 22 / 0

HEX #8BFFC7

RGB 139 255 199

HSL 151.03, 1%, 0.77%

LAB 92.19, -45.39, 16.67

 

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

CMYK 76 / 0 / 47 / 20

HEX #31CC6D

RGB 49 204 109

HSL 143.23, 0.61%, 0.5%

LAB 72.85, -60.01, 36.21

 

CMYK 83 / 0 / 52 / 27

HEX #20BA5A

RGB 32 186 90

HSL 142.6, 0.71%, 0.43%

LAB 66.64, -58.83, 37.84

 

CMYK 91 / 0 / 58 / 34

HEX #0FA847

RGB 15 168 71

HSL 141.96, 0.84%, 0.36%

LAB 60.39, -57.07, 39.52

 

CMYK 100 / 0 / 65 / 41

HEX #009634

RGB 0 150 52

HSL 140.8, 1%, 0.29%

LAB 54.09, -54.63, 41.11

 

CMYK 71 / 0 / 43 / 13

HEX #40DD7E

RGB 64 221 126

HSL 143.69, 0.7%, 0.56%

LAB 78.64, -61.06, 35.17

 

CMYK 71 / 0 / 62 / 13

HEX #40DD54

RGB 64 221 84

HSL 127.64, 0.7%, 0.56%

LAB 78.14, -66.96, 54.3

 

CMYK 61 / 0 / 71 / 13

HEX #56DD40

RGB 86 221 64

HSL 111.59, 0.7%, 0.56%

LAB 78.5, -64.56, 62.78

 

CMYK 42 / 0 / 71 / 13

HEX #80DD40

RGB 128 221 64

HSL 95.54, 0.7%, 0.56%

LAB 79.99, -53.07, 64.78

 

CMYK 23 / 0 / 71 / 13

HEX #ABDD40

RGB 171 221 64

HSL 79.11, 0.7%, 0.56%

LAB 82.24, -37.9, 67.77

 

CMYK 71 / 0 / 43 / 13

HEX #40DD7E

RGB 64 221 126

HSL 143.69, 0.7%, 0.56%

LAB 78.64, -61.06, 35.17

 

CMYK 71 / 0 / 24 / 13

HEX #40DDA9

RGB 64 221 169

HSL 160.13, 0.7%, 0.56%

LAB 79.42, -52.48, 13.99

 

CMYK 71 / 0 / 5 / 13

HEX #40DDD3

RGB 64 221 211

HSL 176.18, 0.7%, 0.56%

LAB 80.46, -41.95, -6.82

 

CMYK 71 / 15 / 0 / 13

HEX #40BCDD

RGB 64 188 221

HSL 192.61, 0.7%, 0.56%

LAB 71.06, -23.32, -26.38

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 71 / 0 / 43 / 13

HEX #40DD7E

RGB 64 221 126

HSL 143.69, 0.7%, 0.56%

LAB 78.64, -61.06, 35.17

 

CMYK 81 / 0 / 49 / 6

HEX #2EEF7A

RGB 46 239 122

HSL 143.63, 0.86%, 0.56%

LAB 83.82, -70.15, 43.66

 

CMYK 71 / 0 / 43 / 13

HEX #40DD7E

RGB 64 221 126

HSL 143.69, 0.7%, 0.56%

LAB 78.64, -61.06, 35.17

 

CMYK 60 / 0 / 36 / 20

HEX #52CB82

RGB 82 203 130

HSL 143.8, 0.54%, 0.56%

LAB 73.62, -50.22, 26.59

 

CMYK 46 / 0 / 28 / 27

HEX #64B986

RGB 100 185 134

HSL 144, 0.38%, 0.56%

LAB 68.84, -37.4, 18.07

 

CMYK 29 / 0 / 17 / 35

HEX #76A689

RGB 118 166 137

HSL 143.75, 0.21%, 0.56%

LAB 64.1, -22.28, 9.92

 

CMYK 8 / 0 / 5 / 42

HEX #88948D

RGB 136 148 141

HSL 145, 0.05%, 0.56%

LAB 60.19, -5.72, 2.21

 

CMYK 61 / 0 / 71 / 13

HEX #57DD40

RGB 87 221 64

HSL 111.21, 0.7%, 0.56%

LAB 78.53, -64.33, 62.81

 

CMYK 71 / 0 / 63 / 13

HEX #40DD52

RGB 64 221 82

HSL 126.88, 0.7%, 0.56%

LAB 78.12, -67.17, 55.13

 

CMYK 71 / 0 / 44 / 13

HEX #40DD7C

RGB 64 221 124

HSL 142.93, 0.7%, 0.56%

LAB 78.61, -61.4, 36.13

 

CMYK 71 / 0 / 25 / 13

HEX #40DDA6

RGB 64 221 166

HSL 158.98, 0.7%, 0.56%

LAB 79.36, -53.15, 15.48

 

CMYK 71 / 0 / 6 / 13

HEX #40DDD0

RGB 64 221 208

HSL 175.03, 0.7%, 0.56%

LAB 80.38, -42.76, -5.34

 

CMYK 83 / 0 / 50 / 33

HEX #1EAC56

RGB 30 172 86

HSL 143.66, 0.7%, 0.4%

LAB 62.04, -54.86, 34.12

 

CMYK 83 / 0 / 50 / 19

HEX #24CF68

RGB 36 207 104

HSL 143.86, 0.7%, 0.48%

LAB 73.55, -63.33, 39.52

 

CMYK 71 / 0 / 43 / 13

HEX #40DD7E

RGB 64 221 126

HSL 143.69, 0.7%, 0.56%

LAB 78.64, -61.06, 35.17

 

CMYK 56 / 0 / 34 / 11

HEX #63E396

RGB 99 227 150

HSL 143.91, 0.7%, 0.64%

LAB 81.73, -52.5, 27.21

 

CMYK 42 / 0 / 26 / 9

HEX #86E9AD

RGB 134 233 173

HSL 143.64, 0.69%, 0.72%

LAB 85.18, -42.11, 20.26

 

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

CMYK 71 / 42 / 0 / 13

HEX #4081DD

RGB 64 129 221

HSL 215.16, 0.7%, 0.56%

LAB 54.04, 9.76, -53.04

 

CMYK 0 / 71 / 70 / 13

HEX #DD4042

RGB 221 64 66

HSL 359.24, 0.7%, 0.56%

LAB 51.19, 60.51, 35.02

 

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

CMYK 44 / 71 / 0 / 13

HEX #7C40DD

RGB 124 64 221

HSL 262.93, 0.7%, 0.56%

LAB 43.02, 58.06, -70.63

 

CMYK 0 / 44 / 71 / 13

HEX #DD7C40

RGB 221 124 64

HSL 22.93, 0.7%, 0.56%

LAB 61.79, 32.89, 48.07

 

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

CMYK 71 / 42 / 0 / 13

HEX #4081DD

RGB 64 129 221

HSL 215.16, 0.7%, 0.56%

LAB 54.04, 9.76, -53.04

 

CMYK 0 / 71 / 27 / 13

HEX #DD40A1

RGB 221 64 161

HSL 322.93, 0.7%, 0.56%

LAB 53.61, 68.56, -18.12

 

CMYK 0 / 30 / 71 / 13

HEX #DD9B40

RGB 221 155 64

HSL 34.78, 0.7%, 0.56%

LAB 68.89, 16.36, 55.59

 

CMYK 70 / 0 / 42 / 13

HEX #42DE80

RGB 66 222 128

HSL 143.85, 0.7%, 0.56%

LAB 79.02, -60.77, 34.66

 

CMYK 71 / 63 / 0 / 13

HEX #4052DD

RGB 64 82 221

HSL 233.12, 0.7%, 0.56%

LAB 41.76, 39.14, -72.89

 

CMYK 0 / 71 / 27 / 13

HEX #DD40A1

RGB 221 64 161

HSL 322.93, 0.7%, 0.56%

LAB 53.61, 68.56, -18.12

 

CMYK 0 / 8 / 71 / 13

HEX #DDCB40

RGB 221 203 64

HSL 53.12, 0.7%, 0.56%

LAB 80.99, -8.86, 67.77

 

Description

Color code: HEX #42DE80 | qconv.com Color code: HEX #42DE80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 222 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 222 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 42 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 42% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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