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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78CDFC it is the complementary color #873203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78CDFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78CDFC shade: #7DCDF7, #8EDFFF, #9FF1FF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78CDFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78CDFC shade: #78CDFC, #67BBE9, #56A9D6, #4597C3 and #3485B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78CDFC shade: #78CDFC, #78A9FC, #7885FC, #8D78FC and #B178FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78CDFC shade: #78CDFC, #78A9FC, #7885FC and #7878FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78CDFC shade matches the following richer shades: #78CDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78CDFC shade: #78CDFC, #83C9F1, #8EC6E5, #99C3DA and #A4C0CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78CDFC shade: #78FCE4, #78F1FC, #78CDFC, #78AAFC and #7887FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78CDFC shade: #27AFFA, #4FBEFB, #78CDFC, #A0DCFD and #C8EBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78CDFC shade: #78CDFC, #C078FC and #FCF578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78CDFC shade: #78CDFC, #FC78CD and #CDFC78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78CDFC shade: #78CDFC, #C078FC, #FCA678 and #B3FC78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78CDFC shade: #78CDFC, #E878FC, #FCA678 and #8BFC78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

Complementary color

CMYK 0 / 63 / 98 / 47

HEX #873203

RGB 135 50 3

HSL 21.36, 0.96%, 0.27%

LAB 32.79, 34.47, 43.16

 

CMYK 49 / 17 / 0 / 3

HEX #7DCDF7

RGB 125 205 247

HSL 200.66, 0.88%, 0.73%

LAB 78.89, -13.4, -28.23

 

CMYK 44 / 13 / 0 / 0

HEX #8EDFFF

RGB 142 223 255

HSL 196.99, 1%, 0.78%

LAB 84.87, -16.62, -23.29

 

CMYK 38 / 5 / 0 / 0

HEX #9FF1FF

RGB 159 241 255

HSL 188.75, 1%, 0.81%

LAB 90.55, -21.48, -14.64

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 56 / 20 / 0 / 9

HEX #67BBE9

RGB 103 187 233

HSL 201.23, 0.75%, 0.66%

LAB 72.43, -12.6, -30.69

 

CMYK 60 / 21 / 0 / 16

HEX #56A9D6

RGB 86 169 214

HSL 201.09, 0.61%, 0.59%

LAB 65.91, -12.02, -30.42

 

CMYK 65 / 23 / 0 / 24

HEX #4597C3

RGB 69 151 195

HSL 200.95, 0.51%, 0.52%

LAB 59.29, -11.27, -30.13

 

CMYK 70 / 24 / 0 / 31

HEX #3485B0

RGB 52 133 176

HSL 200.81, 0.54%, 0.45%

LAB 52.55, -10.28, -29.81

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 52 / 33 / 0 / 1

HEX #78A9FC

RGB 120 169 252

HSL 217.73, 0.96%, 0.73%

LAB 69.04, 6.6, -46.23

 

CMYK 52 / 47 / 0 / 1

HEX #7885FC

RGB 120 133 252

HSL 234.09, 0.96%, 0.73%

LAB 59.7, 27.59, -61.04

 

CMYK 44 / 52 / 0 / 1

HEX #8D78FC

RGB 141 120 252

HSL 249.55, 0.96%, 0.73%

LAB 58.15, 39.68, -63.44

 

CMYK 30 / 52 / 0 / 1

HEX #B178FC

RGB 177 120 252

HSL 265.91, 0.96%, 0.73%

LAB 61.49, 48.1, -57.92

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 52 / 33 / 0 / 1

HEX #78A9FC

RGB 120 169 252

HSL 217.73, 0.96%, 0.73%

LAB 69.04, 6.6, -46.23

 

CMYK 52 / 47 / 0 / 1

HEX #7885FC

RGB 120 133 252

HSL 234.09, 0.96%, 0.73%

LAB 59.7, 27.59, -61.04

 

CMYK 52 / 52 / 0 / 1

HEX #7878FC

RGB 120 120 252

HSL 240, 0.96%, 0.73%

LAB 56.54, 35.28, -66.13

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 46 / 17 / 0 / 5

HEX #83C9F1

RGB 131 201 241

HSL 201.82, 0.8%, 0.73%

LAB 77.85, -11.59, -26.59

 

CMYK 38 / 14 / 0 / 10

HEX #8EC6E5

RGB 142 198 229

HSL 201.38, 0.63%, 0.73%

LAB 77.16, -10.43, -21.14

 

CMYK 30 / 11 / 0 / 15

HEX #99C3DA

RGB 153 195 218

HSL 201.23, 0.47%, 0.73%

LAB 76.6, -8.54, -16

 

CMYK 21 / 7 / 0 / 19

HEX #A4C0CF

RGB 164 192 207

HSL 200.93, 0.31%, 0.73%

LAB 76.13, -6.19, -10.68

 

CMYK 52 / 0 / 10 / 1

HEX #78FCE4

RGB 120 252 228

HSL 169.09, 0.96%, 0.73%

LAB 91.33, -42.08, 0.39

 

CMYK 52 / 4 / 0 / 1

HEX #78F1FC

RGB 120 241 252

HSL 185, 0.96%, 0.73%

LAB 88.89, -31.03, -15.72

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 52 / 33 / 0 / 1

HEX #78AAFC

RGB 120 170 252

HSL 217.27, 0.96%, 0.73%

LAB 69.31, 6.03, -45.81

 

CMYK 52 / 46 / 0 / 1

HEX #7887FC

RGB 120 135 252

HSL 233.18, 0.96%, 0.73%

LAB 60.2, 26.41, -60.25

 

CMYK 84 / 30 / 0 / 2

HEX #27AFFA

RGB 39 175 250

HSL 201.33, 0.95%, 0.57%

LAB 68.02, -9.22, -46.93

 

CMYK 69 / 24 / 0 / 2

HEX #4FBEFB

RGB 79 190 251

HSL 201.28, 0.96%, 0.65%

LAB 73.19, -12.73, -39.31

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 37 / 13 / 0 / 1

HEX #A0DCFD

RGB 160 220 253

HSL 201.29, 0.96%, 0.81%

LAB 84.87, -11.12, -22.15

 

CMYK 21 / 7 / 0 / 1

HEX #C8EBFD

RGB 200 235 253

HSL 200.38, 0.93%, 0.89%

LAB 91.14, -7.58, -12.48

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 24 / 52 / 0 / 1

HEX #C078FC

RGB 192 120 252

HSL 272.73, 0.96%, 0.73%

LAB 63.07, 51.83, -55.31

 

CMYK 0 / 3 / 52 / 1

HEX #FCF578

RGB 252 245 120

HSL 56.82, 0.96%, 0.73%

LAB 94.89, -13.51, 60.16

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 0 / 52 / 19 / 1

HEX #FC78CD

RGB 252 120 205

HSL 321.36, 0.96%, 0.73%

LAB 68.41, 59.95, -20.36

 

CMYK 19 / 0 / 52 / 1

HEX #CDFC78

RGB 205 252 120

HSL 81.36, 0.96%, 0.73%

LAB 93.43, -34.87, 57.62

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 24 / 52 / 0 / 1

HEX #C078FC

RGB 192 120 252

HSL 272.73, 0.96%, 0.73%

LAB 63.07, 51.83, -55.31

 

CMYK 0 / 34 / 52 / 1

HEX #FCA678

RGB 252 166 120

HSL 20.91, 0.96%, 0.73%

LAB 75.65, 27.02, 36.75

 

CMYK 29 / 0 / 52 / 1

HEX #B3FC78

RGB 179 252 120

HSL 93.18, 0.96%, 0.73%

LAB 91.94, -44.11, 55.48

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 8 / 52 / 0 / 1

HEX #E878FC

RGB 232 120 252

HSL 290.91, 0.96%, 0.73%

LAB 67.74, 62.1, -47.62

 

CMYK 0 / 34 / 52 / 1

HEX #FCA678

RGB 252 166 120

HSL 20.91, 0.96%, 0.73%

LAB 75.65, 27.02, 36.75

 

CMYK 45 / 0 / 52 / 1

HEX #8BFC78

RGB 139 252 120

HSL 111.36, 0.96%, 0.73%

LAB 90.08, -56.72, 52.81

 

Description

Color code: HEX #78CDFC | qconv.com Color code: HEX #78CDFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 205 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 205 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 19 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 19% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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