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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #517DB7 it is the complementary color #AE8248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #517DB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #517DB7 shade: #567DB2, #678FC5, #78A1D8, #89B3EB and #9AC5FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #517DB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #517DB7 shade: #517DB7, #406BA4, #2F5991, #1E477E and #0D356B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #517DB7 shade: #527DB6, #5262B6, #5D52B6, #7852B6 and #9352B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #517DB7 shade: #527DB6, #5262B6 and #5252B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #517DB7 shade matches the following richer shades: #527DB6, #3E7ACA, #2A78DE and #1775F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #517DB7 shade: #527DB6, #6680A2, #7A838F, #8D857B and #A18867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #517DB7 shade: #52B3B6, #5298B6, #527DB6, #5263B6 and #5C52B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #517DB7 shade: #355680, #42699D, #527DB6, #6F93C2 and #8CA9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #517DB7 shade: #517DB7, #9F52B6 and #A6B652

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #517DB7 shade: #517DB7, #B6527D and #7DB652

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #517DB7 shade: #517DB7, #9F52B6, #B68B52 and #69B652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #517DB7 shade: #517DB7, #B652B0, #B68B52 and #52B659

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

Complementary color

CMYK 0 / 25 / 59 / 32

HEX #AE8248

RGB 174 130 72

HSL 34.12, 0.41%, 0.48%

LAB 57.49, 10.3, 37.58

 

CMYK 52 / 30 / 0 / 30

HEX #567DB2

RGB 86 125 178

HSL 214.57, 0.37%, 0.52%

LAB 51.68, 1.69, -32.22

 

CMYK 48 / 27 / 0 / 23

HEX #678FC5

RGB 103 143 197

HSL 214.47, 0.45%, 0.59%

LAB 58.56, 1.06, -32.26

 

CMYK 44 / 25 / 0 / 15

HEX #78A1D8

RGB 120 161 216

HSL 214.38, 0.55%, 0.66%

LAB 65.31, 0.54, -32.32

 

CMYK 42 / 24 / 0 / 8

HEX #89B3EB

RGB 137 179 235

HSL 214.29, 0.71%, 0.73%

LAB 71.93, 0.1, -32.42

 

CMYK 39 / 22 / 0 / 0

HEX #9AC5FE

RGB 154 197 254

HSL 214.2, 0.98%, 0.8%

LAB 78.44, -0.27, -32.54

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 61 / 35 / 0 / 36

HEX #406BA4

RGB 64 107 164

HSL 214.2, 0.44%, 0.45%

LAB 44.64, 3.14, -35.19

 

CMYK 68 / 39 / 0 / 43

HEX #2F5991

RGB 47 89 145

HSL 214.29, 0.51%, 0.38%

LAB 37.47, 4.43, -35.24

 

CMYK 76 / 44 / 0 / 51

HEX #1E477E

RGB 30 71 126

HSL 214.38, 0.62%, 0.31%

LAB 30.13, 6.2, -35.29

 

CMYK 88 / 50 / 0 / 58

HEX #0D356B

RGB 13 53 107

HSL 214.47, 0.78%, 0.24%

LAB 22.63, 8.74, -35.31

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 55 / 46 / 0 / 29

HEX #5262B6

RGB 82 98 182

HSL 230.4, 0.41%, 0.52%

LAB 44.1, 18.69, -46.54

 

CMYK 49 / 55 / 0 / 29

HEX #5D52B6

RGB 93 82 182

HSL 246.6, 0.41%, 0.52%

LAB 40.8, 31.11, -51.79

 

CMYK 34 / 55 / 0 / 29

HEX #7852B6

RGB 120 82 182

HSL 262.8, 0.41%, 0.52%

LAB 43.37, 37.52, -47.53

 

CMYK 19 / 55 / 0 / 29

HEX #9352B6

RGB 147 82 182

HSL 279, 0.41%, 0.52%

LAB 46.47, 44.54, -42.41

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 55 / 46 / 0 / 29

HEX #5262B6

RGB 82 98 182

HSL 230.4, 0.41%, 0.52%

LAB 44.1, 18.69, -46.54

 

CMYK 55 / 55 / 0 / 29

HEX #5252B6

RGB 82 82 182

HSL 240, 0.41%, 0.52%

LAB 39.92, 28.79, -53.25

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 69 / 40 / 0 / 21

HEX #3E7ACA

RGB 62 122 202

HSL 214.29, 0.57%, 0.52%

LAB 50.93, 6.95, -47.24

 

CMYK 81 / 46 / 0 / 13

HEX #2A78DE

RGB 42 120 222

HSL 214, 0.73%, 0.52%

LAB 50.92, 13.13, -58.63

 

CMYK 90 / 52 / 0 / 5

HEX #1775F2

RGB 23 117 242

HSL 214.25, 0.89%, 0.52%

LAB 51.05, 21.38, -69.65

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 37 / 21 / 0 / 36

HEX #6680A2

RGB 102 128 162

HSL 214, 0.24%, 0.52%

LAB 52.81, -0.59, -21.14

 

CMYK 15 / 8 / 0 / 44

HEX #7A838F

RGB 122 131 143

HSL 214.29, 0.09%, 0.52%

LAB 54.4, -0.7, -7.58

 

CMYK 0 / 6 / 13 / 45

HEX #8D857B

RGB 141 133 123

HSL 33.33, 0.07%, 0.52%

LAB 55.96, 1.19, 6.46

 

CMYK 0 / 16 / 36 / 37

HEX #A18867

RGB 161 136 103

HSL 34.14, 0.24%, 0.52%

LAB 58.19, 4.57, 21.26

 

CMYK 55 / 2 / 0 / 29

HEX #52B3B6

RGB 82 179 182

HSL 181.8, 0.41%, 0.52%

LAB 67.58, -27.41, -10.19

 

CMYK 55 / 16 / 0 / 29

HEX #5298B6

RGB 82 152 182

HSL 198, 0.41%, 0.52%

LAB 59.55, -13.39, -22.34

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 55 / 46 / 0 / 29

HEX #5263B6

RGB 82 99 182

HSL 229.8, 0.41%, 0.52%

LAB 44.37, 18.06, -46.11

 

CMYK 49 / 55 / 0 / 29

HEX #5C52B6

RGB 92 82 182

HSL 246, 0.41%, 0.52%

LAB 40.71, 30.89, -51.93

 

CMYK 59 / 33 / 0 / 50

HEX #355680

RGB 53 86 128

HSL 213.6, 0.41%, 0.35%

LAB 35.93, 1.44, -27.28

 

CMYK 58 / 33 / 0 / 38

HEX #42699D

RGB 66 105 157

HSL 214.29, 0.41%, 0.44%

LAB 43.79, 2.4, -32.38

 

CMYK 55 / 31 / 0 / 29

HEX #527DB6

RGB 82 125 182

HSL 214.2, 0.41%, 0.52%

LAB 51.65, 2.05, -34.58

 

CMYK 43 / 24 / 0 / 24

HEX #6F93C2

RGB 111 147 194

HSL 213.98, 0.4%, 0.6%

LAB 60.02, -0.09, -28.28

 

CMYK 32 / 18 / 0 / 19

HEX #8CA9CF

RGB 140 169 207

HSL 214.03, 0.41%, 0.68%

LAB 68.36, -0.95, -22.57

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 13 / 55 / 0 / 29

HEX #9F52B6

RGB 159 82 182

HSL 286.2, 0.41%, 0.52%

LAB 47.99, 47.77, -39.9

 

CMYK 9 / 0 / 55 / 29

HEX #A6B652

RGB 166 182 82

HSL 69.6, 0.41%, 0.52%

LAB 70.99, -20.1, 48.24

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 0 / 55 / 31 / 29

HEX #B6527D

RGB 182 82 125

HSL 334.2, 0.41%, 0.52%

LAB 48.83, 45.16, -4.5

 

CMYK 31 / 0 / 55 / 29

HEX #7DB652

RGB 125 182 82

HSL 94.2, 0.41%, 0.52%

LAB 68.33, -36.01, 44.48

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 13 / 55 / 0 / 29

HEX #9F52B6

RGB 159 82 182

HSL 286.2, 0.41%, 0.52%

LAB 47.99, 47.77, -39.9

 

CMYK 0 / 24 / 55 / 29

HEX #B68B52

RGB 182 139 82

HSL 34.2, 0.41%, 0.52%

LAB 60.8, 9.58, 36.52

 

CMYK 42 / 0 / 55 / 29

HEX #69B652

RGB 105 182 82

HSL 106.2, 0.41%, 0.52%

LAB 67.33, -42.81, 43.04

 

CMYK 56 / 32 / 0 / 28

HEX #517DB7

RGB 81 125 183

HSL 214.12, 0.41%, 0.52%

LAB 51.65, 2.16, -35.17

 

CMYK 0 / 55 / 3 / 29

HEX #B652B0

RGB 182 82 176

HSL 303.6, 0.41%, 0.52%

LAB 50.82, 52.96, -31.73

 

CMYK 0 / 24 / 55 / 29

HEX #B68B52

RGB 182 139 82

HSL 34.2, 0.41%, 0.52%

LAB 60.8, 9.58, 36.52

 

CMYK 55 / 0 / 51 / 29

HEX #52B659

RGB 82 182 89

HSL 124.2, 0.41%, 0.52%

LAB 66.5, -48.55, 38.41

 

Description

Color code: HEX #517DB7 | qconv.com Color code: HEX #517DB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 125 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 125 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 32 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 32% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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