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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4097C8 it is the complementary color #BF6837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4097C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4097C8 shade: #4597C3, #56A9D6, #67BBE9, #78CDFC and #89DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4097C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4097C8 shade: #4097C8, #2F85B5, #1E73A2, #0D618F and #004F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4097C8 shade: #4197C7, #4173C7, #414EC7, #5841C7 and #7C41C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4097C8 shade: #4197C7, #4173C7, #414EC7 and #4141C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4097C8 shade matches the following richer shades: #4197C7, #2D9CDB and #19A2EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4097C8 shade: #4197C7, #5591B4, #688CA0, #7C868C and #908178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4097C8 shade: #41C7AF, #41BCC7, #4198C7, #4174C7 and #4150C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4097C8 shade: #29698D, #3281AD, #4197C7, #61A8D1 and #81BADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4097C8 shade: #4097C8, #8B41C7 and #C7C141

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4097C8 shade: #4097C8, #C74198 and #98C741

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4097C8 shade: #4097C8, #8B41C7, #C77041 and #7DC741

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4097C8 shade: #4097C8, #B341C7, #C77041 and #55C741

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

Complementary color

CMYK 0 / 46 / 71 / 25

HEX #BF6837

RGB 191 104 55

HSL 21.62, 0.55%, 0.48%

LAB 53.23, 30.81, 42.05

 

CMYK 65 / 23 / 0 / 24

HEX #4597C3

RGB 69 151 195

HSL 200.95, 0.51%, 0.52%

LAB 59.29, -11.27, -30.13

 

CMYK 60 / 21 / 0 / 16

HEX #56A9D6

RGB 86 169 214

HSL 201.09, 0.61%, 0.59%

LAB 65.91, -12.02, -30.42

 

CMYK 56 / 20 / 0 / 9

HEX #67BBE9

RGB 103 187 233

HSL 201.23, 0.75%, 0.66%

LAB 72.43, -12.6, -30.69

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 46 / 13 / 0 / 0

HEX #89DFFF

RGB 137 223 255

HSL 196.27, 1%, 0.77%

LAB 84.65, -17.78, -23.65

 

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

CMYK 74 / 27 / 0 / 29

HEX #2F85B5

RGB 47 133 181

HSL 201.49, 0.59%, 0.45%

LAB 52.64, -9.25, -32.57

 

CMYK 81 / 29 / 0 / 36

HEX #1E73A2

RGB 30 115 162

HSL 201.36, 0.69%, 0.38%

LAB 45.83, -7.68, -32.21

 

CMYK 91 / 32 / 0 / 44

HEX #0D618F

RGB 13 97 143

HSL 201.23, 0.83%, 0.31%

LAB 38.93, -5.55, -31.78

 

CMYK 100 / 36 / 0 / 51

HEX #004F7C

RGB 0 79 124

HSL 201.77, 1%, 0.24%

LAB 31.91, -2.75, -31.25

 

CMYK 67 / 24 / 0 / 22

HEX #4197C7

RGB 65 151 199

HSL 201.49, 0.54%, 0.52%

LAB 59.32, -10.61, -32.33

 

CMYK 67 / 42 / 0 / 22

HEX #4173C7

RGB 65 115 199

HSL 217.61, 0.54%, 0.52%

LAB 48.89, 10.67, -48.76

 

CMYK 67 / 61 / 0 / 22

HEX #414EC7

RGB 65 78 199

HSL 234.18, 0.54%, 0.52%

LAB 39.06, 34.13, -64.63

 

CMYK 56 / 67 / 0 / 22

HEX #5841C7

RGB 88 65 199

HSL 250.3, 0.54%, 0.52%

LAB 37.8, 45.44, -66.62

 

CMYK 38 / 67 / 0 / 22

HEX #7C41C7

RGB 124 65 199

HSL 266.42, 0.54%, 0.52%

LAB 41.52, 52, -60.41

 

CMYK 67 / 24 / 0 / 22

HEX #4197C7

RGB 65 151 199

HSL 201.49, 0.54%, 0.52%

LAB 59.32, -10.61, -32.33

 

CMYK 67 / 42 / 0 / 22

HEX #4173C7

RGB 65 115 199

HSL 217.61, 0.54%, 0.52%

LAB 48.89, 10.67, -48.76

 

CMYK 67 / 61 / 0 / 22

HEX #414EC7

RGB 65 78 199

HSL 234.18, 0.54%, 0.52%

LAB 39.06, 34.13, -64.63

 

CMYK 67 / 67 / 0 / 22

HEX #4141C7

RGB 65 65 199

HSL 240, 0.54%, 0.52%

LAB 36.04, 42.12, -69.58

 

CMYK 67 / 24 / 0 / 22

HEX #4197C7

RGB 65 151 199

HSL 201.49, 0.54%, 0.52%

LAB 59.32, -10.61, -32.33

 

CMYK 79 / 29 / 0 / 14

HEX #2D9CDB

RGB 45 156 219

HSL 201.72, 0.71%, 0.52%

LAB 61.18, -9.1, -40.65

 

CMYK 90 / 32 / 0 / 6

HEX #19A2EF

RGB 25 162 239

HSL 201.59, 0.87%, 0.52%

LAB 63.57, -6.76, -47.94

 

CMYK 67 / 24 / 0 / 22

HEX #4197C7

RGB 65 151 199

HSL 201.49, 0.54%, 0.52%

LAB 59.32, -10.61, -32.33

 

CMYK 53 / 19 / 0 / 29

HEX #5591B4

RGB 85 145 180

HSL 202.11, 0.39%, 0.52%

LAB 57.54, -9.47, -24.29

 

CMYK 35 / 13 / 0 / 37

HEX #688CA0

RGB 104 140 160

HSL 201.43, 0.23%, 0.52%

LAB 56.32, -7.41, -14.62

 

CMYK 11 / 4 / 0 / 45

HEX #7C868C

RGB 124 134 140

HSL 202.5, 0.07%, 0.52%

LAB 55.31, -2.37, -4.48

 

CMYK 0 / 10 / 17 / 44

HEX #908178

RGB 144 129 120

HSL 22.5, 0.1%, 0.52%

LAB 55.06, 4.12, 6.95

 

CMYK 67 / 0 / 12 / 22

HEX #41C7AF

RGB 65 199 175

HSL 169.25, 0.54%, 0.52%

LAB 72.94, -41.62, 1.49

 

CMYK 67 / 6 / 0 / 22

HEX #41BCC7

RGB 65 188 199

HSL 184.93, 0.54%, 0.52%

LAB 70.33, -29.88, -15.48

 

CMYK 67 / 24 / 0 / 22

HEX #4198C7

RGB 65 152 199

HSL 201.04, 0.54%, 0.52%

LAB 59.62, -11.17, -31.87

 

CMYK 67 / 42 / 0 / 22

HEX #4174C7

RGB 65 116 199

HSL 217.16, 0.54%, 0.52%

LAB 49.18, 10.05, -48.31

 

CMYK 67 / 60 / 0 / 22

HEX #4150C7

RGB 65 80 199

HSL 233.28, 0.54%, 0.52%

LAB 39.55, 32.87, -63.83

 

CMYK 71 / 26 / 0 / 45

HEX #29698D

RGB 41 105 141

HSL 201.6, 0.55%, 0.36%

LAB 42, -8, -25.72

 

CMYK 71 / 25 / 0 / 32

HEX #3281AD

RGB 50 129 173

HSL 201.46, 0.55%, 0.44%

LAB 51.15, -9.33, -30.28

 

CMYK 67 / 24 / 0 / 22

HEX #4197C7

RGB 65 151 199

HSL 201.49, 0.54%, 0.52%

LAB 59.32, -10.61, -32.33

 

CMYK 54 / 20 / 0 / 18

HEX #61A8D1

RGB 97 168 209

HSL 201.96, 0.55%, 0.6%

LAB 65.87, -10.78, -27.69

 

CMYK 41 / 15 / 0 / 15

HEX #81BADA

RGB 129 186 218

HSL 201.57, 0.55%, 0.68%

LAB 72.79, -10.33, -21.89

 

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

CMYK 30 / 67 / 0 / 22

HEX #8B41C7

RGB 139 65 199

HSL 273.13, 0.54%, 0.52%

LAB 43.35, 55.07, -57.35

 

CMYK 0 / 3 / 67 / 22

HEX #C7C141

RGB 199 193 65

HSL 57.31, 0.54%, 0.52%

LAB 76.47, -13.05, 62.28

 

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

CMYK 0 / 67 / 24 / 22

HEX #C74198

RGB 199 65 152

HSL 321.04, 0.54%, 0.52%

LAB 49.73, 61.28, -19.06

 

CMYK 24 / 0 / 67 / 22

HEX #98C741

RGB 152 199 65

HSL 81.04, 0.54%, 0.52%

LAB 74.76, -35.16, 59.45

 

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

CMYK 30 / 67 / 0 / 22

HEX #8B41C7

RGB 139 65 199

HSL 273.13, 0.54%, 0.52%

LAB 43.35, 55.07, -57.35

 

CMYK 0 / 44 / 67 / 22

HEX #C77041

RGB 199 112 65

HSL 21.04, 0.54%, 0.52%

LAB 56.2, 30.36, 40.51

 

CMYK 37 / 0 / 67 / 22

HEX #7DC741

RGB 125 199 65

HSL 93.13, 0.54%, 0.52%

LAB 73.28, -45.01, 57.43

 

CMYK 68 / 25 / 0 / 22

HEX #4097C8

RGB 64 151 200

HSL 201.62, 0.55%, 0.52%

LAB 59.34, -10.44, -32.87

 

CMYK 10 / 67 / 0 / 22

HEX #B341C7

RGB 179 65 199

HSL 291.04, 0.54%, 0.52%

LAB 48.87, 63.79, -48.19

 

CMYK 0 / 44 / 67 / 22

HEX #C77041

RGB 199 112 65

HSL 21.04, 0.54%, 0.52%

LAB 56.2, 30.36, 40.51

 

CMYK 57 / 0 / 67 / 22

HEX #55C741

RGB 85 199 65

HSL 111.04, 0.54%, 0.52%

LAB 71.66, -56.97, 55.23

 

Description

Color code: HEX #4097C8 | qconv.com Color code: HEX #4097C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 151 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 151 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 25 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 25% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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