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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #428012 it is the complementary color #BD7FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #428012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #428012 shade: #47800D, #589220, #69A433, #7AB646 and #8BC859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #428012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #428012 shade: #428012, #316E00, #205C00, #0F4A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #428012 shade: #428112, #608112, #7E8112, #816612 and #814812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #428012 shade: #428112, #248112, #12811D, #12813B and #128159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #428012 shade matches the following richer shades: #428112 and #418D06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #428012 shade: #428112, #44751E, #45692A, #475D36 and #485142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #428012 shade: #7F8112, #618112, #448112, #268112 and #12811B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #428012 shade: #1D3908, #305D0D, #428112, #55A517 and #68C91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #428012 shade: #428012, #128165 and #811270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #428012 shade: #428012, #124481 and #811244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #428012 shade: #428012, #128165, #4F1281 and #81122E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #428012 shade: #428012, #127B81, #4F1281 and #811812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

Complementary color

CMYK 20 / 46 / 0 / 7

HEX #BD7FED

RGB 189 127 237

HSL 273.82, 0.75%, 0.71%

LAB 63.44, 43.99, -46.48

 

CMYK 45 / 0 / 90 / 50

HEX #47800D

RGB 71 128 13

HSL 89.74, 0.82%, 0.28%

LAB 48.02, -36.86, 49.45

 

CMYK 40 / 0 / 78 / 43

HEX #589220

RGB 88 146 32

HSL 90.53, 0.64%, 0.35%

LAB 54.8, -37.61, 50.51

 

CMYK 36 / 0 / 69 / 36

HEX #69A433

RGB 105 164 51

HSL 91.33, 0.53%, 0.42%

LAB 61.48, -38.05, 50.36

 

CMYK 33 / 0 / 62 / 29

HEX #7AB646

RGB 122 182 70

HSL 92.14, 0.44%, 0.49%

LAB 68.05, -38.28, 49.63

 

CMYK 31 / 0 / 56 / 22

HEX #8BC859

RGB 139 200 89

HSL 92.97, 0.5%, 0.57%

LAB 74.52, -38.38, 48.63

 

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

CMYK 55 / 0 / 100 / 57

HEX #316E00

RGB 49 110 0

HSL 93.27, 1%, 0.22%

LAB 40.9, -37.28, 46.07

 

CMYK 65 / 0 / 100 / 64

HEX #205C00

RGB 32 92 0

HSL 99.13, 1%, 0.18%

LAB 33.9, -35.25, 40.28

 

CMYK 80 / 0 / 100 / 71

HEX #0F4A00

RGB 15 74 0

HSL 107.84, 1%, 0.15%

LAB 26.73, -32.66, 34.28

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 26 / 0 / 86 / 49

HEX #608112

RGB 96 129 18

HSL 77.84, 0.76%, 0.29%

LAB 49.78, -27.34, 50.32

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 0 / 21 / 86 / 49

HEX #816612

RGB 129 102 18

HSL 45.41, 0.76%, 0.29%

LAB 44.54, 2.58, 46.91

 

CMYK 0 / 44 / 86 / 49

HEX #814812

RGB 129 72 18

HSL 29.19, 0.76%, 0.29%

LAB 36.64, 20.25, 40.09

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 72 / 0 / 86 / 49

HEX #248112

RGB 36 129 18

HSL 110.27, 0.76%, 0.29%

LAB 47.13, -46.89, 46.96

 

CMYK 86 / 0 / 78 / 49

HEX #12811D

RGB 18 129 29

HSL 125.95, 0.76%, 0.29%

LAB 46.87, -48.96, 43.05

 

CMYK 86 / 0 / 54 / 49

HEX #12813B

RGB 18 129 59

HSL 142.16, 0.76%, 0.29%

LAB 47.16, -45.3, 29.61

 

CMYK 86 / 0 / 31 / 49

HEX #128159

RGB 18 129 89

HSL 158.38, 0.76%, 0.29%

LAB 47.69, -39.24, 13.59

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 54 / 0 / 96 / 45

HEX #418D06

RGB 65 141 6

HSL 93.78, 0.92%, 0.29%

LAB 52.05, -44.32, 54.04

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 42 / 0 / 74 / 54

HEX #44751E

RGB 68 117 30

HSL 93.79, 0.59%, 0.29%

LAB 44.3, -32.18, 40.58

 

CMYK 34 / 0 / 60 / 59

HEX #45692A

RGB 69 105 42

HSL 94.29, 0.43%, 0.29%

LAB 40.47, -24.97, 30.88

 

CMYK 24 / 0 / 42 / 64

HEX #475D36

RGB 71 93 54

HSL 93.85, 0.27%, 0.29%

LAB 36.81, -16.27, 19.75

 

CMYK 11 / 0 / 19 / 68

HEX #485142

RGB 72 81 66

HSL 96, 0.1%, 0.29%

LAB 33.26, -6.81, 7.63

 

CMYK 2 / 0 / 86 / 49

HEX #7F8112

RGB 127 129 18

HSL 61.08, 0.76%, 0.29%

LAB 52.13, -13.53, 53.26

 

CMYK 25 / 0 / 86 / 49

HEX #618112

RGB 97 129 18

HSL 77.3, 0.76%, 0.29%

LAB 49.84, -26.91, 50.4

 

CMYK 47 / 0 / 86 / 49

HEX #448112

RGB 68 129 18

HSL 92.97, 0.76%, 0.29%

LAB 48.23, -38.12, 48.36

 

CMYK 71 / 0 / 86 / 49

HEX #268112

RGB 38 129 18

HSL 109.19, 0.76%, 0.29%

LAB 47.18, -46.48, 47.02

 

CMYK 86 / 0 / 79 / 49

HEX #12811B

RGB 18 129 27

HSL 124.86, 0.76%, 0.29%

LAB 46.85, -49.12, 43.76

 

CMYK 49 / 0 / 86 / 78

HEX #1D3908

RGB 29 57 8

HSL 94.29, 0.75%, 0.13%

LAB 20.85, -20.47, 25.33

 

CMYK 48 / 0 / 86 / 64

HEX #305D0D

RGB 48 93 13

HSL 93.75, 0.75%, 0.21%

LAB 34.98, -29.84, 37.47

 

CMYK 49 / 0 / 86 / 49

HEX #428112

RGB 66 129 18

HSL 94.05, 0.76%, 0.29%

LAB 48.14, -38.8, 48.24

 

CMYK 48 / 0 / 86 / 35

HEX #55A517

RGB 85 165 23

HSL 93.8, 0.76%, 0.37%

LAB 60.7, -46.92, 58.42

 

CMYK 48 / 0 / 86 / 21

HEX #68C91C

RGB 104 201 28

HSL 93.64, 0.76%, 0.45%

LAB 72.76, -54.7, 68.12

 

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

CMYK 86 / 0 / 22 / 49

HEX #128165

RGB 18 129 101

HSL 164.86, 0.76%, 0.29%

LAB 47.97, -36.2, 7

 

CMYK 0 / 86 / 13 / 49

HEX #811270

RGB 129 18 112

HSL 309.19, 0.76%, 0.29%

LAB 30.08, 53.55, -25.86

 

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

CMYK 86 / 47 / 0 / 49

HEX #124481

RGB 18 68 129

HSL 212.97, 0.76%, 0.29%

LAB 29.03, 8.05, -38.95

 

CMYK 0 / 86 / 47 / 49

HEX #811244

RGB 129 18 68

HSL 332.97, 0.76%, 0.29%

LAB 28.16, 48.14, 0.07

 

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

CMYK 86 / 0 / 22 / 49

HEX #128165

RGB 18 129 101

HSL 164.86, 0.76%, 0.29%

LAB 47.97, -36.2, 7

 

CMYK 39 / 86 / 0 / 49

HEX #4F1281

RGB 79 18 129

HSL 272.97, 0.76%, 0.29%

LAB 22.58, 47.22, -49.19

 

CMYK 0 / 86 / 64 / 49

HEX #81122E

RGB 129 18 46

HSL 344.86, 0.76%, 0.29%

LAB 27.56, 46.38, 14.09

 

CMYK 48 / 0 / 86 / 50

HEX #428012

RGB 66 128 18

HSL 93.82, 0.75%, 0.29%

LAB 47.8, -38.38, 47.95

 

CMYK 86 / 5 / 0 / 49

HEX #127B81

RGB 18 123 129

HSL 183.24, 0.76%, 0.29%

LAB 46.82, -24.94, -11.22

 

CMYK 39 / 86 / 0 / 49

HEX #4F1281

RGB 79 18 129

HSL 272.97, 0.76%, 0.29%

LAB 22.58, 47.22, -49.19

 

CMYK 0 / 81 / 86 / 49

HEX #811812

RGB 129 24 18

HSL 3.24, 0.76%, 0.29%

LAB 27.75, 43.38, 32.09

 

Description

Color code: HEX #428012 | qconv.com Color code: HEX #428012 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 128 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 128 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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