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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #416050 it is the complementary color #BE9FAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #416050. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #416050 shade: #46604B, #57725E, #688471, #799684 and #8AA897

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #416050. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #416050 shade: #416050, #304E3D, #1F3C2A, #0E2A17 and #001804

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #416050 shade: #426151, #426148, #436142, #4C6142 and #546142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #416050 shade: #426151, #426159, #426061, #425861 and #424F61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #416050 shade matches the following richer shades: #426151, #346E50, #277B50, #1A884F and #0D954F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #416050 shade: #426151, #4F5351, #5C4651, #693952 and #762C52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #416050 shade: #436142, #426148, #426151, #426159 and #426061

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #416050 shade: #203028, #31483C, #426151, #527965 and #63927A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #416050 shade: #416050, #424B61 and #614442

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #416050 shade: #416050, #514261 and #615142

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #416050 shade: #416050, #424B61, #614252 and #615742

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #416050 shade: #416050, #424261, #614252 and #616042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

Complementary color

CMYK 0 / 16 / 8 / 25

HEX #BE9FAF

RGB 190 159 175

HSL 329.03, 0.19%, 0.68%

LAB 68.63, 14.13, -4.01

 

CMYK 27 / 0 / 22 / 62

HEX #46604B

RGB 70 96 75

HSL 131.54, 0.16%, 0.33%

LAB 38.16, -14.5, 8.91

 

CMYK 24 / 0 / 18 / 55

HEX #57725E

RGB 87 114 94

HSL 135.56, 0.13%, 0.39%

LAB 45.45, -14.28, 7.91

 

CMYK 21 / 0 / 14 / 48

HEX #688471

RGB 104 132 113

HSL 139.29, 0.12%, 0.46%

LAB 52.55, -14.09, 6.99

 

CMYK 19 / 0 / 12 / 41

HEX #799684

RGB 121 150 132

HSL 142.76, 0.12%, 0.53%

LAB 59.47, -13.94, 6.15

 

CMYK 18 / 0 / 10 / 34

HEX #8AA897

RGB 138 168 151

HSL 146, 0.15%, 0.6%

LAB 66.25, -13.81, 5.36

 

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

CMYK 38 / 0 / 22 / 69

HEX #304E3D

RGB 48 78 61

HSL 146, 0.24%, 0.25%

LAB 30.43, -15.52, 6.57

 

CMYK 48 / 0 / 30 / 76

HEX #1F3C2A

RGB 31 60 42

HSL 142.76, 0.32%, 0.18%

LAB 22.62, -15.83, 7.79

 

CMYK 67 / 0 / 45 / 84

HEX #0E2A17

RGB 14 42 23

HSL 139.29, 0.5%, 0.11%

LAB 14.46, -16.07, 9.3

 

CMYK 100 / 0 / 83 / 91

HEX #001804

RGB 0 24 4

HSL 130, 1%, 0.05%

LAB 5.98, -11.5, 7.1

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 31 / 0 / 32 / 62

HEX #436142

RGB 67 97 66

HSL 118.06, 0.19%, 0.32%

LAB 38.09, -17.98, 14.25

 

CMYK 22 / 0 / 32 / 62

HEX #4C6142

RGB 76 97 66

HSL 100.65, 0.19%, 0.32%

LAB 38.69, -14.45, 15.17

 

CMYK 13 / 0 / 32 / 62

HEX #546142

RGB 84 97 66

HSL 85.16, 0.19%, 0.32%

LAB 39.29, -11.14, 16.07

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 32 / 0 / 8 / 62

HEX #426159

RGB 66 97 89

HSL 164.52, 0.19%, 0.32%

LAB 38.6, -13.3, 0.92

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 32 / 9 / 0 / 62

HEX #425861

RGB 66 88 97

HSL 197.42, 0.19%, 0.32%

LAB 35.99, -5.92, -7.91

 

CMYK 32 / 19 / 0 / 62

HEX #424F61

RGB 66 79 97

HSL 214.84, 0.19%, 0.32%

LAB 33.16, -0.35, -12.18

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 53 / 0 / 27 / 57

HEX #346E50

RGB 52 110 80

HSL 148.97, 0.36%, 0.32%

LAB 41.94, -26.67, 11.04

 

CMYK 68 / 0 / 35 / 52

HEX #277B50

RGB 39 123 80

HSL 149.29, 0.52%, 0.32%

LAB 45.87, -35.74, 16.37

 

CMYK 81 / 0 / 42 / 47

HEX #1A884F

RGB 26 136 79

HSL 148.91, 0.68%, 0.32%

LAB 49.97, -43.36, 22.36

 

CMYK 91 / 0 / 47 / 42

HEX #0D954F

RGB 13 149 79

HSL 149.12, 0.84%, 0.32%

LAB 54.18, -49.43, 27.79

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 5 / 0 / 2 / 67

HEX #4F5351

RGB 79 83 81

HSL 150, 0.02%, 0.32%

LAB 34.89, -2.04, 0.61

 

CMYK 0 / 24 / 12 / 64

HEX #5C4651

RGB 92 70 81

HSL 330, 0.14%, 0.32%

LAB 32.37, 11.45, -2.94

 

CMYK 0 / 46 / 22 / 59

HEX #693952

RGB 105 57 82

HSL 328.75, 0.3%, 0.32%

LAB 30.73, 24.86, -5.83

 

CMYK 0 / 63 / 31 / 54

HEX #762C52

RGB 118 44 82

HSL 329.19, 0.46%, 0.32%

LAB 30.06, 36.66, -6.62

 

CMYK 31 / 0 / 32 / 62

HEX #436142

RGB 67 97 66

HSL 118.06, 0.19%, 0.32%

LAB 38.09, -17.98, 14.25

 

CMYK 32 / 0 / 26 / 62

HEX #426148

RGB 66 97 72

HSL 131.61, 0.19%, 0.32%

LAB 38.16, -17.16, 10.7

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 32 / 0 / 8 / 62

HEX #426159

RGB 66 97 89

HSL 164.52, 0.19%, 0.32%

LAB 38.6, -13.3, 0.92

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 33 / 0 / 17 / 81

HEX #203028

RGB 32 48 40

HSL 150, 0.2%, 0.16%

LAB 18.25, -8.78, 3

 

CMYK 32 / 0 / 17 / 72

HEX #31483C

RGB 49 72 60

HSL 148.7, 0.19%, 0.24%

LAB 28.42, -11.93, 4.36

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 32 / 0 / 17 / 53

HEX #527965

RGB 82 121 101

HSL 149.23, 0.19%, 0.4%

LAB 47.51, -18.34, 6.63

 

CMYK 32 / 0 / 16 / 43

HEX #63927A

RGB 99 146 122

HSL 149.36, 0.19%, 0.48%

LAB 56.7, -21.33, 7.69

 

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

CMYK 32 / 23 / 0 / 62

HEX #424B61

RGB 66 75 97

HSL 222.58, 0.19%, 0.32%

LAB 31.93, 2.2, -14.06

 

CMYK 0 / 30 / 32 / 62

HEX #614442

RGB 97 68 66

HSL 3.87, 0.19%, 0.32%

LAB 31.96, 12.2, 6.18

 

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

CMYK 16 / 32 / 0 / 62

HEX #514261

RGB 81 66 97

HSL 269.03, 0.19%, 0.32%

LAB 30.66, 13.32, -15.89

 

CMYK 0 / 16 / 32 / 62

HEX #615142

RGB 97 81 66

HSL 29.03, 0.19%, 0.32%

LAB 35.63, 4.11, 11.3

 

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

CMYK 32 / 23 / 0 / 62

HEX #424B61

RGB 66 75 97

HSL 222.58, 0.19%, 0.32%

LAB 31.93, 2.2, -14.06

 

CMYK 0 / 32 / 15 / 62

HEX #614252

RGB 97 66 82

HSL 329.03, 0.19%, 0.32%

LAB 31.91, 16.2, -4.19

 

CMYK 0 / 10 / 32 / 62

HEX #615742

RGB 97 87 66

HSL 40.65, 0.19%, 0.32%

LAB 37.39, 0.44, 13.71

 

CMYK 32 / 0 / 17 / 62

HEX #416050

RGB 65 96 80

HSL 149.03, 0.19%, 0.32%

LAB 37.97, -15.23, 5.53

 

CMYK 32 / 32 / 0 / 62

HEX #424261

RGB 66 66 97

HSL 240, 0.19%, 0.32%

LAB 29.2, 8.07, -18.26

 

CMYK 0 / 32 / 15 / 62

HEX #614252

RGB 97 66 82

HSL 329.03, 0.19%, 0.32%

LAB 31.91, 16.2, -4.19

 

CMYK 0 / 1 / 32 / 62

HEX #616042

RGB 97 96 66

HSL 58.06, 0.19%, 0.32%

LAB 40.08, -4.94, 17.33

 

Description

Color code: HEX #416050 | qconv.com Color code: HEX #416050 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 96 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 96 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 17 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 17% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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