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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4092DD it is the complementary color #BF6D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4092DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4092DD shade: #4592D8, #56A4EB, #67B6FE, #78C8FF and #89DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4092DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4092DD shade: #4092DD, #2F80CA, #1E6EB7, #0D5CA4 and #004A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4092DD shade: #4092DD, #4067DD, #4240DD, #6D40DD and #9740DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4092DD shade: #4092DD, #4067DD and #4040DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4092DD shade matches the following richer shades: #4092DD and #2E93EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4092DD shade: #4092DD, #5291CB, #6490B9, #768FA6 and #888F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4092DD shade: #40DDD2, #40BDDD, #4094DD, #406ADD and #4040DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4092DD shade: #1E68AC, #247DCF, #4092DD, #63A6E3 and #86BAE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4092DD shade: #4092DD, #A840DD and #D2DD40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4092DD shade: #4092DD, #DD4094 and #94DD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4092DD shade: #4092DD, #A840DD, #DD8940 and #74DD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4092DD shade: #4092DD, #D840DD, #DD8940 and #45DD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

Complementary color

CMYK 0 / 43 / 82 / 25

HEX #BF6D22

RGB 191 109 34

HSL 28.66, 0.7%, 0.44%

LAB 54.16, 27.24, 52.61

 

CMYK 68 / 32 / 0 / 15

HEX #4592D8

RGB 69 146 216

HSL 208.57, 0.65%, 0.56%

LAB 58.77, -1.38, -42.72

 

CMYK 63 / 30 / 0 / 8

HEX #56A4EB

RGB 86 164 235

HSL 208.59, 0.79%, 0.63%

LAB 65.38, -2.54, -42.81

 

CMYK 59 / 28 / 0 / 0

HEX #67B6FE

RGB 103 182 254

HSL 208.61, 0.99%, 0.7%

LAB 71.89, -3.48, -42.9

 

CMYK 53 / 22 / 0 / 0

HEX #78C8FF

RGB 120 200 255

HSL 204.44, 1%, 0.74%

LAB 77.59, -9.57, -34.52

 

CMYK 46 / 15 / 0 / 0

HEX #89DAFF

RGB 137 218 255

HSL 198.81, 1%, 0.77%

LAB 83.27, -15.23, -25.73

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 77 / 37 / 0 / 21

HEX #2F80CA

RGB 47 128 202

HSL 208.65, 0.62%, 0.49%

LAB 52.18, 1.27, -45.28

 

CMYK 84 / 40 / 0 / 28

HEX #1E6EB7

RGB 30 110 183

HSL 208.63, 0.72%, 0.42%

LAB 45.42, 3.38, -45.13

 

CMYK 92 / 44 / 0 / 36

HEX #0D5CA4

RGB 13 92 164

HSL 208.61, 0.85%, 0.35%

LAB 38.59, 6.1, -44.91

 

CMYK 100 / 49 / 0 / 43

HEX #004A91

RGB 0 74 145

HSL 209.38, 1%, 0.28%

LAB 31.67, 9.53, -44.58

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 71 / 53 / 0 / 13

HEX #4067DD

RGB 64 103 221

HSL 225.1, 0.7%, 0.56%

LAB 46.99, 25.97, -64.38

 

CMYK 70 / 71 / 0 / 13

HEX #4240DD

RGB 66 64 221

HSL 240.76, 0.7%, 0.56%

LAB 37.92, 50.01, -79.18

 

CMYK 51 / 71 / 0 / 13

HEX #6D40DD

RGB 109 64 221

HSL 257.2, 0.7%, 0.56%

LAB 41.44, 55.62, -73.29

 

CMYK 32 / 71 / 0 / 13

HEX #9740DD

RGB 151 64 221

HSL 273.25, 0.7%, 0.56%

LAB 46.27, 62.9, -65.2

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 71 / 53 / 0 / 13

HEX #4067DD

RGB 64 103 221

HSL 225.1, 0.7%, 0.56%

LAB 46.99, 25.97, -64.38

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 81 / 38 / 0 / 6

HEX #2E93EF

RGB 46 147 239

HSL 208.6, 0.86%, 0.56%

LAB 59.6, 3.4, -54.23

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 60 / 29 / 0 / 20

HEX #5291CB

RGB 82 145 203

HSL 208.76, 0.54%, 0.56%

LAB 58.37, -2.87, -36.01

 

CMYK 46 / 22 / 0 / 27

HEX #6490B9

RGB 100 144 185

HSL 208.94, 0.38%, 0.56%

LAB 58.19, -3.81, -26.07

 

CMYK 29 / 14 / 0 / 35

HEX #768FA6

RGB 118 143 166

HSL 208.75, 0.21%, 0.56%

LAB 58.27, -3.34, -15.03

 

CMYK 8 / 3 / 0 / 42

HEX #888F94

RGB 136 143 148

HSL 205, 0.05%, 0.56%

LAB 58.99, -1.51, -3.54

 

CMYK 71 / 0 / 5 / 13

HEX #40DDD2

RGB 64 221 210

HSL 175.8, 0.7%, 0.56%

LAB 80.44, -42.22, -6.33

 

CMYK 71 / 14 / 0 / 13

HEX #40BDDD

RGB 64 189 221

HSL 192.23, 0.7%, 0.56%

LAB 71.35, -23.82, -25.93

 

CMYK 71 / 33 / 0 / 13

HEX #4094DD

RGB 64 148 221

HSL 207.9, 0.7%, 0.56%

LAB 59.43, -1.56, -44.48

 

CMYK 71 / 52 / 0 / 13

HEX #406ADD

RGB 64 106 221

HSL 223.95, 0.7%, 0.56%

LAB 47.78, 24.08, -63.1

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 83 / 40 / 0 / 33

HEX #1E68AC

RGB 30 104 172

HSL 208.73, 0.7%, 0.4%

LAB 43, 2.87, -42.57

 

CMYK 83 / 40 / 0 / 19

HEX #247DCF

RGB 36 125 207

HSL 208.77, 0.7%, 0.48%

LAB 51.32, 3.83, -49.51

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 56 / 27 / 0 / 11

HEX #63A6E3

RGB 99 166 227

HSL 208.59, 0.7%, 0.64%

LAB 66.11, -3.78, -37.22

 

CMYK 42 / 20 / 0 / 9

HEX #86BAE9

RGB 134 186 233

HSL 208.48, 0.69%, 0.72%

LAB 73.59, -5.03, -28.79

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 24 / 71 / 0 / 13

HEX #A840DD

RGB 168 64 221

HSL 279.75, 0.7%, 0.56%

LAB 48.53, 66.17, -61.44

 

CMYK 5 / 0 / 71 / 13

HEX #D2DD40

RGB 210 221 64

HSL 64.2, 0.7%, 0.56%

LAB 84.89, -22.38, 71.26

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 0 / 71 / 33 / 13

HEX #DD4094

RGB 221 64 148

HSL 327.9, 0.7%, 0.56%

LAB 53.14, 67.05, -11.15

 

CMYK 33 / 0 / 71 / 13

HEX #94DD40

RGB 148 221 64

HSL 87.9, 0.7%, 0.56%

LAB 80.95, -46.36, 66.06

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 24 / 71 / 0 / 13

HEX #A840DD

RGB 168 64 221

HSL 279.75, 0.7%, 0.56%

LAB 48.53, 66.17, -61.44

 

CMYK 0 / 38 / 71 / 13

HEX #DD8940

RGB 221 137 64

HSL 27.9, 0.7%, 0.56%

LAB 64.67, 26, 51.17

 

CMYK 48 / 0 / 71 / 13

HEX #74DD40

RGB 116 221 64

HSL 100.13, 0.7%, 0.56%

LAB 79.5, -56.75, 64.12

 

CMYK 71 / 34 / 0 / 13

HEX #4092DD

RGB 64 146 221

HSL 208.66, 0.7%, 0.56%

LAB 58.85, -0.39, -45.39

 

CMYK 2 / 71 / 0 / 13

HEX #D840DD

RGB 216 64 221

HSL 298.09, 0.7%, 0.56%

LAB 55.57, 75.95, -49.76

 

CMYK 0 / 38 / 71 / 13

HEX #DD8940

RGB 221 137 64

HSL 27.9, 0.7%, 0.56%

LAB 64.67, 26, 51.17

 

CMYK 69 / 0 / 71 / 13

HEX #45DD40

RGB 69 221 64

HSL 118.09, 0.7%, 0.56%

LAB 78.08, -68, 62.22

 

Description

Color code: HEX #4092DD | qconv.com Color code: HEX #4092DD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 146 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 146 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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