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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 93 / 53 / 0 / 56 it is the complementary color CMYK 0 / 18 / 42 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 93 / 53 / 0 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 88 / 50 / 0 / 58, CMYK 76 / 44 / 0 / 51, CMYK 68 / 39 / 0 / 43, CMYK 61 / 35 / 0 / 36 and CMYK 56 / 32 / 0 / 28

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 93 / 53 / 0 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 93 / 53 / 0 / 56, CMYK 100 / 62 / 0 / 64, CMYK 100 / 77 / 0 / 71, CMYK 100 / 100 / 0 / 78 and CMYK 100 / 100 / 0 / 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 94 / 53 / 0 / 55, CMYK 94 / 78 / 0 / 55, CMYK 83 / 94 / 0 / 55, CMYK 58 / 94 / 0 / 55 and CMYK 33 / 94 / 0 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 94 / 53 / 0 / 55, CMYK 94 / 78 / 0 / 55 and CMYK 94 / 94 / 0 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 93 / 53 / 0 / 56 shade matches the following richer shades: CMYK 94 / 53 / 0 / 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 94 / 53 / 0 / 55, CMYK 84 / 47 / 0 / 59, CMYK 71 / 40 / 0 / 63, CMYK 56 / 31 / 0 / 67 and CMYK 36 / 20 / 0 / 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 94 / 4 / 0 / 55, CMYK 94 / 28 / 0 / 55, CMYK 94 / 53 / 0 / 55, CMYK 94 / 78 / 0 / 55 and CMYK 84 / 94 / 0 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 95 / 54 / 0 / 85, CMYK 93 / 53 / 0 / 71, CMYK 94 / 53 / 0 / 55, CMYK 93 / 53 / 0 / 40 and CMYK 93 / 53 / 0 / 25

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 93 / 53 / 0 / 56, CMYK 22 / 94 / 0 / 55 and CMYK 16 / 0 / 94 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 93 / 53 / 0 / 56, CMYK 0 / 94 / 53 / 55 and CMYK 53 / 0 / 94 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 93 / 53 / 0 / 56, CMYK 22 / 94 / 0 / 55, CMYK 0 / 40 / 94 / 55 and CMYK 72 / 0 / 94 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 93 / 53 / 0 / 56 shade: CMYK 93 / 53 / 0 / 56, CMYK 0 / 94 / 6 / 55, CMYK 0 / 40 / 94 / 55 and CMYK 94 / 0 / 87 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

Complementary color

CMYK 0 / 18 / 42 / 3

HEX #F7CA8F

RGB 247 202 143

HSL 34.04, 0.87%, 0.76%

LAB 83.96, 8.36, 35.42

 

CMYK 88 / 50 / 0 / 58

HEX #0D356B

RGB 13 53 107

HSL 214.47, 0.78%, 0.24%

LAB 22.63, 8.74, -35.31

 

CMYK 76 / 44 / 0 / 51

HEX #1E477E

RGB 30 71 126

HSL 214.38, 0.62%, 0.31%

LAB 30.13, 6.2, -35.29

 

CMYK 68 / 39 / 0 / 43

HEX #2F5991

RGB 47 89 145

HSL 214.29, 0.51%, 0.38%

LAB 37.47, 4.43, -35.24

 

CMYK 61 / 35 / 0 / 36

HEX #406BA4

RGB 64 107 164

HSL 214.2, 0.44%, 0.45%

LAB 44.64, 3.14, -35.19

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

CMYK 100 / 62 / 0 / 64

HEX #00235D

RGB 0 35 93

HSL 217.42, 1%, 0.18%

LAB 15.45, 14.66, -37.8

 

CMYK 100 / 77 / 0 / 71

HEX #00114A

RGB 0 17 74

HSL 226.22, 1%, 0.15%

LAB 8.09, 19.8, -36.94

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 94 / 78 / 0 / 55

HEX #071972

RGB 7 25 114

HSL 229.91, 0.88%, 0.24%

LAB 15.25, 31.21, -51.91

 

CMYK 83 / 94 / 0 / 55

HEX #130772

RGB 19 7 114

HSL 246.73, 0.88%, 0.24%

LAB 12.64, 41, -56.23

 

CMYK 58 / 94 / 0 / 55

HEX #300772

RGB 48 7 114

HSL 262.99, 0.88%, 0.24%

LAB 15.46, 42.99, -51.46

 

CMYK 33 / 94 / 0 / 55

HEX #4C0772

RGB 76 7 114

HSL 278.69, 0.88%, 0.24%

LAB 19.65, 46.44, -44.42

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 94 / 78 / 0 / 55

HEX #071972

RGB 7 25 114

HSL 229.91, 0.88%, 0.24%

LAB 15.25, 31.21, -51.91

 

CMYK 94 / 94 / 0 / 55

HEX #070772

RGB 7 7 114

HSL 240, 0.88%, 0.24%

LAB 12.04, 40.61, -57.25

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 84 / 47 / 0 / 59

HEX #113768

RGB 17 55 104

HSL 213.79, 0.72%, 0.24%

LAB 23.17, 6.45, -32.49

 

CMYK 71 / 40 / 0 / 63

HEX #1B385E

RGB 27 56 94

HSL 214.03, 0.55%, 0.24%

LAB 23.24, 3.14, -25.87

 

CMYK 56 / 31 / 0 / 67

HEX #253A54

RGB 37 58 84

HSL 213.19, 0.39%, 0.24%

LAB 23.87, 0.26, -18.28

 

CMYK 36 / 20 / 0 / 71

HEX #2F3B4A

RGB 47 59 74

HSL 213.33, 0.22%, 0.24%

LAB 24.41, -0.65, -10.78

 

CMYK 94 / 4 / 0 / 55

HEX #076E72

RGB 7 110 114

HSL 182.24, 0.88%, 0.24%

LAB 41.86, -24.07, -9.71

 

CMYK 94 / 28 / 0 / 55

HEX #075272

RGB 7 82 114

HSL 197.94, 0.88%, 0.24%

LAB 32.47, -8.27, -24.14

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 94 / 78 / 0 / 55

HEX #071972

RGB 7 25 114

HSL 229.91, 0.88%, 0.24%

LAB 15.25, 31.21, -51.91

 

CMYK 84 / 94 / 0 / 55

HEX #120772

RGB 18 7 114

HSL 246.17, 0.88%, 0.24%

LAB 12.58, 40.96, -56.33

 

CMYK 95 / 54 / 0 / 85

HEX #021125

RGB 2 17 37

HSL 214.29, 0.9%, 0.08%

LAB 4.94, 1.6, -15.09

 

CMYK 93 / 53 / 0 / 71

HEX #05234B

RGB 5 35 75

HSL 214.29, 0.88%, 0.16%

LAB 14.07, 6.87, -27.85

 

CMYK 94 / 53 / 0 / 55

HEX #073672

RGB 7 54 114

HSL 213.64, 0.88%, 0.24%

LAB 23.33, 10.59, -38.68

 

CMYK 93 / 53 / 0 / 40

HEX #0A4899

RGB 10 72 153

HSL 213.99, 0.88%, 0.32%

LAB 31.81, 14.81, -49.23

 

CMYK 93 / 53 / 0 / 25

HEX #0D5ABF

RGB 13 90 191

HSL 214.04, 0.87%, 0.4%

LAB 39.85, 18.38, -58.78

 

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

CMYK 22 / 94 / 0 / 55

HEX #590772

RGB 89 7 114

HSL 285.98, 0.88%, 0.24%

LAB 21.91, 48.48, -40.64

 

CMYK 16 / 0 / 94 / 55

HEX #607207

RGB 96 114 7

HSL 70.09, 0.88%, 0.24%

LAB 44.99, -20.13, 48.82

 

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

CMYK 0 / 94 / 53 / 55

HEX #720736

RGB 114 7 54

HSL 333.64, 0.88%, 0.24%

LAB 23.66, 45.24, 2.69

 

CMYK 53 / 0 / 94 / 55

HEX #367207

RGB 54 114 7

HSL 93.64, 0.88%, 0.24%

LAB 42.51, -37.02, 45.77

 

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

CMYK 22 / 94 / 0 / 55

HEX #590772

RGB 89 7 114

HSL 285.98, 0.88%, 0.24%

LAB 21.91, 48.48, -40.64

 

CMYK 0 / 40 / 94 / 55

HEX #724407

RGB 114 68 7

HSL 34.21, 0.88%, 0.24%

LAB 33.41, 15.31, 40.48

 

CMYK 72 / 0 / 94 / 55

HEX #207207

RGB 32 114 7

HSL 105.98, 0.88%, 0.24%

LAB 41.78, -43, 44.85

 

CMYK 93 / 53 / 0 / 56

HEX #083570

RGB 8 53 112

HSL 214.04, 0.87%, 0.24%

LAB 22.89, 10.51, -38.12

 

CMYK 0 / 94 / 6 / 55

HEX #72076B

RGB 114 7 107

HSL 303.93, 0.88%, 0.24%

LAB 26.13, 51.81, -29.08

 

CMYK 0 / 40 / 94 / 55

HEX #724407

RGB 114 68 7

HSL 34.21, 0.88%, 0.24%

LAB 33.41, 15.31, 40.48

 

CMYK 94 / 0 / 87 / 55

HEX #07720F

RGB 7 114 15

HSL 124.49, 0.88%, 0.24%

LAB 41.4, -46.22, 42.39

 

Description

Color code: CMYK 93 / 53 / 0 / 56 | qconv.com Color code: CMYK 93 / 53 / 0 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 8 red, 53 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
8 53 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 53 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 53% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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