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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7E8112 it is the complementary color #817EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7E8112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7E8112 shade: #83810D, #949320, #A5A533, #B6B746 and #C7C959

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7E8112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7E8112 shade: #7E8112, #6D6F00, #5C5D00, #4B4B00 and #3A3900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7E8112 shade: #7F8211, #826611, #824811, #822A11 and #821111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7E8112 shade: #7F8211, #608211, #428211, #248211 and #11821D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7E8112 shade matches the following richer shades: #7F8211 and #8A8E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7E8112 shade: #7F8211, #73761D, #686A29, #5D5E35 and #515241

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7E8112 shade: #824811, #826611, #808211, #628211 and #448211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7E8112 shade: #383907, #5B5D0C, #7F8211, #A2A616 and #C6CA1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7E8112 shade: #7E8112, #11822A and #571182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7E8112 shade: #7E8112, #118082 and #821180

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7E8112 shade: #7E8112, #11822A, #131182 and #821169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7E8112 shade: #7E8112, #11824B, #131182 and #821148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

Complementary color

CMYK 46 / 47 / 0 / 7

HEX #817EED

RGB 129 126 237

HSL 241.62, 0.76%, 0.71%

LAB 57.75, 29.2, -55.83

 

CMYK 0 / 2 / 90 / 49

HEX #83810D

RGB 131 129 13

HSL 58.98, 0.82%, 0.28%

LAB 52.46, -11.81, 54.82

 

CMYK 0 / 1 / 78 / 42

HEX #949320

RGB 148 147 32

HSL 59.48, 0.64%, 0.35%

LAB 59.22, -13.07, 56.11

 

CMYK 0 / 0 / 69 / 35

HEX #A5A533

RGB 165 165 51

HSL 60, 0.53%, 0.42%

LAB 65.86, -14.07, 56.15

 

CMYK 1 / 0 / 62 / 28

HEX #B6B746

RGB 182 183 70

HSL 60.53, 0.45%, 0.5%

LAB 72.4, -14.86, 55.55

 

CMYK 1 / 0 / 56 / 21

HEX #C7C959

RGB 199 201 89

HSL 61.07, 0.51%, 0.57%

LAB 78.83, -15.5, 54.64

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 2 / 0 / 100 / 56

HEX #6D6F00

RGB 109 111 0

HSL 61.08, 1%, 0.22%

LAB 45.11, -12.63, 50.97

 

CMYK 1 / 0 / 100 / 64

HEX #5C5D00

RGB 92 93 0

HSL 60.65, 1%, 0.18%

LAB 38.03, -10.8, 45.09

 

CMYK 0 / 0 / 100 / 71

HEX #4B4B00

RGB 75 75 0

HSL 60, 1%, 0.15%

LAB 30.71, -8.9, 39.01

 

CMYK 0 / 2 / 100 / 77

HEX #3A3900

RGB 58 57 0

HSL 58.97, 1%, 0.11%

LAB 23.09, -6.89, 31.66

 

CMYK 2 / 0 / 87 / 49

HEX #7F8211

RGB 127 130 17

HSL 61.59, 0.77%, 0.29%

LAB 52.42, -14.1, 53.75

 

CMYK 0 / 22 / 87 / 49

HEX #826611

RGB 130 102 17

HSL 45.13, 0.77%, 0.29%

LAB 44.64, 3.03, 47.36

 

CMYK 0 / 45 / 87 / 49

HEX #824811

RGB 130 72 17

HSL 29.2, 0.77%, 0.29%

LAB 36.78, 20.68, 40.67

 

CMYK 0 / 68 / 87 / 49

HEX #822A11

RGB 130 42 17

HSL 13.27, 0.77%, 0.29%

LAB 30.5, 36.66, 35.18

 

CMYK 0 / 87 / 87 / 49

HEX #821111

RGB 130 17 17

HSL 0, 0.77%, 0.29%

LAB 27.26, 45.63, 32.28

 

CMYK 2 / 0 / 87 / 49

HEX #7F8211

RGB 127 130 17

HSL 61.59, 0.77%, 0.29%

LAB 52.42, -14.1, 53.75

 

CMYK 26 / 0 / 87 / 49

HEX #608211

RGB 96 130 17

HSL 78.05, 0.77%, 0.29%

LAB 50.09, -27.86, 50.85

 

CMYK 49 / 0 / 87 / 49

HEX #428211

RGB 66 130 17

HSL 93.98, 0.77%, 0.29%

LAB 48.47, -39.26, 48.8

 

CMYK 72 / 0 / 87 / 49

HEX #248211

RGB 36 130 17

HSL 109.91, 0.77%, 0.29%

LAB 47.47, -47.29, 47.53

 

CMYK 87 / 0 / 78 / 49

HEX #11821D

RGB 17 130 29

HSL 126.37, 0.77%, 0.29%

LAB 47.2, -49.39, 43.38

 

CMYK 2 / 0 / 87 / 49

HEX #7F8211

RGB 127 130 17

HSL 61.59, 0.77%, 0.29%

LAB 52.42, -14.1, 53.75

 

CMYK 3 / 0 / 96 / 44

HEX #8A8E05

RGB 138 142 5

HSL 61.75, 0.93%, 0.29%

LAB 56.84, -15.68, 59.89

 

CMYK 2 / 0 / 87 / 49

HEX #7F8211

RGB 127 130 17

HSL 61.59, 0.77%, 0.29%

LAB 52.42, -14.1, 53.75

 

CMYK 3 / 0 / 75 / 54

HEX #73761D

RGB 115 118 29

HSL 62.02, 0.61%, 0.29%

LAB 47.87, -12.68, 45.58

 

CMYK 2 / 0 / 61 / 58

HEX #686A29

RGB 104 106 41

HSL 61.85, 0.44%, 0.29%

LAB 43.38, -10.34, 35.38

 

CMYK 1 / 0 / 44 / 63

HEX #5D5E35

RGB 93 94 53

HSL 61.46, 0.28%, 0.29%

LAB 38.88, -7.32, 23.34

 

CMYK 1 / 0 / 21 / 68

HEX #515241

RGB 81 82 65

HSL 63.53, 0.12%, 0.29%

LAB 34.33, -3.76, 9.87

 

CMYK 0 / 45 / 87 / 49

HEX #824811

RGB 130 72 17

HSL 29.2, 0.77%, 0.29%

LAB 36.78, 20.68, 40.67

 

CMYK 0 / 22 / 87 / 49

HEX #826611

RGB 130 102 17

HSL 45.13, 0.77%, 0.29%

LAB 44.64, 3.03, 47.36

 

CMYK 2 / 0 / 87 / 49

HEX #808211

RGB 128 130 17

HSL 61.06, 0.77%, 0.29%

LAB 52.5, -13.64, 53.86

 

CMYK 25 / 0 / 87 / 49

HEX #628211

RGB 98 130 17

HSL 76.99, 0.77%, 0.29%

LAB 50.22, -27.01, 51.01

 

CMYK 48 / 0 / 87 / 49

HEX #448211

RGB 68 130 17

HSL 92.92, 0.77%, 0.29%

LAB 48.55, -38.58, 48.91

 

CMYK 2 / 0 / 88 / 78

HEX #383907

RGB 56 57 7

HSL 61.2, 0.78%, 0.13%

LAB 22.94, -7.53, 28.59

 

CMYK 2 / 0 / 87 / 64

HEX #5B5D0C

RGB 91 93 12

HSL 61.48, 0.77%, 0.21%

LAB 37.98, -10.91, 41.6

 

CMYK 2 / 0 / 87 / 49

HEX #7F8211

RGB 127 130 17

HSL 61.59, 0.77%, 0.29%

LAB 52.42, -14.1, 53.75

 

CMYK 2 / 0 / 87 / 35

HEX #A2A616

RGB 162 166 22

HSL 61.67, 0.77%, 0.37%

LAB 65.76, -17.03, 64.83

 

CMYK 2 / 0 / 87 / 21

HEX #C6CA1B

RGB 198 202 27

HSL 61.37, 0.76%, 0.45%

LAB 78.65, -19.42, 75.52

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 87 / 0 / 68 / 49

HEX #11822A

RGB 17 130 42

HSL 133.27, 0.77%, 0.29%

LAB 47.3, -48.11, 38.14

 

CMYK 33 / 87 / 0 / 49

HEX #571182

RGB 87 17 130

HSL 277.17, 0.77%, 0.29%

LAB 23.8, 49.03, -47.79

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 87 / 2 / 0 / 49

HEX #118082

RGB 17 128 130

HSL 181.06, 0.77%, 0.29%

LAB 48.47, -27.21, -9.32

 

CMYK 0 / 87 / 2 / 49

HEX #821180

RGB 130 17 128

HSL 301.06, 0.77%, 0.29%

LAB 31.13, 56.47, -34.33

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 87 / 0 / 68 / 49

HEX #11822A

RGB 17 130 42

HSL 133.27, 0.77%, 0.29%

LAB 47.3, -48.11, 38.14

 

CMYK 85 / 87 / 0 / 49

HEX #131182

RGB 19 17 130

HSL 241.06, 0.77%, 0.29%

LAB 16.26, 41.8, -60.47

 

CMYK 0 / 87 / 19 / 49

HEX #821169

RGB 130 17 105

HSL 313.27, 0.77%, 0.29%

LAB 29.83, 52.99, -21.75

 

CMYK 2 / 0 / 86 / 49

HEX #7E8112

RGB 126 129 18

HSL 61.62, 0.76%, 0.29%

LAB 52.04, -13.99, 53.15

 

CMYK 87 / 0 / 42 / 49

HEX #11824B

RGB 17 130 75

HSL 150.8, 0.77%, 0.29%

LAB 47.74, -42.84, 21.63

 

CMYK 85 / 87 / 0 / 49

HEX #131182

RGB 19 17 130

HSL 241.06, 0.77%, 0.29%

LAB 16.26, 41.8, -60.47

 

CMYK 0 / 87 / 45 / 49

HEX #821148

RGB 130 17 72

HSL 330.8, 0.77%, 0.29%

LAB 28.42, 49.03, -2.21

 

Description

Color code: HEX #7E8112 | qconv.com Color code: HEX #7E8112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 129 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 129 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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