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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 96 97 it is the complementary color RGB 189 159 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 96 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 96 97 shade: RGB 71 96 92, RGB 88 114 111, RGB 105 132 130, RGB 122 150 149 and RGB 139 168 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 96 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 49 78 78, RGB 32 60 59, RGB 15 42 40 and RGB 0 24 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 66 87 97, RGB 66 79 97, RGB 66 71 97 and RGB 69 66 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 66 87 97, RGB 66 79 97, RGB 66 71 97 and RGB 66 66 97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 96 97 shade matches the following richer shades: RGB 66 96 97, RGB 52 108 110, RGB 39 120 123, RGB 26 133 136 and RGB 13 145 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 79 83 83, RGB 92 71 70, RGB 105 59 57 and RGB 118 46 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 96 97 shade: RGB 66 97 81, RGB 66 97 89, RGB 66 96 97, RGB 66 88 97 and RGB 66 80 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 96 97 shade: RGB 32 47 48, RGB 49 71 72, RGB 66 96 97, RGB 82 120 121 and RGB 99 144 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 72 66 97 and RGB 97 85 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 97 66 96 and RGB 96 97 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 72 66 97, RGB 97 66 66 and RGB 90 97 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 96 97 shade: RGB 66 96 97, RGB 82 66 97, RGB 97 66 66 and RGB 81 97 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

Complementary color

CMYK 0 / 16 / 16 / 26

HEX #BD9F9E

RGB 189 159 158

HSL 1.94, 0.19%, 0.68%

LAB 68.08, 10.88, 4.64

 

CMYK 26 / 0 / 4 / 62

HEX #47605C

RGB 71 96 92

HSL 170.4, 0.15%, 0.33%

LAB 38.69, -10.27, -0.76

 

CMYK 23 / 0 / 3 / 55

HEX #58726F

RGB 88 114 111

HSL 173.08, 0.13%, 0.4%

LAB 45.98, -10.15, -1.46

 

CMYK 20 / 0 / 2 / 48

HEX #698482

RGB 105 132 130

HSL 175.56, 0.11%, 0.46%

LAB 53.08, -10.05, -2.12

 

CMYK 19 / 0 / 1 / 41

HEX #7A9695

RGB 122 150 149

HSL 177.86, 0.12%, 0.53%

LAB 60, -9.98, -2.74

 

CMYK 17 / 0 / 0 / 34

HEX #8BA8A8

RGB 139 168 168

HSL 180, 0.14%, 0.6%

LAB 66.76, -9.93, -3.33

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 37 / 0 / 0 / 69

HEX #314E4E

RGB 49 78 78

HSL 180, 0.23%, 0.25%

LAB 31, -10.78, -3.45

 

CMYK 47 / 0 / 2 / 76

HEX #203C3B

RGB 32 60 59

HSL 177.86, 0.3%, 0.18%

LAB 23.18, -10.87, -2.71

 

CMYK 64 / 0 / 5 / 84

HEX #0F2A28

RGB 15 42 40

HSL 175.56, 0.47%, 0.11%

LAB 15.01, -10.87, -1.84

 

CMYK 100 / 0 / 13 / 91

HEX #001815

RGB 0 24 21

HSL 172.5, 1%, 0.05%

LAB 6.39, -8.62, -0.74

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 32 / 10 / 0 / 62

HEX #425761

RGB 66 87 97

HSL 199.35, 0.19%, 0.32%

LAB 35.67, -5.32, -8.38

 

CMYK 32 / 19 / 0 / 62

HEX #424F61

RGB 66 79 97

HSL 214.84, 0.19%, 0.32%

LAB 33.16, -0.35, -12.18

 

CMYK 32 / 27 / 0 / 62

HEX #424761

RGB 66 71 97

HSL 230.32, 0.19%, 0.32%

LAB 30.71, 4.79, -15.94

 

CMYK 29 / 32 / 0 / 62

HEX #454261

RGB 69 66 97

HSL 245.81, 0.19%, 0.32%

LAB 29.47, 9.09, -17.82

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 32 / 10 / 0 / 62

HEX #425761

RGB 66 87 97

HSL 199.35, 0.19%, 0.32%

LAB 35.67, -5.32, -8.38

 

CMYK 32 / 19 / 0 / 62

HEX #424F61

RGB 66 79 97

HSL 214.84, 0.19%, 0.32%

LAB 33.16, -0.35, -12.18

 

CMYK 32 / 27 / 0 / 62

HEX #424761

RGB 66 71 97

HSL 230.32, 0.19%, 0.32%

LAB 30.71, 4.79, -15.94

 

CMYK 32 / 32 / 0 / 62

HEX #424261

RGB 66 66 97

HSL 240, 0.19%, 0.32%

LAB 29.2, 8.07, -18.26

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 53 / 2 / 0 / 57

HEX #346C6E

RGB 52 108 110

HSL 182.07, 0.36%, 0.32%

LAB 42.12, -17.74, -6.79

 

CMYK 68 / 2 / 0 / 52

HEX #27787B

RGB 39 120 123

HSL 182.14, 0.52%, 0.32%

LAB 46.03, -22.79, -8.79

 

CMYK 81 / 2 / 0 / 47

HEX #1A8588

RGB 26 133 136

HSL 181.64, 0.68%, 0.32%

LAB 50.42, -26.99, -9.91

 

CMYK 91 / 3 / 0 / 42

HEX #0D9195

RGB 13 145 149

HSL 181.76, 0.84%, 0.32%

LAB 54.56, -29.7, -11.25

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 5 / 0 / 0 / 67

HEX #4F5353

RGB 79 83 83

HSL 180, 0.02%, 0.32%

LAB 34.95, -1.6, -0.56

 

CMYK 0 / 23 / 24 / 64

HEX #5C4746

RGB 92 71 70

HSL 2.73, 0.14%, 0.32%

LAB 32.31, 8.79, 4.03

 

CMYK 0 / 44 / 46 / 59

HEX #693B39

RGB 105 59 57

HSL 2.5, 0.3%, 0.32%

LAB 30.46, 20.01, 10.04

 

CMYK 0 / 61 / 63 / 54

HEX #762E2C

RGB 118 46 44

HSL 1.62, 0.46%, 0.32%

LAB 29.38, 31.47, 17.37

 

CMYK 32 / 0 / 16 / 62

HEX #426151

RGB 66 97 81

HSL 149.03, 0.19%, 0.32%

LAB 38.38, -15.21, 5.52

 

CMYK 32 / 0 / 8 / 62

HEX #426159

RGB 66 97 89

HSL 164.52, 0.19%, 0.32%

LAB 38.6, -13.3, 0.92

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 32 / 9 / 0 / 62

HEX #425861

RGB 66 88 97

HSL 197.42, 0.19%, 0.32%

LAB 35.99, -5.92, -7.91

 

CMYK 32 / 18 / 0 / 62

HEX #425061

RGB 66 80 97

HSL 212.9, 0.19%, 0.32%

LAB 33.48, -0.98, -11.7

 

CMYK 33 / 2 / 0 / 81

HEX #202F30

RGB 32 47 48

HSL 183.75, 0.2%, 0.16%

LAB 18.16, -5.92, -2.67

 

CMYK 32 / 1 / 0 / 72

HEX #314748

RGB 49 71 72

HSL 182.61, 0.19%, 0.24%

LAB 28.45, -8.22, -3.36

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 32 / 1 / 0 / 53

HEX #527879

RGB 82 120 121

HSL 181.54, 0.19%, 0.4%

LAB 47.76, -13.01, -4.84

 

CMYK 32 / 1 / 0 / 43

HEX #639092

RGB 99 144 146

HSL 182.55, 0.19%, 0.48%

LAB 56.76, -14.7, -5.97

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 26 / 32 / 0 / 62

HEX #484261

RGB 72 66 97

HSL 251.61, 0.19%, 0.32%

LAB 29.76, 10.12, -17.36

 

CMYK 0 / 12 / 32 / 62

HEX #615542

RGB 97 85 66

HSL 36.77, 0.19%, 0.32%

LAB 36.8, 1.66, 12.91

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 0 / 32 / 1 / 62

HEX #614260

RGB 97 66 96

HSL 301.94, 0.19%, 0.32%

LAB 32.44, 19.01, -12.37

 

CMYK 1 / 0 / 32 / 62

HEX #606142

RGB 96 97 66

HSL 61.94, 0.19%, 0.32%

LAB 40.29, -5.96, 17.6

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 26 / 32 / 0 / 62

HEX #484261

RGB 72 66 97

HSL 251.61, 0.19%, 0.32%

LAB 29.76, 10.12, -17.36

 

CMYK 0 / 32 / 32 / 62

HEX #614242

RGB 97 66 66

HSL 0, 0.19%, 0.32%

LAB 31.42, 13.46, 5.4

 

CMYK 7 / 0 / 32 / 62

HEX #5A6142

RGB 90 97 66

HSL 73.55, 0.19%, 0.32%

LAB 39.78, -8.58, 16.81

 

CMYK 32 / 1 / 0 / 62

HEX #426061

RGB 66 96 97

HSL 181.94, 0.19%, 0.32%

LAB 38.53, -10.68, -4.12

 

CMYK 15 / 32 / 0 / 62

HEX #524261

RGB 82 66 97

HSL 270.97, 0.19%, 0.32%

LAB 30.77, 13.69, -15.72

 

CMYK 0 / 32 / 32 / 62

HEX #614242

RGB 97 66 66

HSL 0, 0.19%, 0.32%

LAB 31.42, 13.46, 5.4

 

CMYK 16 / 0 / 32 / 62

HEX #516142

RGB 81 97 66

HSL 90.97, 0.19%, 0.32%

LAB 39.06, -12.4, 15.72

 

Description

Color code: RGB 66 96 97 | qconv.com Color code: RGB 66 96 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 96 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 96 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 1 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 1% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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